Howzat!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD: 1st Innings
Nr.TitelKünstlerBewertungLänge
1Jerusalem
BBC Symphony Orchestra2:20
2Dreadlock Holiday
Techniker(in):
Keith Bessey, Eric Stewart und Tony Spath
Produzent(in):
Graham Gouldman und Eric Stewart
Mix:
Eric Stewart
Agogô, Conga, cowbell, Marimba, Timbales und triangle:
Paul Burgess (UK rock drummer)
Bassgitarre, cabasa und Hintergrundgesang und Sologesang:
Graham Gouldman
E-Gitarre:
Rick Fenn und Graham Gouldman
Hybrid-Piano und Maracas / Rumba-Rasseln:
Eric Stewart
Orgel:
Rick Fenn und Eric Stewart
Schlagzeug und Tamburin:
Stuart Tosh
Synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
Hintergrundgesang:
Rick Fenn, Eric Stewart und Stuart Tosh
arranger:
10cc
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1978) und Phonogram Ltd. (not for release label use!) (in 1978)
aufgenommen bei und mixed at:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich
Musikvideos:
Dreadlock Holiday von 10cc
recording of:
Dreadlock Holiday
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. und St. Anne’s Music Ltd.
10cc4.654:28
3Mambo No. 5 (A Little Bit of...)
Koproduzent(in):
Lou Bega und Zippy (Christian Königseder)
Produzent(in):
D. Fact und Frank Lio
Instrumente:
D. Fact und Frank Lio
vocals:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
enthält Samples von:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
phonographisches Urheberrecht (℗) von:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1999) und Lautstark (in 1999)
produced for:
Syndicate
Samples:
Mambo No. 5 von Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 50)
recording of:
Mambo No. 5 (A Little Bit of…)
Texter:
Lou Bega und Zippy (Christian Königseder)
Komponist(in):
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
publisher:
Peer International Corporation (BMI), Peer Musik, Peer Musikverlag (Peermusic Musikverlag GesmbH) und Peermusic (Germany) GmbH
basiert auf:
Mambo No. 5 (original, 1949)
Lou Bega3.753:39
4All Together Now
Techniker(in):
Noel Rafferty
Produzent(in):
Graham McPherson
zusätzliche(r) Produzent(in):
Heller & Farley
phonographisches Urheberrecht (℗) von:
Produce Records (UK label owned by the band The Farm) und Farmsongs Ltd. (in 1990)
recording of:
All Together Now
Texter:
Peter Hooton
Komponist(in):
Steve Grimes (The Farm)
publisher:
Farm Music (publisher for The Farm), Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) und Windswept Music (London) Ltd.
The Farm4.25:41
5Are You Gonna Be My Girl
assistierende(r) Techniker(in):
Evil Chris
Techniker(in):
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
zusätzliche(r) Techniker(in):
Greg Gordon (producer/engineer)
Produzent(in) und Mix:
Brooklyn’s own Dave Sardy (American score composer)
Editing:
Greg Gordon (producer/engineer)
Bassgitarre:
Mark Wilson (Bass player for Jet)
Gitarre:
Cam Muncey und Nic Cester
Schlagzeug:
Chris Cester
zusätzlich Gitarre:
Brooklyn’s own Dave Sardy (American score composer)
vocals:
Cam Muncey, Chris Cester und Nic Cester
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
aufgenommen bei:
Larrabee East in Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Are You Gonna Be My Girl von Jet (Australian garage rock band)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 23), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2003), Sean Michaels: The Top 30 Songs of 2003 (Nummer: runner-up) und Indie 88: Top 500 Indie Rock Songs (Nummer: 364)
recording of:
Are You Gonna Be My Girl
Verfasser(in):
Nic Cester und Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:34
6Somebody Told Me
recording engineer:
Jeff Saltzman (music attorney and record producer)
Produzent(in):
Jeff Saltzman (music attorney and record producer) und The Killers (American rock band)
Mix:
Alan Moulder (producer and engineer)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 42)
recording of:
Somebody Told Me
Verfasser(in):
Brandon Flowers, Dave Keuning, Ronnie Vannucci und Mark Stoermer
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
The Killers3.853:17
7Hard to Beat
Produzent(in) und Mix:
Richard Archer und Wolsey White
phonographisches Urheberrecht (℗) von:
Necessary Records Limited (in 2005)
aufgenommen bei:
The Cherry Lips Hits Facility in Staines-upon-Thames, Surrey, England, Vereinigtes Königreich
recording of:
Hard to Beat
Verfasser(in):
Richard Archer
Hard‐Fi3.454:12
8Boys Will Be Boys
recording of:
Boys Will Be Boys
Verfasser(in):
William J. Brown (UK guitarist for The Ordinary Boys), James Gregory (UK bassist for The Ordinary Boys) und Samuel Preston (Sam Preston, English singer-songwriter, musician, actor)
The Ordinary Boys2:39
9Mirror in the Bathroom
Produzent(in):
Bob Sargeant
Bass:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
Gitarre:
Andy Cox (of The Beat) und Dave Wakeling
Saxophon:
Papa Saxa
Schlagzeug:
Everett Morton
vocals:
Ranking Roger und Dave Wakeling
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 282)
recording of:
Mirror in the Bathroom
Verfasser(in):
Andy Cox (of The Beat), Everett Morton, Roger Charlery, David Steele (UK musician, member of The Beat and Fine Young Cannibals) und Dave Wakeling
publisher:
Arista Records Ltd. (not for release label use!), Beat Brothers Ltd. und Zomba Enterprises, Inc.
The Beat4.753:08
10Pressure Drop
recording of:
Pressure Drop
Texter und Komponist(in):
Frederick Nathaniel Hibbert
Toots & The Maytals2:56
11Police & Thieves
cover recording of:
Police and Thieves
Verfasser(in):
Junior Murvin und Lee “Scratch” Perry (aka The Upsetter)
The Clash5:57
12Hit Me With Your Rhythm Stick
Produzent(in):
Laurie Latham
E-Bass:
Norman Watt-Roy (in 1978)
Gitarre:
John Turnbull (in 1978)
Hammond-Orgel:
Mick Gallagher (UK hammond organ player) (in 1978)
Klavier:
Chaz Jankel (English musician and songwriter) (in 1978)
Saxophon:
Davey Payne (UK saxophonist) (in 1978)
Schlagzeug:
Charley Charles (UK drummer) (in 1978)
Sologesang:
Ian Dury (in 1978)
phonographisches Urheberrecht (℗) von:
Templemill Music Ltd (in 1979)
aufgenommen bei:
The Workhouse in London (Greater London), England, Vereinigtes Königreich (in 1978)
recording of:
Hit Me With Your Rhythm Stick (in 1978)
Texter:
Ian Dury
Komponist(in):
Chaz Jankel (English musician and songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury and the Blockheads3.93:43
13Do Anything You Wanna Do
Eddie & the Hot Rods4:03
14That's Entertainment
recording of:
That’s Entertainment
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
And Son Music Ltd. (, vom 1980 bis heute), BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Stylist Music Ltd.
The Jam3:34
15You Really Got Me
Produzent(in):
Shel Talmy (in 1964-07)
Bassgitarre:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
Gitarre:
Harry Fryer (in 1964-07)
Gitarre [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
Gitarre [rhythm guitar], Keyboard, Mundharmonika und Sologesang:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
Schlagzeug:
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964-07)
zusätzlich Klavier:
Perry Ford (English pop singer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
sonstige Unterstützung:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (Aufgabe: Courtesy of / c/o Celebrity Licensing, Inc.)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (in 1964-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 36), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 162) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 176)
recording of:
You Really Got Me (in 1964-07)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. und Jay Boy
The Kinks4.252:12
16The Boys Are Back in Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:24
17Real Wild One (Wild One)
cover recording of:
Wild One (Real Wild Child)
Verfasser(in):
Johnny Greenan, Johnny O’Keefe und Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Southern Music (publisher)
Iggy Pop3:34
18England Chant
St. George's Brass Ensemble0:09
19Jump Around
recording of:
Jump Around
Verfasser(in):
Dave Appell, Kal Mann, Larry Muggerud und Erik Schrody
House of Pain4.653:34
20Can Can
recording of:
Can Can (“Bad Manners” version)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
arranger:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) und Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
Version von:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in der Unterwelt: Höllengalopp, widely known as “Can-can”)
Bad Manners2:43
21Howzat
phonographisches Urheberrecht (℗) von:
Festival Records (Australian) (in 1976), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1976) und Sherbet Record Productions (in 1976)
recording of:
Howzat
Verfasser(in):
Tony Mitchell (bass, songwriter, Australia) und Garth Porter
publisher:
Heath Levy Music Ltd. (publisher), Rondor Music und Rondor Music (Australia) Pty Ltd
Sherbet23:45
2▼CD: 2nd Innings
Nr.TitelKünstlerBewertungLänge
1God Save the Queen
The London Theatre Orchestra1:21
2The Ashes (medley)
St. George's Brass Ensemble2:19
3Soul Limbo
recording of:
Soul Limbo
Verfasser(in):
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) und Booker T. Jones
publisher:
Al Jackson Jr. Music und Irving Music (BMI)
Booker T. & the MG’s2:16
4Tom Hark
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 75)
recording of:
Tom Hark (The Piranhas revision with added lyrics)
Texter:
Bob Grover
Komponist(in):
Rupert Bopape
Revision von:
Tom Hark (Original instrumental)
The Piranhas42:42
5Fit but You Know It
recording of:
Fit but You Know It
Texter und Komponist(in):
Mike Skinner (Mike Skinner)
The Streets3:06
6Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:23
7Ooh La La
assistierende(r) Techniker(in):
Phil Chapman (engineer)
Techniker(in) und Produzent(in):
Glyn Johns
Akustikgitarre:
Ronnie Lane und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Harmonium und Klavier:
Ian McLagan
Perkussion und Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Sologesang:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 246)
recording of:
Ooh La La
Texter:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Komponist(in):
Ronnie Lane und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
WB Music Corp. (1929–2019)
Faces3.753:28
8I Can't Stand Up for Falling Down
cover recording of:
I Can’t Stand Up for Falling Down
Komponist(in):
Homer Banks (soul singer and songwriter) und Allen Jones (producer/songwriter/musician/engineer)
Elvis Costello & The Attractions2:06
9It’s Going to Happen
recording of:
It’s Going to Happen!
Verfasser(in):
Michael Bradley (Undertones bassist) und Damian O’Neill
The Undertones3:32
10Sit Down
recording of:
Sit Down
Texter:
Tim Booth
Komponist(in):
Tim Booth, Jim Glennie, Larry Gott und Gavan Whelan
James4:01
11Friday Night, Saturday Morning
Produzent(in):
John Collins (producer)
recording of:
Friday Night, Saturday Morning
Texter und Komponist(in):
Terry Hall
The Specials4.253:33
12Mr Big Stuff
recording of:
Mr. Big Stuff
Verfasser(in):
Joseph Broussard, Carrol Washington und Ralph Williams (US soul composer)
publisher:
Caraljo Music Inc., Malaco Music Company und Peermusic III, Ltd. (BMI)
Jean Knight2:44
13There She Goes
Techniker(in):
Dave Charles (British drummer as well as producer & engineer)
Produzent(in):
Bob Andrews (keyboardist and producer)
Mix:
Steve Lillywhite
Bassgitarre und Hintergrundgesang:
John Power (of The La’s and Cast)
E-Gitarre:
John Byrne (John 'Boo' Byrne, electric guitarist)
Schlagzeug:
Chris Sharrock
Sologesang:
Lee Mavers
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 45), TV Cream: Real 100 Best Singles Ever (Nummer: 62) und Indie 88: Top 500 Indie Rock Songs (Nummer: 418)
recording of:
There She Goes (The La’s)
Texter und Komponist(in):
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:40
14Walkin' on the Sun
Sologesang:
Steve Harwell
Musikvideos:
Walkin’ on the Sun von Smash Mouth (US rock band from San Jose, CA)
recording of:
Walkin’ on the Sun
publisher:
Smash Mouth (US rock band from San Jose, CA)
Verfasser(in):
Smash Mouth (US rock band from San Jose, CA)
Smash Mouth4.153:24
15Born Slippy (Nuxx)
Produzent(in) und Mix:
Underworld (UK electronic music group)
phonographisches Urheberrecht (℗) von:
Junior Boy’s Own (in 1996) und Junior Recordings (in 1996)
recording of:
Born Slippy .NUXX (vocal version associated with Trainspotting)
Texter:
Karl Hyde
Verfasser(in):
Darren Emerson, Karl Hyde und Rick Smith (electronic producer, member of Underworld)
publisher:
Mute Song (either subsidiary of Mute Song Ltd., or brand that refers to itself), Sherlock Holmes Music Ltd. und Underworld (legal entity for the band)
Underworld3.94:21
16Firestarter
zusätzlich recording engineer:
Neil McLellan
Produzent(in) und Mix:
Liam Howlett
Gitarre:
Jim Davies (The Prodigy studio guitarist) und Jim Davis (jazz producer)
vocals:
Keith Flint (vocalist in The Prodigy)
phonographisches Urheberrecht (℗) von:
XL‐Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 1996)
aufgenommen bei:
Strongroom in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich
mixed at:
Earthbound in Bradwell, Essex, England, Vereinigtes Königreich
produced at:
Earthbound in Bradwell, Essex, England, Vereinigtes Königreich
Samples:
Close (to the Edit) von Art of Noise und S.O.S. von The Breeders
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 30)
recording of:
Firestarter
Verfasser(in):
Kim Deal, Anne Dudley (English score composer), Keith Flint (vocalist in The Prodigy), Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan und Paul Morley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI/Virgin Music Publishing Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Perfect Songs (UK publisher, affiliated with BMI), Unforgettable Songs Ltd. und Zomba Music
basiert auf:
S.O.S.
quotes music from:
Close (to the Edit)
The Prodigy4.154:40
17Sound of the Suburbs
recording of:
The Sound of the Suburbs
Texter:
Jean-Marie Carroll und Nicky Tesco
Komponist(in):
Jean-Marie Carroll
The Members3:18
18If the Kids Are United
Sham 693:43
19Oh Yeah
recording of:
Oh Yeah
Texter:
Billy Lunn
Komponist(in):
Charlotte Cooper, Billy Lunn und Josh Morgan
publisher:
Stage Three Music (Catalogues) Ltd.
The Subways2:56
20Cum on Feel the Noize
recording of:
Cum On Feel the Noize
Verfasser(in):
Noddy Holder und Jim Lea
publisher:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Slade4:22
21Come on England
phonographisches Urheberrecht (℗) von:
Dougie Trendle (Douglas Trendle) (in 2002)
recording of:
Come on England
quotes music from:
Come On Eileen
quotes music from:
Main Title (The Great Escape)
Buster Bloodvessel2:39

Nennungen