Obras-primas musicais

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 11 available)

Annotation

℗ and © International Masters Publishers BV/IMP Lda. MMV All tracks © Delta Music plc reproduced under licence from Retrospective Recordings Ltd. Made in China Catalogue number CMN61 appears on the disc only, Remaining code appears on rear of book. Issued in a twelve page hardcover book. Barcode: none
Release date: 2005-00-00
Release country: PT
Release label: International Masters Publishers BV
Release catalog#: CMN61
Release label: International Masters Publishers BV
Release catalog#: PTP B4 00 01 001

Annotation last modified on 2015-01-06 19:36 UTC.

Tracklist

1CD
#TitleRatingLength
1As Bodas de Fígaro, K. 492: Abertura
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Roberto Paternostro (Austrian conductor)
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
4:16
2Concerto para Clarinete em Si bemol maior, K. 622: Primeiro andamento
clarinet:
Pierre-André Taillard (clarinetist)
orchestra:
Concerto Köln
recording of:
Concerto for Clarinet in A major, K. 622: I. Allegro (Concerto for Clarinet and Orchestra in A major, K. 622: I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
12:51
3Concerto para Piano nº 21 em Dó maior, K. 467: Segundo andamento
instruments:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Hubert Kraus (conductor) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
35:39
4Concerto para Trompa nº 4 em Mi bemol maior, K. 495: Terceiro andamento
horn:
Bernd Heisser and Sebastian Weigle (hornist and conductor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Jörg‐Peter Weigle (chorus master)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
33:59
5Exsultate Jubilate, K. 165
soprano vocals:
Gabriele Fuchs (soprano)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Martin Creed
recording of:
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
5:05
6Serenata "Eine Kleine Nachtmusik", K. 525: Primeiro andamento
orchestra:
Camerata Academica des Mozarteums Salzburg (Austrian chamber orchestra) (in 1986-10)
conductor:
Sándor Végh (violinist/conductor/teacher) (in 1986-10)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (in 1986-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1986-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
45:39
7Serenata "Gran Partita", K. 361: Terceiro andamento
instruments:
Linos Ensemble
orchestra:
Linos-Ensemble
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1781 until 1782)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 361) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 370a)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
4:59
8Sinfonia Concertante, K. 364: Primeiro andamento13:17
9Sinfonia nº 40 em Sol menor, K. 550: Primeiro andamento
orchestra:
Salzburg Mozarteum Orchestra
conductor:
Hans Graf (conductor) and János Sándor
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1988)
recording of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
revised by:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 550), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 550) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 550)
revision of:
Symphony no. 40 for Orchestra without clarinets in G minor, K. 550 “Great” (first version)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
37:38
10Requiem K. 626: Requiem æternam
baritone vocals:
Gerhard Faulstich (baritone)
choir vocals:
RIAS Chamber Chorus (German chamber choir)
contralto vocals:
Gabriele Schreckenbach (contralto)
soprano vocals:
Edith Wiens (soprano)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Uwe Gronostay (chorus master and composer)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
6:56
11Requiem K. 626: Hostias et preces
baritone vocals:
Gerhard Faulstich (baritone)
choir vocals:
RIAS Chamber Chorus (German chamber choir)
contralto vocals:
Gabriele Schreckenbach (contralto)
soprano vocals:
Edith Wiens (soprano)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Uwe Gronostay (chorus master and composer)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: b. Versus: Hostias et preces (Süßmayr Edition; choir)
orchestrator:
Maximilian Stadler and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium (Süßmayr Edition)
3:32