| # | Title | Artist | Rating | Length |
|---|
| 1 | Traces | Classics IV | | 2:47 |
| 2 | Nobody but Me | The Human Beinz | 5 | 2:18 |
| 3 | Up on Cripple Creek | The Band | 4.6 | 4:34 |
| 4 | I Heard It Through the Grapevine- producer:
- Norman Whitfield
- bass [1962 Fender Precision Bass]:
- James Jamerson (from 1967-02-03 until 1967-04-10)
- congas and tambourine:
- Jack Ashford (from 1967-02-03 until 1967-04-10)
- drums (drum set):
- Uriel Jones (from 1967-02-03 until 1967-04-10)
- French horn:
- Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
- guitar [1964 Gibson Firebird III]:
- Eddie Willis (from 1967-02-03 until 1967-04-10)
- guitar [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (from 1967-02-03 until 1967-04-10)
- Hammond organ [B-3]:
- Earl Van Dyke (from 1967-02-03 until 1967-04-10)
- instruments:
- The Funk Brothers (from 1967-02-03 until 1967-04-10)
- tom-tom:
- Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
- Wurlitzer electric piano:
- Johnny Griffith (from 1967-02-03 until 1967-04-10)
- background vocals:
- The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
- lead vocals:
- Marvin Gaye (from 1967-02-03 until 1967-04-10)
- orchestra:
- Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
- strings arranger:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- orchestrator:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- phonographic copyright (℗) by:
- Motown Record Company (in 1968)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
- cover recording of:
- I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
| Marvin Gaye | 3.7 | 3:17 |
| 5 | Evil Ways- engineer:
- Bob Breault and Eric Prestidge
- producer:
- Brent Dangerfield and Santana
- bass guitar:
- David Brown (on 1969-05-12)
- congas and percussion:
- Michael Carabello (on 1969-05-12)
- congas, percussion and timbales:
- José “Chepito” Áreas (on 1969-05-12)
- drums (drum set):
- Michael Shrieve (on 1969-05-12)
- guitar:
- Carlos Santana (on 1969-05-12)
- organ and piano:
- Gregg Rolie (on 1969-05-12)
- vocals:
- Gregg Rolie (on 1969-05-12) and Carlos Santana (on 1969-05-12)
- arranger:
- Alberto Gianquinto
- phonographic copyright (℗) by:
- CBS, Inc. (in 1969), Sony BMG Music Entertainment (in 1969) and Sony Music Entertainment Inc. (in 1969)
- recorded at:
- Pacific Recording Studio in San Mateo, California, United States (on 1969-05-12)
- mixed at:
- Pacific Recording Studio in San Mateo, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 69)
- cover recording of:
- Evil Ways (on 1969-05-12)
- lyricist and composer:
- Clarence “Sonny” Henry
- publisher:
- EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal–Songs of PolyGram International, Inc.
| Santana | 4.15 | 3:52 |
| 6 | You’ve Made Me So Very Happy- engineer:
- Fred Catero and Roy Halee
- producer:
- James William Guercio
- alto saxophone and piano:
- Fred Lipsius (from 1968-10-07 until 1968-10-22)
- bass:
- Jim Fielder (from 1968-10-07 until 1968-10-22)
- drums (drum set) and percussion:
- Bobby Colomby (from 1968-10-07 until 1968-10-22)
- flugelhorn and trumpet:
- Lew Soloff (from 1968-10-07 until 1968-10-22) and Chuck Winfield (from 1968-10-07 until 1968-10-22)
- flute, organ, piano and trombone:
- Dick Halligan (from 1968-10-07 until 1968-10-22)
- guitar and harmonica:
- Steve Katz (from 1968-10-07 until 1968-10-22)
- recorder and trombone:
- Jerry Hyman (from 1968-10-07 until 1968-10-22)
- lead vocals:
- David Clayton‐Thomas (from 1968-10-07 until 1968-10-22)
- vocals:
- Bobby Colomby (from 1968-10-07 until 1968-10-22), Dick Halligan (from 1968-10-07 until 1968-10-22) and Steve Katz (from 1968-10-07 until 1968-10-22)
- arranger:
- Blood, Sweat & Tears, Al Kooper and Fred Lipsius
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1969)
- recorded at:
- CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1968-10-07 until 1968-10-22)
- cover recording of:
- You’ve Made Me So Very Happy
- writer:
- Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway and Frank Wilson
- publisher:
- Stone Agate Music Division
- recording of:
- You’ve Made Me So Very Happy
- writer:
- Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway and Frank Wilson
- publisher:
- Stone Agate Music Division
| Blood, Sweat & Tears | 5 | 4:17 |
| 7 | Aquarius / Let the Sunshine In- sound engineer, engineer and producer:
- Bones Howe
- assistant producer:
- Ann McClelland
- bass:
- Joe Osborne
- drums (drum set) and percussion:
- Hal Blaine
- performer:
- Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo and Ron Townson
- arranger:
- Bill Holman, Bob Alcivar and Bones Howe
- vocals arranger:
- Bob Alcivar
- phonographic copyright (℗) by:
- Arista (in 1969)
- music videos:
- Age of Aquarius / Let the Sunshine In by The 5th Dimension
- part of:
- Billboard: The 500 Best Pop Songs (number: 435)
- medley including a recording of:
- Aquarius
- lyricist:
- James Rado and Gerome Ragni
- composer:
- Galt MacDermot
- publisher:
- EMI United Partnership Ltd. and United Artist Music Publishing
- part of:
- Hair
- recording of:
- Aquarius / Let the Sunshine In (The Flesh Failures)
- writer:
- Gerome Ragni, James Rado and Galt MacDermot
- arranger:
- Bill Holman, Bob Alcivar and Bones Howe
- publisher:
- Copyright Control , EMI Unart Catalog Inc. and United Artists Music Co., Inc.
- adaptations:
- Era de aquário / Deixa o sol entrar
- medley of:
- Aquarius
- medley of:
- The Flesh Failures (Let the Sunshine In)
- medley including a recording of:
- Let the Sunshine In
- lyricist:
- James Rado and Gerome Ragni
- composer:
- Galt MacDermot
- publisher:
- EMI Music Publishing Scandinavia AB and United Artists Music Co., Inc.
| The 5th Dimension | 4.15 | 4:47 |
| 8 | The Letter- producer:
- Dan Penn
- phonographic copyright (℗) by:
- Arista Records (in 1967), Arista Records, Inc. (in 1967), RCA Records (in 1967) and Atoll Music (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (number: 364)
- recording of:
- The Letter (in 1967)
- lyricist and composer:
- Wayne Carson Thompson
- publisher:
- Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control , EMI Music , Lovolar Music, Sony Music Publishing (Japan) Inc. and Warner Chappell Music
| The Box Tops | 4.15 | 1:55 |
| 9 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.15 | 3:31 |
| 10 | Bend Me, Shape Me | The American Breed | | 2:13 |
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