100 Love Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Stuck on You
producer:
James Anthony Carmichael and Lionel Richie
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Stuck on You
lyricist and composer:
Lionel Richie
publisher:
Brockman Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lionel Richie43:12
2Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1994) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:49
3Show Me Heaven
phonographic copyright (℗) by:
MCA (1967–2003; name as in imprint during 1972–1990) (in 1990) and The David Geffen Company (legal rights relating to Geffen Records) (in 1990)
recording of:
Show Me Heaven
writer:
Eric Rackin (Production music composer), Maria McKee and Jay Rifkin
publisher:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:46
4More Than Words
assistant engineer:
Craig Doubet (recording engineer)
engineer:
Bob St. John
producer and mixer:
Michael Wagener
bass guitar:
Pat Badger
drums (drum set) and percussion:
Paul Geary
guitar, keyboard, percussion and piano and background vocals:
Nuno Bettencourt
background vocals and lead vocals:
Gary Cherone
phonographic copyright (℗) by:
A&M Records (in 1990)
recording of:
More Than Words
writer:
Nuno Bettencourt and Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Funky Metal Publishing
Extreme3.755:39
5No Matter What
recorded in:
London (Greater London), England, United Kingdom and Los Angeles, California, United States
keyboard programming:
Lee McCutcheon
programming:
Simon Franglen (English score composer)
assistant engineer:
Alex Black (engineer) and Tom (assistant engineeer)
engineer:
Simon Franglen (English score composer), Steve Rinkoff and Robin Sellars (British recording engineer)
additional producer:
Simon Franglen (English score composer) and Lupino
executive producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Jim Steinman
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman and Nigel Wright (British producer, orchestrator and songwriter)
mixer:
Mick Guzauski and Steve Rinkoff
acoustic guitar [acoustic guitars] and electric guitar [electric guitars]:
Michael Thompson (session guitarist)
bass:
Angela Lupino
guitar:
Fridrik Karlsson
keyboard [keyboards]:
Simon Franglen (English score composer) and Nigel Wright (British producer, orchestrator and songwriter)
background vocals [backing vocals]:
Tracy Ackerman and Andy Caine
lead vocals:
Stephen Gately and Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham and Shane Lynch
arranger:
Simon Franglen (English score composer) and Lupino
phonographic copyright (℗) by:
Polydor Ireland (in 1998)
recorded at:
FLM Studios in Hollywood, Los Angeles, California, United States, Metropolis Studios (London) in London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
engineered at:
Barking Dog Studios in New York, New York, United States
music videos:
No Matter What by Boyzone
cover recording of:
No Matter What
lyricist:
Jim Steinman
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. (BMI affiliated) and The Really Useful Group Limited (not for release label use!)
part of:
Whistle Down the Wind (Andrew Lloyd Webber musical)
recording of:
No Matter What
lyricist:
Jim Steinman
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. (BMI affiliated) and The Really Useful Group Limited (not for release label use!)
part of:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:32
6I Need You
LL Cool J3:40
7Let’s Get It On
recording of:
Let’s Get It On
writer:
Marvin Gaye and Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and Stone Diamond Music Corporation
Marvin Gaye4:37
8Lovin’ You
cover recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Shanice53:53
9Cherish
phonographic copyright (℗) by:
Delite Recorded Sound (not for release) (in 1984) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1984)
recording of:
Cherish
writer:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) and Claydes Smith
publisher:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Windswept Pacific Music Ltd.
Kool & the Gang4.54:42
10You Are So Beautiful
assistant engineer:
David Gallo (engineer) and David Roberts (engineer)
engineer:
Guy Charbonneau
producer:
Michael Lang (Producer)
mixer:
Chris Lord‐Alge
bass:
Dave McDaniel (bass)
piano:
Nicky Hopkins (pianist and organist)
lead vocals:
Joe Cocker
performer:
Joe Cocker
arranger:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
phonographic copyright (℗) by:
A&M Records (in 1973)
recorded at:
Memorial Auditorium in Lowell, Massachusetts, United States (on 1989-10-05)
cover recording of:
You Are So Beautiful
writer:
Bruce Fisher and Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) and Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker3.952:39
11Lady in Red
producer:
Paul Hardiman
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1986)
recorded at:
RDS Arena in Dublin, County Dublin, Leinster, Ireland (on 1988-12-07) and Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 2004-11-06)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 54)
recording of:
The Lady in Red (in 1986)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 1988-12-07)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 2004-11-06)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:10
12The Look of Love
cover recording of:
The Look of Love (on 1967-01-29)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
recording of:
The Look of Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Dusty Springfield53:33
13One Day in Your Life
producer:
Sam Brown
arranger:
Sam Brown
recording of:
One Day in Your Life
lyricist:
Samuel F. Brown III
composer:
Renée Armand
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music Co., Inc. (from 1974 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Michael Jackson3.64:08
14I’ve Never Been to Me
producer:
Don Costa (US pop music arranger & producer), Berry Gordy and Ron Miller (Motown songwriter Ronald Norman Miller)
arranger:
Don Costa (US pop music arranger & producer)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1977) and Motown Record Company, L.P. (company credits only; do NOT use as release label) (from 1982 to present)
recording of:
I’ve Never Been to Me
writer:
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) and Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Stone Diamond Music Corporation
Charlene3:46
15I’m Still Waiting
producer:
Hal Davis and Deke Richards (American songwriter and record producer)
arranger:
Gene Page (conductor, composer, arranger and record producer) and Paul Riser
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) and Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
I’m Still Waiting
lyricist and composer:
Deke Richards (American songwriter and record producer)
publisher:
Jobete Music Co., Inc.
Diana Ross33:39
16Nothing’s Gonna Change My Love for You
phonographic copyright (℗) by:
Amherst Records, Inc. and PolyGram International Music B.V. (not for release label use!) (in 1988)
cover recording of:
Nothing’s Gonna Change My Love for You
lyricist:
Gerald Goffin and Michael Masser
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Glenn Medeiros3.53:47
17Save the Best for Last
producer:
Keith Thomas (CCM, country, pop producer & songwriter)
additional arranger:
Vanessa Williams (US pop/R&B vocalist/producer)
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
recording of:
Save the Best for Last
writer:
Phil Galdston, Jon Lind and Wendy Waldman
publisher:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:39
18Don’t Look Any Further
recording engineer:
Jeremy Smith (producer/engineer)
drum machine programming and associate co-producer:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
producer:
Dennis Lambert
bass guitar:
Nathan East
bass synthesizer and electric guitar [Valley Arts Stratocaster]:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
cabasa, shakers, talking drum, tambourine and timbales:
Paulinho da Costa (Brazilian percussionist)
synthesizer:
Dennis Lambert
guest vocals:
Siedah Garrett
performer:
Siedah Garrett
arranger:
Dennis Lambert and Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
recorded at:
Soundcastle Studios (former LA location) in Silver Lake, Los Angeles, California, United States
mixed at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States
recording of:
Don’t Look Any Further
writer:
Franne Golde, Duane Hitchings and Dennis Lambert
publisher:
BMG Platinum Songs US, Universal Music Careers and VMG Worldwide
Dennis Edwards & Siedah Garrett43:58
19In the Name of Love
Ralph MacDonald4:29
20I Can Dream About You
additional recording engineer:
Shelly Yakus
recording engineer:
Dan Hartman
additional engineer:
Gabe Veltri
assistant mixer:
Steve Krause (Steven A Krause)
mixer:
Humberto Gatica
additional drums (drum set):
Art Wood (US session drummer/percussionist)
additional guitar:
Richie Zito
electric bass guitar:
Eddie N. Watkins Jr.
percussion:
Bobbye Hall
piano:
Bill Payne
background vocals:
Winston Ford, Dan Hartman and Joe Pizzullo
lead vocals:
Dan Hartman
phonographic copyright (℗) by:
Geffen Records (in 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984)
recording of:
I Can Dream About You
lyricist and composer:
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) and Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:06
2▼CD
#TitleArtistRatingLength
1True to Your Heart
performer:
Stevie Wonder
recording of:
True to Your Heart
lyricist:
David Zippel
composer:
Matthew Wilder
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1998)
part of:
Mulan (film soundtrack)
98 Degrees & Stevie Wonder4:25
24 Seasons of Loneliness
recording of:
4 Seasons of Loneliness
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
EMI April Music Inc.
Boyz II Men4:19
3Candle in the Wind
engineer:
David Hentschel
producer:
Gus Dudgeon
bass guitar:
Dee Murray (in 1973-05)
drums (drum set):
Nigel Olsson (in 1973-05)
electric guitar:
Davey Johnstone (in 1973-05)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
background vocals:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) and Nigel Olsson (in 1973-05)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (in 1973-05)
music videos:
Candle in the Wind by Elton John (English singer, songwriter, pianist, and composer)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 7) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 348)
recording of:
Candle in the Wind (in 1973-05)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
dedicated to:
Marilyn Monroe (US actress, model & singer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Universal–Songs of PolyGram International, Inc.
Elton John3.653:50
4There’s Nothing Like This
recording of:
There’s Nothing Like This
lyricist and composer:
Omar Hammer
publisher:
Congo Music and PolyGram Music Publishing
Omar3:32
5When Susannah Cries
recording of:
When Susannah Cries
lyricist:
Espen Lind
composer:
Espen Lind and Sway (Norwegian musician Espen Lind)
Espen Lind3:53
6One of Us
recording of:
One of Us
lyricist and composer:
Eric Bazilian
Joan Osborne4:08
7Stop
recording of:
Stop
writer:
Bruce Brody, Sam Brown (UK singer/songwriter) and Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) and WayBlue Ltd. (publisher)
Sam Brown3:36
8Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:19
9Never Knew Love Like This Before
recording of:
Never Knew Love Like This Before
writer:
Reggie Lucas and James Mtume (jazz/funk musician)
publisher:
Frozen Butterfly Publishing Co.
Stephanie Mills4:45
10Special Lady
Ray, Goodman & Brown3:35
11Tossing and Turning
Windjammer4:26
12Every Kinda People
recording of:
Every Kinda People
lyricist and composer:
Andy Fraser (English bassist, member of Free)
publisher:
Island Music (Island Music Ltd.)
Robert Palmer4:26
13Magic Smile
Rosie Vela4:00
14Felicia
Gino Vannelli4:18
15Sometimes Love Just Ain’t Enough
recording of:
Sometimes Love Just Ain’t Enough
writer:
Glen Burtnik and Patty Smyth
publisher:
BMG Music Publishing Ltd., EMI Blackwood Music Inc., EMI Songs Ltd., Hampstead Heath Music Publishing Ltd., Pink Smoke Music, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Patty Smyth feat. Don Henley3:53
16Babe
phonographic copyright (℗) by:
A&M Records, Inc. (in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recording of:
Babe
lyricist and composer:
Dennis DeYoung
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), MDW (publisher) and Stygian Songs (publishing company for the rock band Styx) (in 1979)
Styx33:52
17Wonderful Life
recording of:
Wonderful Life
lyricist and composer:
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black3:37
18You’re the Best Thing
recording of:
You’re the Best Thing
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) and Universal Music Publishing MGB Australia
The Style Council3:33
19I’m Not in Love
recording of:
I’m Not in Love
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music and St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
10cc4:15
20Daddy’s Home
recording of:
Daddy’s Home
writer:
Charles Baskerville, Clarence Bassett, James Sheppard (American Doo-Wop/R&B singer) and William Henry Miller (US songwriter, A&R executive, label owner)
publisher:
EMI Longitude Music, Longitude Music, Sixty Four East Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
A Thousand Miles Away
Jermaine Jackson2:58
3▼CD
#TitleArtistRatingLength
1Soul Kiss
assistant recording engineer and assistant mixer:
Tim Wilson (engineer)
recording engineer and mixer:
Allen Sides
producer:
John Farrar
drums (drum set):
Vinni Caliauta (drummer)
guitar:
Larry Carlton and John Farrar
percussion:
Mike Fisher (Percussionist)
synclavier:
John Farrar
synthesizer:
Mark Goldenberg and Greg Phillinganes
background vocals:
Olivia Newton‐John (British‐Australian singer, actress and activist) and Katey Sagal (American actress and singer)
produced for:
Buffalo Music, Inc.
recorded at and mixed at:
Moonee Ponds Studio in Malibu, California, United States
recording of:
Soul Kiss
writer:
Mark Goldenberg
publisher:
Fleedleedle Music and Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?)
Olivia Newton‐John4:27
2Falling Into You
Marie Claire D'Ubaldo4:21
3Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1982) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:52
4La Mer
Sarah Brightman3:34
5Lune (Only You)
Alessandro Safina3:55
6I Hear You Now
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1979)
recording of:
I Hear You Now
lyricist:
Jon Anderson (Yes/Jon & Vangelis)
composer:
Jon Anderson (Yes/Jon & Vangelis) and Vangelis (Greek composer of electronic, new age and classical)
publisher:
Spheric B.V., Topographic Music, Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Bros., Inc. (not for release label use!)
Jon and Vangelis4:10
7Am I Losing You
Chanté Moore3:38
8Just the Way You Are
cover recording of:
Just the Way You Are
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Joelsongs (from 1977 to present), CBS Songs Ltd. (in 1977) and Impulsive Music (in 1977)
sub-publisher:
Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Barry White4:21
9You Make Me Feel Brand New
arranger:
Thom Bell (keyboards, songwriter, producer)
recording of:
You Make Me Feel Brand New
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics3.54:47
10We’re All Alone
producer:
David Anderle
phonographic copyright (℗) by:
A&M Records (in 1977) and A&M Records, Inc. (Los Angeles) (in 1977)
cover recording of:
We’re All Alone
lyricist and composer:
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and Boz Scaggs Music (publisher) (from 1975 to present)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Rita Coolidge43:37
11Dance With Me
Tony Hadley4:28
12It’s Over
recording of:
It’s Over
writer:
Wally Badarou, Boon Gould and Mark King (bass guitarist and vocalist)
publisher:
Chappell Music Ltd. and Level 42 Music Ltd.
Level 424:28
13Shine On
L.T.D.4:02
14Follow My Rainbow
recording of:
Follow My Rainbow
lyricist and composer:
Kenneth Edmonds (R&B musician Kenny Edmonds)
publisher:
Greenskirt Music, Hip Trip Music (publisher) and Kear Music (publisher)
Sheena Easton4:20
15I’ll Be There
producer:
Nickolas Ashford, Hal Davis and Valerie Simpson
arranger:
Bob West (US session bassist, producer & songwriter)
recording of:
I’ll Be There (in 1970-06)
writer:
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy and Willie Hutch
publisher:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. and Stone Diamond Music Corporation
part of:
MJ: The Musical
The Jackson 54.353:55
16Day by Day
performer:
Al Jarreau (jazz, pop and r&b singer-songwriter)
recording of:
Day by Day
writer:
George Anderson (Shakatak bassist) and Jill Saward
publisher:
Skratch Music (publisher)
Shakatak feat. Al Jarreau3:54
17Secret Lovers
recording of:
Secret Lovers
writer:
David Lewis (member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Jodaway Music (ASCAP)
Atlantic Starr33:39
18Teardrops
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Zomba Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack3:35
19Right Next Door
guitar:
Robert Cray (blues guitarist, singer and songwriter)
vocals:
Robert Cray (blues guitarist, singer and songwriter)
recording of:
Right Next Door (Because of Me)
lyricist and composer:
Dennis Walker
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Robert Cray44:17
20Orchard Road
recording of:
Orchard Road
lyricist:
Leo Sayer
composer:
Alan Tarney
Leo Sayer2:59
4▼CD
#TitleArtistRatingLength
1Let There Be Love
recording of:
Let There Be Love
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Silje Nergaard3:22
2All My Life
producer:
Rory Bennett and JoJo Hailey (R&B singer, member of K‐Ci & JoJo)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (from 1997 to present) and MCA Records Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1997)
produced for:
Two Big Productions Inc.
recording of:
All My Life
writer:
Rory Bennett, Joel “Jo‐Jo” Hailey (R&B singer, member of K‐Ci & JoJo) and Randy Waldman
publisher:
2 Big Productions, Inc., Cord Kayla Music, EMI April Music Inc., EMI Publishing Ltd, Hee Bee Dooinit Music and Warner Chappell Music Ltd (no slash; used 1988–1996)
K‐Ci & JoJo3.43:45
3Piano in the Dark
recording of:
Piano in the Dark
writer:
Scott Cutler, Jeff Hull (songwriter and producer) and Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Dwarf Village Music
Brenda Russell4:25
4All This Love
recording of:
All This Love
lyricist and composer:
El DeBarge
DeBarge4:14
5Three Times a Lady
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
lead vocals:
Lionel Richie
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 10)
recording of:
Three Times a Lady
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Commodores3.653:42
6Help Me Make It Thru the Night
producer:
Johnny Bristol
phonographic copyright (℗) by:
Motown Record Company, L.P. (Los Angeles) (company credits only; do NOT use as release label) (in 1971)
cover recording of:
Help Me Make It Through the Night
lyricist and composer:
Kris Kristofferson
publisher:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. and KPM (music publisher)
sub-publisher:
Air Music Scandinavia AB
Gladys Knight & the Pips34:24
7Never Gonna Let You Go
Sérgio Mendes4:18
8Mac Arthur Park
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
part of:
RuPaul’s Drag Race Lip Sync Performances (season 3) (number: 7)
cover recording of:
MacArthur Park
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Canopy Music, Carlin Music Corporation, Global Musikverlage (Global Musik GmbH & Co. KG), Universal Music (plain logo: “Universal Music”) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Donna Summer53:59
9Ne partez pas sans moi
phonographic copyright (℗) by:
Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2013)
part of:
Switzerland in the Eurovision Song Contest (number: 1988) and Winners of the Eurovision Song Contest (number: 1988)
recording of:
Ne partez pas sans moi
lyricist:
Nella Martinetti (singer, songwriter)
composer:
Atilla Şereftuğ (Swiss-Turkish Songwriter)
Céline Dion3:09
10La Vie en rose
cover recording of:
La Vie en rose (French original)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi) and Édith Piaf
publisher:
Éditions Beuscher Arpège and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Grace Jones3:49
11Do That to Me One More Time
recording engineer and mixer:
Roger Young (engineer)
assistant engineer:
David Cole (American recording engineer and producer), Ira Leslie and Wayne Neuendorf
producer:
Daryl Dragon
acoustic guitar:
Lee Ritenour
bass guitar:
Scott Edwards (bassist)
drums (drum set) [drums]:
Ralph Humphrey (American drummer and teacher)
percussion:
Ken Watson (American percussionist)
Rhodes piano [Fender Rhodes electric piano], background vocals and lead vocals:
Toni Tennille
synthesizer [Oberheim Four Voice]:
Daryl Dragon
wind synthesizer [flute synthesizer]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
assistant remixer:
Wayne Neuendorf
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recorded at:
Capitol Records Studio (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Rumbo Recorders in Canoga Park, Los Angeles, California, United States
mixed at:
The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Do That to Me One More Time
lyricist and composer:
Toni Tennille
publisher:
Fujipacific Music, Inc. and Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille3.854:07
12Love Really Hurts Without You
vocals:
Billy Ocean
phonographic copyright (℗) by:
GTO Records Ltd. (holding company - file no releases here!) (in 1976) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1976)
recording of:
Love Really Hurts Without You
lyricist and composer:
Ben Findon (songwriter and producer) and Leslie Sebastian Charles
publisher:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3.53:11
13I’m So Glad That I’m a Woman
recording of:
I’m So Glad That I’m a Woman
writer:
Paul Politi, Barry White and Frank Wilson (Motown singer/songwriter)
publisher:
Ba-Dake Music, Inc. and Seven Songs
Love Unlimited43:53
14Reunited
producer:
Freddie Perren
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978)
edit of:
Reunited by Peaches & Herb
recording of:
Reunited
writer:
Dino Fekaris and Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb54:02
15Heaven Help Me
Deon Estus4:43
16Love Always Finds a Reason
Glenn Medeiros & Ria4:34
17Nights in White Satin
recording of:
Nights in White Satin
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. and Tyler Music Ltd.
The Moody Blues4:36
18Send Me an Angel
assistant engineer:
Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher (engineer)
engineer:
Erwin Musper and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer) and Scorpions (German rock band)
mixer:
Shay Baby, Erwin Musper and Keith Olsen (US producer and engineer)
acoustic guitar, electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs and Rudolf Schenker
bass guitar:
Francis Buchholz
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany)
electric guitar and slide guitar:
Matthias Jabs
guest keyboard:
Jim Vallance
background vocals:
Francis Buchholz, Matthias Jabs, Klaus Meine, Herman Rarebell (drummer, Germany) and Rudolf Schenker
lead vocals:
Klaus Meine
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
recorded at:
Goodnight LA Studios in Van Nuys, California, United States and Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Send Me an Angel (Scorpions song)
lyricist:
Klaus Meine
composer:
Rudolf Schenker
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present))
Scorpions3.54:35
19If I Could Turn Back Time
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
additional engineer:
Guy Roche
assistant engineer:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) and Duane Seykora
producer:
Guy Roche and Diane Warren (US songwriter)
additional guitar:
Gene Black and Glenn Sciurba
bass guitar:
John Pierce (US session bassist)
drums (drum set) and tambourine:
Mark T. Williams
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
keyboard:
Alan Pasqua and Guy Roche
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal (American singer-songwriter)
lead vocals:
Cher
phonographic copyright (℗) by:
Geffen Records (in 1989), The David Geffen Company (legal rights relating to Geffen Records) (in 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
mixed at:
The Complex Studios in Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 386)
recording of:
If I Could Turn Back Time
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) and Realsongs (in 1989)
Cher3.753:56
20Where Is the Love
cover recording of:
Where Is the Love
writer:
Ralph MacDonald and William Salter (songwriter, bassist, producer)
publisher:
Antisia Music Inc. and BMG Ruby Songs
Mica Paris & Will Downing3:19
5▼CD
#TitleArtistRatingLength
1Woman in Chains
performer:
Oleta Adams
recording of:
Woman in Chains
lyricist and composer:
Roland Orzabal (UK musician, songwriter and producer)
publisher:
EMI Virgin Music Publishing
Tears for Fears feat. Oleta Adams6:18
2Have a Little Faith in Me
producer:
Jay Faires and Tricia Holloway
acoustic guitar:
John Hiatt (guitarist, pianist and singer-songwriter) (in 1987-02)
drums (drum set):
Jim Keltner (in 1987-02)
electric bass guitar:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) (in 1987-02)
electric guitar:
Ry Cooder (in 1987-02)
vocals:
John Hiatt (guitarist, pianist and singer-songwriter) (in 1987-02)
recording of:
Have a Little Faith in Me (in 1987-02)
lyricist and composer:
John Hiatt (guitarist, pianist and singer-songwriter)
publisher:
Careers–BMG Music Publishing, Inc.
recording of:
Lass mich nicht allein heut' Nacht (Have a Little Faith in Me)
composer:
John Hiatt (guitarist, pianist and singer-songwriter)
translated version of:
Have a Little Faith in Me
John Hiatt24:03
3High
producer:
Mike Peden (member of The Chimes)
vocals:
Tunde Baiyewu
recording of:
High
lyricist:
Paul Tucker
composer:
Tunde Baiyewu and Paul Tucker
publisher:
Polygram Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family34:38
4The Perfect Year
producer:
Nigel Lowis
vocals:
Dina Carroll
phonographic copyright (℗) by:
A&M Records, Inc. (in 1993)
music videos:
The Perfect Year by Dina Carroll
cover recording of:
The Perfect Year
lyricist:
Don Black (English lyricist) and Christopher Hampton
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Really Useful Group and The Really Useful Group Limited (not for release label use!)
part of:
Sunset Boulevard (Andrew Lloyd Webber musical)
Dina Carroll33:49
5Endless Love
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 20)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) and Warner/Chappell North America
part of:
The 54th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1981 nominee)
Diana Ross & Lionel Richie3.54:31
6Without Your Love
engineer:
Laurence Diana, Cy Langston and Geoff Young (engineer)
producer:
Jeff Wayne (musician)
mixer:
Laurence Diana and Geoff Young (engineer)
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1980)
recording of:
Without Your Love
lyricist and composer:
Billy Nicholls (English singer, songwriter, composer, record producer, and musical director)
publisher:
EMI Full Keel Music and G.H. Music Ltd
Roger Daltrey3:19
7With You I’m Born Again
assistant engineer:
James Warmack
engineer and mixer:
F. Byron Clark
producer:
James di Pasquale and David Shire (American score composer)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) and Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1979)
recording of:
With You I’m Born Again
lyricist:
Carol Connors
composer:
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) and Jobete Music (UK) Ltd.
Billy Preston & Syreeta3:42
8Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:38
9Silent Prayer
Shanice & Johnny Gill5:01
10Don’t Give Up on Us
vocals:
David Soul
phonographic copyright (℗) by:
David Soul (in 1976)
phonographic copyright (℗) by:
David Soul (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976) and Private Stock (in 1977)
recording of:
Don’t Give Up on Us (in 1976)
lyricist and composer:
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. and Universal Music Publishing International Ltd.
David Soul33:39
11How Can We Hang On to a Dream
engineer:
Val Valentin (task: director of engineering)
producer:
Erik Jacobsen
produced for:
Sweet Reliable Productions
recording of:
How Can We Hang On to a Dream? (in 1966)
lyricist and composer:
Tim Hardin
publisher:
Robbins Music Co. Ltd.
Tim Hardin32:04
12I Should Have Known Better
acoustic guitar:
Graham Lyle
electric bass guitar:
John McKenzie (English blues bassist)
membranophone:
Simon Kirk
percussion:
Martin Ditcham
recorded at:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, United Kingdom
recording of:
I Should Have Known Better (1984 song)
writer:
Jim Diamond (Scottish singer/songwriter/guitarist) and Graham Lyle
publisher:
Diamond Brothers Music, Goodsingle Ltd. (publisher), Hornall Music Ltd. (limited company) and Rondor Music (London) Ltd.
Jim Diamond54:10
13Body Talk
executive producer:
Eliot M. Cohen
phonographic copyright (℗) by:
R&B Division Ltd (in 1981)
recording of:
Body Talk
writer:
Ashley Ingram, Leee John, Steve Jolley and Tony Swain (songwriter, producer)
publisher:
Associated Music International Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony/ATV Music Publishing LLC (1995–2020), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Imagination43:38
14All of My Heart
producer:
Trevor Horn
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
recording of:
All of My Heart
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., EMI 10 Music Ltd., Neutron Music and Virgin Music (Publishers) Ltd.
part of:
Mantrap (ABC long-form film)
ABC4:49
15Being With You
assistant engineer:
Richie Griffin
engineer:
Howard Lee Wolen and Mark Wolfson
producer:
George Tobin
mixer:
Mike Piccirillo (songwriter and producer) and George Tobin
arranger:
George Tobin
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1981)
recorded at and mixed at:
Studio Sound Recorders in North Hollywood, Los Angeles, California, United States
recording of:
Being With You
lyricist and composer:
Smokey Robinson
publisher:
Bertram Music Company, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. and Primary Wave Robinson
Smokey Robinson3.254:08
16Hang On in There Baby
recording of:
Hang on in There Baby
lyricist and composer:
Johnny W. Bristol
publisher:
Bushka Music (publishing) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Johnny Bristol3:23
17You’re a Lady
Peter Skellern4:39
18I’ll Never Fall in Love Again
cover recording of:
I’ll Never Fall in Love Again
lyricist:
Jimmie Currie (songwriter) and Lonnie Donegan
is based on:
Wanderin' (American folk song)
Tom Jones34:13
19The More I See You
recording of:
The More I See You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
translated version of:
The More I See You (Valli’s version with french lyrics)
Chris Montez2:41
20Float On
recording of:
Float On
writer:
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) and Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters3:26