Ich mag keine Klassik, aber das gefällt mir!

~ Release by Various Artists (see all versions of this release, 4 available)

Annotation

Copyright: ℗ 2009 Sony Music Entertainment

Annotation last modified on 2025-05-01 16:05 UTC.

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Also sprach Zarathustra, Op. 30: Sonnenaufgang
recording engineer:
Leslie Chase (on 1954-03-08)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-08)
conductor:
Fritz Reiner (conductor) (on 1954-03-08)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-08)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (on 1954-03-08)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss, Fritz Reiner & Chicago Symphony Orchestra1:29
2Carmina Burana: Fortuna imperatrix mundi: O Fortuna
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff, Eduardo Mata, London Symphony Chorus, London Symphony Orchestra & St Paul’s Cathedral Choir2:47
3Die Walküre, WWV 86B: Walkürenritt
orchestra:
Orchester der Tiroler Festspiele
conductor:
Gustav Kuhn (Austrian conductor, stage director)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Carl Orff; Richard Wagner, Gustav Kuhn & Festspielorchester Göttingen5:16
4Mandolin Concerto in C Major, RV 425: I. Allegro
mandolin:
Nigel Woodhouse (mandolist and guitarist)
orchestra:
London Musici
conductor:
Mark Stephenson (conductor/producer)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi, London Musici, Mark Stephenson & Nigel Woodhouse2:43
5Requiem in D Minor, K. 626: III. Dies irae
recording engineer:
Peter Jütte (from 1991-03-12 until 1991-03-15)
producer:
Wolfram Graul (Conductor, engineer, producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1991-03-12 until 1991-03-15)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1991-03-12 until 1991-03-15)
conductor:
Sir Colin Davis (English conductor) (from 1991-03-12 until 1991-03-15)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1991-03-12 until 1991-03-15)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (from 1991-03-12 until 1991-03-15)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart, Sir Colin Davis, Bavarian Radio Chorus & Bavarian Radio Symphony Orchestra1:45
6Suite No. 2 for Jazz Orchestra: VII. Waltz II
orchestra:
Radio-Sinfonie-Orchester Frankfurt (Frankfurt Radio Symphony)
conductor and performer:
Dmitri Kitaenko (Dmitri Kitayenko, Soviet, Russian conductor b. 1940)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Suite for Variety Orchestra
Dmitri Shostakovich; Dmitri Kitayenko, hr‐Sinfonieorchester, Radio-Sinfonie-Orchester Frankfurt3:50
7Hungarian Dances, WoO 1: No. 1 in G Minor
orchestra:
Orchestra filarmonică „George Enescu” (George Enescu Philharmonic Orchestra)
conductor:
Christian Mandael
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto (Brahms orchestration)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
part of:
Hungarian Dances for orchestra, WoO 1, Book 1
Johannes Brahms, Cristian Mandeal & Orchestra filarmonică „George Enescu”3:10
8L'invitation au château, FP 138: Acte 2: Tango
clarinet:
Paul Meyer (clarinetist and conductor)
piano:
Éric Le Sage (French pianist)
violin:
Kolja Blacher (violinist)
recording of:
L'Invitation au Château : Tango
composer:
Francis Poulenc (French composer and pianist)
part of:
L'Invitation au château, FP 138
partial recording of:
L'Invitation au château, FP 138
composer:
Francis Poulenc (French composer and pianist)
part of:
Francis Poulenc’s works (FP) (number: FP 138)
Francis Poulenc, Eric Le Sage, Paul Meyer & Kolja Blacher1:44
9Gitanerías
orchestra:
Morton Gould and His Orchestra and Morton Gould's Symphonic Band
conductor:
Morton Gould (American composer and conductor)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1955-09-29 until 1955-10-11)
recording of:
Andalucía (Suite española): IV. Gitanerías
composer:
Ernesto Lecuona
part of:
Andalucía (Suite española) (for solo piano)
Ernesto Lecuona, Morton Gould & Morton Gould Orchestra1:46
10Requiem: Dies Irae
choir vocals:
Chicago Symphony Chorus
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi, Sir Georg Solti, Chicago Symphony Orchestra & Chicago Symphony Chorus2:00
11Gayane Suite No. 3: 5. Sabre Dance
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
performer:
Boston Pops Orchestra
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Aram Khachaturian, Arthur Fiedler & Boston Pops Orchestra2:24
12Má vlast, JB 1:112: II. Vltava, "The Moldau"
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Gustav Kuhn (Austrian conductor, stage director)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana, Gustav Kuhn & Bamberg Symphony2:59
13Lakmé, Act 1: Dôme épais le jasmin "Flower Duet"
mezzo-soprano vocals [Mallika]:
Ruby Philogene (mezzo-soprano)
soprano vocals [Lakmé]:
Janice Watson (soprano)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Carl Davis (conductor and composer)
partial recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes, Carl Davis, Royal Liverpool Philharmonic Orchestra, Janice Watson, Ruby Philogene & The King's Division Normandy Band1:31
14Canon & Gigue in D Major, P. 37: Canon
orchestra:
Baroque Chamber Orchestra (The Baroque Chamber Orchestra)
conductor:
Ettore Stratta (conductor, producer)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel, Ettore Stratta & Baroque Chamber Orchestra4:47
15La Traviata: Noi siamo zingarelle
choir vocals:
Coro della RCA Italiana (in 1967)
orchestra:
RCA Italiana Opera Orchestra (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1967)
conductor:
Georges Prêtre (French conductor) (in 1967)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro) (in 1967)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi, RCA Italiana Opera Chorus, Georges Prêtre, RCA Italiana Opera Orchestra, Thomas Jamerson & Harold Enns2:54
16Masquerade Suite: I. Waltz
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
orchestra:
RCA Victor Symphony Orchestra (on 1958-10-30)
conductor:
Кирилл Кондрашин (Kirill Kondrashin, conductor) (on 1958-10-30)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1958-10-30)
recording of:
Masquerade Suite, op. 48a: I. Waltz (on 1958-10-30)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1944)
part of:
Masquerade Suite, op. 48a
Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra & Oscar Shumsky4:27
17Die Zauberflöte, K. 620: Act II: Der Hölle Rache
producer:
Niels Høirup (in 1970)
soprano vocals, soprano vocals [Die Königin der Nacht] and soprano vocals [Königin der Nacht]:
Sỳlvia Geszty (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1970)
conductor:
Otmar Suitner (conductor) (in 1970)
phonographic copyright (℗) by:
BMG Music (in 1971)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart, Otmar Suitner, Sỳlvia Geszty & Staatskapelle Dresden2:48
18Tsar Saltan, Op. 57: Flight of the Bumblebee
recording engineer:
K. E. Wilkinson (engineer) (from 1968-04-04 until 1968-04-05)
producer:
Peter Dellheim (producer for RCA)
orchestra:
London Symphony Orchestra (from 1968-04-04 until 1968-04-05)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1968-04-04 until 1968-04-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-04-04 until 1968-04-05)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) (from 1968-04-04 until 1968-04-05)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Nikolai Rimsky-Korsakov, André Previn & London Symphony Orchestra1:24
19Il barbiere di Siviglia: Io sono docile
soprano vocals:
Roberta Peters (soprano)
orchestra:
Metropolitan Opera Orchestra
conductor:
Erich Leinsdorf (conductor)
partial recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra & Metropolitan Opera Chorus3:53
20Pavane in F-Sharp Minor, Op. 50
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré, Charles Gerhardt & National Philharmonic Orchestra5:42
21The Carnival of the Animals, R. 125: VII. Aquarium
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns, Arthur Fiedler, Boston Pops Orchestra & Hugh Downs2:25
22Madama Butterfly: Act II: Un bel di vedremo
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Edward Downes (conductor)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini, Leontyne Price, Sir Edward Downes & Philharmonia Orchestra4:22
23Cavalleria rusticana: Act I: Intermezzo sinfonico
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
performer:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
phonographic copyright (℗) by:
BMG Entertainment (in 1979)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Cavalleria rusticana: Intermezzo (in 1978)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni, James Levine & National Philharmonic Orchestra4:05
24Trois Gymnopédies: Gymnopédie No. 1 in D Major: Lent et douloureux
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie, Charles Gerhardt, National Philharmonic Orchestra, David Watkins, William Bennett, David Theodore, Tom Kelly & James Brown3:47
2▼Digital Media
#TitleArtistRatingLength
1Le Quattro Stagioni: Violin Concerto No. 2 in G Minor, RV 315, "L'Estate": III. Presto
violin:
Vladimir Spivakov (Russian violinist/conductor)
orchestra and performer:
Moscow Virtuosi
conductor:
Vladimir Spivakov (Russian violinist/conductor)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi, Vladimir Spivakov & Moscow Virtuosi2:37
2La Traviata: Act I: Libiamo ne' lieti calici
choir vocals:
Coro della RCA Italiana (in 1967)
soprano vocals [Violetta]:
Montserrat Caballé (soprano) (in 1967)
tenor vocals [Alfredo]:
Carlo Bergonzi (tenor) (in 1967)
orchestra:
RCA Italiana Opera Orchestra (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1967)
conductor:
Georges Prêtre (French conductor) (in 1967)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1967)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Chorus, RCA Italiana Opera Orchestra, Fernando Iacopucci, Dorothy Krebill, Harold Enns, Gene Boucher, Sherrill Milnes, Thomas Jamerson, Nancy Stokes, Camillo Sforza, Franco Ruta & Sharia Tasin3:05
3Carmen, WD 31: Overture
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1963)
conductor:
Herbert von Karajan (conductor) (in 1963)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1963)
recording of:
Carmen : Prélude (in 1963)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet, Herbert von Karajan & Wiener Philharmoniker3:25
4The Nutcracker, Op. 71: No. 12, Divertissement: Dance of the Flutes
engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1989-05)
producer:
Michael Woolcock (producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1989-05)
conductor:
Marc Ermler (Mark Ermler, conductor) (in 1989-05)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1989-05)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds) (in 1989-05)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden & Mark Ermler2:33
5Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves)
choir vocals:
Robert Shaw Chorale
vocals:
Renato Cellini (conductor)
orchestra:
RCA Victor Orchestra
conductor:
Renato Cellini (conductor) and Robert Shaw (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (from 1972 to present)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi, Renato Cellini, RCA Victor Orchestra & Robert Shaw Chorale4:52
6Coppélia: Coppélia, Act I: Valse Lente
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Марк Эрмлер (Mark Ermler, conductor)
recording of:
Coppélia : Tableau I, no. 1b. Valse (Valse lente)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes, Orchestra of the Royal Opera House, Covent Garden Sinfonia & Mark Ermler2:07
7Suite for Orchestra No. 3 in D Major, BWV 1068: II. Air
Johann Sebastian Bach, Rudolf Baumgartner & Lucerne Festival Strings5:13
8Requiem in D Minor, K. 626: VIII. Lacrimosa
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis, Uwe Heilmann, Jan‐Hendrik Rootering, Marjana Lipovšek & Angela Maria Blasi3:15
9Suite Bergamasque, L. 75: III. Clair de lune
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy, Arthur Fiedler & Boston Pops Orchestra4:28
10Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII: Andante Cantabile
piano:
Leonard Pennario (pianist / composer)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Sergei Rachmaninoff, Leonard Pennario, Arthur Fiedler & Boston Pops Orchestra2:40
11Tales of Hoffmann: Barcarolle
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach, Arthur Fiedler & Boston Pops Orchestra3:35
12William Tell Overture
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
partial recording of:
Guillaume Tell : Ouverture (William Tell: Overture)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
recording of:
William Tell Overture: Finale, March of the Swiss Soldiers (allegro vivace) (Lone Ranger theme)
composer:
Gioachino Rossini (composer)
part of:
Guillaume Tell : Ouverture (William Tell: Overture)
Gioachino Rossini, Arthur Fiedler & Boston Pops Orchestra3:04
13Il Trovatore: Vedi! Le fosche
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi, Zubin Mehta, Ambrosian Opera Chorus & New Philharmonia Orchestra2:52
14Romeo and Juliet, Op. 64: No. 13 Dance of the Knights
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden & Mark Ermler5:43
15Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
orchestra:
Festival Strings Lucerne
conductor:
Rudolf Baumgartner (conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach, Rudolf Baumgartner & Lucerne Festival Strings4:49
16Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale
assistant engineer:
Andrew Hallifax
producer:
Michael Woolcock (producer) (in 1989-04)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1989-04, from 1989-04 until 1989-05)
conductor:
Mark Ermler (conductor) (in 1989-04) and Марк Эрмлер (Mark Ermler, conductor) (from 1989-04 until 1989-05)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1989-04, from 1989-04 until 1989-05)
recording of:
Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso (in 1989-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act IV
Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden & Mark Ermler5:12
17Rigoletto: Scorrende unite
choir vocals:
Coro della RCA Italiana
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra)
conductor:
Sir Georg Solti (conductor)
partial recording of:
Rigoletto: Atto II. “Duca, duca! … Ebben? … Scorrendo uniti” (Borsa, Marullo, Ceprano, Duca, Coro)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi, Sir Georg Solti, RCA Italiana Opera Chorus & RCA Italiana Opera Orchestra1:46
18Le Quattro Stagioni: Violin Concerto No. 4 in F Minor, RV 297 "L'Inverno": I. Allegro non molto
orchestra:
Виртуозы Москвы (Moscow Virtuosi)
conductor:
Владимир Спиваков (Vladimir Spivakov, Russian violinist/conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi, Vladimir Spivakov & Moscow Virtuosi3:28
19L'Arlésienne Suite No. 2: Farandole
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet, Arthur Fiedler, Boston Pops Orchestra & Ernest Guiraud2:51
20Orchestral Suite No. 2 in B Minor, BWV 1067: Menuet and Badinerie
flute:
James Galway (flautist)
orchestra:
Zagrebački solisti (Zagreb Soloists)
conductor:
James Galway (flautist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
Johann Sebastian Bach, James Galway, I Solisti di Zagreb & Boston Pops Orchestra2:41
21Gnossienne No. 1
piano:
William Masselos (pianist)
recording of:
Gnossienne no. 1
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie & William Masselos2:45

Credits

Release

purchase for download and streaming page:https://music.apple.com/de/album/339076656 [info]
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Release group

part of:Je n’aime pas… (order: 2)