Magnificat 243 & 243a & Cantatas

~ Release by Johann Sebastian Bach; Collegium Vocale Gent, Philippe Herreweghe (see all versions of this release, 1 available)

Annotation

from: http://www.harmoniamundi.com/home_flash.html#!/albums/1536

These titles were released for the first time in:
1990 (HMC 901326),
1998 (HMC 901959) and
2006 (HMC 901782).

There are a lot of AREs still to add:
https://www.discogs.com/JS-Bach-Barbara-Schlick-Agn%C3%A8s-Mellon-G%C3%A9rard-Lesne-Howard-Crook-Peter-Kooy-La-Chapelle-Royale-Colle/release/2144089

Annotation last modified on 2017-12-19 02:48 UTC.

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag"
choir vocals:
Collegium Vocale Gent (in 2002-12)
soprano vocals:
Carolyn Sampson (soprano) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach5:24
2Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute"
solo alto vocals:
Ingeborg Danz (mezzo soprano) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach2:32
3Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget"
solo bass vocals:
Sebastian Noack (bass-baritone) (in 2002-12)
soprano vocals:
Carolyn Sampson (soprano) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:57
4Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid"
solo tenor vocals:
Mark Padmore (British tenor) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:53
5Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2002-12)
solo tenor vocals:
Mark Padmore (British tenor) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:46
6Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen"
solo bass vocals:
Sebastian Noack (bass-baritone) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach1:06
7Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!"
choir vocals:
Collegium Vocale Gent (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:51
8Magnificat in E-flat major, BWV 243a: I. Coro "Magnificat anima mea"
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:58
9Magnificat in E-flat major, BWV 243a: IIa. Aria (Soprano II) "Et exsultavit spiritus meus"
soprano vocals:
Carolyn Sampson (soprano) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: IIa. Aria (Sopran II) "Et exsultavit" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:24
10Magnificat in E-flat major, BWV 243a: IIb. Aria (Soprano II) "Vom Himmel"
soprano vocals:
Carolyn Sampson (soprano) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: IIb. Coro (a-cappella) "Vom Himmel hoch" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:47
11Magnificat in E-flat major, BWV 243a: III. Aria (Soprano I) "Quia respexit humilitatem"
soprano vocals:
Carolyn Sampson (soprano) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: III. Aria (Sopran I) "Quia respexit" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:29
12Magnificat in E-flat major, BWV 243a: IV. Coro "Omnes generationes"
choir vocals:
Collegium Vocale Gent (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: IV. Coro "Omnes generationes" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:19
13Magnificat in E-flat major, BWV 243a: Va. Aria (Basso) "Quia fecit mihi magna"
solo bass vocals:
Sebastian Noack (bass-baritone) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: Va. Aria (Bass) "Quia fecit mihi magna" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:00
14Magnificat in E-flat major, BWV 243a: Vb. Aria (Basso) "Freut euch und jubiliert"
solo bass vocals:
Sebastian Noack (bass-baritone) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: Vb. Coro "Freut euch und jubiliert" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:16
15Magnificat in E-flat major, BWV 243a: VI. (Duetto: Alto, Tenore) "Et misericordia"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2002-12)
solo tenor vocals:
Mark Padmore (British tenor) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: VI. Aria (Alt, Tenor) "Et misericordia" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:16
16Magnificat in E-flat major, BWV 243a: VIIa. Coro "Fecit potentiam"
choir vocals:
Collegium Vocale Gent (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: VIIa. Coro "Fecit potentiam" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:51
17Magnificat in E-flat major, BWV 243a: VIIb. Coro "Gloria in excelsis Deo"
choir vocals:
Collegium Vocale Gent (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: VIIb. Coro "Gloria in excelsis Deo" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:08
18Magnificat in E-flat major, BWV 243a: VIII. Aria (Tenore) "Deposuit potentes"
solo tenor vocals:
Mark Padmore (British tenor) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: VIII. Aria (Tenor) "Deposuit potentes" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:05
19Magnificat in E-flat major, BWV 243a: IXa. Aria (Alto) "Esurientes implevit bonis"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: IXa. Aria (Alt) "Esurientes implevit bonis" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:55
20Magnificat in E-flat major, BWV 243a: IXb. Aria (Alto) "Virga Jesse floruit"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:19
21Magnificat in E-flat major, BWV 243a: X. (Soprano I & II, Alto) "Suscepit Israel"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2002-12)
soprano vocals:
Carolyn Sampson (soprano) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:40
22Magnificat in E-flat major, BWV 243a: XI. Coro "Sicut locutus est"
choir vocals:
Collegium Vocale Gent (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: XI. Coro "Sicut locutus est" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:28
23Magnificat in E-flat major, BWV 243a: XII. Coro "Gloria Patri"
choir vocals:
Collegium Vocale Gent (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Magnificat Es-Dur, BWV 243a: XII. Coro "Gloria Patri et filio" (in 2002-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:12
2▼CD
#TitleArtistRatingLength
1Magnificat, BWV 243: I. Chor "Magnificat anima mea Dominum"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
alto vocals:
Gérard Lesne (countertenor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
soprano vocals:
Agnès Mellon (soprano) and Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1990-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:01
2Magnificat, BWV 243: II. Aria "Et exultavit spiritus meus"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
alto vocals:
Gérard Lesne (countertenor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent
solo soprano vocals:
Agnès Mellon (soprano) (in 1990-01)
soprano vocals:
Agnès Mellon (soprano) and Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1990-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:32
3Magnificat, BWV 243: III. Aria "Quia respexit humilitatem"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
alto vocals:
Gérard Lesne (countertenor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent
solo soprano vocals:
Barbara Schlick (soprano) (in 1990-01)
soprano vocals:
Agnès Mellon (soprano) and Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1990-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:42
4Magnificat, BWV 243: IV. Chor "Omnes generationes"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
alto vocals:
Gérard Lesne (countertenor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
soprano vocals:
Agnès Mellon (soprano) and Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1990-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:19
5Magnificat, BWV 243: V. Aria "Quia fecit mihi magna"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
solo bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1990-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:05
6Magnificat, BWV 243: VI. Duo "Et misericordia eius"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
alto vocals:
Gérard Lesne (countertenor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent
solo alto vocals:
Gérard Lesne (countertenor) (in 1990-01)
solo tenor vocals:
Howard Crook (tenor) (in 1990-01)
soprano vocals:
Agnès Mellon (soprano) and Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1990-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:40
7Magnificat, BWV 243: VII. Chor "Fecit potentiam"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
alto vocals:
Gérard Lesne (countertenor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
soprano vocals:
Agnès Mellon (soprano) and Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1990-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:51
8Magnificat, BWV 243: VIII. Aria "Deposuit potentes"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
alto vocals:
Gérard Lesne (countertenor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent
solo tenor vocals:
Howard Crook (tenor) (in 1990-01)
soprano vocals:
Agnès Mellon (soprano) and Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1990-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:01
9Magnificat, BWV 243: IX. Aria "Esurientes"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
alto vocals:
Gérard Lesne (countertenor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent
solo alto vocals:
Gérard Lesne (countertenor) (in 1990-01)
soprano vocals:
Agnès Mellon (soprano) and Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1990-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:15
10Magnificat, BWV 243: X. Trio "Suscepit Israel"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
alto vocals:
Gérard Lesne (countertenor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent
solo alto vocals:
Gérard Lesne (countertenor) (in 1990-01)
solo soprano vocals:
Agnès Mellon (soprano) (in 1990-01) and Barbara Schlick (soprano) (in 1990-01)
soprano vocals:
Agnès Mellon (soprano) and Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1990-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:51
11Magnificat, BWV 243: XI. Chor "Sicut locutus est"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
alto vocals:
Gérard Lesne (countertenor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
soprano vocals:
Agnès Mellon (soprano) and Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1990-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:36
12Magnificat, BWV 243: XII. Chor "Gloria"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
alto vocals:
Gérard Lesne (countertenor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
soprano vocals:
Agnès Mellon (soprano) and Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1990-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:23
13Kantate "Ein feste Burg ist unser Gott", BWV 80: I. Chor "Ein feste Burg ist unser Gott"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
choir vocals:
Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:57
14Kantate "Ein feste Burg ist unser Gott", BWV 80: II. Aria "Alles, was von Gott gehören"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
solo bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1990-01)
solo soprano vocals:
Barbara Schlick (soprano) (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:56
15Kantate "Ein feste Burg ist unser Gott", BWV 80: III. Recitativo "Erwage doch"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
solo bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach2:01
16Kantate "Ein feste Burg ist unser Gott", BWV 80: IV. Aria "Komm in mein Herzenshaus"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
solo alto vocals:
Gérard Lesne (countertenor) (in 1990-01)
solo soprano vocals:
Barbara Schlick (soprano) (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:07
17Kantate "Ein feste Burg ist unser Gott", BWV 80: V. Chor "Und wenn die Welt voll Teufel war"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
choir vocals:
Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:36
18Kantate "Ein feste Burg ist unser Gott", BWV 80: VI. Recitativo "So stehe dann"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
solo tenor vocals:
Howard Crook (tenor) (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:33
19Kantate "Ein feste Burg ist unser Gott", BWV 80: VII. Duo "Wie Selig sind doch die"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
solo alto vocals:
Gérard Lesne (countertenor) (in 1990-01)
solo tenor vocals:
Howard Crook (tenor) (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:09
20Kantate "Ein feste Burg ist unser Gott", BWV 80: VIII. Chor "Das Wort sie sollen lassen stahn"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
choir vocals:
Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (in 1990-01)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:31
3▼CD
#TitleArtistRatingLength
1Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": I. Coro "Liebster Gott, wenn werd ich sterben?"
choir vocals:
Collegium Vocale Gent (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": I. Coro "Liebster Gott, wenn werd ich sterben?" (in 1998-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Caspar Neumann
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach6:41
2Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": II. Aria (Tenore) "Was willst du dich, mein Geist, entsetzen"
solo tenor vocals:
Mark Padmore (British tenor) (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": II. Aria (Tenore) "Was willst du dich, mein Geist, entsetzen" (in 1998-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach3:45
3Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": III. Recitativo (Alto) "Zwar fühlt mein schwaches Herz"
solo alto vocals:
Ingeborg Danz (mezzo soprano) (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": III. Recitativo (Alto) "Zwar fühlt mein schwaches Herz" (in 1998-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach0:55
4Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!"
solo bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (in 1998-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 8 appendix "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (Alternative version)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach4:47
5Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": V. Recitativo (Soprano) "Behalte nur, o Welt, das Meine!"
solo soprano vocals:
Deborah York (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": V. Recitativo (Soprano) "Behalte nur, o Welt, das Meine!" (in 1998-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:04
6Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": VI. Choral "Herrscher über Tod und Leben"
choir vocals:
Collegium Vocale Gent (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": VI. Choral "Herrscher über Tod und Leben" (in 1998-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Caspar Neumann
part of:
Breitkopf 389 Choralgesänge (number: 227)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:29
7Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": I. Chorale "Mit Fried und Freud ich fahr dahin"
choir vocals:
Collegium Vocale Gent (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": I. Coro "Mit Fried und Freud ich fahr dahin" (in 1998-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach5:28
8Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": II. Aria (Alto) "Ich will auch mit gebrochnen Augen"
solo alto vocals:
Ingeborg Danz (mezzo soprano) (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": II. Aria (Alt) "Ich will auch mit gebrochnen Augen" (in 1998-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach7:53
9Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": III. Recitativo (Basso) e Chorale "O Wunder, daß dein Herz"
solo bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": III. Recitativo e Choral (Bass) "O Wunder, daß dein Herz" (in 1998-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach2:18
10Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": IV. Aria (Duetto Tenore, Basso) "Ein unbegreiflich Licht erfüllt"
solo bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1998-02)
solo tenor vocals:
Mark Padmore (British tenor) (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": IV. Aria (Duetto Tenor, Bass) "Ein unbegreiflich Licht erfüllt" (in 1998-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach5:20
11Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": V. Recitativo (Alto) "O unerschöpfter Schatz der Güte"
solo alto vocals:
Ingeborg Danz (mezzo soprano) (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": V. Recitativo (Alt) "O unerschöpfter Schatz der Güte" (in 1998-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach0:42
12Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": VI. Chorale "Er ist das Heil und selig Licht"
choir vocals:
Collegium Vocale Gent (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": VI. Choral "Er ist das Heil und selig Licht" (in 1998-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 251)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach1:06
13Kantate, BWV 138 "Warum betrübst du dich, mein Herz?": I. Coro e Recitativo (Alto) "Warum betrübst du dich, mein Herz?"
choir vocals:
Collegium Vocale Gent (in 1998-02)
solo alto vocals:
Ingeborg Danz (mezzo soprano) (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": I. Coro e Recitativo (Tenor, Alt) "Warum betrübst du dich, mein Herz?" (in 1998-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
Johann Sebastian Bach4:27
14Kantate, BWV 138 "Warum betrübst du dich, mein Herz?": II. Recitativo (Basso) "Ich bin veracht'"
solo bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": II. Recitativo (Bass) "Ich bin veracht'" (in 1998-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
Johann Sebastian Bach0:52
15Kantate, BWV 138 "Warum betrübst du dich, mein Herz?": III. Coro e Recitativo (Soprano, Alto) "Er kann und will dich lassen nicht"
choir vocals:
Collegium Vocale Gent (in 1998-02)
solo alto vocals:
Ingeborg Danz (mezzo soprano) (in 1998-02)
solo soprano vocals:
Deborah York (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": II.b Coro e Recitativo (Sopran, Alt) "Er kann und will dich lassen nicht" (in 1998-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
Johann Sebastian Bach3:34
16Kantate, BWV 138 "Warum betrübst du dich, mein Herz?": IV. Recitativo (Tenore) "Ach süßer Trost!"
solo tenor vocals:
Mark Padmore (British tenor) (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": III. Recitativo (Tenor) "Ach süßer Trost!" (in 1998-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
Johann Sebastian Bach1:00
17Kantate, BWV 138 "Warum betrübst du dich, mein Herz?": V. Aria (Basso) "Auf Gott steht meine Zuversicht"
solo bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": IV. Aria (Bass) "Auf Gott steht meine Zuversicht" (in 1998-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
Johann Sebastian Bach4:30
18Kantate, BWV 138 "Warum betrübst du dich, mein Herz?": VI. Recitativo (Alto) "Ei nun! So will ich auch recht sanfte ruhn"
solo alto vocals:
Ingeborg Danz (mezzo soprano) (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": V. Recitativo (Alt) "Ei nun! So will ich auch recht sanfte ruhn" (in 1998-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
Johann Sebastian Bach0:28
19Kantate, BWV 138 "Warum betrübst du dich, mein Herz?": VII. Choral "Weil du mein Gott und Vater bist"
choir vocals:
Collegium Vocale Gent (in 1998-02)
orchestra:
Collegium Vocale Gent (in 1998-02)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-02)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1998-02)
recording of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz": VI. Choral "Weil du mein Gott und Vater bist" (in 1998-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-09-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 138 "Warum betrübst du dich, mein Herz"
Johann Sebastian Bach2:11