Sounds of the Seventies: 1977, Take Two

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Best of My Love
produttore:
Al McKay
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 334)
registrazione di:
Best of My Love
autore:
Al McKay e Maurice White (Earth, Wind & Fire)
editore:
EMI Songs Ltd.
The Emotions4.153:42
2I'm Your Boogie Man
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977) e T.K. Records (Miami‐based disco label) (nel 1977)
registrazione di:
I’m Your Boogie Man
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Songs, EMI Songs Australia, Harrick Music e Longitude Music
KC and the Sunshine Band4.44:03
3Runaway
registrazione cover di:
Runaway
autore:
Max Crook e Del Shannon
editore:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. e Vicki Music
Bonnie Raitt53:26
4Black Betty
produttore:
Jerry Kasenetz e Jeff Katz (music producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (dal 1977 a oggi) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam4.52:32
5Couldn't Get It Right
registrazione di:
Couldn’t Get It Right
autore:
Colin Cooper, John Cuffley, Pete Haycock, Derek Holt e Richard Jones (Climax Blues Band)
editore:
AIR Music (London) Ltd., Bleu-Disque-Music Co. Inc. (publisher), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Germany GmbH (2008–today) e Neue Welt Musikverlag
Climax Blues Band53:05
6Jet Airliner
tecnico:
Mike Fusaro
produttore:
Steve Miller (leader of Steve Miller Band)
assistente tecnico di missaggio:
Win Kutz (engineer/producer)
tecnico di missaggio:
Jim Gaines
registrazione cover di:
Jet Airliner
paroliere e compositore:
Paul Pena
editore:
No Thought Music e Sailor Music
Steve Miller Band53:35
7Isn't It Time
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1977)
registrazione di:
Isn’t It Time
autore:
Jack Conrad (producer and songwriter) e Ray Kennedy (singer, songwriter, and record producer based in L.A.)
editore:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. e X‐Ray Music
The Babys53:25
8Telephone Line
tecnico:
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) e Duane Scott
produttore:
Jeff Lynne
basso e voce di accompagnamento:
Kelly Groucutt (nel 1976-07)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1976-07)
chitarra :
Jeff Lynne (nel 1976-07) e Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1976-07)
clavinet , moog e pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1976-07)
violino :
Mik Kaminski (nel 1976-07)
violoncello :
Melvyn Gale (nel 1976-07) e Hugh McDowell (nel 1976-07)
voce principale:
Jeff Lynne (nel 1976-07)
direttore d'orchestra:
Louis Clark (nel 1976-07)
diritti fonografici (℗) detenuti da:
United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1974), Jet Records (nel 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1976, nel 2005) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1976-07), De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1976-07) e Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (nel 1976-07)
mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
editing effettuato presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Telephone Line (nel 1976-07)
paroliere e compositore:
Jeff Lynne
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Jet Music Ltd. (British branch) e Polygon Publishing Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.454:42
9Car Wash
registrazione di:
Car Wash
paroliere e compositore:
Norman Whitfield
editore:
Universal/MCA Music Ltd. (not for release label use!) e USI B Music Publishing
Rose Royce4.63:16
10Float On
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1977)
edit di:
Float On (long version) di Floaters
registrazione di:
Float On
autore:
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) e Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters4.54:14
11It's Ecstasy When You Lay Down Next to Me
registrazione di:
It's Ecstasy When You Lay Down Next to Me
autore:
Ekundayo Paris e Nelson Pigford
Barry White53:36
12Whatcha Gonna Do?
diritti fonografici (℗) detenuti da:
A&M Records (nel 1977)
registrazione di:
Whatcha Gonna Do?
autore:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific) e Cory Lerios
editore:
Irving Music, Inc. e Pablo Cruise Music
Pablo Cruise54:18
13You Make Me Feel Like Dancing
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 2006)
registrazione di:
You Make Me Feel Like Dancing
paroliere:
Leo Sayer
compositore:
Vini Poncia
editore:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music e Silverbird Songs Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer3.752:52
14Sleepwalker
registrazione di:
Sleepwalker
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
The Kinks54:05
15Do Ya
tecnico:
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) e Duane Scott
produttore:
Jeff Lynne
basso e voce di accompagnamento:
Kelly Groucutt (nel 1976-07)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1976-07)
chitarra :
Jeff Lynne (nel 1976-07) e Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1976-07)
clavinet , moog e pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1976-07)
violino :
Mik Kaminski (nel 1976-07)
violoncello :
Melvyn Gale (nel 1976-07) e Hugh McDowell (nel 1976-07)
voce principale:
Jeff Lynne (nel 1976-07)
direttore d'orchestra:
Louis Clark (nel 1976-07)
diritti fonografici (℗) detenuti da:
Jet Records (nel 1976) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1976)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1976-07) e Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (nel 1976-07)
mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
editing effettuato presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Do Ya (nel 1976-07)
scritta a:
Birmingham, West Midlands, England, Regno Unito
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label) e Jet Music Inc.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra43:48
16Boogie Nights
produttore:
Barry Blue (singer, producer, and songwriter)
diritti fonografici (℗) detenuti da:
GTO Records (nel 1976) e Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1976)
edit di:
Boogie Nights di Heatwave (70s/80s R&B/funk band)
registrazione di:
Boogie Nights (nel 1976)
paroliere e compositore:
Rod Temperton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.653:39
17Smoke From a Distant Fire
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1976)
registrazione di:
Smoke from a Distant Fire
autore:
Ed Sanford, Steven Stewart (songwriter) e John Townsend
Sanford & Townsend53:34
18Brick House
produttore:
James Anthony Carmichael
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 296)
registrazione di:
Brick House (original version)
paroliere:
William King (William Atwell King Jr. (member of Commodores)), Walter Orange e Lionel Richie
compositore:
Ronald LaPread, Thomas McClary, Lionel Richie e Milan Williams
editore:
Brenda Richie Publishing, Cambrae Music, Daddy Married a Golddigger, Drop Five, Hanna Music, Jobete Music Co., Inc., Libren Music, Old Fashion Publishing, Reservoir Media Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Commodores3.73:30
19(Every Time I Turn Around) Back in Love Again
registrazione di:
(Every Time I Turn Around) Back in Love Again
autore:
Zane Grey (singer, songwriter, arranger and producer) e Len Ron Hanks (soul and funk singer, songwriter, arranger and producer)
L.T.D.53:43
20Don't Leave Me This Way
produttore:
Hal Davis
voce:
Thelma Houston (nel 1976)
arrangiatore:
Art Wright (guitar)
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1976)
edit di:
Don’t Leave Me This Way di Thelma Houston
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 355) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 432)
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.53:38

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parte di:Sounds of the Seventies (Time-Life Music) (numero: 17) (ordine: 17)