The Best of Ken Burns Jazz

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Star Dust (78 RPM version)
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-04)
alto saxophone:
Lester Boone (am 1931-11-04) und George James (US jazz saxophonist) (am 1931-11-04)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-04)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-04)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-04)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-04)
Schlagzeug:
Tubby Hall (am 1931-11-04)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-04)
Trompete:
Louis Armstrong (am 1931-11-04) und Zilner Randolph (am 1931-11-04)
vocals:
Louis Armstrong (am 1931-11-04)
recording of:
Stardust (the jazz standard) (am 1931-11-04)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Louis Armstrong and His Orchestra3:33
2Dead Man Blues
andere Instrumente:
Marty Bloom (am 1926-09-21)
Banjo:
Johnny St. Cyr (am 1926-09-21)
Klarinette:
Barney Bigard (am 1926-09-21), Darnell Howard (am 1926-09-21) und Omer Simeon (am 1926-09-21)
Klavier:
Jelly Roll Morton (am 1926-09-21)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1926-09-21)
Kornett:
George Mitchell (US jazz trumpeter and cornet player) (am 1926-09-21)
Posaune:
Kid Ory (am 1926-09-21)
Schlagzeug:
Andrew Hilaire (am 1926-09-21)
vocals:
Johnny St. Cyr (am 1926-09-21) und Jelly Roll Morton (am 1926-09-21)
conductor:
Jelly Roll Morton (am 1926-09-21)
Remaster:
Dead Man Blues (take 1) von Jelly Roll Morton’s Red Hot Peppers
recording of:
Dead Man Blues (am 1926-09-21)
Komponist(in):
Ferdinand Joseph LaMothe
Jelly Roll Morton & His Red Hot Peppers43:12
3Dear Old Southland
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-14)
Geige / Violine:
Oscar Madera (am 1937-04-14)
Gitarre:
Jimmy Miller (Jazz guitar player) (am 1937-04-14)
Klavier:
Erskine Butterfield (am 1937-04-14)
Kontrabass:
Jimmy Jones (Jazz bassist *NOT the pianist*) (am 1937-04-14)
Posaune:
Chester Burrill (am 1937-04-14) und Chauncey Haughton (am 1937-04-14)
Schlagzeug:
Wilbert Kirk (am 1937-04-14)
Sopransaxophon:
Sidney Bechet (am 1937-04-14)
Tenorsaxophon:
Jerome Pasquall (am 1937-04-14) und Gil White (am 1937-04-14)
Trompete:
Clarence Brereton (am 1937-04-14), Wendell Culley (jazz trumpeter) (am 1937-04-14) und Demas Dean (trumpeter) (am 1937-04-14)
Sologesang:
Noble Sissle (am 1937-04-14)
vocals:
Noble Sissle (am 1937-04-14)
Interpret(in):
Sidney Bechet
Teil von:
Master Records, Inc. (by matrix number) (Nummer: M-400)
recording of:
Dear Old Southland (jazz standard)
Texter:
Henry Creamer (Lyricist) (in 1921)
Komponist(in):
Turner Layton (in 1921)
publisher:
Mills Music
Noble Sissle and His Orchestra2:35
4Singin’ the Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1927-02-04)
alto saxophone:
Jimmy Dorsey (am 1927-02-04) und Doc Ryker (am 1927-02-04)
Gitarre:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1927-02-04)
Klarinette und Rohrblattinstrumente:
Jimmy Dorsey (am 1927-02-04)
Klavier:
Paul Mertz (Paul Madeira Mertz) (am 1927-02-04)
Kornett:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (am 1927-02-04)
Posaune:
Miff Mole (am 1927-02-04)
Saxophon [C-melody saxophone]:
Frankie Trumbauer (am 1927-02-04)
Schlagzeug:
Chauncey Morehouse (am 1927-02-04)
Interpret(in):
Bix Beiderbecke (American jazz cornettist, pianist and composer)
arranger:
Fud Livingston
instrumental recording of:
Singin’ the Blues (am 1927-02-04)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Con Conrad (songwriter and producer) und J. Russel Robinson
recording of:
Singin’ the Blues (am 1927-02-04)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Con Conrad (songwriter and producer) und J. Russel Robinson
Frankie Trumbauer and His Orchestra & Bix Beiderbecke3:00
5St. Louis Blues (vocal)
recording of:
St. Louis Blues (am 1929-12-13)
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong2:56
6The Mooche (78 RPM version)
recorded in:
New York, New York, Vereinigte Staaten (am 1928-10-01)
alto saxophone:
Harry Carney (am 1928-10-01) und Johnny Hodges (am 1928-10-01)
Banjo:
Fred Guy (am 1928-10-01)
baritone saxophone:
Harry Carney (am 1928-10-01)
Gitarre:
Lonnie Johnson (American blues and jazz musician) (am 1928-10-01)
Klarinette:
Barney Bigard (am 1928-10-01), Harry Carney (am 1928-10-01) und Johnny Hodges (am 1928-10-01)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1928-10-01)
Kontrabass:
Wellman Braud (am 1928-10-01)
Posaune:
Joe Nanton (am 1928-10-01)
Schlagzeug:
Sonny Greer (am 1928-10-01)
Sopransaxophon:
Johnny Hodges (am 1928-10-01)
Tenorsaxophon:
Barney Bigard (am 1928-10-01)
Trompete:
Bubber Miley (am 1928-10-01) und Arthur Whetsel (am 1928-10-01)
vocals:
Baby Cox (am 1928-10-01)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
recording of:
The Mooche (am 1928-10-01)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
Duke Ellington and His Orchestra13:13
7Hotter Than ’Ell
recorded in:
New York, New York, Vereinigte Staaten (, am 1934-09-25)
alto saxophone:
Hilton Jefferson (am 1934-09-25) und Russell Procope (am 1934-09-25)
Gitarre:
Lawrence Lucie (am 1934-09-25)
Klarinette:
Buster Bailey (clarinetist) (am 1934-09-25), Hilton Jefferson (am 1934-09-25) und Russell Procope (am 1934-09-25)
Klavier:
Fletcher Henderson (am 1934-09-25)
Kontrabass:
Elmer James (am 1934-09-25)
Posaune:
Keg Johnson (jazz trombonist) (am 1934-09-25) und Claude Jones (am 1934-09-25)
Schlagzeug:
Walter Johnson (drums) (am 1934-09-25)
Tenorsaxophon:
Ben Webster (am 1934-09-25)
Trompete:
Henry “Red” Allen (jazz musician) (am 1934-09-25), Irving "Mouse" Randolph (am 1934-09-25) und Russell Smith (US jazz trumpeter) (am 1934-09-25)
recording of:
Hotter Than 'Ell (am 1934-09-25)
Komponist(in):
Fletcher Henderson
Fletcher Henderson and His Orchestra2:55
8King Porter Stomp
recorded in:
New York, New York, Vereinigte Staaten (am 1935-07-01)
alto saxophone:
Toots Mondello (am 1935-07-01) und Hymie Shertzer (am 1935-07-01)
Gitarre:
George van Eps (am 1935-07-01)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1935-07-01)
Klavier:
Frank Froeba (am 1935-07-01)
Kontrabass und Kontrabass [bass]:
Harry Goodman (am 1935-07-01)
Posaune:
Red Ballard (am 1935-07-01) und Jack Lacey (am 1935-07-01)
Schlagzeug:
Gene Krupa (am 1935-07-01)
Tenorsaxophon:
Dick Clark (tenor saxophonist) (am 1935-07-01) und Art Rollini (am 1935-07-01)
Trompete:
Bunny Berigan (am 1935-07-01), Nate Kazebier (am 1935-07-01) und Ralph Muzzillo (am 1935-07-01)
arranger:
Fletcher Henderson
recording of:
King Porter Stomp (am 1935-07-01)
Komponist(in):
Jelly Roll Morton
Benny Goodman and His Orchestra3:09
9Begin the Beguine
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-07-24) und Les Robinson (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Kontrabass:
Sid Weiss (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Tenorsaxophon:
Tony Pastor (am 1938-07-24) und Ronnie Perry (am 1938-07-24)
Trompete:
Claude Bowen (am 1938-07-24), John Best (jazz trumpeter) (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
conductor:
Artie Shaw (am 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
aufgenommen bei und engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1938-07-24)
instrumental recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Artie Shaw and His Orchestra33:13
10Cotton Tail
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-05-04)
alto saxophone:
Otto Hardwick (am 1940-05-04) und Johnny Hodges (am 1940-05-04)
alto saxophone [as]:
Johnny Hodges (am 1940-05-04) und Otto Hardwicke (am 1940-05-04)
alto saxophone und Klarinette:
Johnny Hodges (am 1940-05-04)
alto saxophone, baritone saxophone und Klarinette, baritone saxophone und baritone saxophone [bars]:
Harry Carney (am 1940-05-04)
Gitarre und Gitarre [g]:
Fred Guy (am 1940-05-04)
Klarinette:
Harry Carney und Barney Bigard (am 1940-05-04)
Klarinette [cl] und Klarinette und Tenorsaxophon:
Barney Bigard (am 1940-05-04)
Klavier und Klavier [p]:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1940-05-04)
Kontrabass, Kontrabass [b] und Kontrabass [bass]:
Jimmy Blanton (am 1940-05-04)
Kornett und Kornett [c]:
Rex Stewart (am 1940-05-04)
Posaune:
Lawrence Brown (jazz trombonist) (am 1940-05-04), Joe "Tricky Sam" Nanton (am 1940-05-04) und Juan Tizol (am 1940-05-04)
Posaune [tb]:
Lawrence Brown (jazz trombonist) (am 1940-05-04) und Joe "Tricky Sam" Nanton (am 1940-05-04)
Rohrblattinstrumente:
Barney Bigard (am 1940-05-04), Harry Carney (am 1940-05-04), Otto Hardwick (am 1940-05-04) und Johnny Hodges (am 1940-05-04)
Schlagzeug und Schlagzeug [d]:
Sonny Greer (am 1940-05-04)
Tenorsaxophon:
Ben Webster (am 1940-05-04)
Tenorsaxophon [ts]:
Barney Bigard (am 1940-05-04) und Ben Webster (am 1940-05-04)
Trompete:
Wallace Jones (am 1940-05-04), Rex Stewart (am 1940-05-04) und Cootie Williams (am 1940-05-04)
Trompete [t]:
Wallace Jones (am 1940-05-04) und Cootie Williams (am 1940-05-04)
Ventilposaune und Ventilposaune [vtb]:
Juan Tizol (am 1940-05-04)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) und Ben Webster
recording of:
Cotton Tail (am 1940-05-04)
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington and His Orchestra13:11
11Jumpin’ at the Woodside
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1960-06-09)
Gitarre:
Freddie Green (am 1960-06-09)
Holzblasinstrumente:
Frank Wess (am 1960-06-09)
Klavier:
Count Basie (pianist) (am 1960-06-09)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1960-06-09)
Posaune:
Henry Coker (jazz trombonist) (am 1960-06-09), Al Grey (trombone) (am 1960-06-09) und Benny Powell (jazz trombonist) (am 1960-06-09)
Rohrblattinstrumente:
Marshall Royal (am 1960-06-09)
Schlagzeug:
Sonny Payne (am 1960-06-09)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1960-06-09) und Billy Mitchell (US jazz saxophonist) (am 1960-06-09)
Trompete:
Sonny Cohn (am 1960-06-09), Thad Jones (American jazz trumpeter) (am 1960-06-09), Joe Newman (US jazz trumpeter) (am 1960-06-09) und Snooky Young (am 1960-06-09)
recording of:
Jumpin’ at the Woodside (original instrumental) (am 1960-06-09)
Komponist(in):
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Count Basie and His Orchestra3:08
12Solitude (78 RPM version)
alto saxophone:
Lester Boone (am 1941-05-09), Ernie Powell (am 1941-05-09) und Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1941-05-09)
Gitarre:
Paul Chapman (US jazz guitar player and singer) (am 1941-05-09)
Klarinette und Tenorsaxophon:
Ernie Powell (am 1941-05-09)
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1941-05-09) und Eddie Heywood (am 1941-05-09)
Kontrabass:
Grachan Moncur (bassist) (am 1941-05-09)
Schlagzeug:
Herbert Cowens (jazz drummer) (am 1941-05-09)
Trompete:
Roy Eldridge (am 1941-05-09)
Sologesang:
Billie Holiday (am 1941-05-09)
vocals:
Billie Holiday (am 1941-05-09)
Orchester:
Billie Holiday and Her Orchestra (am 1941-05-09)
recording of:
(In My) Solitude (am 1941-05-09)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
Billie Holiday and Her Orchestra3:12
13Groovin’ High
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1945-02-28)
Gitarre:
Remo Palmier (am 1945-02-28)
Klavier:
Clyde Hart (am 1945-02-28)
Kontrabass:
Slam Stewart (am 1945-02-28)
Schlagzeug:
Cozy Cole (am 1945-02-28)
Trompete:
Dizzy Gillespie (am 1945-02-28)
Orchester:
Dizzy Gillespie Sextet (am 1945-02-28)
recording of:
Groovin’ High (am 1945-02-28)
Komponist(in):
Dizzy Gillespie, Frank Paparelli und Charlie Parker (aka “Bird”, jazz alto saxophonist)
Dizzy Gillespie and His Sextet2:39
14Straight, No Chaser
alto saxophone:
Sahib Shihab (American jazz musician) (am 1951-07-23)
Klavier:
Thelonious Monk (am 1951-07-23)
Kontrabass:
Al McKibbon (double bassist) (am 1951-07-23)
Schlagzeug:
Art Blakey (am 1951-07-23)
Vibraphon:
Milt Jackson (am 1951-07-23)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1951-07-23)
recording of:
Straight, No Chaser (am 1951-07-23)
Komponist(in):
Thelonious Monk
publisher:
Thelonious Music
Thelonious Monk2:55
15They Can’t Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1954-04-02)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Sarah Vaughan and Her Trio2:39
16Take Five (45 RPM version)
recording of:
Take Five (original instrumental version) (am 1959-07-01)
Komponist(in):
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dave Brubeck52:52
17Doodlin’
Klavier:
Horace Silver (am 1954-11-13)
Kontrabass [bass]:
Doug Watkins (am 1954-11-13)
Schlagzeug:
Art Blakey (am 1954-11-13)
Tenorsaxophon:
Hank Mobley (US jazz tenor saxophonist) (am 1954-11-13)
Trompete:
Kenny Dorham (US jazz trumpeter, singer, and composer) (am 1954-11-13)
recording of:
Doodlin’ (original instrumental version) (am 1954-11-13)
Komponist(in):
Horace Silver
publisher:
Ecaroh Music, Inc.
Horace Silver & The Jazz Messengers6:43
18Giant Steps
recording engineer:
Tom Dowd (am 1959-05-05) und Phil Iehle (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Giant Steps (am 1959-05-05)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
John Coltrane Quartet3.34:43
19So What
recorded in:
New York, New York, Vereinigte Staaten (am 1959-03-02)
recording engineer:
Fred Plaut (am 1959-03-02)
Produzent(in):
Irving Townsend
alto saxophone:
Cannonball Adderley (am 1959-03-02)
Klavier:
Bill Evans (pianist) (am 1959-03-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-03-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-03-02)
Tenorsaxophon:
John Coltrane (am 1959-03-02)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1959-03-02)
aufgenommen bei:
Columbia 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1959-03-02)
Remix von:
So What (stereo) von Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (am 1959-03-02)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
Miles Davis, John Coltrane, Cannonball Adderley & Bill Evans4.29:22
20Take the “A” Train
recording of:
Take the “A” Train (original instrumental version) (am 1992-10-10)
Komponist(in):
Billy Strayhorn
Teil von:
The Real Book (compilation of jazz standards, volume I)
Lincoln Center Jazz Orchestra & Wynton Marsalis5:35

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2000)
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
zum Herunterladen kaufen:https://mora.jp/package/43000087/G010001406513L/ [Info]
https://music.apple.com/us/album/186304325 [Info]
kostenlos streamen:https://open.spotify.com/album/7jhgdZTJ7x3UpKRy9W44Pi [Info]
https://www.deezer.com/album/1401295 [Info]
Streaming-Seite:https://music.apple.com/us/album/186304325 [Info]

Veröffentlichungsgruppe

excerpt from:Ken Burns Jazz: The Story of America’s Music
Teil von:Ken Burns Jazz (Reihenfolge: 14)