Planet Rock: The Best Rock Album in the Universe

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1The Chain
Rumours of Fleetwood Mac4:28
2Bat out of Hell
Meat Loaf4:52
3All the Young Dudes
producer:
David Bowie (English singer‐songwriter)
lead vocals:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
part of:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 253)
recording of:
All the Young Dudes
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Mott the Hoople4.23:29
4Crazy Crazy Nights
producer:
Ron Nevison
mixer:
Ron Nevison (from 1987-06 until 1987-07)
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1987), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1987-06 until 1987-07)
recording of:
Crazy Crazy Nights
writer:
Adam Mitchell (Scottish-Canadian songwriter) and Paul Stanley (KISS frontman)
publisher:
Downtown DMP Songs, Hori Productions America Inc., Largo Cargo Music, Piccadilly Music Corporation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and 大洋音楽 (Taiyō Music)
KISS43:45
5Wind of Change
assistant engineer:
Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher (engineer)
engineer:
Erwin Musper and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer) and Scorpions (German rock band)
mixer:
Shay Baby, Erwin Musper and Keith Olsen (US producer and engineer)
acoustic guitar:
Rudolf Schenker (in 1990)
bass guitar:
Francis Buchholz (in 1990)
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany) (in 1990)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
guest keyboard:
Koen van Baal (in 1990)
slide guitar:
Matthias Jabs (in 1990)
background vocals:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) and Rudolf Schenker (in 1990)
lead vocals:
Klaus Meine (in 1990)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990, in 1991) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
recorded at:
Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
lyricist and composer:
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions3.45:10
6Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (Yes bassist) (in 1983)
drums (drum set):
Alan White (Yes drummer) (in 1983)
guitar:
Trevor Rabin (South African musician and score composer) (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
recorded at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Yes3.94:23
7Since You’ve Been Gone
recording engineer:
Leigh Mantle (in 1979-04) and Dr. Michael Palmer (engineer) (in 1979-04)
engineer:
Gary Edwards (producer, engineer)
producer:
Roger Glover
bass guitar:
Roger Glover (in 1979-04)
drums (drum set):
Cozy Powell (in 1979-04)
guitar:
Ritchie Blackmore (in 1979-04)
keyboard:
Don Airey (in 1979-04)
lead vocals:
Graham Bonnet (British rock vocalist) (in 1979-04)
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979), Polydor Records Inc. (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, France (in 1979-04) and Maison Rouge Mobile Studio (in 1979-04)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 82)
cover recording of:
Since You Been Gone (in 1979-04)
lyricist and composer:
Russ Ballard
publisher:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. and Virgin Music (Publishers) Ltd.
Rainbow43:17
8Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonnano and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 28) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 63)
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
Survivor4.44:05
9Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.653:56
10More Than a Feeling (single version)
recording of:
More Than a Feeling
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Pure Songs (in 1976)
Boston4:38
11Barracuda
producer:
Mike Flicker
acoustic guitar:
Nancy Wilson (guitarist/singer of “Heart”) (from 1977-02 until 1977-04)
bass guitar:
Steve Fossen (from 1977-02 until 1977-04)
drums (drum set):
Michael Derosier (from 1977-02 until 1977-04)
electric guitar:
Roger Fisher (US rock guitarist) (from 1977-02 until 1977-04)
guitar and mellotron:
Howard Leese (from 1977-02 until 1977-04)
lead vocals:
Ann Wilson (lead singer of Heart) (from 1977-02 until 1977-04)
arranger:
Heart (rock band, Ann and Nancy Wilson)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States (from 1977-02 until 1977-04)
mixed at:
Royaltone Studios in North Hollywood, Los Angeles, California, United States and Kaye–Smith Studios in Seattle, Washington, United States (from 1977-02 until 1977-04)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 34)
recording of:
Barracuda (from 1977-02 until 1977-04)
writer:
Michael Derosier, Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) and Nancy Wilson (guitarist/singer of “Heart”)
publisher:
BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. (not for release label use!) and Wilsongs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Heart4.154:22
12The Final Countdown (single version)
producer:
Kevin Elson
phonographic copyright (℗) by:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Seven Doors Music
Europe4.053:56
13Aqualung
recording of:
Aqualung (Jethro Tull)
lyricist:
Ian Anderson (of Jethro Tull) and Jennie Franks
composer:
Ian Anderson (of Jethro Tull)
Jethro Tull6:35
14Love Walked In
Thunder6:24
15All Right Now
recording of:
All Right Now
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing and Universal Music Publishing (use ONLY if no country‐specific information is available)
Free3:33
16Werewolves of London
Warren Zevon3:25
17No More Heroes
recording of:
No More Heroes
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers3:28
18Here I Go Again ’87
recording of:
Here I Go Again
writer:
David Coverdale and Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Whitesnake4:34
2▼CD
#TitleArtistRatingLength
1Can I Play With Madness
recording of:
Can I Play With Madness
writer:
Bruce Dickinson (Iron Maiden vocalist), Steve Harris (Iron Maiden bassist) and Adrian Smith (UK guitarist/songwriter, Iron Maiden)
publisher:
Imagem London Ltd., Universal Music–Z Tunes LLC and Zomba Music Publishing (music publisher – add no releases here!) (in 1988)
Iron Maiden3:32
2Drop Dead Legs (45 version)
assistant engineer:
Ken Deane
engineer:
Donn Landee
producer:
Ted Templeman
bass:
Michael Anthony (US bassist, formerly of Van Halen)
drums (drum set) and percussion:
Alex Van Halen
guitar:
Edward Van Halen
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen and Alex Van Halen
lead vocals:
David Lee Roth
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983, in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recorded at:
5150 (Eddie Van Halen's recording studio) in Studio City, Los Angeles, California, United States
recording of:
Drop Dead Legs
lyricist and composer:
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen, David Lee Roth and Alex Van Halen
publisher:
Mugambi Publishing, Diamond Dave Music (in 1984) and Van Halen Music (in 1984)
Van Halen3.44:13
3School’s Out
engineer:
Roy Cicala and Shelly Yakus
producer:
Bob Ezrin
drums (drum set):
Neil Smith (former Alice Cooper drummer)
electric bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
electric guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
guitar and background vocals:
Reggie Vincent
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated and Nimbus 9 Productions
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 319)
recording of:
School’s Out
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:29
4Hot Blooded (radio edit)
recording of:
Hot Blooded
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Foreigner3:03
5We’re Not Gonna Take It
recording engineer and mixer:
Geoff Workman
assistant engineer:
Gary McGachan
engineer:
John Agnello (engineer & producer), Greg Laney and Geoff Workman
producer:
Tom Werman
bass guitar:
Mark Mendoza (Twisted Sister bassist)
drums (drum set):
A.J. Pero
electric guitar:
Jay Jay French and Eddie Ojeda
background vocals:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero and Dee Snider
lead vocals:
Dee Snider
arranger:
Twisted Sister and Tom Werman
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1984-02 until 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
recording of:
We’re Not Gonna Take It
lyricist and composer:
Dee Snider
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Tunes
part of:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (number: 7)
Twisted Sister4.353:37
6Nothin’ but a Good Time
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
recording of:
Nothin’ but a Good Time
writer:
Bobby Dall, C.C. DeVille, Bret Michaels and Rikki Rockett
publisher:
Cyanide Publishing
Poison4.43:43
7Silver Machine (original single version)
producer:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) and Hawkwind
additional bass guitar and additional guitar:
Guy Pratt (on 1972-02-13)
bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (on 1972-02-13)
drums (drum set):
Simon King (drummer) (on 1972-02-13)
flute and saxophone:
Nik Turner (on 1972-02-13)
guitar:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13)
synthesizer:
Dik Mik Davies (on 1972-02-13) and Del Dettmar (on 1972-02-13)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (on 1972-02-13) and Nik Turner (on 1972-02-13)
remixer:
The Scourge of the Earth
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
edit of:
Silver Machine (12″ mix) by Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (on 1972-02-13)
lyricist:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music and United Partnership Ltd.
recording of:
Silver Machine
lyricist:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music and United Partnership Ltd.
Hawkwind3.654:37
8Living After Midnight
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1980)
recording of:
Living After Midnight
writer:
Kenneth Downing, Rob Halford and Glenn Tipton
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Judas Priest33:11
9Highway Song
Blackfoot7:02
10Round and Round (45 version)
recording of:
Round and Round
writer:
Robbin Crosby, Warren DeMartini and Stephen Pearcy
publisher:
Ratt Music and Time Coast Music
Ratt4:24
11New Girl Now
producer:
Tom Treumuth
recording of:
New Girl Now
lyricist and composer:
Derry Grehan
Honeymoon Suite3:37
12Slow Ride (single version)
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1975) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1976)
edit of:
Slow Ride (long version) by Foghat
recording of:
Slow Ride
lyricist and composer:
Dave Peverett
publisher:
Kohaw Music Inc. and WC Music Corp.
Foghat4.53:56
13Laugh ’n’ a ½
D‐A‐D3:31
1418 and Life
recording engineer, producer and mixer:
Michael Wagener
additional engineer:
Dave Kent (engineer)
bass guitar:
Rachel Bolan
drums (drum set):
Rob Affuso
guitar:
Scotti Hill and Dave “The Snake” Sabo
background vocals:
Rachel Bolan, Scotti Hill and Dave “The Snake” Sabo
lead vocals:
Sebastian Bach (Canadian metal singer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989)
recorded at:
Royal Recorders in Lake Geneva, Wisconsin, United States (in 1988)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 60)
recording of:
18 and Life
writer:
Rachel Bolan and Dave “The Snake” Sabo
Skid Row3.853:51
15House of Pain
producer and mixer:
John Jansen (US recording engineer and producer)
bass guitar:
Eric Stacy
drums (drum set):
Mark Michals
guitar:
Brent Muscat and Greg Steele
lead vocals:
Taime Downe
recording of:
House of Pain
writer:
Taime Downe and Greg Steele
publisher:
Gypsy Fetish Music
Faster Pussycat55:45
16Kayleigh
recording engineer:
Thomas Stiehler
producer:
Chris Kimsey
mixer:
Mark Freegard and Chris Kimsey
bass guitar:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Hansa Studios in Berlin, Germany (from 1985-03 until 1985-05)
recording of:
Kayleigh (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. and Marillion Music
Marillion3.74:06
17I Wanna Go Where the People Go
engineer:
Pete 'Pee Wee' Coleman
producer:
Simon Efemey and The Wildhearts
mixer:
Al Clay
recorded at and mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
produced at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
music videos:
I Wanna Go Where the People Go by The Wildhearts
recording of:
I Wanna Go Where the People Go
lyricist and composer:
Ginger Wildheart (frontman of The Wildhearts)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Wildhearts5:05
18When the Children Cry
assistant engineer:
Garth Richardson (Canadian music producer and engineer)
engineer, producer and mixer:
Michael Wagener
guitar:
Vito Bratta
lead vocals:
Mike Tramp
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987)
recording of:
When the Children Cry
lyricist and composer:
Vito Bratta
writer:
Mike Tramp
White Lion3.54:17
3▼CD
#TitleArtistRatingLength
1How You Remind Me
producer:
Chad Kroeger, Mike Kroeger, Rick Parashar, Ryan Peake and Ryan "Nik" Vikedal
mixer:
Randy Staub
bass:
Mike Kroeger
drums (drum set) [drums]:
Ryan "Nik" Vikedal
guitar [guitars]:
Chad Kroeger and Ryan Peake
lead vocals:
Chad Kroeger
vocals:
Ryan Peake
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2001)
music videos:
How You Remind Me by Nickelback
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 1) and BILLIONS CLUB
recording of:
How You Remind Me
lyricist:
Chad Kroeger
composer:
Chad Kroeger, Mike Kroeger, Ryan Peake and Ryan Vikedal
publisher:
Arm Your Dillo Publishing Inc., M. Kroeger Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Zero‐G Music Inc.
Nickelback3.83:44
2Are You Gonna Be My Girl
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
additional guitar:
Brooklyn’s own Dave Sardy (American score composer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
music videos:
Are You Gonna Be My Girl by Jet (Australian garage rock band)
part of:
triple j’s Hottest 100 of Australian Songs (number: 23), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:34
3I Believe in a Thing Called Love
assistant recording engineer:
Will Bartle
engineer, producer and mixer:
Pedro Ferreira
assistant mixer:
Nick Taylor (UK recording engineer)
bass:
Frankie Poullain
drums (drum set):
Ed Graham
guitar:
Dan Hawkins (member of The Darkness and Stone Gods) and Justin Hawkins
lead vocals:
Justin Hawkins
recorded at:
Chapel Studios in Lincolnshire, England, United Kingdom
mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 94)
recording of:
I Believe in a Thing Called Love
writer:
Daniel Francis Hawkins (member of The Darkness and Stone Gods), Francis Gilles Poullain-Patterson, Edwin James Graham and Justin Hawkins
The Darkness4.13:35
4My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in The Knack) (in 1979-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.24:00
5Second Chance
additional engineer:
Dorian Crozier
assistant engineer:
Doug McKean and Aaron Walk
engineer:
Doug McKean
producer:
Bob Cavallo and Rob Cavallo
assistant mixer:
Keith Armstrong (US engineer)
mixer:
Chris Lord‐Alge
additional editor:
Lars Fox
lead vocals:
Brent Smith
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2008, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2008, in 2010)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Lightning Sound Studios in Hidden Hills, California, United States
mixed at:
Resonate Music in Burbank, California, United States
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 26)
recording of:
Second Chance
writer:
Dave Bassett (songwriter & producer) and Brent Smith
publisher:
Driven by Music, EMI Blackwood Music Inc., Two of Everything Music and WB Music Corp. (1929–2019)
Shinedown53:40
6Mountain Song
bass guitar:
Eric Avery
drums (drum set):
Stephen Perkins (American drummer)
guitar:
Dave Navarro (American guitarist)
vocals:
Perry Farrell
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 71)
recording of:
Mountain Song
lyricist:
Perry Farrell
composer:
Eric Avery, Perry Farrell, Dave Navarro (American guitarist) and Stephen Perkins (American drummer)
Jane’s Addiction4.44:01
7Please Come In
Black Stone Cherry3:55
8Epic (radio remix edit) (45 version)
recording of:
Epic
lyricist:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
composer:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould and Jim Martin (ex-Faith No More guitarist)
publisher:
Big Thrilling Music (music publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Vomit God Music (Mike Patton’s music publishing company)
Faith No More43:57
9Seventeen
recording of:
Seventeen
writer:
Reb Beach, Beau Hill and Kip Winger
publisher:
Blue 32 Music Inc., BMG Gold Songs, BMG Platinum Songs US, EMI Virgin Music, Inc., EMI Virgin Songs, Inc., Julian Kelly Music, Small Hope Music, Varseau Music and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Winger3:59
10Don’t Know What You Got (Till It’s Gone)
recording of:
Don’t Know What You Got (Till It’s Gone)
lyricist and composer:
Tom Keifer
Cinderella5:16
11Holy Diver
Dio5:52
12Alone Again
additional engineer:
Gary McGachan
associate producer:
Roy Thomas Baker (producer)
producer:
Tom Werman
mixer:
Michael Wagener
bass guitar and keyboard:
Jeff Pilson
drums (drum set):
Mick Brown (US drummer, formerly of Dokken)
guitar:
Don Dokken and George Lynch
background vocals:
Mick Brown (US drummer, formerly of Dokken) and Jeff Pilson
lead vocals:
Don Dokken
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1984) and Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1984)
recording of:
Alone Again
writer:
Mick Brown (US drummer, formerly of Dokken), Don Dokken, George Lynch and Jeff Pilson
publisher:
E/A Music Inc., Megadude Music, WB Music Corp. (1929–2019) and エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Dokken3.654:20
13New Thing
additional engineer:
Rich Denhart (producer/engineer)
assistant engineer:
Dave Kent (engineer) and Michael Koppelman (Minneapolis producer and engineer)
engineer:
Dan Harjung
producer:
Enuff Z’Nuff and Ron Fajerstein
mixer:
Paul Lani
drums (drum set):
Vic "Vikki" Foxx (US hard rock drummer)
electric bass guitar:
Chip Z’Nuff
electric guitar [lead guitar]:
Derek Frigo
lead vocals:
Donnie Vie (US vocalist, formerly of Enuff Z’Nuff)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at and mixed at:
Royal Recorders in Lake Geneva, Wisconsin, United States
music videos:
New Thing (music video) by Enuff Z’Nuff
recording of:
New Thing
writer:
Donnie Vie (US vocalist, formerly of Enuff Z’Nuff) and Chip Z’Nuff
publisher:
Enuff Z’Nuff Songs Inc., Fajerstein Music Inc., Octa Music Inc. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
MCA Music Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Enuff Z’Nuff4:20
14Pull Me Under
assistant engineer:
Steve Regina
engineer:
Doug Oberkircher
producer:
David Prater (producer and drummer)
mixer:
Doug Oberkircher and David Prater (producer and drummer)
bass guitar [Bass]:
John Myung (from 1991-10 until 1991-12)
drums (drum set) and percussion:
Mike Portnoy (from 1991-10 until 1991-12)
guitar [Guitars]:
John Petrucci (US guitarist, composer and producer) (from 1991-10 until 1991-12)
keyboard [Keyboards]:
Kevin Moore (prog rock keyboardist) (from 1991-10 until 1991-12)
background vocals and lead vocals:
James LaBrie (from 1991-10 until 1991-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Bear Tracks Recording Studio in Suffern, New York, United States (from 1991-10 until 1991-12) and The Hit Factory in Manhattan, New York, New York, United States (from 1991-10 until 1991-12)
mixed at:
Bear Tracks Recording Studio in Suffern, New York, United States (from 1991-10 until 1991-12)
music videos:
Pull Me Under (official music video) by Dream Theater
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 91)
recording of:
Pull Me Under (from 1991-10 until 1991-12)
lyricist:
Kevin Moore (prog rock keyboardist)
composer:
James LaBrie, Kevin Moore (prog rock keyboardist), John Myung, John Petrucci (US guitarist, composer and producer) and Mike Portnoy
Dream Theater4.558:13
15Symphony of Destruction
additional engineer:
Micajah Ryan
assistant engineer and assistant mixer:
Fred Kelly Jr.
engineer and mixer:
Max Norman
producer:
Dave Mustaine and Max Norman
bass guitar:
David Ellefson
drums (drum set):
Nick Menza
guitar:
Marty Friedman (former Megadeth guitarist, living in Tokyo) and Dave Mustaine
background vocals:
David Ellefson, Marty Friedman (former Megadeth guitarist, living in Tokyo) and Nick Menza
lead vocals:
Dave Mustaine
remixer:
Dave Mustaine (in 2004) and Ralph Patlan (in 2004)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1992, in 2005), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2004), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2004), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States (from 1992-01-06 until 1992-04-28)
recording of:
Symphony of Destruction (in 2004)
lyricist and composer:
Dave Mustaine
publisher:
EMI Blackwood Music Inc., Mustaine Music (in 1992), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1992) and Theory Music (in 1992)
Megadeth3.94:03
16Walk
art direction:
Bob Defrin (US art director & graphic designer)
engineer, producer and mixer:
Terry Date (American record producer and engineer) and Vinnie Paul
co-producer:
Pantera (metal band)
drums (drum set):
Vinnie Paul
electric bass guitar:
Rex Brown
guitar:
Diamond Darrell
lead vocals:
Philip Anselmo
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at and mixed at:
Pantego Sound Studio in Pantego, Texas, United States
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 29)
recording of:
Walk
writer:
Phil Anselmo, Rex Brown, Darrell Lance Abbott and Vinnie Paul
Pantera3.95:15
17Motorhead
engineer:
Dave Edmunds (from 1975-09 until 1975-12) and Fritz Fryer (from 1975-12 until 1976-02)
additional producer:
Fritz Fryer (from 1975-12 until 1976-02)
producer:
Dave Edmunds (from 1975-09 until 1975-12)
drums (drum set):
Phil “Philthy Animal” Taylor (former Motörhead drummer) (from 1975-12 until 1976-02)
electric bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (from 1975-09 until 1976-02)
electric guitar:
Larry Wallis (from 1975-09 until 1976-02)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (from 1975-09 until 1976-02)
recording of:
Motorhead (from 1975-09 until 1976-02)
lyricist and composer:
Lemmy Kilmister (“Lemmy” from Motörhead)
publisher:
EMI Music (do not use as release label! this is a music publisher) and United Artists Music Ltd.
Motörhead2:49
18Hail to the King
recording of:
Hail to the King
writer:
Brian Haner, Jr., Jonathan Seward (guitarist for Avenged Sevenfold), Matthew Charles Sanders and Zackary Baker
publisher:
EMI Blackwood Music Inc., Lewis Christ Publishing, S. Gates Music, Skeletons and Bowties Publishing and Slayer St. Publishing
Avenged Sevenfold4.255:05
4▼CD
#TitleArtistRatingLength
1Caroline (edit)
Status Quo2:43
2Sweet Home Alabama
recording of:
Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd3:39
3Stay With Me
producer:
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) and Glyn Johns
bass guitar:
Ronnie Lane
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who)
guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Wurlitzer electric piano:
Ian McLagan
lead vocals:
Rod Stewart
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recording of:
Stay With Me
writer:
Rod Stewart and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Faces4.54:39
4Dear Mr. Fantasy
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1967-04 until 1967-11)
recording of:
Dear Mr. Fantasy (in 1967)
lyricist:
Jim Capaldi
composer:
Steve Winwood and Chris Wood (rock musician, member of Traffic)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Traffic55:38
5Life’s Been Good
Joe Walsh4:39
61969
producer:
John Cale (The Velvet Underground founder)
bass guitar:
Dave Alexander (bassist for The Stooges)
drums (drum set):
Scott Asheton
electric guitar:
Ron Asheton
lead vocals:
Iggy Stooge
recording of:
1969
writer:
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton and Iggy Pop
The Stooges4.254:05
7China Grove
engineer:
Donn Landee
producer:
Ted Templeman
congas, cymbal and timbales:
Michael Hossack
guest synthesizer:
Malcolm Cecil and Robert Margouleff
guitar:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
harmonica:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
keyboard, organ and piano:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) and Michael Hossack
percussion:
John Hartman (drummer for the Doobie Brothers) and Ted Templeman
steel guitar:
Jeff “Skunk” Baxter
synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter and Patrick Simmons
bass arranger:
Tiran Porter
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
recording of:
China Grove
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.653:15
8Rock & Roll (Loaded original stereo album)
The Velvet Underground4:41
9Hush
engineer:
Barry Ainsworth (engineer)
producer and mixer:
Derek Lawrence (British producer)
drums (drum set):
Ian Paice (on 1968-05-11)
electric bass guitar:
Nick Simper (on 1968-05-11)
electric guitar:
Ritchie Blackmore (on 1968-05-11)
Hammond organ and background vocals:
Jon Lord (on 1968-05-11)
lead vocals:
Rod Evans (on 1968-05-11)
phonographic copyright (℗) by:
HEC Enterprises Ltd. (in 1968)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (on 1968-05-11)
cover recording of:
Hush (South, Royal, Deep Purple) (on 1968-05-11)
lyricist and composer:
Joe South (until 1967)
publisher:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher), Lowery-Chappell Music and Sony/ATV Music Publishing Australia Pty Ltd.
Deep Purple4.14:25
10Smokin’ in the Boys Room
Brownsville Station2:57
11Run Run Run
engineer:
Chris Hinshaw
producer:
Tom Dowd and Jo Jo Gunne (US band active 1971–1975)
bass:
Mark Andes
drums (drum set):
William “Curly” Smith (Jo Jo Gunne musician)
guitar:
Matt Andes
keyboard:
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
vocals:
Mark Andes, Matt Andes, Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne) and William “Curly” Smith (Jo Jo Gunne musician)
remixer:
Tom Dowd
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
recording of:
Run Run Run
writer:
Matt Andes and Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
publisher:
Bulge Music and Hollenbeck Music
Jo Jo Gunne32:33
12Roxette
recording of:
Roxette
composer:
Wilko Johnson
publisher:
EMI United Partnership Ltd.
Dr. Feelgood2:55
13Blitzkrieg Bop
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer)
associate producer:
Thomas Erdelyi (Tommy Ramone)
producer:
Craig Leon (musician, arranger, composer and producer)
bass guitar:
Dee Dee Ramone
drums (drum set):
Tommy Ramone
guitar:
Johnny Ramone
lead vocals:
Joey Ramone
recorded at:
Plaza Sound Studios in New York, New York, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 25), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 64), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 92) and Indie 88: Top 500 Indie Rock Songs (number: 93)
recording of:
Blitzkrieg Bop (in 1976-01)
writer:
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman and John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher) and Taco Tunes Inc.
Ramones4.552:12
14Tom Sawyer
assistant engineer:
Robbie Whelan
engineer:
Paul Northfield
producer:
Terry Brown (producer) and Rush (Canadian rock trio)
bass guitar, Minimoog, synthesizer and lead vocals:
Geddy Lee (from 1980-10 until 1980-11)
drums (drum set) and percussion:
Neil Peart (from 1980-10 until 1980-11)
guitar:
Alex Lifeson (from 1980-10 until 1980-11)
arranger:
Terry Brown (producer) and Rush (Canadian rock trio)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2022)
recorded at and mixed at:
Le Studio in Morin‐Heights, Québec (Quebec), Canada (from 1980-10 until 1980-11)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 19) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 91)
recording of:
Tom Sawyer (from 1980-10 until 1980-11)
lyricist:
Pye Dubois and Neil Peart
composer:
Geddy Lee and Alex Lifeson
publisher:
Ole Core Music Publishing
Rush4.554:33
15Just Like Paradise
David Lee Roth4:04
16Coming of Age
assistant engineer:
John Aguto, Ed Goodreau and Bill Kennedy (recording engineer)
engineer and producer:
Ron Nevison
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Coming of Age (Damn Yankees)
writer:
Jack Blades (of Night Ranger), Ted Nugent and Tommy Shaw (of Styx)
Damn Yankees2.654:20
17I Don’t Love You Anymore
recording of:
I Don't Love You Any More
writer:
Guy Bailey and Spike (UK singer/songwriter, member of Quireboys)
The Quireboys4:58
18Hit Me With Your Best Shot
recording of:
Hit Me With Your Best Shot
lyricist and composer:
Eddie Schwartz
publisher:
ATV Music Publishing of Canada Ltd., Round Hill Songs and Sony Music Publishing (Germany) GmbH
Pat Benatar2:52

Credits

Release

ASIN:UK: B07CCG1XK8 [info]