| # | Title | Artist | Rating | Length |
|---|
| 1 | Seven Into the Sea | In Tua Nua | | 3:51 |
| 2 | Walking on Sunshine- recorded in:
- England, United Kingdom
- assistant engineer:
- Jon Goldberger
- engineer and mixer:
- Scott Litt
- additional producer:
- Scott Litt
- producer:
- Pat Collier and Katrina and the Waves
- bass guitar:
- Vince de la Cruz
- drums (drum set) and percussion:
- Alex Cooper
- guest brass [Rumour Brass Section]:
- Ray Beavis, Dick Hanson and John "Irish" Earl
- guest organ:
- Nick Glennie‐Smith
- guitar [lead guitar]:
- Kimberley Rew
- guitar [rhythm guitar] and lead vocals:
- Katrina Leskanich
- background vocals:
- Alex Cooper , Vince de la Cruz and Kimberley Rew
- brass arranger:
- Eamon Fitzpatrick
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1985)
- recorded at:
- Alaska Studios in London , England, United Kingdom and Greenhouse Studio in London , England, United Kingdom
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 91) and Billboard: The 500 Best Pop Songs (number: 378)
- recording of:
- Walking on Sunshine
- lyricist:
- Kimberley Rew (in 1983)
- composer:
- Kimberley Rew
- publisher:
- EMI Music Publishing , Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc.
| Katrina and the Waves | 3.95 | 3:58 |
| 3 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981), EMI–Manhattan Records (in 1981) and Capitol Records, LLC (in 1997)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:45 |
| 4 | The Look | Roxette | 3.6 | 3:59 |
| 5 | We Don’t Need Another Hero | Tina Turner | 3.55 | 4:15 |
| 6 | Vienna- producer:
- Conny Plank and Ultravox
- bass:
- Chris Cross (in 1980-04)
- drums (drum set):
- Warren Cann (in 1980-04)
- guitar:
- Midge Ure (in 1980-04)
- keyboard and violin:
- Billy Currie (in 1980-04)
- vocals:
- Midge Ure (in 1980-04)
- phonographic copyright (℗) by:
- Chrysalis Records Ltd. (in 1981, in 2025)
- recorded at:
- RAK Studios in London , England, United Kingdom (in 1980-04)
- mixed at:
- Conny’s Studio in Neunkirchen, Nordrhein-Westfalen , Germany (in 1980-05)
- edit of:
- Vienna by Ultravox
- music videos:
- Vienna by Ultravox and Vienna (uncut) by Ultravox
- recording of:
- Vienna (in 1980-04)
- writer:
- Warren Cann, Chris Cross , Billy Currie and Midge Ure
- publisher:
- Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. , Sing Sing Songs Ltd. and Universal Music Publishing Ltd.
| Ultravox | 3.35 | 4:37 |
| 7 | Don’t Dream It’s Over- recording engineer:
- Tchad Blake and Dennis Kirk
- assistant engineer:
- Glen Holguin
- producer:
- Mitchell Froom
- mixer:
- Michael Frondelli
- bass:
- Nick Seymour
- congas, mbira [kalimba] and shakers:
- Jorge Bermudez
- drums (drum set):
- Paul Hester
- electric guitar [Gibson Les Paul Goldtop] and lead vocals:
- Neil Finn
- electric guitar [Tom Anderson “S” Style]:
- Tim Pierce
- keyboard and organ:
- Mitchell Froom
- background vocals:
- Noel Crombie, Jim Gilstrap, Andy Milton and Joe Satriani
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1986)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States and Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- mixed at:
- Studio 55 in Los Angeles, California, United States
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 5)
- recording of:
- Don’t Dream It’s Over
- lyricist and composer:
- Neil Finn
- publisher:
- Chrysalis Music , EMI Music Publishing Ltd. , Mushroom Music , Mushroom Music Publishing and Roundhead Music
- part of:
- APRA Top 100 New Zealand Songs of All Time (number: 2)
| Crowded House | 3.9 | 3:53 |
| 8 | French Kissin’ in the USA | Deborah Harry | 2.65 | 4:11 |
| 9 | Only You | Yazoo | 4.4 | 3:05 |
| 10 | Sometimes | Erasure | 2.7 | 3:33 |
| 11 | Hip to Be Square | Huey Lewis & the News | | 4:04 |
| 12 | We Belong | Pat Benatar | 4.4 | 3:40 |
| 13 | I Got You Babe | UB40 ft. Chrissie Hynde | 2.75 | 3:08 |
| 14 | Freeze‐Frame- engineer:
- Dave Thoener
- producer:
- Seth Justman
- brass [horns]:
- Alan Rubin, Randy Brecker, Ronnie Cuber, Lou Marini, Tom Melone and George Young
- arranger:
- Seth Justman
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1981) and EMI Catalog (in 2006)
- recorded at:
- Long View Farm in North Brookfield, Massachusetts, United States
- mixed at:
- Mix Room, Record Plant in New York, New York, United States
- recording of:
- Freeze-Frame
- writer:
- Seth Justman and Peter Wolf
- publisher:
- Almo Music Corp. and Kobalt Songs Music Publishing
| The J. Geils Band | 4.2 | 3:58 |
| 15 | Talking Loud and Clear | Orchestral Manoeuvres in the Dark | 1 | 3:54 |
| 16 | Kids in America- recording engineer:
- Jeo (from 1980 until 1981)
- programming:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- engineer:
- Steve Stewart
- producer:
- Ricky Wilde
- additional keyboard:
- Nick Priessnitz (from 1980 until 1981)
- bass guitar:
- Martin Russell (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- drums (drum set):
- Bernhard Hahn (from 1980 until 1981), Chris North (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
- guitar:
- Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde (from 1980 until 1981)
- phonographic copyright (℗) by:
- Cherry Red Records Ltd. , EMI Records Ltd. (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (in 2006)
- recorded at:
- Amira Studio (from 1980 until 1981), RAK Studios in London , England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- Jeopark in Buchholz, Niedersachsen , Germany, RAK Studios in London , England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (from 1980 until 1981)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- All Nations Music, EMI Music Publishing , Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
| Kim Wilde | 4.1 | 3:26 |
| 17 | A Good Heart | Feargal Sharkey | 3.6 | 4:39 |
| 18 | It Started With a Kiss | Hot Chocolate | 3 | 4:02 |
| 19 | Senses Working Overtime | XTC | 4.5 | 4:33 |
| 20 | Imagination | Belouis Some | 3 | 3:35 |
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