Zeit zum Entspannen II: Klassik zum Wohlfühlen von Holger Wemhoff

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Mondscheinsonate: Adagio
orchestra:
The Philadelphia Orchestra
conductor:
Wolfgang Sawallisch (conductor)
arranger:
Leopold Stokowski (conductor)
recording of:
Moonlight Sonata (orch. Stokowski)
orchestrator:
Leopold Stokowski (conductor)
composer:
Ludwig van Beethoven (German composer) (in 1801)
orchestration of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Ludwig van Beethoven5:31
2Violinkonzert Nr.3: II. Adagio
recording engineer:
Christfried Bickenbach (from 1984-03-19 until 1984-03-21)
producer:
Gerd Berg (producer)
violin:
Frank Peter Zimmermann (violinist) (from 1984-03-19 until 1984-03-21)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1984-03-19 until 1984-03-21)
conductor:
Jörg Faerber (conductor) (from 1984-03-19 until 1984-03-21)
balance engineer:
Wolfgang Gülich (engineer) (from 1984-03-19 until 1984-03-21)
recorded at:
Kreuzkirche in Heilbronn, Baden-Württemberg, Germany (from 1984-03-19 until 1984-03-21)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: II. Adagio (from 1984-03-19 until 1984-03-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
Wolfgang Amadeus Mozart8:58
3Klarinettenkonzert Nr. 2: II. Romanze
clarinet:
Sabine Meyer (clarinetist)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Clarinet Concerto no. 2 in E-flat major, op. 74: II. Andante con moto
composer:
Carl Maria von Weber (composer) (in 1811)
part of:
Clarinet Concerto no. 2 in E-flat major, op. 74 (Concerto for Clarinet and Orchestra no. 2 in E-flat major, op.74)
Carl Maria von Weber7:12
4Menuett
orchestra:
The Philadelphia Orchestra
conductor:
Wolfgang Sawallisch (conductor)
arranger:
Leopold Stokowski (conductor)
Luigi Boccherini2:30
5Kantate 147 "Jesus bleibet meine Freude"
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
oboe:
Celia Nicklin (oboist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Jesu, Joy of Man’s Desiring (from 1983-06-27 until 1983-06-28)
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1983-06-27 until 1983-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1983-06-27 until 1983-06-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach5:15
6Konzert für Laute, 2 Violinen & Streicher D-Dur: II. Largo
lute:
Anthony Bailes (lutenist)
orchestra:
Danske Violon-Bande
recording of:
Concerto for Lute in D major, RV 93: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi4:38
7Les Barricades Mystérieuses
piano:
Georges Cziffra (pianist)
François Couperin2:33
8Ma mére l'oye: Le jardin féerique
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (Stuttgart Radio Symphony Orchestra)
conductor:
Gianluigi Gelmetti (Italian conductor and composer)
recording of:
Ma mère l’Oye: V. Le Jardin féerique (pour orchestre)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: V. Le Jardin féerique (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel3:42
9Vier letzte Lieder: 3. Beim Schlafengehen
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
George Szell (conductor, pianist, composer)
phonographic copyright (℗) by:
Warner Classics (in 2011) and Warner Music UK Ltd. (not for release label use!) (in 2011)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss5:21
10Orchestersuite Nr. 3: II. Air "Air auf der G-Saite"
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach3:31
11Miserere A 9 (Ausschnitt)
choir vocals:
Choir of King’s College, Cambridge
conductor:
Stephen Cleobury (organist, conductor)
partial recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
part of:
ABC Classic 100 (2001) (number: 9)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri4:33
12Harfenkonzert B-Dur: II. Larghetto
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: II. Larghetto (original version, for harp)
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
Georg Friedrich Händel5:04
13Motette zu 40 Stimmen "Spem in alium"
conductor:
Andrew Parrott (conductor)
performer:
The Taverner Choir, Consort & Players
recording of:
Spem in alium
composer:
Thomas Tallis (composer)
Thomas Tallis10:17
14Die Zauberflöte: Dies Bildnis ist bezaubernd schön
clarinet:
Sabine Meyer (clarinetist)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich)
conductor:
Franz Welser‐Möst (conductor)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:33
2▼CD
#TitleArtistRatingLength
1Klavierkonzert Nr. 2: II. Larghetto
piano:
François‐René Duchâble (French pianist)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Frédéric Chopin10:46
2Don Quichote: 5. Akt, Zwischenspiel
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
Jules Massenet2:53
3Fantasia on a Theme by Thomas Tallis
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (on 1962-06-17)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-06-17)
balance engineer:
Neville Boyling (engineer)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (on 1962-06-17)
recording of:
Fantasia on a Theme by Thomas Tallis (on 1962-06-17)
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams16:11
4Violinkonzert: II. Adagio
recording engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Keener (engineer/editor/producer)
violin:
Nigel Kennedy (violinist) (in 1984-03)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1984-03)
conductor:
Vernon Handley (conductor) (in 1984-03)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1984-03)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1984-03)
recording of:
Violin Concerto in B minor, op. 61: II. Andante (in 1984-03)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
Sir Edward Elgar13:22
5Motette "Ave verum corpus"
choir vocals:
Kölner Kammerchor
orchestra:
Collegium Cartusianum
conductor:
Peter Neumann (conductor)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart2:45
6Streichquintett C-Dur D.956: II. Adagio (Anfang)
performer:
Wiener Streichsextett (Vienna String Sextet)
partial recording of:
String Quintet in C major, D. 956: II. Adagio
composer:
Franz Schubert (composer) (in 1828)
part of:
String Quintet in C major, D. 956
Franz Schubert5:06
7La Sonnambula: Liebesduett "Prendi! L'anel ti dono"
soprano vocals:
Mirella Freni (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Edward Downes (conductor)
recording of:
La sonnambula
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Vincenzo Bellini5:29
8Andante Festivo
producer:
John Fraser (UK producer)
editor:
Bob Whitney (engineer)
orchestra:
Oslo‐Filharmonien (Oslo Philharmonic) (from 1994-08-14 until 1994-08-20)
conductor:
Mariss Jansons (Latvian conductor) (from 1994-08-14 until 1994-08-20)
balance engineer:
Michael Sheady (engineer)
recording of:
Andante festivo, JS 34b (string orchestra and timpani) (from 1992-05-25 until 1992-05-29)
premiered in:
Helsinki, Uusimaa, Finland (on 1939-01-01)
composer:
Jean Sibelius (Finnish composer) (in 1938)
part of:
Sibelius-Werkverzeichnis (number: JS 34b)
arrangement of:
Andante festivo, JS 34a (string quartet)
Jean Sibelius4:27
9Oboenkonzert a-Moll: II. Largehetto
oboe:
Han de Vries (oboist)
orchestra:
Zagrebački solisti (Zagreb Soloists)
Antonio Vivaldi2:53
10L'incoronazione di Poppea: Liebesduett "Pur ti miro"
countertenor vocals:
Derek Lee Ragin (countertenor)
soprano vocals:
Suzie LeBlanc (soprano)
orchestra:
Teatro Lirico
conductor:
Stephen Stubbs (US early music lutenist)
recording of:
L’incoronazione di Poppea: Atto III. “Pur ti miro” (Poppea, Nerone)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L'Incoronazione di Poppea: Atto III.
Claudio Monteverdi3:54
11Hänsel und Gretel: Traumpantomime
orchestra:
Gürzenich‐Orchester Köln
conductor:
Heinz Wallberg (conductor)
Engelbert Humperdinck5:39
3▼CD
#TitleArtistRatingLength
1Klavierkonzert a-Moll: II. Adagio
piano:
Святослав Рихтер (Sviatoslav Richter, pianist)
orchestra:
Orchestre philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra)
conductor:
Lovro von Matačić (conductor)
Edvard Grieg6:11
2Le dernier sommeil de la vierge
cello:
Paul Tortelier (cellist)
orchestra:
English Chamber Orchestra
Jules Massenet4:12
3On Hearing the First Cuckoo in Spring
orchestra:
Royal Philharmonic Orchestra (in 1956-10, on 1956-10-31)
conductor:
Sir Thomas Beecham (conductor) (on 1956-10-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-10-31)
recording of:
On Hearing the First Cuckoo in Spring, RT VI/19 no. 1 (on 1956-10-31)
composer:
Frederick Delius (English composer) (in 1912)
dedicated to:
Balfour Gardiner
part of:
2 Pieces for Small Orchestra, RT VI/19
Frederick Delius6:59
4Kol Nidrei
producer:
Arnaud Moral (French audio)
cello:
Truls Mørk (Norwegian cellist) (from 2003-12-12 until 2003-12-16)
orchestra:
Orchestre philharmonique de Radio France (from 2003-12-12 until 2003-12-16)
conductor:
Paavo Järvi (conductor) (from 2003-12-12 until 2003-12-16)
balance engineer:
Christian Prévôt (Recording engineer)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2005)
recorded at:
Studio 103, Radio France in Paris, Île-de-France, France (from 2003-12-12 until 2003-12-16)
recording of:
Kol Nidrei, op. 47 (from 2003-12-12 until 2003-12-16)
composer:
Max Bruch (composer and conductor) (in 1880-07)
dedicated to:
Robert Hausmann
part of:
Works of Max Bruch by opus number (number: op. 47)
Max Bruch11:05
5Daphnis et Chloé: Lever du jour
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Daphnis et Chloé: Tableau III. No. 10. Lever du jour
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau III
Maurice Ravel5:57
6Les pêcheurs de perles: Je crois entendre encore
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique
conductor:
Pierre Dervaux (French conductor and composer)
Georges Bizet5:01
7Sinfonie Nr.1 "Winterträume": II. Adagio cantabile
orchestra:
The Philadelphia Orchestra
conductor:
Riccardo Muti (conductor)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
Пётр Ильич Чайковский10:58
8Konzert für viola d'amore, Laute und Streicher d-Moll
lute:
Anthony Bailes (lutenist)
viola d'amore:
Wim ten Have (Classical viola and viol player)
orchestra:
Danske Violon-Bande
Antonio Vivaldi3:59
9Klavierkonzert G-Dur: II. Adagio assai
piano:
Michele Campanella
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (Stuttgart Radio Symphony Orchestra)
conductor:
Gianluigi Gelmetti (Italian conductor and composer)
recording of:
Piano Concerto in G major: II. Adagio assai
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel9:09
10The Armed Man - A Mass for Peace: V. Sanctus
choir vocals:
National Youth Choir of Great Britain
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
recording of:
The Armed Man: A Mass for Peace: Sanctus
composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
part of:
The Armed Man: A Mass for Peace (the complete work)
Karl Jenkins6:58
11Konzert für 2 Mandolinen und Streicher G-Dur: II. Andante
engineer, editor and balance engineer:
Alessandra Galleron
executive producer:
Alain Lanceron
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
cello:
Maurizio Naddeo (cellist)
harpsichord and organ:
Sergio Ciomei
solo mandolin:
Sonia Maurer (Italian mandolinist) and Giovanni Scaramuzzino (mandolinist)
theorbo:
Ugo Nastrucci and Giangiacomo Pinardi
viola:
Ernesto Braucher, Stefano Marcocchi and Diego Mecca (violist)
violin:
Fabio Biondi (conductor/violinist), Robert Brown (Classical music violist), Lorenzo Colitto, Luca Giardini (classical violinist), Carla Marotta, Raffaello Negri, Andrea Rognoni and Renata Spotti (Classical violinist)
violone:
Francisco Montero (double bassist)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2001-10-09 until 2001-10-12)
conductor:
Fabio Biondi (conductor/violinist) (from 2001-10-09 until 2001-10-12)
recorded at:
San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italy (from 2001-10-09 until 2001-10-12)
recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: II. Andante (from 2001-10-09 until 2001-10-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi2:46
4▼CD
#TitleArtistRatingLength
1Klavierkonzert Nr. 5: II. Adagio
piano:
Christian Zacharias (pianist and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
partial recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven46:57
2Schwanensee: 13. Tanz der Schwäne
violin:
Yehudi Menuhin (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Efrem Kurtz (conductor)
recording of:
Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act IV
Пётр Ильич Чайковский7:22
3Sinfonie Nr. 7: II. Allegretto
producer:
David Groves (classical music producer at EMI)
orchestra:
The Philadelphia Orchestra (on 1988-02-13, on 1988-02-17, on 1988-02-20)
conductor:
Riccardo Muti (conductor) (on 1988-02-13, on 1988-02-17, on 1988-02-20)
balance engineer:
Michael Sheady (engineer)
recorded at:
Memorial Hall (Philadelphia) in Philadelphia, Pennsylvania, United States (on 1988-02-13, on 1988-02-17, on 1988-02-20)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (from 1988-02-13 until 1988-02-20)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven9:00
4Violinkonzert: II. Adagio
producer:
Fritz Ganss (producer)
violin:
Yehudi Menuhin (violinist) (from 1957-09-06 until 1957-09-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-09-06 until 1957-09-09)
conductor:
Rudolf Kempe (conductor) (from 1957-09-06 until 1957-09-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1957-09-06 until 1957-09-09)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio (Concerto for Violin and Orchestra in D major, op. 77: II. Adagio) (from 1957-09-06 until 1957-09-09)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms9:58
5Sea Pictures: 4. Where Corals Lie
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: IV. Where Corals Lie (on 1965-08-30)
lyricist:
Richard Garnett
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Sir Edward Elgar4:10
6Spartacus: Adagio
orchestra:
Royal Philharmonic Orchestra
conductor:
Юрий Темирканов (Yuri Temirkanov, conductor)
recording of:
Spartacus: Adagio of Spartacus & Phrygia
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1955)
part of:
Spartacus, op. 82
Արամ Խաչատրյան5:47
7Klavierkonzert Nr. 2: III. Adagio
piano:
Marie Rørbech (Danish pianist)
orchestra:
DR SymfoniOrkestret (Danish National Symphony Orchestra, this profile only for recordings from 1959 and later)
conductor:
Okko Kamu (conductor)
recording of:
Piano Concerto no. 2 in D minor, op. 23: III. Adagio
composer:
Wilhelm Stenhammar (composer, conductor and pianist) (from 1904 until 1907)
part of:
Piano Concerto no. 2 in D minor, op. 23
Wilhelm Stenhammar4:48
8Lakmé: "Viens, Mallika..."
recording engineer:
Daniel Michel (recording engineer)
mezzo-soprano vocals [Mallika]:
Delphine Haidan (mezzo-soprano) (from 1997-06-24 until 1997-07-02)
soprano vocals:
Natalie Dessay (soprano)
soprano vocals [Lakmé]:
Natalie Dessay (soprano) (from 1997-06-24 until 1997-07-02)
orchestra:
Orchestre du Capitole de Toulouse (from 1997-06-24 until 1997-07-02)
conductor:
Michel Plasson (conductor) (from 1997-06-24 until 1997-07-02)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1997-06-24 until 1997-07-02)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (from 1997-06-24 until 1997-07-02)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes4:47
9Cendrillon: Walzer
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
Jules Massenet5:27
10Sospiri
orchestra:
Sinfonia of London (John Wilson’s session orchestra)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium))
composer:
Edward Elgar (composer) (in 1914)
dedicated to:
William Henry Reed
publisher:
Breitkopf & Härtel
part of:
Works of Edward Elgar by opus number (number: op. 70)
Sir Edward Elgar5:09
11Konzert für Gitarre und Orchester "Fantasia para un gentilhombre": II. Adagio
guitar:
Ángel Romero (guitarist/conductor)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo9:15
12Adagio for Strings
orchestra:
Leopold Stokowski Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber6:25

Credits

Release

ASIN:DE: B00838IB9S [info]