Harry Allen Plays Ellington Songs

~ Release by Harry Allen with The Bill Charlap Trio (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1C-Jam Blues
assistant engineer:
Bill Moss (US engineer)
engineer:
Jim Czak (engineer, owner of NOLA Recording Studios)
producer:
Harry Allen (saxophone) and Ikuyoshi Hirakawa
bass:
Peter Washington (American jazz double bassist) (from 1999-07-28 until 1999-07-29)
drums (drum set):
Kenny Washington (drums) (from 1999-07-28 until 1999-07-29)
piano:
Bill Charlap (from 1999-07-28 until 1999-07-29)
tenor saxophone:
Harry Allen (saxophone) (from 1999-07-28 until 1999-07-29)
phonographic copyright (℗) by:
BMG Funhouse, Inc. (BMG Fun House)
recorded at:
NOLA Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1999-07-28 until 1999-07-29)
recording of:
“C” Jam Blues (in 1999-07)
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
Harry Allen with Bill Charlap Trio7:11
2Solitude
assistant engineer:
Bill Moss (US engineer)
engineer:
Jim Czak (engineer, owner of NOLA Recording Studios)
producer:
Harry Allen (saxophone) and Ikuyoshi Hirakawa
bass:
Peter Washington (American jazz double bassist) (from 1999-07-28 until 1999-07-29)
drums (drum set):
Kenny Washington (drums) (from 1999-07-28 until 1999-07-29)
piano:
Bill Charlap (from 1999-07-28 until 1999-07-29)
tenor saxophone:
Harry Allen (saxophone) (from 1999-07-28 until 1999-07-29)
phonographic copyright (℗) by:
BMG Funhouse, Inc. (BMG Fun House)
recorded at:
NOLA Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1999-07-28 until 1999-07-29)
instrumental recording of:
(In My) Solitude (in 1999-07)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
Harry Allen with Bill Charlap Trio7:05
3Mood Indigo
assistant engineer:
Bill Moss (US engineer)
engineer:
Jim Czak (engineer, owner of NOLA Recording Studios)
producer:
Harry Allen (saxophone) and Ikuyoshi Hirakawa
bass:
Peter Washington (American jazz double bassist) (from 1999-07-28 until 1999-07-29)
drums (drum set):
Kenny Washington (drums) (from 1999-07-28 until 1999-07-29)
piano:
Bill Charlap (from 1999-07-28 until 1999-07-29)
tenor saxophone:
Harry Allen (saxophone) (from 1999-07-28 until 1999-07-29)
phonographic copyright (℗) by:
BMG Funhouse, Inc. (BMG Fun House)
recorded at:
NOLA Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1999-07-28 until 1999-07-29)
instrumental recording of:
Mood Indigo (1930 jazz composition and song) (in 1999-07)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
Harry Allen with Bill Charlap Trio5:02
4It Don't Mean a Thing
assistant engineer:
Bill Moss (US engineer)
engineer:
Jim Czak (engineer, owner of NOLA Recording Studios)
producer:
Harry Allen (saxophone) and Ikuyoshi Hirakawa
bass:
Peter Washington (American jazz double bassist) (from 1999-07-28 until 1999-07-29)
drums (drum set):
Kenny Washington (drums) (from 1999-07-28 until 1999-07-29)
piano:
Bill Charlap (from 1999-07-28 until 1999-07-29)
tenor saxophone:
Harry Allen (saxophone) (from 1999-07-28 until 1999-07-29)
phonographic copyright (℗) by:
BMG Funhouse, Inc. (BMG Fun House)
recorded at:
NOLA Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1999-07-28 until 1999-07-29)
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1999-07)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
Harry Allen with Bill Charlap Trio1:38
5Lush Life
assistant engineer:
Bill Moss (US engineer)
engineer:
Jim Czak (engineer, owner of NOLA Recording Studios)
producer:
Harry Allen (saxophone) and Ikuyoshi Hirakawa
bass:
Peter Washington (American jazz double bassist) (from 1999-07-28 until 1999-07-29)
drums (drum set):
Kenny Washington (drums) (from 1999-07-28 until 1999-07-29)
piano:
Bill Charlap (from 1999-07-28 until 1999-07-29)
tenor saxophone:
Harry Allen (saxophone) (from 1999-07-28 until 1999-07-29)
phonographic copyright (℗) by:
BMG Funhouse, Inc. (BMG Fun House)
recorded at:
NOLA Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1999-07-28 until 1999-07-29)
instrumental recording of:
Lush Life (in 1999-07)
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and Tempo Music, Inc. (Duke Ellington’s music publishing company) (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, volume I)
Harry Allen with Bill Charlap Trio6:40
6Just Squeeze Me (But Don't Tease Me)
assistant engineer:
Bill Moss (US engineer)
engineer:
Jim Czak (engineer, owner of NOLA Recording Studios)
producer:
Harry Allen (saxophone) and Ikuyoshi Hirakawa
bass:
Peter Washington (American jazz double bassist) (from 1999-07-28 until 1999-07-29)
drums (drum set):
Kenny Washington (drums) (from 1999-07-28 until 1999-07-29)
piano:
Bill Charlap (from 1999-07-28 until 1999-07-29)
tenor saxophone:
Harry Allen (saxophone)
phonographic copyright (℗) by:
BMG Funhouse, Inc. (BMG Fun House)
recorded at:
NOLA Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1999-07-28 until 1999-07-29)
instrumental recording of:
Just Squeeze Me (but Don’t Tease Me) (in 1999-07)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
Harry Allen with Bill Charlap Trio7:42
7Things Ain't What They Used to Be
assistant engineer:
Bill Moss (US engineer)
engineer:
Jim Czak (engineer, owner of NOLA Recording Studios)
producer:
Harry Allen (saxophone) and Ikuyoshi Hirakawa
bass:
Peter Washington (American jazz double bassist) (from 1999-07-28 until 1999-07-29)
drums (drum set):
Kenny Washington (drums) (from 1999-07-28 until 1999-07-29)
piano:
Bill Charlap (from 1999-07-28 until 1999-07-29)
tenor saxophone:
Harry Allen (saxophone) (from 1999-07-28 until 1999-07-29)
phonographic copyright (℗) by:
BMG Funhouse, Inc. (BMG Fun House)
recorded at:
NOLA Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1999-07-28 until 1999-07-29)
instrumental recording of:
Things Ain’t What They Used to Be (in 1999-07)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Harry Allen with Bill Charlap Trio9:05
8Caravan
assistant engineer:
Bill Moss (US engineer)
engineer:
Jim Czak (engineer, owner of NOLA Recording Studios)
producer:
Harry Allen (saxophone) and Ikuyoshi Hirakawa
bass:
Peter Washington (American jazz double bassist) (from 1999-07-28 until 1999-07-29)
drums (drum set):
Kenny Washington (drums) (from 1999-07-28 until 1999-07-29)
piano:
Bill Charlap (from 1999-07-28 until 1999-07-29)
tenor saxophone:
Harry Allen (saxophone) (from 1999-07-28 until 1999-07-29)
phonographic copyright (℗) by:
BMG Funhouse, Inc. (BMG Fun House)
recorded at:
NOLA Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1999-07-28 until 1999-07-29)
instrumental recording of:
Caravan (in 1999-07)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
Harry Allen with Bill Charlap Trio4:18
9Take the "A" Train
assistant engineer:
Bill Moss (US engineer)
engineer:
Jim Czak (engineer, owner of NOLA Recording Studios)
producer:
Harry Allen (saxophone) and Ikuyoshi Hirakawa
bass:
Peter Washington (American jazz double bassist) (from 1999-07-28 until 1999-07-29)
drums (drum set):
Kenny Washington (drums) (from 1999-07-28 until 1999-07-29)
piano:
Bill Charlap (from 1999-07-28 until 1999-07-29)
tenor saxophone:
Harry Allen (saxophone) (from 1999-07-28 until 1999-07-29)
phonographic copyright (℗) by:
BMG Funhouse, Inc. (BMG Fun House)
recorded at:
NOLA Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1999-07-28 until 1999-07-29)
instrumental recording of:
Take the “A” Train (version with lyrics by Sherrill) (in 1999-07)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Harry Allen with Bill Charlap Trio4:10
10Cotton Tail
assistant engineer:
Bill Moss (US engineer)
engineer:
Jim Czak (engineer, owner of NOLA Recording Studios)
producer:
Harry Allen (saxophone) and Ikuyoshi Hirakawa
bass:
Peter Washington (American jazz double bassist) (from 1999-07-28 until 1999-07-29)
drums (drum set):
Kenny Washington (drums) (from 1999-07-28 until 1999-07-29)
piano:
Bill Charlap (from 1999-07-28 until 1999-07-29)
tenor saxophone:
Harry Allen (saxophone) (from 1999-07-28 until 1999-07-29)
phonographic copyright (℗) by:
BMG Funhouse, Inc. (BMG Fun House)
recorded at:
NOLA Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1999-07-28 until 1999-07-29)
instrumental recording of:
Cotton Tail (in 1999-07)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Harry Allen with Bill Charlap Trio7:52
11Sophisticated Lady
assistant engineer:
Bill Moss (US engineer)
engineer:
Jim Czak (engineer, owner of NOLA Recording Studios)
producer:
Harry Allen (saxophone) and Ikuyoshi Hirakawa
bass:
Peter Washington (American jazz double bassist) (from 1999-07-28 until 1999-07-29)
drums (drum set):
Kenny Washington (drums) (from 1999-07-28 until 1999-07-29)
piano:
Bill Charlap (from 1999-07-28 until 1999-07-29)
tenor saxophone:
Harry Allen (saxophone) (from 1999-07-28 until 1999-07-29)
phonographic copyright (℗) by:
BMG Funhouse, Inc. (BMG Fun House)
recorded at:
NOLA Recording Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1999-07-28 until 1999-07-29)
instrumental recording of:
Sophisticated Lady (in 1999-07)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, volume I)
Harry Allen with Bill Charlap Trio4:55

Credits

Release

art direction:Takashi Ohi
photography:Junichi Takahashi
liner notes:Harry Allen (saxophone)
mastering:Hiromichi Takiguchi (Japanese mastering engineer)
Discogs:https://www.discogs.com/release/12689900 [info]