Veronica’s Top 1000 allertijden: Editie 2008

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

| |
1▼CD
#TitoloArtistaValutazioneDurata
1Beat It
tecnico di registrazione:
Donn Landee e Bruce Swedien
programmazione degli strumenti:
Steve Porcaro
co-produttore:
Michael Jackson (“King of Pop”)
produttore:
Quincy Jones
tecnico di missaggio:
Bruce Swedien
basso elettrico e chitarra elettrica :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
batteria :
Jeff Porcaro
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
chitarra elettrica solista :
Edward Van Halen
percussione [drum case beater] , voce di accompagnamento e voce principale:
Michael Jackson (“King of Pop”)
piano Rhodes e sintetizzatore :
Greg Phillinganes
sintetizzatore :
Steve Porcaro
sintetizzatore [Synergy synthesizer] :
Greg Smith (Producer/Keyboards)
synclavier :
Tom Bahler
tastiera :
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibraslap :
Chris Shepard
arrangiatore percussione :
Michael Jackson (“King of Pop”) e Quincy Jones
arrangiatore:
Rod Temperton
diritti fonografici (℗) detenuti da:
MJJ Productions Inc. (rights holder, not an imprint) (nel 1982)
registrata presso:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti (nel 1982)
campionamenti:
Untitled (side A) di Denny Jaeger
video musicali:
Beat It di Michael Jackson (“King of Pop”)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 12), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 18), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 21), Billboard Hot 100: 2026-05-23 (numero: 29), Billboard Hot 100: 2026-05-16 (numero: 32), Billboard Hot 100: 2026-05-30 (numero: 47), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 185), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 209) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 337)
registrazione di:
Beat It
paroliere e compositore:
Michael Jackson (“King of Pop”)
editore:
Mijac Music e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
MJ: The Musical
Michael Jackson4.34:20
2Belfast Child
produttore:
Trevor Horn e Stephen Lipson
arrangiatore:
Simple Minds (Scottish rock band)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1989)
registrazione di:
Belfast Child
paroliere:
Jim Kerr (of Simple Minds)
compositore:
[traditional] (special purpose artist)
arrangiatore:
Charlie Burchill, Jim Kerr (of Simple Minds) e Michael MacNeil
editore:
EMI Music Publishing (do not use as a release label!)
si basa su:
She Moved Through the Fair
Simple Minds46:42
3Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.94:27
4Gimme All Your Lovin’
tecnico:
Terry Manning (US recording engineer)
produttore:
Bill Ham (manager of ZZ Top)
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica e voce principale:
Billy Gibbons
voce:
Dusty Hill
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 1984)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Gimme All Your Lovin’
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three e Songs of Mosaic
ZZ Top4.053:59
5Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.43:49
6Another 45 Miles
registrazione di:
Another 45 Miles
paroliere e compositore:
George Kooymans
Golden Earring3:57
7Stop Loving You
tecnico di registrazione e produttore:
Bill Payne, George Massenburg e Toto (US rock group)
registrazione di:
Stop Loving You
autore:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) e David Paich
editore:
BMG Songs, Hudmar Publishing Co. Inc., Inactive e Rehtakul Veets Music
Toto44:28
8I Would Stay
registrazione di:
I Would Stay (nel 2000)
paroliere e compositore:
Jacqueline Govaert (Dutch singer, songwriter and pianist)
Krezip43:51
9Sinds 1 dag of 2 (32 Jaar)
tecnico:
Peter Vincent (Dutch record producer and audio engineer)
produttore:
Doe Maar e Peter Vincent (Dutch record producer and audio engineer)
esecutore:
Doe Maar
registrazione di:
Sinds een dag of 2 (32 jaar)
paroliere e compositore:
Henny Vrienten
Doe Maar3:21
10Girl
tecnico:
John Sonneveld
produttore:
Anouk (Dutch rock singer) e Clif Norrell
tecnico di missaggio:
Tony Masserati
batteria :
Hans Eijkenaar (Dutch instrumentalist, arranger, composer and producer)
chitarra :
Martijn van Agt e Leendert Haaksma (Dutch guitarist)
chitarra basso :
Michel van Schie
tastiera :
Ronald Kool
voce:
Anouk (Dutch rock singer)
arrangiatore:
Anouk (Dutch rock singer)
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione di:
Girl
paroliere e compositore:
Anouk Teeuwe (Dutch rock singer) e Bart van Veen
Anouk43:33
11Nothing Compares 2 U
tecnico:
Chris Birkett
produttore:
Nellee Hooper e Sinéad O’Connor (Irish singer‐songwriter)
tecnico di missaggio:
Chris Birkett, Fachtna Ó Ceallaigh e Sinéad O’Connor (Irish singer‐songwriter)
voce:
Sinéad O’Connor (Irish singer‐songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1990) e Ensign Records Ltd. (company; do NOT use as release label) (nel 1990)
video musicali:
Nothing Compares 2 U (music video) di Sinéad O’Connor (Irish singer‐songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 184) e Indie 88: Top 500 Indie Rock Songs (numero: 413)
registrazione cover di:
Nothing Compares 2 U
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing e Warner Chappell (Warner/Chappell Music, Inc.)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:10
12Red Red Wine
produttore:
Ray “Pablo” Falconer e UB40
arrangiatore:
UB40
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983) e DEP International (UB40) (nel 1983)
registrazione cover di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Bang Records (Bert Berns label) (nel 1968)
UB403.83:04
13Here I Go Again
produttore:
Kevin Elson, Keith Olsen (US producer and engineer) e Mike Stone (producer and engineer, 1960s–80s)
tecnico di missaggio:
Keith Olsen (US producer and engineer)
basso elettrico :
Neil Murray (British bass guitar player)
batteria e percussione :
Aynsley Dunbar
chitarra elettrica e voce di accompagnamento:
John Sykes
chitarra elettrica solista :
Adrian Vandenberg
tastiera e tastiera ospite :
Don Airey e Bill Cuomo
voce principale:
David Coverdale
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1987) e Whitesnake Productions (Overseas) Ltd. (nel 1987)
mixata presso:
Goodnight LA Studios in Van Nuys, California, Stati Uniti
video musicali:
Here I Go Again ’87 di Whitesnake
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 17)
registrazione di:
Here I Go Again
autore:
David Coverdale e Bernie Marsden
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (conclusa), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Whitesnake4.054:34
14True
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet5:15
15Walk Like an Egyptian
produttore:
David Kahne
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra :
Susanna Hoffs e Vicki Peterson
chitarra basso :
Michael Steele (American bassist, guitarist, songwriter, and singer)
voce principale:
Susanna Hoffs, Vicki Peterson e Michael Steele (American bassist, guitarist, songwriter, and singer)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 14)
registrazione di:
Walk Like an Egyptian
paroliere e compositore:
Liam Sternberg (fino al 1984-01)
editore:
Peer International Corporation (BMI)
parte di:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
Bangles4.23:25
16Josephine
registrazione di:
Josephine
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea4:27
17Sex Crime (1984)
tecnico:
Eric Thorngren
tecnico aggiunto:
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
produttore:
Dave Stewart (UK guitarist/singer for Eurythmics)
tecnico di missaggio:
Dave Stewart (UK guitarist/singer for Eurythmics) e Eric Thorngren
esecutore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1984)
registrazione di:
Sexcrime (Nineteen Eighty-Four)
autore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
editore:
RCA Music Ltd. (publisher) e Universal Music Careers
Eurythmics2.43:55
18Year of the Cat
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Al Stewart (UK folk singer/songwriter) (nel 1976)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
mixata presso:
Davlen Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 13)
registrazione di:
Year of the Cat
autore:
Al Stewart (UK folk singer/songwriter) e Peter Wood (UK keyboardist/pianist)
editore:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.456:34
2▼CD
#TitoloArtistaValutazioneDurata
1The Best
tecnico:
Chris Lord‐Alge
produttore:
Dan Hartman e Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989)
edit di:
The Best di Tina Turner
video musicali:
The Best di Tina Turner
registrazione cover di:
The Best
autore:
Holly Knight e Michael Chapman (Australian producer and songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:11
2Let’s Dance
registrazione di:
Let’s Dance
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd e Watanabe Music Publishing CM division
David Bowie4:11
3I’m Outta Love
programmazione:
Louis Biancaniello (nel 2000)
produttore:
Louis Biancaniello e Sam Watters
tecnico di missaggio:
Louis Biancaniello e David Frazier (engineer)
batteria [drums] :
Louis Biancaniello (nel 2000) e Sam Watters (nel 2000)
chitarra [guitars] :
Vernon Black (nel 2000)
tastiera [all keyboards] :
Louis Biancaniello (nel 2000)
voce di accompagnamento:
Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”) (nel 2000) e Sam Watters (nel 2000)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1999, nel 2000) e Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 2000)
è stato produttore per:
Breakthrough Entertainment
registrata presso:
Homesite 13 in Novato, California, Stati Uniti (nel 2000)
mixata presso:
Homesite 13 in Novato, California, Stati Uniti
video musicali:
I’m Outta Love di Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
versioni a cappella:
I'm Outta Love (a cappella) di Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
versioni strumentali:
I'm Outta Love (instrumental) di Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
registrazione di:
I’m Outta Love (nel 2000)
paroliere:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello e Sam Watters
compositore:
Louis Biancaniello e Sam Watters
editore:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) e Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3.84:04
4Hard to Say I’m Sorry
tecnico:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Jack Goudie, Lee Loughnane e Walter Parazaider
tecnico di missaggio:
Bill Schnee
arrangiatore archi :
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Jeremy Lubbock
arrangiatore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Danny Seraphine
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982, nel 2010)
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
registrazione di:
Hard to Say I’m Sorry / Get Away
editore:
BMG Music Publishing Ltd., Chappell Music Ltd., Double Virgo Music, Foster Frees Music Inc. e Little Sacha Songs
medley di:
Hard to Say I’m Sorry
medley di:
Get Away
Chicago55:07
5Superstitious
assistente tecnico:
Rob Bozas (engineer), Andy Bradfield e Heidi Cannavo (engineer)
tecnico, produttore e tecnico di missaggio:
Ron Nevison
batteria :
Ian Haugland
chitarra basso :
John Levén
chitarra elettrica [lead guitar] :
Kee Marcello
chitarra elettrica [rhythm guitar] e voce principale:
Joey Tempest (Swedish singer)
tastiera :
Mic Michaeli
voce di accompagnamento:
Ian Haugland, Kee Marcello e Mic Michaeli
direttore d'orchestra:
Mike Moran (keyboardist, songwriter, film and TV composer, producer)
arrangiatore strumenti:
Mike Moran (keyboardist, songwriter, film and TV composer, producer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (dal 1988-03 al 1988-06) e The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1988-03 al 1988-06)
registrazione di:
Superstitious
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
Screen Gems–EMI Music Ltd.
Europe44:36
6Tubular Bells
registrazione di:
Tubular Bells
compositore:
Mike Oldfield
cita la musica di:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
parte di:
Tubular Bells, Part One
Mike Oldfield4.254:17
7I’m Your Man
produttore:
George Michael
arrangiatore:
George Michael
video musicali:
I’m Your Man di Wham! (British pop-duo) e I’m Your Man di Wham! (British pop-duo)
parte di:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (numero: 8)
registrazione di:
I'm Your Man
paroliere e compositore:
George Michael
Wham!44:06
8Zij maakt het verschil
assistente tecnico di registrazione:
Joeri Saal
tecnico di registrazione:
Joeri Saal e John Tilly
co-produttore:
Sander Janssen (Dutch keyboardist & producer, aka 'Mr Irish Coffee')
produttore:
De Poema’s e John Tilly
tecnico di missaggio:
Erwin Musper
archi :
Erica Korthals Altes, Bastian van den Berg, Gustav Klimmt Kwartet, Mieke Honingh (viola player), Norman Janssen (Dutch violist), Arlia de Ruiter e Pauline Terlouw
corno :
Roel Koster (Horn player)
tromba :
Jan Hollander
trombone :
Martin van den Berg
orchestra:
Gustav Klimmt Kwartet
arrangiatore archi e arrangiatore strumenti a fiato :
Peter Schön (Dutch singer, arranger, producer, composer, writer and musician)
arrangiatore strumenti:
Peter Schön (Dutch singer, arranger, producer, composer, writer and musician)
registrata presso:
Studio 150 in Amsterdam, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
mixata presso:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
registrazione di:
Zij maakt het verschil
paroliere:
Martin Buitenhuis
compositore:
Paul de Munnik
De Poema’s4:42
9Airport
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1978)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 19)
registrazione di:
Airport
autore:
Andy McMaster
editore:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Island Music Ltd. (dal 1978 a oggi)
The Motors3.754:30
10Jessie
registrazione di:
Jessie (Joshua Kadison song)
paroliere e compositore:
Joshua Kadison (US singer-songwriter, pianist & writer)
editore:
EMI Blackwood Music Inc., Joshuasongs (BMI affiliated) e Seymour Glass Songs (BMI affiliated)
Joshua Kadison14:20
11Listen to the Music
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972)
edit di:
Listen to the Music di The Doobie Brothers
registrazione di:
Listen to the Music
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:43
12I Want to Know What Love Is
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner4:35
13Little Green Bag
registrazione di:
Little Green Bag
autore:
Hans Bouwens e Jan Visser (Dutch Gospel singer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
George Baker Selection4:03
14Kronenbrug Park
voce:
Frank Boeijen (Dutch singer, founder of Frank Boeijen Groep)
esecutore:
Frank Boeijen Groep
registrazione di:
Kronenburg Park
paroliere e compositore:
Frank Boeijen (Dutch singer, founder of Frank Boeijen Groep)
Frank Boeijen Groep4.54:04
15Als je wint heb je vrienden
registrazione di:
Als je wint
paroliere e compositore:
Henny Vrienten
Henny Vrienten & Herman Brood3:41
16Not an Addict
tecnico:
Werner Pensaert (Belgian engineer, producer & keyboardist)
editor:
Uwe Teichert (Belgian mastering engineer)
parte di:
ZAMU Award: Song (numero: 1995)
registrazione di:
Not an Addict
paroliere e compositore:
Gert Bettens (Belgian musician) e Sam Bettens
editore:
Double T Publishing
sub-editore:
Sony Music Publishing France
K’s Choice4.44:49
17Brass in Pocket
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Michael Paul Stavrou (producer/engineer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
The Pretenders4.43:05
18Big Log
produttore:
Benji Lefevre, Pat Moran (UK male singer, keyboardist sound engineer and producer) e Robert Plant (of Led Zeppelin)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983)
registrazione di:
Big Log
compositore:
Robbie Blunt, Robert Plant (of Led Zeppelin) e Gerald Woodruffe
editore:
Bay Music Co., Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) e Talk Time Music, Inc.
Robert Plant4.24:59
3▼CD
#TitoloArtistaValutazioneDurata
1Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:37
2Slippery People
registrazione di:
Slippery People
paroliere:
David Byrne (Talking Heads)
compositore:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) e Tina Weymouth
editore:
Bleu Disque Music Co., Inc. (publisher) e Index Music, Inc.
Talking Heads4:15
3Anyplace, Anywhere, Anytime
tecnico di registrazione:
Patrick Babak, Ahmed Chouraqui, Janzoulou, Jeo e Gena Wernic
tecnico audio e tecnico di missaggio:
Jeo
co-produttore:
Gena Wernic
produttore:
Jörn‐Uwe Fahrenkrog‐Petersen e Jeo
batteria :
Marco Minnemann
chitarra :
PC (guitarist Patrick Christensen of Warren Suicide) e Jörg Sander
chitarra basso :
Paul Di Leo
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen
voce di accompagnamento e voce principale:
Nena (the person, performing solo since 1987)
voce di accompagnamento ospite e voce principale ospite:
Kim Wilde
arrangiatore:
Jörn‐Uwe Fahrenkrog‐Petersen e Gena Wernic
diritti fonografici (℗) detenuti da:
Warner Strategic Marketing
registrata presso:
Barbak Studio in Oberkirch, Luzern (Canton Lucerna), Svizzera, Gantec Studio in Berlin, Germania, Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germania e On Air Studio (Berlin) in Berlin, Germania
mixata presso:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germania
edit di:
Anyplace, Anywhere, Anytime (new version) di Nena (the person, performing solo since 1987) mit Kim Wilde
video musicali:
Anyplace Anywhere, Anytime di Nena (the person, performing solo since 1987) & Kim Wilde
registrazione di:
Anyplace, Anywhere, Anytime (English/German version) (nel 2002)
paroliere:
Carlo Karges
compositore:
Jörn‐Uwe Fahrenkrog‐Petersen
traduttore:
Lisa Dal Bello
si basa su:
Anyplace, Anywhere, Anytime (English version)
si basa su:
Irgendwie, irgendwo, irgendwann
registrazione di:
Anyplace, Anywhere, Anytime (English version)
paroliere:
Carlo Karges
compositore:
Jörn‐Uwe Fahrenkrog‐Petersen
traduttore:
Lisa Dal Bello
editore:
EMI Publishing
versione tradotta di:
Irgendwie, irgendwo, irgendwann
Nena & Kim Wilde3:44
4I Won’t Let You Down
registrazione di:
I Won’t Let You Down
autore:
Jim Diamond (Scottish singer/songwriter/guitarist) e Tony Hymas
Ph.D.44:09
5Crazy
tecnico:
Ben H. Allen
produttore:
Danger Mouse (Brian Burton)
tecnico di missaggio:
Ben H. Allen e Danger Mouse (Brian Burton)
tecnico di missaggio aggiunto:
Kennie Takahashi
video musicali:
Crazy di Gnarls Barkley
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 307), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 355) e Indie 88: Top 500 Indie Rock Songs (numero: 357)
registrazione di:
Crazy (Gnarls Barkley song)
paroliere:
Thomas DeCarlo Callaway
autore:
Gian Franco Reverberi e Gian Piero Reverberi
compositore:
Brian Burton
Gnarls Barkley4.23:00
6Don’t Answer Me
assistente tecnico:
Tony Richards (recording engineer)
tecnico e produttore:
Alan Parsons (of The Alan Parsons Project)
produttore esecutivo:
Eric Woolfson
batteria e percussione :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra :
Ian Bairnson
chitarra acustica :
Ian Bairnson e David Paton (of Pilot)
chitarra basso :
David Paton (of Pilot)
sassofono :
Mel Collins
sintetizzatore [Fairlight] :
Alan Parsons (of The Alan Parsons Project)
tastiera e voce di accompagnamento:
Chris Rainbow e Eric Woolfson
voce principale:
Eric Woolfson
direttore d'orchestra:
Andrew Powell (known for contributions to Alan Parsons Project)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
registrazione di:
Don’t Answer Me
autore:
Alan Parsons (of The Alan Parsons Project) e Eric Woolfson
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Careers Music, Inc. e Woolfsongs Ltd.
The Alan Parsons Project3.84:13
7Rock Me Amadeaus
produttore:
Ferdi Bolland e Rob Bolland
diritti fonografici (℗) detenuti da:
GiG Records (Austrian label) (nel 1985) e TELDEC Record Service GmbH (not for release label use! manufacturing and distribution company) (nel 1985)
video musicali:
Rock Me Amadeus di Falco (Austrian pop & rock musician)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 15) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 87)
registrazione di:
Rock Me Amadeus (nel 1985)
paroliere:
Ferdi Bolland, Rob Bolland e Falco (Austrian pop & rock musician)
compositore:
Ferdi Bolland e Rob Bolland
editore:
Bolland Music, Manuskript (not for release label use! this is only for copyrights and publishing relationships) e Nada Music (Dutch publisher)
Falco3.653:23
8Le Freak
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrazione di:
Le Freak (nel 1978)
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.43:35
9Your Love
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1985)
registrazione di:
Your Love
paroliere e compositore:
John Frederick Spinks
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal‐MCA Music Publishing (US) e Warning Tracks Ltd.
The Outfield3:19
10A Little Less Conversation
assistente tecnico:
Dan Milazzo e Claudius Mittendorfer (engineer, producer, mixer)
tecnico:
Ray Bardani
voce principale:
Elvis Presley (“The King of Rock and Roll”) (dal 1968-03-07 al 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
diritti fonografici (℗) detenuti da:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (nel 2002) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1968-03-07 al 1968-06-23)
mixata presso:
Computer Hell Cabin in Amsterdam, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
remix di:
A Little Less Conversation di Elvis Presley (“The King of Rock and Roll”)
registrazione cover di:
A Little Less Conversation (dal 1968-03-07 al 1968-06-23)
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Carlin Music Corporation e Elvis Presley Music
registrazione di:
A Little Less Conversation
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Carlin Music Corporation e Elvis Presley Music
Elvis vs. JXL3.43:33
11De Kapitein Deel II
registrazione di:
De kapitein deel 2
paroliere:
Thomas Acda
compositore:
Paul de Munnik
Acda en De Munnik53:04
12Ride Like the Wind
assistente tecnico:
Stuart Gitlin
tecnico e tecnico di missaggio:
Chet Himes
produttore:
Michael Omartian
batteria :
Tommy Taylor (US drummer)
chitarra acustica , chitarra elettrica , chitarra solista e voce principale:
Christopher Cross (US singer‐songwriter)
chitarra basso :
Andy Salmon
percussione :
Lenny Castro
pianoforte e pianoforte elettrico :
Michael Omartian
sintetizzatore :
Rob Meurer
voce di accompagnamento:
Christopher Cross (US singer‐songwriter) e Michael McDonald (R&B & soul singer)
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
diritti fonografici (℗) detenuti da:
Warner Bros. (holding: file NO releases) (nel 1979) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979)
è stato produttore per:
Free Flow Productions
registrata presso:
Pecan Street Studios in Austin, Texas, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Ride Like the Wind
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) e Universal Music–MGB Songs
sub-editore:
Shinko Music Entertainment Co., Ltd. e Universal Music Publishing, Synch Division
Christopher Cross4.24:25
13Walk This Way
tecnico:
Steve Ett
co-produttore:
Jason Mizell e Joseph Simmons (US rapper Rev. Run of Run-D.M.C)
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records) e Russell Simmons
chitarra ospite :
Joe Perry (guitarist for Aerosmith)
tastiera e percussione :
Jason Mizell
voce di accompagnamento ospite:
Steven Tyler
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1986, nel 1989) e Sony BMG Music Entertainment Inc. (nel 1986)
video musicali:
Walk This Way di Run‐D.M.C.
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 9), New York Post: 100 Greatest Covers (2007) (numero: 30) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 287)
registrazione di:
Walk This Way
autore:
Joe Perry (guitarist for Aerosmith) e Steven Tyler
editore:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited e Vindaloo Productions, Inc.
Run‐D.M.C.4.055:12
14Somebody Else’s Lover
registrazione di:
Somebody Else's Lover
paroliere e compositore:
Tjeerd Oosterhuis
Total Touch4:45
15Alles of niets
registrazione di:
Alles of niets
paroliere:
Martin Buitenhuis
compositore:
Sandro Assorgia
Van Dik Hout4:59
16Bat Out of Hell
registrazione di:
Bat out of Hell
paroliere e compositore:
Jim Steinman
editore:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music e Peg Music Co.
Meat Loaf4:54
17We Are Family
registrazione di:
We Are Family
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:28
18Major Tom (Völlig Los Gelöst)
tecnico:
Frank Reinke (Germany based engineer) (nel 1982) e Peter Schmidt (recording engineer) (nel 1982)
assistente produttore:
Frank Hieber (nel 1982)
produttore:
Armin Sabol (nel 1982) e Peter Schilling (German synthpop musician) (nel 1982)
tecnico di missaggio:
Holger J. Magnussen (nel 1982)
basso elettrico :
Günther Gebauer (nel 1982)
batteria :
Curt Cress (nel 1982)
chitarra elettrica :
Armin Sabol (nel 1982)
tastiera [keyboard solo] :
Gonzo Bishop (nel 1982)
voce principale:
Peter Schilling (German synthpop musician) (nel 1982)
arrangiatore:
Peter Schilling (German synthpop musician) (nel 1982)
diritti fonografici (℗) detenuti da:
WEA Musik GmbH (company, not a label) (nel 1982)
registrata presso:
Peermusic Studio in Hamburg, Germania (nel 1982)
edit di:
Major Tom (Völlig losgelöst) di Peter Schilling (German synthpop musician)
registrazione di:
Major Tom (Völlig losgelöst) (nel 1982)
paroliere e compositore:
Peter Schilling (German synthpop musician)
editore:
Peer Musikverlag GmbH (nel 1982)
Peter Schilling53:59
19A Love Bizarre
produttore:
Prince (“The Artist Formerly Known as…”) e Sheila E.
arrangiatore:
Prince (“The Artist Formerly Known as…”) e Sheila E.
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
registrazione di:
A Love Bizarre
paroliere:
Prince (“The Artist Formerly Known as…”)
compositore:
Prince (“The Artist Formerly Known as…”) e Sheila Escovedo
arrangiatore:
Prince (“The Artist Formerly Known as…”) e Sheila E.
editore:
Sister Fate Music (publisher) (nel 1985)
Sheila E.3:48
20She’s Not There
produttore:
Tom Coster, David Rubinson & Friends, Inc. e Carlos Santana
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrazione cover di:
She’s Not There
paroliere e compositore:
Rod Argent
editore:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA e Parker Music
sub-editore:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana2.53:15
4▼CD
#TitoloArtistaValutazioneDurata
1World of Hurt
registrazione di:
World of Hurt
paroliere e compositore:
Beth Chapman (American singer and songwriter) e John Lloyd (american from Foster and Lloyd)
Ilse DeLange3:58
2Don’t Bring Me Down
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
batteria e percussione :
Bev Bevan (English rock drummer) (dal 1979-03 al 1979-04)
chitarra basso :
Kelly Groucutt (dal 1979-03 al 1979-04)
chitarra elettrica e voce principale:
Jeff Lynne (dal 1979-03 al 1979-04)
clarinetto e pianoforte elettrico :
Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1979-03 al 1979-04)
pianoforte e sintetizzatore :
Jeff Lynne (dal 1979-03 al 1979-04) e Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1979-03 al 1979-04)
cori:
Kelly Groucutt (dal 1979-03 al 1979-04) e Jeff Lynne (dal 1979-03 al 1979-04)
direttore d'orchestra:
Louis Clark (dal 1979-03 al 1979-04)
arrangiatore archi e arrangiatore cori:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1979), Jet Inc. (nel 1979), Jet Records (nel 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2005)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (dal 1979-03 al 1979-04)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 215)
registrazione di:
Don’t Bring Me Down (dal 1979-03 al 1979-04)
paroliere e compositore:
Jeff Lynne
editore:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) e Polygon Publishing Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.54:06
3Time After Time
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1984)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
versioni a cappella:
Time After Time di Forte A Cappella (Centerville High School)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 116) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 494)
registrazione di:
Time After Time
autore:
Rob Hyman e Cyndi Lauper
editore:
Sony Songs Inc. (conclusa, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, nel 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, nel 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.254:01
4We Come 1
assistente tecnico di registrazione:
Peanut
tecnico di registrazione:
Grippa
programmazione:
Rollo (Rollo Armstrong of Faithless)
produttore e tecnico di missaggio:
Rollo (Rollo Armstrong of Faithless) e Sister Bliss
batteria :
Andy Treacy
tastiera :
Sister Bliss
voce:
Maxi Jazz
registrata presso:
Grayhound Recordings in San Francisco, California, Stati Uniti (nel 2001)
registrazione di:
We Come 1
paroliere:
Maxi Jazz
autore:
Maxi Jazz, Rollo (Rollo Armstrong of Faithless) e Sister Bliss
compositore:
Rollo (Rollo Armstrong of Faithless) e Sister Bliss
editore:
Champion Music, Universal Music Publishing Group e Warner/Chappell (Warner/Chappell Music, Inc.)
Faithless2.753:44
5Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:56
6September
produttore:
Maurice White (Earth, Wind & Fire)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1975, nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 16) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 65)
registrazione di:
September
autore:
Al McKay, Maurice White (Earth, Wind & Fire) e Allee Willis
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:43
7Ice Queen
registrazione di:
Ice Queen
paroliere:
Sharon den Adel
compositore:
Robert Westerholt
Within Temptation3:52
87 Seconds
tecnico:
Ronny Lahti (Swedish musician, songwriter)
produttore:
Booga Bear e Jonny Dollar (UK producer & songwriter)
tecnico di missaggio:
Booga Bear e Falcon & Fabian
esecutore:
Neneh Cherry
registrata presso:
Power Play Studios in New York, New York, Stati Uniti
edit di:
7 Seconds di Youssou N’Dour & Neneh Cherry
registrazione di:
7 Seconds
paroliere:
Neneh Cherry e Youssou N’Dour
compositore:
Cameron McVey e Jonathan Sharp (UK producer aka Jonny Dollar)
editore:
EMI Music (do not use as release label! this is a music publisher)
Youssou N’Dour & Neneh Cherry3.54:10
9Dance Little Sister
tecnico di registrazione e tecnico di missaggio:
Phil Legg
produttore:
Terence Trent D’Arby (now known as Sananda Maitreya) e Martyn Ware
basso :
Cass Lewis
batteria :
Clive Mngaza
chitarra :
Pete Glenister, Christian Marsac e Blast Murray
clavinet, percussione e pianoforte e voce di accompagnamento e voce principale:
Terence Trent D’Arby (now known as Sananda Maitreya)
organo Hammond :
Nick Plytas
sassofono :
Mel Collins
tastiera :
Andy Whitmore
voce di accompagnamento aggiuntiva:
Phil Legg, Misty Oldland e Martyn Ware
esecutore:
The Bojangles (Terence Trent D'Arby's backing band)
arrangiatore:
Terence Trent D’Arby (now known as Sananda Maitreya)
registrazione di:
Dance Little Sister
paroliere e compositore:
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby23:56
10Kyrie
produttore:
Paul DeVilliers e Mr. Mister (American pop rock band)
basso e voce principale:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
batteria :
Pat Mastelotto
chitarra :
Steve Farris (US session guitarist, member of Mr. Mister)
tastiera :
Steve George (US keyboardist for Mr. Mister & Pages)
voce:
Steve George (US keyboardist for Mr. Mister & Pages)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
registrazione di:
Kyrie
paroliere:
John Lang (US songwriter for Mr. Mister & Pages)
compositore:
Steve George (US keyboardist for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Stemwa Famo Music (publisher; do NOT use as release label), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Mr. Mister4.54:13
11Walking in Memphis
tecnico di registrazione, tecnico e tecnico di missaggio:
Ben Wisch
produttore:
Marc Cohn e Ben Wisch
basso e organo :
John Leventhal
batteria :
Dennis McDermott
chitarra :
Marc Cohn e John Leventhal
organo Hammond :
Chris Palmaro
tastiera :
Eric Rehl
voce:
Marc Cohn
voce di accompagnamento:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) e Darryl Tookes
voce di accompagnamento ospite:
James Taylor (singer-songwriter and guitarist)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1991) e Warner Music H.K. Ltd. (nel 1997)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 415)
registrazione di:
Walking in Memphis
paroliere e compositore:
Marc Cohn
editore:
BMG Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:13
12Cuddly Toy
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrazione di:
Cuddly Toy
paroliere e compositore:
Andrew Roachford
editore:
Kassner Associated Publishers, PolyGram Music Publishing Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Roachford3:51
13Beautiful Goodbye
registrazione di:
Beautiful Goodbye
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
Amanda Marshall4:46
14Mannish Boy
registrazione di:
Mannish Boy
autore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer), Mel London e McKinley Morganfield (blues musician)
editore:
Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd. e Tristan Music Ltd.
parte di:
Risky Business (film soundtrack)
Muddy Waters5:19
15Love of the Common People
produttore:
Laurie Latham
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1987) e Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (nel 2002)
registrazione cover di:
Love of the Common People
paroliere e compositore:
John Hurley e Ronnie Wilkins
editore:
Kassner Associated Publishers, Sony/ATV Music Publishing Ltd., Tideland Music Publishing Corporation, Tree Pub. Co. Inc., TRO Essex Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1983) e Westminster Music Ltd. (nel 1983)
Paul Young23:42
16Out of Touch
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1984)
registrazione di:
Out of Touch
paroliere e compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. e Warner/Chappell North America
Hall & Oates4:11
17To Be With You
assistente tecnico:
Chris Kupper, David Luke (engineer), Scott Ralston, Michael Semanick e Andy Udoff
tecnico e tecnico di missaggio:
Kevin Elson e Tom Size (US audio engineer)
produttore:
Kevin Elson
batteria [drums] :
Pat Torpey
chitarra :
Paul Gilbert (hard rock/heavy metal guitarist; Mr. Big, Racer X, etc.)
chitarra basso [bass] :
Billy Sheehan
voce principale [vocals]:
Eric Martin (vocalist for Mr. Big)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1991), Warner Music International (trademark of Warner Music International the company) (nel 1991) e Warner Music H.K. Ltd. (nel 1997)
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti e Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
video musicali:
To Be With You di Mr. Big (American hard rock band)
registrazione di:
To Be With You
autore:
David Grahame e Eric Martin (vocalist for Mr. Big)
editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Dog Turner Music (dal 1991 a oggi), EMI April Music Inc. (dal 1991 a oggi), Eric Martin Songs (dal 1991 a oggi), Tasmanian Compositions (dal 1991 a oggi), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Mr. Big4.43:27
18Think
produttore:
Bob Tischler
batteria :
Willie "Too Big" Hall
chitarra :
Steve Cropper e Matt Murphy (US blues guitarist)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
sassofono :
Tom “Bones” Malone (US trombonist) e Lou Marini
tastiera :
Murphy Dunne
tromba :
Al Rubin
voce di accompagnamento:
Margaret Branch, Caroline Franklin e Brenda Corbett
voce principale ospite:
Aretha Franklin
esecutore:
Blues Brothers (blues/soul revivalist band with Dan Aykroyd) e Aretha Franklin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrazione cover di:
Think
autore:
Aretha Franklin e Ted White (husband & co-songwriter of Aretha Franklin)
editore:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Aretha Franklin3.83:15
19Chariot
registrazione di:
Chariot
autore:
Gavin DeGraw
editore:
G. Degraw Music Inc.
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Gavin DeGraw3:51
5▼CD
#TitoloArtistaValutazioneDurata
1Where Do I Go Now
registrazione di:
Where Do I Go Now
paroliere e compositore:
Cheryl Baker
Kane4:15
2Burning Heart
tecnico:
Phil Bonanno, Mike Clink e Larry Millas (guitarist, bassist, keyboardist, producer and engineer)
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985), Scotti Bros. (nel 1985), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (nel 1985, nel 1986) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1985)
registrazione di:
Burning Heart
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
BMG VM Music Ltd., Concord Bicycle Assets, EMI Virgin Music Limited (do not use this as a release label!), Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records), Sony/ATV Harmony UK e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Survivor4.253:51
3Mmm Mmm Mmm Mmm
tecnico di registrazione:
Tommy Lipnick
tecnico di registrazione aggiunto:
David Vartanian
tecnico:
Dan Harjung
produttore:
Crash Test Dummies e Jerry Harrison (Talking Heads & producer)
tecnico di missaggio:
Tom Lord‐Alge
editor:
Patrick Murphy (engineer)
chitarra acustica [acoustic guitars] , chitarra elettrica [electric guitars] e voce principale:
Brad Roberts (of Crash Test Dummies)
fisarmonica , pianoforte , tastiera [keyboards] e voce di accompagnamento [back-up vocals]:
Ellen Reid (Canadian keyboardist and singer)
diritti fonografici (℗) detenuti da:
BMG Music Canada Inc. (nel 1991, nel 1993) e BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (nel 1993)
registrata presso:
DV Productions in Milwaukee, Wisconsin, Stati Uniti, Mindscape in Chicago, Illinois, Stati Uniti e Music Head Recording in Lake Geneva, Wisconsin, Stati Uniti
mixata presso:
Music Head Recording in Lake Geneva, Wisconsin, Stati Uniti
prodotta presso:
God of Thunder Studios in Winnipeg, Manitoba, Canada
video musicali:
Mmm Mmm Mmm Mmm di Crash Test Dummies
registrazione di:
Mmm Mmm Mmm Mmm
paroliere e compositore:
Brad Roberts (of Crash Test Dummies)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Door Number Two Music (nel 1993), Dummies Productions Inc. (nel 1993) e PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (nel 1993)
Crash Test Dummies3.953:55
4Rocks
tecnico:
David Bianco (American engineer and record producer) e Jeff Powell (engineer)
tecnico aggiunto:
David Bianco (American engineer and record producer) e Jeffrey Reed
co-produttore:
David Bianco (American engineer and record producer)
produttore:
Tom Dowd
produttore aggiunto:
George Drakoulias
remixer:
George Drakoulias
diritti fonografici (℗) detenuti da:
Creation Records Ltd. (nel 1994) e Sire Records Company (not for release label use!) (nel 1994)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti e Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Rocks
autore:
Bobby Gillespie, Andrew Innes e Robert Young (British guitarist, of Primal Scream)
editore:
Complete Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.63:37
5Bridge to Your Heart
registrazione di:
Bridge to Your Heart
autore:
Andrew Gold e Graham Gouldman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music (Island Music Ltd.), Island Music Ltd., Sluggogsongs e St. Anne’s Music Ltd.
Wax4:14
6I Promised Myself
registrazione di:
I Promised Myself
paroliere e compositore:
Nick Kamen
Nick Kamen3:58
7Loverboy
tecnico:
Bryan “Chuck” New (Engineer/ Producer)
produttore:
Keith Diamond
produttore esecutivo:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Nigel Green (engineer)
diritti fonografici (℗) detenuti da:
Zomba Productions Ltd. (nel 1984)
registrazione di:
Loverboy
autore:
Keith Diamond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music Ltd., Keith Diamond Music, Out of Pocket Publishing Co., Out-of-Pocket Productions Ltd., Universal Music–Z Songs e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean44:12
8Beast of Burden
voce principale:
Bette Midler
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrazione cover di:
Beast of Burden
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
Colgems-EMI Music Co. (publisher)
Bette Midler43:46
9I’ll Be There for You
produttore esecutivo:
Kevin Bright (producer), David Crane (creator of the television sitcom Friends) e Marta Kauffman
voce:
The Soldiers (singing trio of British Army soldiers)
registrazione di:
I’ll Be There for You (theme from ‘Friends’)
paroliere:
Allee Willis
compositore:
Michael Skloff
compositore aggiunto:
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem e Danny Wilde (The Rembrandts, Great Buildings & The Quick)
The Rembrandts43:07
10We Built This City
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1985) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1985)
registrazione di:
We Built This City
autore:
Dennis Lambert, Martin Page, Bernie Taupin e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) e Zomba Enterprises, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship44:38
11Jump (for My Love)
registrata a:
Los Angeles, California, Stati Uniti (nel 1983)
programmazione degli strumenti:
Reek Havoc (nel 1983) e Stephen Mitchell (US musician, composer, songwriter, producer et al.) (nel 1983)
tecnico:
Gary Skardina
produttore:
Richard Perry (producer)
produttore associato:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) e Gary Skardina
basso :
Louis Johnson (bass, member of Brothers Johnson) (nel 1983)
drum machine e sintetizzatore :
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (nel 1983)
minimoog e batteria elettronica e sintetizzatore aggiunto:
Howie Rice (nel 1983)
percussione :
Paulinho da Costa (Brazilian percussionist) (nel 1983)
voce principale:
June Pointer (nel 1983)
remixer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) e James C. Tract
diritti fonografici (℗) detenuti da:
Planet Records Inc. (nel 1983)
registrazione di:
Jump (for My Love) (nel 1983)
autore:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron e Gary Skardina
editore:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Songs LLC
The Pointer Sisters3.354:24
12Right Beside You
registrazione di:
Right Beside You
paroliere:
Sophie B. Hawkins
compositore:
Rick Chertoff, Sophie B. Hawkins e Stewart Lerman
Sophie B. Hawkins4:49
13To the Moon & Back
produttore:
Charles Fisher (Australian producer)
tecnico di missaggio:
Chris Lord‐Alge
mixata presso:
Gotham Studios in Melbourne, Victoria, Australia
registrazione di:
To the Moon and Back
autore:
Darren Hayes e Daniel Jones (Australian singer/producer of Savage Garden)
editore:
EMI (EMI Records, or EMI Music only if there is no other imprint)
Savage Garden4.655:42
14Tribute (Right on)
registrazione di:
Tribute (Right On)
autore:
John Banfield, Aaron Brown (The Pasadenas), David Milliner, Michael Milliner, The Pasadenas, Hammish Seelochan e Pete Wingfield (keyboardist, singer, producer, songwriter)
editore:
Island Music France S.A.R.L., Major Seven Ltd, SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Music Publishing France, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988) e Island Music Ltd. (nel 1988)
The Pasadenas4:26
15Lonely Boy
assistente tecnico:
Dennis Kirk e Greg Ladanyi
tecnico:
Val Garay
produttore:
Peter Asher
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1976-03 al 1976-10)
batteria e campana [Sleigh] :
Michael Botts (dal 1976-03 al 1976-10)
battimani :
Peter Asher (dal 1976-03 al 1976-10) e Andrew Gold (dal 1976-03 al 1976-10)
campanaccio , pianoforte e tamburello :
Andrew Gold (dal 1976-03 al 1976-10)
chitarra :
Dan Dugmore (dal 1976-03 al 1976-10)
chitarra [Lead Guitar] :
Waddy (dal 1976-03 al 1976-10)
pianoforte elettrico e sintetizzatore [Arp String Ensemble] :
Brock Walsh (singer, producer, songwriter) (dal 1976-03 al 1976-10)
voce:
Andrew Gold (dal 1976-03 al 1976-10)
voce di accompagnamento:
Linda Ronstadt (dal 1976-03 al 1976-10)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (dal 1976-03 al 1976-10)
registrazione di:
Lonely Boy (dal 1976-03 al 1976-10)
paroliere e compositore:
Andrew Gold
editore:
Luckyu Music
Andrew Gold44:19
16All ’bout the Money
registrazione di:
All 'Bout the Money
autore:
Douglas Carr (Swedish songwriter) e Meja
Meja2:55
17Take Me Home Tonight
tecnico:
Michael Frondelli, Phil Kaffel e Dave Leonard
produttore:
Eddie Money e Richie Zito
tecnico di missaggio:
Scott Litt (producer and engineer), Eddie Money e Richie Zito
voce ospite aggiuntiva:
Ronnie Spector (dal 1985-11 al 1986-05)
voce principale:
Eddie Money (dal 1985-11 al 1986-05)
esecutore:
Ronnie Spector (dal 1985-11 al 1986-05)
arrangiatore:
Eddie Money e Richie Zito
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti (dal 1985-11 al 1986-05), Oasis Studios in North Hollywood, Los Angeles, California, Stati Uniti (dal 1985-11 al 1986-05) e R.O. Studios in Concord, California, Stati Uniti (dal 1985-11 al 1986-05)
medley che comprende una registrazione di:
Be My Baby (dal 1985-11 al 1986-05)
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. e Trio Music Co., Inc. (nel 1963)
sub-editore:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (fino al 2014-12-31), EMI Music Publishing Japan C.F. division (fino al 2021-06-30), Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1963), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
medley che comprende una registrazione di:
Take Me Home Tonight (dal 1985-11 al 1986-05)
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
registrazione di:
Take Me Home Tonight
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
Eddie Money4.353:34
18Just Around the Corner
produttore:
Don Gehman
registrazione di:
Just Around the Corner
paroliere e compositore:
Peter Kingsbery
editore:
Edwin Ellis Music (publisher) e Nurk Twins Music (publisher)
Cock Robin3.654:15
19Conquest of Paradise
tecnico di registrazione e tecnico di missaggio:
Philippe Colonna
assistente produttore:
Frederick Rousseau
produttore:
Vangelis (Greek composer of electronic, new age and classical)
chitarra classica [Spanish guitar] :
Bruno Manjarrés e Pepe Martinez (flamenco guitar player)
flauto :
Didier Malherbe
mandolino e violino :
Francis Darizcuren
cori:
English Chamber Choir
voce:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) e Guy Protheroe
direttore d'orchestra:
Guy Protheroe
esecutore:
Vangelis (Greek composer of electronic, new age and classical)
arrangiatore:
Vangelis (Greek composer of electronic, new age and classical)
diritti fonografici (℗) detenuti da:
Warner Music U.K. Ltd. (not for release label use!) (nel 1992)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (cori) e Epsilon Laboratory in Paris, Île-de-France, Francia
mixata presso:
Epsilon Laboratory in Paris, Île-de-France, Francia
registrazione di:
Conquest of Paradise (1492: Conquest of Paradise)
compositore:
Vangelis (Greek composer of electronic, new age and classical)
editore:
Spheric BV
Vangelis4.24:46

Accreditamenti