6x6 Eighties

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1Karma Chameleon
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club3.754:02
2Do You Really Want to Hurt Me
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:23
3The Medal Song
assistierende(r) Techniker(in):
Peter Lees
Techniker(in):
Gordon Milne (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1984)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1984)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1984)
Gast-Posaune:
Kenneth McGregor (in 1984)
Gast-Saxophon:
Steve Grainger (saxophonist) (in 1984)
Gast-Trompete:
Ron Williams (Trumpeter) (in 1984)
Gast Hintergrundgesang:
Imogen Exton (in 1984), Derek Green (in 1984), Alice Kemp (in 1984), Andriana Loizou (in 1984), Alanda Marchant (in 1984), Nancy Peppers (in 1984), Phil Pickett (songwriter, producer, keyboard player) (in 1984), Chris Rainbow (in 1984), Louis Rogers (in 1984), Martin Sunley (in 1984), Helen Terry (UK singer) (in 1984), Tara Thomas ("when you’re in love") (in 1984) und Clare Torry (in 1984)
vocals:
Boy George (in 1984)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1984)
Musikvideos:
The Medal Song von Culture Club (English pop group)
recording of:
The Medal Song (in 1984)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
Culture Club24:15
4Time (Clock of the Heart)
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in):
Steve Levine (producer) und Mike Ross (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bass und Moog [Moog bass]:
Michael Craig (Culture Club bassist)
Gitarre und Röhrenglocken:
Roy Hay (Member of Culture Club and composer for film and television)
Saxophon:
Steve Grainger (saxophonist)
Schlagzeug und Tamburin:
Jon Moss
zusätzlich Keyboard:
Phil Pickett (songwriter, producer, keyboard player)
Hintergrundgesang:
Helen Terry (UK singer)
Sologesang:
Boy George
Saiteninstrumente arranger:
Trevor Bastow
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983)
produced for:
Do Not Erase Productions Ltd.
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich
engineered at:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Time (Clock of the Heart) von Culture Club (English pop group)
recording of:
Time (Clock of the Heart)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd. (in 1982)
Culture Club3.83:44
5White Boy (dance mix)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Bassgitarre:
Mikey Craig (Culture Club bassist)
membranophone und Perkussion:
Jon Moss
Sologesang:
Boy George
recording of:
White Boy
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
Virgin Music (Publishers) Ltd.
Culture Club44:39
6I’ll Tumble 4 Ya (US 12″ remix)
Produzent(in):
Steve Levine (producer)
Mix:
Gordon Milne (engineer)
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player)
Gast-Mundharmonika:
Judd Lander
Gitarre und Keyboard:
Roy Hay (Member of Culture Club and composer for film and television)
Perkussion und Schlagzeug:
Jon Moss
Gast Chorgesang:
Helen Terry (UK singer)
Sologesang:
Boy George
recording of:
I’ll Tumble 4 Ya
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
Virgin Music (Publishers) Ltd.
Culture Club4:39
7Boy Boy (I’m the Boy)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
membranophone und Perkussion:
Jon Moss
Sologesang:
Boy George
recording of:
Boy, Boy, (I’m the Boy)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
Virgin Music (Publishers) Ltd.
Culture Club43:52
8Miss Me Blind
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Miss Me Blind von Culture Club (English pop group)
recording of:
Miss Me Blind (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
Culture Club34:31
9The War Song
Produzent(in):
Steve Levine (producer)
recording of:
The War Song
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
Virgin Music (Publishers) Ltd.
Culture Club3:58
10The Dream
Culture Club42:30
11Mistake Number 3
Culture Club4:37
12Black Money
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
recording of:
Black Money (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
Culture Club35:19
13Dangerous Man
assistierende(r) Techniker(in):
Peter Lees
Techniker(in):
Gordon Milne (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1984)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1984)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1984)
Gast-Posaune:
Kenneth McGregor (in 1984)
Gast-Saxophon:
Steve Grainger (saxophonist) (in 1984)
Gast-Trompete:
Ron Williams (Trumpeter) (in 1984)
Gast Hintergrundgesang:
Imogen Exton (in 1984), Derek Green (in 1984), Alice Kemp (in 1984), Andriana Loizou (in 1984), Alanda Marchant (in 1984), Nancy Peppers (in 1984), Phil Pickett (songwriter, producer, keyboard player) (in 1984), Chris Rainbow (in 1984), Louis Rogers (in 1984), Martin Sunley (in 1984), Helen Terry (UK singer) (in 1984), Tara Thomas ("when you’re in love") (in 1984) und Clare Torry (in 1984)
vocals:
Boy George (in 1984)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1984)
recording of:
Dangerous Man (in 1984)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
Culture Club54:14
14Stormkeeper
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television)
Perkussion und Schlagzeug:
Jon Moss
Sologesang:
Boy George
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
recording of:
Stormkeeper
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
Culture Club32:47
15Love Is Love
Produzent(in):
Steve Levine (producer)
recording of:
Love Is Love
Verfasser(in):
Boy George, Mikey Craig (Culture Club bassist), Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
Cometmarket Ltd.
sub-publisher:
Kobalt Music Publishing France
Culture Club43:51
16Don’t Go Down That Street
recording of:
Don't Go Down That Street
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
Culture Club46:31
17The Dive
assistierende(r) Techniker(in):
Peter Lees
Techniker(in):
Gordon Milne (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1984)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1984)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1984)
Gast-Posaune:
Kenneth McGregor (in 1984)
Gast-Saxophon:
Steve Grainger (saxophonist) (in 1984)
Gast-Trompete:
Ron Williams (Trumpeter) (in 1984)
Gast Hintergrundgesang:
Imogen Exton (in 1984), Derek Green (in 1984), Alice Kemp (in 1984), Andriana Loizou (in 1984), Alanda Marchant (in 1984), Nancy Peppers (in 1984), Phil Pickett (songwriter, producer, keyboard player) (in 1984), Chris Rainbow (in 1984), Louis Rogers (in 1984), Martin Sunley (in 1984), Helen Terry (UK singer) (in 1984), Tara Thomas ("when you’re in love") (in 1984) und Clare Torry (in 1984)
vocals:
Boy George (in 1984)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1984)
recording of:
The Dive (in 1984)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
Culture Club2.53:49
2CD
Nr.TitelKünstlerBewertungLänge
1Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.13:25
2View From a Bridge
Produzent(in):
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
Cherry Pop (a division of Cherry Red Records Ltd.), RAK, EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996, in 2001) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recording of:
View From a Bridge
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde43:32
3Water on Glass
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981)
Gitarre:
Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Chris North (UK drummer of The Enid) (von 1980 bis 1981)
Hintergrundgesang:
Ricky Wilde (von 1980 bis 1981)
Sologesang:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996, in 2001) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Water on Glass (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde4.53:34
4Chequered Love
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981)
Gitarre:
Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Chris North (UK drummer of The Enid) (von 1980 bis 1981)
Hintergrundgesang:
Ricky Wilde (von 1980 bis 1981)
Sologesang:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996, in 2001) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Chequered Love (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde53:22
5Boys
recording of:
Boys
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde3:15
62 6 5 8 0
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981)
Gitarre:
Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Chris North (UK drummer of The Enid) (von 1980 bis 1981)
Hintergrundgesang:
Ricky Wilde (von 1980 bis 1981)
Sologesang:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996)
aufgenommen bei:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
2-6-5-8-0 (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde33:12
7Dancing in the Dark
recording of:
Dancing in the Dark
Verfasser(in):
Nicky Chinn und Paul Gurvitz
Kim Wilde3:44
8Love Blonde
Techniker(in):
Keith Fernley, Will Gosling, Simon Schofield (Engineer) und Pete Schwier (producer, mixing and recording engineer)
Produzent(in):
Ricky Wilde
Bassgitarre:
Mark Heyward-Chaplin und Ricky Wilde
E-Gitarre [lead guitar]:
Steve Byrd
Gitarre, Keyboard und Synclavier:
Ricky Wilde
Saxophon:
Gary Barnacle
Schlagzeug:
Trevor Murrell
Hintergrundgesang:
Steve Byrd, Mark Heyward-Chaplin und Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Nivram Studios, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
mixed at:
RAK Studios in London (Greater London), England, Vereinigtes Königreich und Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
Bearbeitung von:
Love Blonde von Kim Wilde
recording of:
Love Blonde
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde33:34
9SparksKim Wilde54:09
10Young Heroes
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981)
Gitarre:
Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Chris North (UK drummer of The Enid) (von 1980 bis 1981)
Hintergrundgesang:
Ricky Wilde (von 1980 bis 1981)
Sologesang:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996)
aufgenommen bei:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Young Heroes (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde33:15
11Take Me Tonight
Produzent(in):
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
Cherry Pop (a division of Cherry Red Records Ltd.), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recording of:
Take Me Tonight
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde3:52
12Action City
Produzent(in):
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
Cherry Pop (a division of Cherry Red Records Ltd.) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996)
recording of:
Action City
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde33:24
13Ego
Produzent(in):
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
Cherry Pop (a division of Cherry Red Records Ltd.) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996)
recording of:
Ego
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde34:11
14Shane
recording of:
Shane
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde3:42
15House of Salome
Techniker(in):
Keith Fernley, Will Gosling, Simon Schofield (Engineer) und Pete Schwier (producer, mixing and recording engineer)
Produzent(in):
Ricky Wilde
Bassgitarre:
Mark Heyward-Chaplin und Ricky Wilde
E-Gitarre [lead guitar]:
Steve Byrd
Gitarre:
Steve Byrd und Ricky Wilde
Instrumente:
Ricky Wilde
Keyboard und Synclavier:
Ricky Wilde
Saxophon:
Gary Barnacle
Schlagzeug:
Trevor Murrell
Hintergrundgesang:
Steve Byrd, Mark Heyward-Chaplin und Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
EMI France (in 1993)
aufgenommen bei:
Nivram Studios, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
mixed at:
RAK Studios in London (Greater London), England, Vereinigtes Königreich und Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
House of Salome
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde53:36
16Everything We Know
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981)
Gitarre:
Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Chris North (UK drummer of The Enid) (von 1980 bis 1981)
Hintergrundgesang:
Ricky Wilde (von 1980 bis 1981)
Sologesang:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
EMI France (in 1993) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996)
aufgenommen bei:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Everything We Know (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde3.53:45
17Our Town
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981)
Gitarre:
Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Chris North (UK drummer of The Enid) (von 1980 bis 1981)
Hintergrundgesang:
Ricky Wilde (von 1980 bis 1981)
Sologesang:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
EMI France (in 1993) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996)
aufgenommen bei:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Our Town (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde3:49
3CD
Nr.TitelKünstlerBewertungLänge
1It’s My Life
Programmierung und Produzent(in):
Tim Friese‐Greene
Akustikgitarre:
Mark Hollis
drum machine und Synthesizer:
Tim Friese‐Greene
Fretless Bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Keyboard:
Ian Curnow
Klavier:
Tim Friese‐Greene und Phil Ramocon (soul/R&B/reggae songwriter)
Perkussion:
Morris Pert
Schlagzeug:
Tim Friese‐Greene und Lee Harris (singer-songwriter & musician)
Hintergrundgesang:
Mark Hollis und Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:52
2Life’s What You Make It
Produzent(in):
Tim Friese‐Greene
Klavier:
Mark Hollis
mellotron und Orgel:
Tim Friese‐Greene
Perkussion:
Martin Ditcham
Schlagzeug:
Lee Harris (drummer, member of Talk Talk and .O.Rang)
Hintergrundgesang:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
vocals:
Mark Hollis
recording of:
Life’s What You Make It
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
Talk Talk3.754:28
3Dum Dum Girl
Produzent(in):
Tim Friese‐Greene
recording of:
Dum Dum Girl
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Talk Talk53:40
4Candy
recording engineer und Produzent(in):
Colin Thurston
Mix:
Mike Robinson (engineer)
Bassgitarre:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Keyboard:
Simon Brenner (UK musician, member of Talk Talk)
Schlagzeug:
Lee Harris (drummer, member of Talk Talk and .O.Rang)
Sologesang:
Mark Hollis
recording of:
Candy
Texter und Komponist(in):
Mark Hollis
Talk Talk4:40
5It’s So Serious
recording engineer, Produzent(in) und Mix:
Colin Thurston
Bassgitarre:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Keyboard:
Simon Brenner (UK musician, member of Talk Talk)
Schlagzeug:
Lee Harris (drummer, member of Talk Talk and .O.Rang)
Sologesang:
Mark Hollis
recording of:
It’s So Serious
Texter:
Mark Hollis
Komponist(in):
Simon Brenner (UK musician, member of Talk Talk), Lee Harris (drummer, member of Talk Talk and .O.Rang), Mark Hollis und Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Talk Talk3:19
6Mirror Man
recording engineer, Produzent(in) und Mix:
Colin Thurston
Bassgitarre:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Keyboard:
Simon Brenner (UK musician, member of Talk Talk)
Schlagzeug:
Lee Harris (drummer, member of Talk Talk and .O.Rang)
Sologesang:
Mark Hollis
recording of:
Mirror Man
Texter und Komponist(in):
Mark Hollis
Talk Talk3:21
7Strike Up the Band
recording of:
Strike Up the Band
Verfasser(in):
Simon Brenner (UK musician, member of Talk Talk), Lee Harris (drummer, member of Talk Talk and .O.Rang), Mark Hollis und Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Talk Talk2:45
8Why Is It So Hard
recording of:
Why Is It So Hard?
Texter und Komponist(in):
Mark Hollis
Talk Talk4:04
9Does Caroline Know
Produzent(in):
Tim Friese‐Greene
recording of:
Does Caroline Know?
Texter und Komponist(in):
Mark Hollis
publisher:
Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk34:29
10?
recording of:
?
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
Talk Talk4:09
11Eden
Produzent(in):
Tim Friese‐Greene
recording of:
Eden
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
Talk Talk4:20
12Living in Another WorldTalk Talk54:14
13My Foolish Friend
Produzent(in):
Rhett Davies
recording of:
My Foolish Friend
Verfasser(in):
Simon Brenner (UK musician, member of Talk Talk) und Mark Hollis
Talk Talk3:20
14It’s You
Produzent(in):
Tim Friese‐Greene
recording of:
It’s You
Texter und Komponist(in):
Mark Hollis
publisher:
Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk34:39
15Give It Up
Produzent(in):
Tim Friese‐Greene
Bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Gitarre:
David Rhodes (guitarist, singer, and songwriter)
mellotron und Klavier:
Mark Hollis
Orgel:
Tim Friese‐Greene
Resonatorgitarre [dobro]:
Robbie McIntosh (English guitarist for The Pretenders)
Schlagzeug:
Lee Harris (drummer, member of Talk Talk and .O.Rang)
zusätzlich Instrumente:
Ian Curnow
vocals:
Mark Hollis
recording of:
Give It Up (Talk Talk)
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
Talk Talk35:12
16Pictures of BernadetteTalk Talk5:02
17Have You Heard the News
recording engineer und Produzent(in):
Colin Thurston
Mix:
Mike Robinson (engineer)
Bassgitarre:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Keyboard:
Simon Brenner (UK musician, member of Talk Talk)
Schlagzeug:
Lee Harris (drummer, member of Talk Talk and .O.Rang)
Sologesang:
Mark Hollis
recording of:
Have You Heard the News?
Texter und Komponist(in):
Mark Hollis
Talk Talk5:07
4CD
Nr.TitelKünstlerBewertungLänge
1Nelson Mandela
Produzent(in):
Elvis Costello
Bass:
Gary McManus (bassist)
flute:
David Heath (British composer and flautist)
Gitarre:
John Shipley
Orgel:
Jerry Dammers
Saxophon:
Andy Aderinto (saxophonist)
Schlagzeug:
John Bradbury (UK drummer for The Specials/General Public)
tin whistle [penny whistle]:
Paul Speare
Trompete:
Dick Cuthell
Hintergrundgesang:
Afrodiziak
Sologesang:
Stan Campbell
vocals:
Rhoda Dakar (British singer and musician, of The Bodysnatchers)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1984)
Musikvideos:
Nelson Mandela (music video) von The Special A.K.A. (ska band)
recording of:
Free Nelson Mandela
Texter und Komponist(in):
Jerry Dammers
publisher:
Plangent Visions Music Ltd. (in 1984)
The Specials2.754:12
2Ghost Town
Techniker(in):
John A. Rivers
Posaune:
Rico Rodriguez (Jamaican trombonist)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 217)
recording of:
Ghost Town
Texter und Komponist(in):
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.953:41
3Man at C & A
Produzent(in):
Jerry Dammers und Dave Jordan (UK producer/remixer)
recording of:
Man at C&A
Verfasser(in):
Jerry Dammers und Terry Hall
The Specials2.53:36
4Rude Boys Outa JailThe Specials24:07
5Enjoy Yourself
Produzent(in):
Jerry Dammers und Dave Jordan (UK producer/remixer)
cover recording of:
Enjoy Yourself (It’s Later Than You Think)
Texter:
Herb Magidson (in 1949)
Komponist(in):
Carl Sigman (in 1949)
The Specials33:36
6Hey Little Rich Girl
Produzent(in):
Jerry Dammers und Dave Jordan (UK producer/remixer)
recording of:
Hey Little Rich Girl
Texter und Komponist(in):
Roderick James Byers
publisher:
Plangent Visions Music Ltd.
The Specials3.653:34
7Maggie’s Farm
Produzent(in):
Jerry Dammers und Dave Jordan (UK producer/remixer)
cover recording of:
Maggie’s Farm
Texter und Komponist(in):
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Special Rider Music und Warner Bros. Music (publisher; do NOT use as release label)
The Specials2.53:33
8Rat Race
Produzent(in):
Dave Jordan (UK producer/remixer)
recording of:
Rat Race
Texter und Komponist(in):
Roderick James Byers
The Specials3.253:10
9What I Like Most About You Is Your GirlfriendThe Specials44:51
10(Dawning of a) New Era
Produzent(in):
Elvis Costello
recording of:
(Dawning of a) New Era
Texter und Komponist(in):
Jerry Dammers
The Specials32:25
11Nite on the Tiles
The Specials3:04
12Break Down the Door
Techniker(in):
Jeremy Green
Produzent(in):
Jerry Dammers
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1984)
recording of:
Break Down the Door
Texter und Komponist(in):
John Bradbury (UK drummer for The Specials/General Public), Jerry Dammers und Stan Campbell
The Specials3:47
13Can’t Get a Break
recording of:
Can't Get a Break
Texter:
Rhoda Dakar (British singer and musician, of The Bodysnatchers)
Komponist(in):
The Special AKA (ska band)
The Specials4:56
14Why?
Produzent(in):
John Collins (producer)
recording of:
Why? (The Specials)
Komponist(in):
Lynval Golding
The Specials43:56
15Racist Friend
Produzent(in):
Dick Cuthell und Jerry Dammers
recording of:
Racist Friend
Verfasser(in):
John Bradbury (UK drummer for The Specials/General Public), Dick Cuthell und Jerry Dammers
The Specials33:50
16Friday Night, Saturday Morning
Produzent(in):
John Collins (producer)
recording of:
Friday Night, Saturday Morning
Texter und Komponist(in):
Terry Hall
The Specials4.253:34
17International Jet Set
Produzent(in):
Jerry Dammers und Dave Jordan (UK producer/remixer)
recording of:
International Jet Set
Texter und Komponist(in):
Jerry Dammers
The Specials35:41
5CD
Nr.TitelKünstlerBewertungLänge
1It Ain’t What You Do It’s the Way That You Do It
Produzent(in):
Fun Boy Three und Dave Jordan (UK producer/remixer)
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It)
Verfasser(in):
Sy Oliver und Trummy Young
Fun Boy Three3.652:52
2Our Lips Are Sealed
Produzent(in):
David Byrne (Talking Heads)
remixer:
Fun Boy Three und Jeremy Green
cover recording of:
Our Lips Are Sealed
Verfasser(in):
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall und Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music und Plangent Visions Music
Fun Boy Three3.22:55
3Summertime
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Fun Boy Three3:10
4The Lunatics
Produzent(in):
Fun Boy Three und Dave Jordan (UK producer/remixer)
recording of:
The Lunatics (Have Taken Over the Asylum)
Texter und Komponist(in):
Lynval Golding, Terry Hall und Neville Staple
Fun Boy Three43:16
5The More I See (The Less I Believe)Fun Boy Three3:40
6Summer of ’82
recording of:
Summer of ’82
Fun Boy Three4:02
7Best of Luck MateFun Boy Three3:22
8The Farmyard ConnectionFun Boy Three2:49
9The Telephone Always RingsFun Boy Three3:33
10We’re Having All the FunFun Boy Three2:51
11The AlibiFun Boy Three2:53
12Faith, Hope and CharityFun Boy Three2:52
13The Pressure of LifeFun Boy Three3:12
14Going Home
recording of:
Going Home
Verfasser(in):
Lynval Golding, Terry Hall und Neville Staple
Fun Boy Three3:37
15Tell Me Why
recording of:
Tell Me Why
Fun Boy Three3:46
16Things We Do
recording of:
Things We Do
Verfasser(in):
Lynval Golding, Terry Hall und Neville Staple
Fun Boy Three3:38
17Funrama Theme
recording of:
Funrama 2
Verfasser(in):
Lynval Golding, Terry Hall und Neville Staple
Fun Boy Three3:10
6CD