The Very Best of Classic Rock, Vol. 3

~ Release by Symphonic Rock Orchestra (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Swan Lake / Pathétique / Peer Gynt
orchestra:
Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
partial recording of:
Peer Gynt, op. 23
premiered in:
Oslo, Norway (on 1976-02-24)
composer:
Edvard Grieg (composer) (in 1875)
part of:
Works of Edvard Grieg by opus number (number: op. 23) and Classic 100: Piano (2025) (number: 34)
is based on:
Peer Gynt
partial recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique” (catch-all for unknown arrangement)
composer:
Ludwig van Beethoven (German composer)
arrangement of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
partial recording of:
Swan Lake, op. 20 (Лебединое озеро)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1875 until 1876)
part of:
The Tchaikovsky Handbook (number: TH 12), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 12) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 20)
Pyotr Tchaikovsky / Ludwig van Beethoven / Edvard Grieg6:24
2Rêverie / Ave Maria
orchestra:
Orchester Charles Monet
instrumental recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Kinderszenen, op. 15: Träumerei (catch-all for arrangements)
composer:
Robert Schumann (German classical composer) (in 1838)
arrangement of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
Robert Schumann / Franz Schubert3:47
3New World
orchestra:
Philharmonics of London (identity is vague, but added as is)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
premiered at:
Second Concert in the Fifty Second Season (1893-12-16) (on 1893-12-16)
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1893-12-16)
part of:
Classic 100: The Music You Can't Live Without (2021) (number: 7), Works of Antonín Dvořák by opus number (number: op. 95) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 178)
Antonín Dvořák3:33
4Bach Goes to the Beach
orchestra:
Wave’s Computer Orchestra
Johann Sebastian Bach4:20
5Piano Concerto no. 1 / Solveig’s Song / Samson & Dalila
orchestra:
Orchester Charles Monet
instrumental recording of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
partial instrumental recording of:
Samson et Dalila, op. 47
composer:
Camille Saint‐Saëns (composer)
librettist:
Ferdinand Lemaire (librettist)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 47)
Pyotr Tchaikovsky / Edvard Grieg / Camille Saint‐Saëns4:56
6When I’m Sixty‐Four / Yellow Submarine
orchestra:
Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
instrumental recording of:
When I’m Sixty‐Four
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP) and Northern Songs Ltd. (in 1967)
written at:
Paul McCartney’s Home in Liverpool, Merseyside, England, United Kingdom (in 1956)
instrumental recording of:
Yellow Submarine
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
written at:
57 Wimpole Street in London (Greater London), England, United Kingdom (from 1966-03 until 1966-04)
John Lennon & Paul McCartney6:21
7Romantic Improvisation
orchestra:
Wave’s Computer Orchestra
Franz Schubert4:56
8Melody in Love
orchestra:
Philharmonics of London (identity is vague, but added as is)
Arthur Rubinstein4:43
9I Got Plenty of Nothing
piano:
Sylvester Stingel (pianist)
orchestra:
Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
conductor:
Simon Gale (artist name of Jože Privšek)
arranger:
Simon Gale (artist name of Jože Privšek)
instrumental recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
George Gershwin5:15
10Largo for Lovers
orchestra:
Wave’s Computer Orchestra
Georg Friedrich Händel3:28
11Lover’s Dream
orchestra:
Philharmonics of London (identity is vague, but added as is)
partial recording of:
Liebesträume, S. 541
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Classic 100: Piano (2025) (number: 36) and The Music of Liszt (number: S. 541)
Franz Liszt3:27
12Maria
orchestra:
Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
conductor:
Simon Gale (artist name of Jože Privšek)
instrumental recording of:
West Side Story: Maria (Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
Leonard Bernstein5:46
13Habanera / Interlude / The Moldau
orchestra:
Harry Pleva Chor und Orchester
partial instrumental recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Georges Bizet / [unknown] / Bedřich Smetana4:31