Acid Jazz Classics, Volume 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Each and Every One
engineer:
Mike Pela
producer:
Robin Millar
bass:
Chucho Merchán (in 1984-01)
guitar family:
Ben Watt (in 1984-01)
horn [horns]:
Nigel Nash (saxophonist) (in 1984-01), Dick Pearce (trumpet) (in 1984-01) and Pete King (English alto saxophonist) (in 1984-01)
percussion:
Bosco d'Olivera (in 1984-01)
lead vocals:
Tracey Thorn (of Everything but the Girl) (in 1984-01)
vocals:
Tracey Thorn (of Everything but the Girl) (in 1984-01) and Ben Watt (in 1984-01)
guest performer:
Peter King (English alto saxophonist) (in 1984-01)
horn arranger:
Ben Watt
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recorded at:
Power Plant in London (Greater London), England, United Kingdom (in 1984-01)
recording of:
Each and Every One (in 1984-01)
writer:
Tracey Thorn (of Everything but the Girl) and Ben Watt
publisher:
Cherry Red Music (publisher) and Complete Music Ltd.
Everything but the Girl42:47
2Turn On, Tune In, Cop Out
recording of:
Turn On, Tune In, Cop Out
lyricist and composer:
Norman Cook
publisher:
PolyGram Music Publishing Ltd.
Freak Power44:27
3You're the Best Thing
drums (drum set) [drums] programming:
Peter Wilson (UK Producer)
producer:
Paul Weller (English singer‐songwriter and musician) and Peter Wilson (UK Producer)
additional keyboard [keyboards] and bass synthesizer [bass synth]:
Mick Talbot (from 1983-10 until 1984-01)
guitar [guitars] and synthesizer [synths]:
Paul Weller (English singer‐songwriter and musician) (from 1983-10 until 1984-01)
vocals:
Mick Talbot (from 1983-10 until 1984-01) and Paul Weller (English singer‐songwriter and musician) (from 1983-10 until 1984-01)
additionally recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (from 1983-10 until 1984-01)
recorded at:
Solid Bond Studio in London (Greater London), England, United Kingdom (from 1983-10 until 1984-01)
recording of:
You’re the Best Thing (from 1983-10 until 1984-01)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) and Universal Music Publishing MGB Australia
The Style Council25:41
4Space Cowboy
recording engineer:
Mike Nielsen (NZ/London/Turkey engineer)
engineer:
Adrian Bushby
producer:
J. K. (English singer, Jamiroquai)
mixer:
Al Stone (UK engineer)
arranger:
J. K. (English singer, Jamiroquai)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.)
recording of:
Space Cowboy (Jamiroquai song)
writer:
Jay Kay (English singer, Jamiroquai)
Jamiroquai3.86:26
5My Definition of a Boombastic Jazz Style
engineer:
Maximum 60 (Richard Rodwell)
co-producer:
Maximum 60 (Richard Rodwell)
producer:
Dream Warriors (Canadian hip hop)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1990)
recorded at:
BFP Studios in Toronto, Ontario, Canada
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 41)
recording of:
My Definition of a Boombastic Jazz Style
writer:
Quincy Jones, Louie Robinson and Richard Rodwell
is based on:
Soul Bossa Nova
Dream Warriors54:26
6More Than I Can Bear
recording of:
More Than I Can Bear
writer:
Mark Reilly (guitarist, vocalist, producer, songwriter) and Danny White (keyboardist)
publisher:
Matt Music Ltd. (PRS) and WC Music Corp.
Matt Bianco4:22
7Nothing Can Come Between Us
recording of:
Nothing Can Come Between Us
lyricist:
Sade Adu
composer:
Sade Adu, Andrew Hale (keyboardist/composer) and Stuart Matthewman
Sade4:21
8Connected
assistant engineer:
Neil Douglas and Elliot Singerman
engineer:
Al Stone (UK engineer)
producer:
Stereo MC’s
additional keyboard:
James Hallawell
brass:
Kick Horns
additional vocals:
Cath Coffey, Verona Davis, Andrea Groves and Jennifer Ismail
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1992)
recorded at:
The Workhouse in London (Greater London), England, United Kingdom
samples:
Let Me Let Me Be Your Lover by Jimmy “Bo” Horne
recording of:
Connected
writer:
Rob Birch (Stereo MCs), Harry Wayne Casey, Richard Finch, Nick Hallam and Jimmy “Bo” Horne
publisher:
EMI Virgin Songs, Inc., Harrick Music, Longitude Music Co. and Virgin Music Ltd.
Stereo MCs3.855:14
9Lucky Fellow
Snowboy6:24
10Dream Come True
recording of:
Dream Come True
lyricist:
Simon Bartholomew and Linda Muriel
composer:
Lascelles Gordon, Jan Kincaid, Andrew Levy and Jim Wellman
The Brand New Heavies5:23
11If You Were Mine
Mellow Man Ace4:14
12Shibuya
The Black Mighty Orchestra2:50
13Never Stop Dreamin'
The Sonic Family6:10
14Portofino
Live Tropical Fish2:19