Classics for Lovers

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Elenco tracce

| |
1▼CD
#TitoloArtistaValutazioneDurata
1Canon in D major
orchestra:
Collegium Aureum, The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) e London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym)
registrazione di:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
compositore:
Johann Pachelbel (composer)
parte di:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:51
2Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: Andante
pianoforte :
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) e Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
strumenti:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) e Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
direttore d'orchestra:
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Hubert Kraus (conductor) e Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
compositore:
Wolfgang Amadeus Mozart (classical composer) (dal 1785 al 1785-03-09)
parte di:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart35:38
3Vesti la giubba from ‘Pagliacci’
voce di tenore [Canio]:
José Perez (Peruvian tenor)
orchestra:
Nuremberg Symphony Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
compositore e librettista:
Ruggero Leoncavallo (composer) (nel 1892)
parte di:
For the First Time (1959 film)
parte di:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:24
4Madame Butterfly: Un bel di
voce di soprano:
Vanda Gerlovič (soprano)
orchestra:
Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym)
registrazione di:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
compositore:
Giacomo Puccini (Italian composer)
librettista:
Giuseppe Giacosa e Luigi Illica
parte di:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:21
5‘Romeo and Juliet’ Fantasy Overture
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) e Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
direttore d'orchestra:
Alfred Gehardt (fictitious conductor), Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym), Nodar Tsatishvili, George Ralph Warren e Peter Wohlert (conductor, Alfred Scholz related)
diritti fonografici (℗) detenuti da:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (nel 1988)
registrazione di:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (nel 1869)
rivista da:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (nel 1870, nel 1880)
dedicata a:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
parte di:
The Tchaikovsky Handbook (numero: TH 42) e Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (numero: ČW 39)
revisione di:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky18:09
6Prince Igor: Polovstian Dances 8 and 17
orchestra:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
registrazione di:
Polovtsian Dances no. 8, “Dance of the Polovtsian Maidens”: Presto, 6/8, F major
orchestratore:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) e Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
compositore:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arrangiamento di:
Prince Igor: Act II. Dance of the Polovtsian Maidens
parte di:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
registrazione di:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”
orchestratore:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) e Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
compositore:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arrangiamento di:
Prince Igor: Act II. Polovtsian Dance with Choir
parte di:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
Alexander Borodin13:53
7Overture to ‘Tristan and Isolde’
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
registrazione di:
Tristan und Isolde, WWV 90: Akt I, Vorspiel
compositore:
Richard Wagner (composer) (dal 1857-10 al 1859-08)
parte di:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner10:43
8Symphony no. 3 in C minor, op. 78 “Organ Symphony”
organo :
Ivar Sokoll
orchestra:
Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym)
registrazione parziale di:
Symphony no. 3 in C minor “avec orgue”, op. 78: I. Adagio — Allegro moderato — Poco adagio
compositore:
Camille Saint‐Saëns (composer) (nel 1886)
parte di:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns9:40
2▼CD
#TitoloArtistaValutazioneDurata
1Air for the G String
orchestra:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) e Philharmonic Orchestra London (Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym)
registrazione di:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1730)
parte di:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:18
2Moonlight Sonata
tecnico audio:
Südwest Tonstudio (engineering)
pianoforte :
Silvia Čápová (pianist), Debra Ruth Zobel e Dubravka Tomšič (pianist) (nel 1986-04)
pianoforte a coda e pianoforte solista :
Dubravka Tomšič (pianist)
registrazione di:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (nel 1986-04)
compositore:
Ludwig van Beethoven (German composer) (nel 1801)
parte di:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:06
3Swan Lake Suite
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) e Symphonic Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Schwanensee / Swan Lake, Ballett / Ballet: 1. Szene
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
registrazione di:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight)
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (nel 1876)
parte di:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
parte di:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky3:14
4Piano Concerto no. 2
pianoforte :
Dieter Goldmann (pianist, Alfred Scholz related)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
eseguita per la prima volta a:
Moscow, Russia (il 1900-12-15)
compositore:
Sergei Rachmaninoff (Russian composer) (dal 1900 al 1901-04)
parte di:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов11:02
5Clair de lune
registrazione di:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
compositore:
Claude Debussy (French composer) (dal 1890 al 1905)
arrangiamento di:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy5:45
6Aida
cori:
Chorus of the Munich State Opera (Chorus of the Bavarian State Opera)
voce di soprano [Aida]:
Eva Illes (operatic soprano)
voce di tenore [Radamès]:
Juan Perez (Peruvian tenor)
orchestra:
Milan Opera Orchestra, Nürnberger Symphoniker (Alfred Scholz pseudonym) e Vienna Radio Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester)
direttore d'orchestra:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
registrazione parziale di:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
compositore:
Giuseppe Verdi (Italian opera composer) (nel 1871)
librettista:
Antonio Ghislanzoni (nel 1870)
parte di:
Aida: Atto I
Giuseppe Verdi3:26
7La Bohème
Giacomo Puccini3:59
8The New World (Symphony no. 9)
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation)
registrazione di:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
compositore:
Antonín Dvořák (composer) (dal 1893-01-10 al 1893-05-24)
parte di:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonia No. 9 "Dal nuovo mondo")
Antonín Dvořák12:15
9Martha
Friedrich von Flotow2:59
10The Planets: Venus, the Bringer of Peace
registrazione di:
The Planets, op. 32: II. Venus, the Bringer of Peace
compositore:
Gustav Holst (composer) (dal 1914 al 1916)
orchestrazione di:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
parte di:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst9:03
11Bolero
pianoforte :
Mee Chou Lee (pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) e Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
direttore d'orchestra:
Samo Hubad (conductor), Anton Nanut (conductor) e Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Boléro
compositore:
Maurice Ravel (French composer) (nel 1928)
editore:
Ed. Durand & Cie (1909–1947) e Soc. Arima (rights society?)
eseguita per la prima volta presso:
Palais Garnier in Paris, Île-de-France, Francia (il 1928-11-22)
parte di:
Classic 100: Music of France (2012) (numero: 9) e Catalogue Marcel Marnat des œuvres de Maurice Ravel (numero: M. 81)
Maurice Ravel13:45
3▼CD
#TitoloArtistaValutazioneDurata
1Peer Gynt Suite no. 1, op. 46: I. Morning Song
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic Orchestra, Košice), Slowakische Staatsphilharmonie (Slovak Philharmonic) e Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
direttore d'orchestra:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Róbert Stankovský e Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
compositore:
Edvard Grieg (composer) (nel 1875)
rivista da:
Edvard Grieg (composer) (nel 1888)
versione di:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
parte di:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:55
2Largo from ‘Xerxes’
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
registrazione di:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
compositore:
George Frideric Handel (German‐British baroque composer) (dal 1737-12-26 al 1738-01-09)
librettista:
[anonymous] (special purpose artist)
parte di:
Serse, HWV 40: Atto I
registrazione di:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
compositore:
George Frideric Handel (German‐British baroque composer)
arrangiamento di:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
George Frideric Handel3:08
3Piano Concerto no. 20 in D minor, K. 466: II. Romance
pianoforte :
Angela Giulini (fictitious pianist created by Alfred Scholz) e Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1785)
parte di:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart8:46
4‘The Nutcracker’ Suite - Arabian Dance
Pyotr Ilyich Tchaikovsky2:54
5Pavan
Maurice Ravel6:44
6Prelude to ‘The Afternoon of a Faun’
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
registrazione di:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
compositore:
Claude Debussy (French composer) (dal 1891 al 1894-09)
dedicata a:
Raymond Bonheur (composer, 1861-1939)
eseguita per la prima volta presso:
[concert] (1894-12-22)
editore:
Eugène Fromont (nel 1895-10)
parte di:
Classic 100: Music of France (2012) (numero: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (numero: L. 86) e Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (numero: CD 87)
Claude Debussy10:27
7Giselle - Adagio; Waltz
Adolphe Adam4:19
8The Carnival of the Animals - The Swan
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
registrazione di:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
compositore:
Camille Saint‐Saëns (composer)
arrangiamento di:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
parte di:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:44
9Eine kleine Nachtmusik - Romanze: Andante
tecnico audio:
Bernhard Mahne (Classical music producer) (dal 1986-04-22 al 1986-04-24) e Lutz Wildner (dal 1986-04-22 al 1986-04-24)
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) e Camerata Labacensis (Slovenian chamber orchestra) (dal 1986-04-22 al 1986-04-24)
direttore d'orchestra:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Libor Pešek (conductor), Alfred Scholz e Alexander von Pitamic (Alfred Scholz pseudonym) (dal 1986-04-22 al 1986-04-24)
registrata presso:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (dal 1986-04-22 al 1986-04-24)
registrazione di:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (dal 1986-04-22 al 1986-04-24)
compositore:
Wolfgang Amadeus Mozart (classical composer) (nel 1787)
parte di:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:47
10The Tales of Hoffmann: Barcarolle
Jacques Offenbach3:21
11Cavalleria rusticana: Intermezzo
Pietro Mascagni3:27
12Daphnis and Chloe
orchestra:
Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) e Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Daphnis et Chloé, Suite no. 2
compositore:
Maurice Ravel (French composer) (dal 1909 al 1912)
parte di:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (numero: M. 57b)
si basa su:
Daphnis et Chloé
registrazione di:
Daphnis et Chloé: Tableau III. No. 10. Lever du jour
orchestratore:
Maurice Ravel (French composer)
compositore:
Maurice Ravel (French composer) (dal 1909 al 1912)
parte di:
Daphnis et Chloé: Tableau III
registrazione di:
Daphnis et Chloé: Tableau III. No. 11. Pantomime (Les amours de Pan et Syrinx)
orchestratore:
Maurice Ravel (French composer)
compositore:
Maurice Ravel (French composer) (dal 1909 al 1912)
parte di:
Daphnis et Chloé: Tableau III
registrazione di:
Daphnis et Chloé: Tableau III. No. 12. Danse générale (Bacchanale)
compositore:
Maurice Ravel (French composer)
parte di:
Daphnis et Chloé: Tableau III
Maurice Ravel15:59
4▼CD
#TitoloArtistaValutazioneDurata
1“The Sleeping Beauty” Suite - Pas d’action: Andante
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) e Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren e Peter Wohlert (conductor, Alfred Scholz related)
registrazione di:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky5:28
2Scheherazade, op. 35: III. The Young Prince and the Young Princess
registrazione di:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto)
compositore:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (nel 1888)
parte di:
Scheherazade, op. 35
Nikolai Rimsky-Korsakoff10:04
3Clarinet Concerto in A major, K. 622: II. Adagio
clarinetto :
Jozé Ostrac (clarinettist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
esecutore:
Joze Ostrack
registrazione di:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
compositore:
Wolfgang Amadeus Mozart (classical composer) (dal 1791-09-28 al 1791-10-07)
parte di:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:27
4On the Beautiful, Blue Danube
orchestra:
Strauss-Orchestra Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
direttore d'orchestra:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
registrazione di:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
eseguita per la prima volta a:
Wien (Vienna), Austria (il 1867-02-15)
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (nel 1866)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 314)
Johann Strauss Jr.310:57
5La Mer - From Dawn Until Noon on the Sea
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Orchestre philharmonique de l’ORTF, ORF-Symphonic Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) e Philharmonia Slavonica (Alfred Scholz pseudonym)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) e Alfred Scholz
registrazione di:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer”
compositore:
Claude Debussy (French composer) (dal 1903 al 1905)
parte di:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:59
6“Carmen”: Intermezzo
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
parte di:
Carmen Suite no. 1
Georges Bizet2:41
7“Carmen”: Sequidilla
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
compositore:
Georges Bizet (French composer)
arrangiatore:
Ernest Guiraud (French composer)
si basa su:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
parte di:
Carmen Suite no. 1
Georges Bizet1:54
8“Carmen”: Habanera
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz e Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Carmen Suite no. 2: II. Habanera
compositore:
Georges Bizet (French composer)
arrangiatore:
Ernest Guiraud (French composer)
si basa su:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
parte di:
Carmen Suite no. 2
Georges Bizet42:10
9“Carmen”: Nocturne
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) e Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
direttore d'orchestra:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Anton Nanut (conductor), János Sándor e Alfred Scholz
registrazione di:
Carmen Suite no. 2: III. Nocturne
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
parte di:
Carmen Suite no. 2
Georges Bizet4:13
10“Carmina Burana”: Omnia Sol temperat
cori:
Mozarteum Chor Salzburg e Russian State Chorus
voce di baritono:
Rudolf Knoll (operatic baritone)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Russian State Symphony Orchestra (“New Russia” State Symphony Orchestra) e Государственный академический симфонический оркестр России (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
Kurt Prestel (conductor, chorus master) e Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related)
diritti fonografici (℗) detenuti da:
Selcor Ltd. (for copyrights use only) (nel 1989)
registrazione di:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat
compositore:
Carl Orff (composer) (nel 1936)
editore:
B. Schott’s Söhne (publisher; do not use as label)
parte di:
Carmina Burana: I. Primo Vere
Carl Orff2:11
11“Carmina Burana”: Amor volat undique
cori:
Russian State Chorus e Salzburg Mozarteum Chorus
voce di soprano:
Gerda Harman (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Russian State Symphony Orchestra (“New Russia” State Symphony Orchestra) e Государственный академический симфонический оркестр России (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
Kurt Prestel (conductor, chorus master) e Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related)
diritti fonografici (℗) detenuti da:
Selcor Ltd. (for copyrights use only) (nel 1989)
registrazione di:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique
compositore:
Carl Orff (composer) (nel 1936)
editore:
B. Schott’s Söhne (publisher; do not use as label)
parte di:
Carmina Burana: III. Cour d’amours
Carl Orff3:30
12“Carmina Burana”: Dies, nox et omina
cori:
Mozarteum Chor Salzburg e Russian State Chorus
voce di baritono:
Rudolf Knoll (operatic baritone)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Russian State Symphony Orchestra (“New Russia” State Symphony Orchestra) e Государственный академический симфонический оркестр России (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
direttore d'orchestra:
Kurt Prestel (conductor, chorus master) e Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related)
diritti fonografici (℗) detenuti da:
Selcor Ltd. (for copyrights use only) (nel 1989)
registrazione di:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia
compositore:
Carl Orff (composer) (nel 1936)
editore:
B. Schott’s Söhne (publisher; do not use as label)
parte di:
Carmina Burana: III. Cour d’amours
Carl Orff2:29
13Symphony no. 6 in B minor, op. 74 “Pathétique”: Adagio lamentoso; Andante
registrazione di:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso (Sinfonia No. 6 in Si minore, Op. 74 "Patetica": IV. Finale. Adagio lamentoso - Andante)
compositore:
Pyotr Ilyich Tchaikovsky (Pëtr Il’ič Čajkovskij, Russian romantic composer) (dal 1893-02 al 1893-08)
parte di:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky9:06

Accreditamenti

Pubblicazione

ASIN:US: B0002PYSTC [info]