Essential Baroque

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 "Spring": I. Allegro
harpsichord:
Paul Crocker (harpsichord) (in 1979-12)
violin:
Yehudi Menuhin (violinist) (in 1979-12)
orchestra:
Camerata Lysy Gstaad (in 1979-12)
conductor:
Alberto Lysy (violinist and conductor) (in 1979-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1979-12)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1979-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:45
2Canon & Gigue in D major, T. 337: I. Canon
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (from 1973-10-01 until 1973-10-04)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel5:00
3Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1983-06-27 until 1983-06-28)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel42:48
4Adagio in G minor (excerpt)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
partial recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni5:51
5Toccata and Fugue in D minor, BWV 565: Toccata
organ:
Wayne Marshall (British pianist, organist and conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach3:23
6Water Music Suite no. 2, HWV 349: Alla Hornpipe
orchestra:
Prague Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel3:18
7Gloria in D major, RV 589: I. Gloria in excelsis Deo
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:24
8Miserere mei, Deus
bass vocals [Cantor]:
Gerald Finley (bass-baritone)
treble vocals:
Timothy Beasley-Murray (treble vocalist)
conductor:
Stephen Cleobury (organist, conductor)
recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
part of:
ABC Classic 100 (2001) (number: 9)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri4:33
9Orfeo ed Euridice: Ballet in D minor (Dance of the Blessed Spirits)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck6:19
10Herz und Mund und Tat und Leben, BWV 147: No. 10. Choral. "Jesus bleibet meine Freude"
producer:
Christopher Bishop (conductor/producer)
choir vocals:
King’s College Choir, Cambridge
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor) and Sir David Willcocks (UK composer, organist, choral conductor)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Jesu, Joy of Man’s Desiring
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:31
11Abdelazer: Rondeau
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
partial recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:16
12Orchestral Suite no. 3 in D major, BWV 1068: II. Air
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:33
13Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (Allegro)
orchestra:
Menuhin Festival Orchestra (in 1968)
conductor:
Yehudi Menuhin (violinist) (in 1968)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1968)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:23
14Flute Concerto in D major, op. 10 no. 3, RV 428 "Il gardellino": I. Allegro
flute:
William Bennett (flautist)
harpsichord:
George Malcolm (English harpsichordist, conductor)
orchestra:
English Chamber Orchestra
conductor:
George Malcolm (English harpsichordist, conductor)
recording of:
Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”
William Bennett4:11
15Viola da Gamba Sonata no. 3 in G minor, BWV 1029: II. Adagio
harpsichord:
Ton Koopman (conductor, organist and harpsichordist)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach6:05
16Concerto Grosso in G minor, op. 6 no. 8: VI. Pastorale: Largo
harpsichord:
Jean‐Patrice Brosse
violin:
Georges Armand (conductor and violinist)
orchestra:
Orchestre de chambre de Toulouse
conductor:
Georges Armand (conductor and violinist)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli4:16
17Goldberg Variations, BWV 988: Aria
harpsichord:
Alan Curtis (harpsichordist, musicologist, and conductor)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:52
18Dido and Aeneas, Z. 626: When I am laid in earth (Dido)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
English Chamber Choir (from 1965-08-25 until 1965-08-27)
soprano vocals [Dido]:
Victoria de los Ángeles (Spanish soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-08-25 until 1965-08-27)
partial recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:50
19Coronation Anthem no. 1 "Zadok the Priest", HWV 258
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Menuhin Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Coronation Anthem no. 1, HWV 258 “Zadok the Priest”: I. Zadok the Priest
composer:
George Frideric Handel (German‐British baroque composer)
part of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
George Frideric Handel5:43
2▼Digital Media
#TitleArtistRatingLength
1Te Deum, H. 146: Prélude
choir vocals:
Choir of King’s College, Cambridge
recording of:
Te Deum, H. 146: Prélude
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:49
2Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden
producer:
John Fraser (UK producer)
organ:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (from 1983-06-27 until 1983-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:35
3The Four Seasons, Violin Concerto in F minor, op. 8 no. 4, RV 297 "Winter": II. Largo
harpsichord:
Paul Crocker (harpsichord) (in 1979-12)
violin:
Yehudi Menuhin (violinist) (in 1979-12)
orchestra:
Camerata Lysy Gstaad (in 1979-12)
conductor:
Alberto Lysy (violinist and conductor) (in 1979-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1979-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1979-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:09
4Suite in D major: Prince of Denmark's March "Trumpet Voluntary"
organ:
Jane Parker‐Smith (organist) (in 1977-05)
trumpet:
Maurice André (French trumpeter) (in 1977-05)
arranger:
Jean‐Michel Defaye (French composer, conductor and pianist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 1977-05)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements) (in 1977-05)
composer:
Jeremiah Clarke (English baroque composer and organist)
arrangement of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
Jeremiah Clarke2:52
5Partita for Solo Violin no. 3 in E major, BWV 1006: I. Preludio
violin:
Josef Suk (violinist/conductor, 1929–2011)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach3:37
6Guitar Concerto in D major, RV 93: II. Largo
guitar:
Christopher Parkening (guitarist) (in 1993-05)
orchestra:
Academy of St Martin in the Fields (in 1993-05)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1993-05)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1993-05)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (catch-all for arrangements) (in 1993-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
part of:
Concerto for Lute in D major, RV 93 (catch-all for arrangements)
Antonio Vivaldi4:38
7Concerto for Two Violins in D minor, BWV 1043: II. Largo ma non tanto
violin:
Christian Ferras (violinist) and Yehudi Menuhin (violinist)
orchestra:
Bath Festival Orchestra
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:43
8Vespro della Beata Vergine (1610): Psalm 112 - Laudate pueri
instruments:
Early Music Consort of London
choir vocals:
Choir of King’s College, Cambridge
conductor:
Philip Ledger
recording of:
Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi5:52
9Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
oboe:
Celia Nicklin (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Philip Pickett (musician) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
trumpet:
Mark Bennett (trumpeter) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Kenneth Sillito (violinist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:51
10Funeral Sentences and Funeral Music for Queen Mary: March, Z. 860i
instruments:
Philip Jones Brass Ensemble
choir vocals:
Choir of King’s College, Cambridge
conductor:
Sir Philip Ledger
recording of:
Funeral Music on the Death of Queen Mary: I. March, Z. 860
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell1:38
11Funeral Sentences, and Funeral Music for Queen Mary: Thou know'st Lord, Z. 58B
instruments:
Philip Jones Brass Ensemble
choir vocals:
Choir of King’s College, Cambridge
conductor:
Sir Philip Ledger
recording of:
Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord"
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 58b)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:21
12Harpsichord Concerto no. 5 in F minor, BWV 1056: II. Largo
harpsichord:
George Malcolm (English harpsichordist, conductor)
orchestra:
Menuhin Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:19
13Ouverture-Suite for Flute and Strings in A minor, TWV 55:a2: V. Réjouissance. Viste
producer:
Christopher Bishop (conductor/producer)
cello:
Kenneth Heath (cellist) (from 1973-10-01 until 1973-10-04)
double bass:
John Gray (double bass player) (from 1973-10-01 until 1973-10-04)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1973-10-01 until 1973-10-04)
recorder:
David Munrow (UK early music historian & musician) (from 1973-10-01 until 1973-10-04)
violin:
Carmel Kaine (violinist) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Ouverture-Suite, TWV 55:a2: V. Réjouissance (for recorder or flute and strings) (from 1973-10-01 until 1973-10-04)
composer:
Georg Philipp Telemann (composer)
part of:
Ouverture-Suite, TWV 55:a2
Georg Philipp Telemann2:22
14The Well-Tempered Clavier, Book I, Prelude and Fugue no. 1 in C major, BWV 846: Prelude
harpsichord:
Bob van Asperen (harpsichordist and organist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (from 1989 until 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:50
15Guitar Concerto in C major, RV 425: III. Allegro
guitar:
Christopher Parkening (guitarist)
orchestra:
Academy of St Martin in the Fields
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
recording of:
Concerto for Mandolin in C major, RV 425: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi4:19
16Brandenburg Concerto no. 3 in G major, BWV 1048: I. —
orchestra:
Linde Consort (Swiss ensemble led by Hans-Martin Linde)
conductor:
Hans-Martin Linde (flutist and conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:49
17Musette and Tambourin en rondeau from Les Fêtes d'Hébé
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Les Fêtes D'Hébé (Paris, 1739. Suite From The Opéra-ballet): 9. Tambourin en rondeau
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Fêtes D'Hébé (Paris, 1739. Suite From The Opéra-ballet)
recording of:
Les Fêtes D'Hébé (Paris, 1739. Suite From The Opéra-ballet): 13. Musette en rondeau
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Fêtes D'Hébé (Paris, 1739. Suite From The Opéra-ballet)
Jean‐Philippe Rameau3:03
18Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
flute:
William Bennett (flautist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:26
19Keyboard Sonata in B-flat major, Kk. 202
harpsichord:
Bob van Asperen (harpsichordist and organist)
recording of:
Sonata in B-flat major, K 202, L 498: Allegro
composer:
Domenico Scarlatti (composer)
part of:
Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 202) and Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 498)
Domenico Scarlatti3:53
20Wachet auf, ruft uns die Stimme, BWV 140: No. 4. Choral. "Zion hört die Wächter singen"
choir vocals:
Süddeutscher Madrigalchor
orchestra:
Consortium Musicum
conductor:
Wolfgang Gönnenwein (conductor)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:28
21Lute Concerto in D major, RV 93: I. Allegro
instruments:
Wim ten Have (Classical viola and viol player)
lute:
Anthony Bailes (lutenist)
strings:
Danske Strings
recording of:
Concerto for Lute in D major, RV 93: I. Allegro giusto
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi3:39
22Messiah, HWV 56: No. 44. Hallelujah
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06-29 until 1966-08-09)
solo vocals:
Dame Janet Baker (mezzo‐soprano and alto), Paul Esswood (countertenor), Elizabeth Harwood (soprano), Raimund Herincx (bass-baritone) and Robert Tear (tenor)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
English Chamber Orchestra (from 1966-06-29 until 1966-08-09)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1966-06-29 until 1966-08-09)
arranger:
Basil Lam (English producer, harpsichordist)
balance engineer:
Neville Boyling (engineer) (from 1966-06-29 until 1966-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06-29 until 1966-08-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1966-06-29 until 1966-08-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:01