An Easy Introduction to Rock & Roll

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Blue Suede Shoes
assistierende(r) Techniker(in):
Dror Mohar
Mix:
Ray Bardani
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-01-30) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30)
Schlagzeug:
D.J. Fontana (am 1956-01-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 423)
cover recording of:
Blue Suede Shoes (am 1956-01-30)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Elvis Presley42:00
2I’m Counting on You
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-11)
Gitarre:
Chet Atkins (am 1956-01-11), Scotty Moore (American guitarist and recording engineer) (am 1956-01-11) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-11)
Schlagzeug:
D.J. Fontana (am 1956-01-11)
recording of:
I’m Counting on You (am 1956-01-11)
Texter und Komponist(in):
Don Robertson (“Happy Whistler” songwriter)
publisher:
Carlin Music Corporation, Don Robertson Music Corp. und Ross Jungnickel, Inc.
Elvis Presley2.652:24
3I Got a Woman
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
cover recording of:
I Got a Woman (am 1956-01-10)
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Elvis Presley32:25
4One‐Sided Love Affair
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10) und Scotty Moore (American guitarist and recording engineer) (am 1956-01-30)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-30)
Schlagzeug:
D.J. Fontana (am 1956-01-30)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1957)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-30)
recording of:
One-Sided Love Affair (am 1956-01-30)
Texter und Komponist(in):
Bill Campbell (US songwriter)
publisher:
EMI Unart Catalog Inc. und Sheldon Music
Elvis Presley2.52:12
5I Love You Because
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05) und Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954, in 1956, in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
cover recording of:
I Love You Because (am 1954-07-05)
Texter und Komponist(in):
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1949-10-12)
Elvis Presley32:43
6Just Because
cover recording of:
Just Because (am 1954-09-12)
Texter:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) und Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
Komponist(in):
Leon Chappelear und Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) und State Street Music Publ. Co. Inc. (am 1936-03-19)
Elvis Presley12:34
7Tutti Frutti
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-31)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-01-31) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-31)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-31)
Schlagzeug:
D.J. Fontana (am 1956-01-31)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1956)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-31)
cover recording of:
Tutti Frutti (am 1956-01-31)
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
Elvis Presley2.51:59
8Tryin’ to Get to You
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07, am 1955-07-11)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1955-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07, am 1955-07-11) und Scotty Moore (American guitarist and recording engineer) (am 1955-07-11)
Schlagzeug:
Johnny Bernero (in 1955-07, am 1955-07-11)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1955-07) und Sun Studios in Memphis, Tennessee, Vereinigte Staaten (am 1955-07-11)
cover recording of:
Trying to Get to You (am 1955-07-11)
Verfasser(in):
Rose Marie McCoy und Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific und You Look Good Music Publishing
cover recording of:
Trying to Get to You (in 1955-07)
Verfasser(in):
Rose Marie McCoy und Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific und You Look Good Music Publishing
Elvis Presley3.352:33
9I’m Gonna Sit Right Down and Cry (Over You)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-31)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-01-31) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-31)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-31)
Schlagzeug:
D.J. Fontana (am 1956-01-31)
cover recording of:
I’m Gonna Sit Right Down and Cry (Over You) (am 1956-01-31)
Texter und Komponist(in):
Howard Biggs und Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Angle Music, Coblin Music Co., Copyright Records und EMI Music Publishing Ltd. (PRS‐affiliated)
Elvis Presley3.52:03
10I’ll Never Let You Go (Little Darlin’)
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-09-10, von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-09-10) und Elvis Presley (“The King of Rock and Roll”) (am 1954-09-10, von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1956)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-09-10, von 1954-09-12 bis 1954-09-16)
cover recording of:
I’ll Never Let You Go Little Darlin’ (am 1954-09-10)
Texter und Komponist(in):
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) und Sunshine Music Co., Inc. (am 1941-11-17)
cover recording of:
I’ll Never Let You Go Little Darlin’ (von 1954-09-12 bis 1954-09-16)
Texter und Komponist(in):
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) und Sunshine Music Co., Inc. (am 1941-11-17)
Elvis Presley2.352:24
11Blue Moon
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-08-19)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-08-19) und Elvis Presley (“The King of Rock and Roll”) (am 1954-08-19)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-08-19)
cover recording of:
Blue Moon (am 1954-08-19)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Elvis Presley3.652:41
12Money Honey
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
cover recording of:
Money Honey (am 1956-01-10)
Texter und Komponist(in):
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) und ZFC Music
Elvis Presley3.352:33
13Make Me Know It
recording engineer:
Bill Porter (engineer) (am 1960-03-20)
Produzent(in):
Chet Atkins und Steve Sholes
vocals:
The Jordanaires (southern gospel group) (am 1960-03-20)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1960)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1960-03-20)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Make Me Know It (am 1960-03-20)
Texter und Komponist(in):
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Elvis Presley Music und R&H Music
Elvis Presley2.52:05
14Fever
recording engineer:
Bill Porter (engineer) (am 1960-04-03)
Produzent(in):
Chet Atkins und Steve Sholes
phonographisches Urheberrecht (℗) von:
BMG Music (in 1960)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Fever (am 1960-04-03)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Elvis Presley33:36
15The Girl of My Best Friend
cover recording of:
The Girl of My Best Friend
Verfasser(in):
Sam Bobrick und Ross Butler
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music und R&H Music
Elvis Presley2:27
16I Will Be Home Again
recording engineer:
Bill Porter (engineer) (am 1960-04-04)
Produzent(in):
Chet Atkins und Steve Sholes
vocals:
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1960)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
I Will Be Home Again (am 1960-04-04)
Verfasser(in):
Bennie Benjamin (in 1944), Raymond Leveen (Composer, songwriter and author) (in 1944) und Lou Singer (pianist) (in 1944)
uraufgeführt von:
The Golden Gate Quartet (am 1945-03-16)
publisher:
Bennie Benjamin Music Inc. und Chappell & Co.
Elvis Presley22:38
17Dirty, Dirty Feeling
cover recording of:
Dirty Dirty Feeling
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Elvis Presley Music, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
Elvis Presley21:37
18Thrills of Your Love
recording engineer:
Bill Porter (engineer)
Produzent(in):
Chet Atkins und Steve Sholes
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-04-03)
Gitarre:
Hank Garland (am 1960-04-03), Scotty Moore (American guitarist and recording engineer) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
Klavier:
Floyd Cramer (am 1960-04-03)
Saxophon:
Boots Randolph (am 1960-04-03)
Schlagzeug:
D.J. Fontana (am 1960-04-03) und Buddy Harman (Session drummer and songwriter) (am 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (am 1960-04-03)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1960)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten und RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Thrill of Your Love (am 1960-04-03)
Texter und Komponist(in):
Stan Kesler (US session musician, composer and producer)
publisher:
R&H Music
recording of:
Thrill of Your Love
Texter und Komponist(in):
Stan Kesler (US session musician, composer and producer)
publisher:
R&H Music
Elvis Presley2.53:05
19Soldier Boy
recording engineer:
Bill Porter (engineer) (am 1960-03-20)
Produzent(in):
Chet Atkins und Steve Sholes
phonographisches Urheberrecht (℗) von:
BMG Music (in 1960)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1960-03-20)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Soldier Boy (am 1960-03-20)
Verfasser(in):
David Jones und Theodore Williams
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Elvis Presley2.53:10
20Such a Night
cover recording of:
Such a Night
Texter und Komponist(in):
Lincoln Chase (songwriter)
publisher:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation und Raleigh Music, Inc.
Elvis Presley33:56
21It Feels So Right
recording engineer:
Bill Porter (engineer) (am 1960-03-21)
Produzent(in):
Chet Atkins und Steve Sholes
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1960-03-21)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
It Feels So Right (am 1960-03-21)
Verfasser(in):
Ben Weisman und Fred Wise
publisher:
Blen Music, Chappell & Co., Elvis Presley Music Inc., Gladys Music Inc. und Spirit Two Music Inc.
Elvis Presley2.52:14
22The Girl Next Door Went A 'Walking
recording engineer:
Bill Porter (engineer) (am 1960-04-04)
Produzent(in):
Chet Atkins und Steve Sholes
phonographisches Urheberrecht (℗) von:
BMG Music (in 1960)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
The Girl Next Door Went a Walking (am 1960-04-04)
Verfasser(in):
Bill Rice und Thomas Wayne (American singer, best remembered as a one-hit wonder for "Tragedy")
publisher:
Elvis Presley Music, R&H Music und Regent Music Corp.
recording of:
The Girl Next Door Went a Walking
Verfasser(in):
Bill Rice und Thomas Wayne (American singer, best remembered as a one-hit wonder for "Tragedy")
publisher:
Elvis Presley Music, R&H Music und Regent Music Corp.
Elvis Presley2.52:18
23Like a Baby
cover recording of:
Like a Baby
Texter und Komponist(in):
Jesse Stone
publisher:
Bob Abbott Music, Inc., Elvis Presley Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Unichappell Music
Elvis Presley12:43
24Reconsider Baby
cover recording of:
Reconsider Baby
Texter und Komponist(in):
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Elvis Presley13:42
2▼CD: Here's Little Richard + Presenting Dion and the Belmonts
Nr.TitelKünstlerBewertungLänge
1Tutti Frutti
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1955-09-14)
Produzent(in):
Robert Blackwell
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1955-09-14)
Gitarre:
Justin Adams (1950s session guitarist) (am 1955-09-14)
Klavier:
Melvin Dowden (am 1955-09-14)
Kontrabass:
Frank Fields (am 1955-09-14)
Schlagzeug:
Earl Palmer (am 1955-09-14)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1955-09-14)
Sologesang:
Little Richard (am 1955-09-14)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1955-09-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 35) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 43)
recording of:
Tutti Frutti (am 1955-09-14)
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
Little Richard4.12:24
2True Fine Mama
baritone saxophone:
Clarence Ford (am 1955-11-29)
Bassgitarre:
Lloyd Lambert (am 1955-11-29)
Gitarre:
William 'Frosty' Pyles (am 1955-11-29)
Klavier und Sologesang:
Little Richard (am 1955-11-29)
Schlagzeug:
Oscar Moore (am 1955-11-29)
Tenorsaxophon:
Joseph Tillman (am 1955-11-29)
Trompete:
Renald Richard (am 1955-11-29)
Hintergrundgesang und Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1955-11-29)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1955-11-29)
recording of:
True Fine Mama (True Fine Baby) (am 1955-11-29)
Texter und Komponist(in):
Richard Wayne Penniman (in 1955-11)
Little Richard42:41
3Can't Believe You Wanna Leave
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-08-01)
Bassgitarre:
Frank Fields (am 1956-08-01)
Gitarre:
Roy Montrell (am 1956-08-01)
Klavier und Sologesang:
Little Richard (am 1956-08-01)
Schlagzeug:
Earl Palmer (am 1956-08-01)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-08-01)
recording of:
Can’t Believe You Wanna Leave (am 1956-08-01)
Texter und Komponist(in):
Leo Price
Verfasser(in):
Little Richard
publisher:
ATV Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Venice Music
Little Richard42:23
4Ready Teddy
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-05-09)
Bassgitarre:
Frank Fields (am 1956-05-09)
Gitarre:
Edgar Blanchard (am 1956-05-09)
Klavier und Sologesang:
Little Richard (am 1956-05-09)
Schlagzeug:
Earl Palmer (am 1956-05-09)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-05-09)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-05-09)
recording of:
Ready Teddy (am 1956-05-09)
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
Little Richard52:07
5Baby
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1955-09-14)
Bassgitarre:
Frank Fields (am 1955-09-14)
Gitarre:
Justin Adams (1950s session guitarist) (am 1955-09-14)
Klavier:
Melvin Dowden (am 1955-09-14)
Schlagzeug:
Earl Palmer (am 1955-09-14)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1955-09-14)
Sologesang:
Little Richard (am 1955-09-14)
recording of:
Baby (Don't You Want a Man Like Me) (am 1955-09-14)
Texter und Komponist(in):
Richard Wayne Penniman (in 1955-02)
Little Richard42:03
6Slippin' and Slidin'
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-02-07)
Bassgitarre:
Frank Fields (am 1956-02-07)
Gitarre:
Edgar Blanchard (am 1956-02-07)
Klavier und Sologesang:
Little Richard (am 1956-02-07)
Schlagzeug:
Earl Palmer (am 1956-02-07)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-02-07)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-02-07)
recording of:
Slippin’ and Slidin’ (am 1956-02-07)
Verfasser(in):
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman und James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. und Venice Music
Little Richard2:38
7Long Tall Sally
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-02-07)
Bassgitarre:
Frank Fields (am 1956-02-07)
Gitarre:
Edgar Blanchard (am 1956-02-07)
Klavier und Sologesang:
Little Richard (am 1956-02-07)
Schlagzeug:
Earl Palmer (am 1956-02-07)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-02-07)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-02-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 13) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 56)
recording of:
Long Tall Sally (am 1956-02-07)
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
Little Richard42:07
8Miss Ann
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-02-07)
Bassgitarre:
Frank Fields (am 1956-02-07)
Gitarre:
Edgar Blanchard (am 1956-02-07)
Klavier und Sologesang:
Little Richard (am 1956-02-07)
Schlagzeug:
Earl Palmer (am 1956-02-07)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-02-07)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-02-07)
recording of:
Miss Ann (am 1956-02-07)
Verfasser(in):
Enotris Johnson (in 1955-11) und Richard Wayne Penniman (in 1955-11)
Little Richard42:15
9Oh Why?
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-02-09)
Bassgitarre:
Frank Fields (am 1956-02-09)
Gitarre:
Edgar Blanchard (am 1956-02-09)
Klavier und Sologesang:
Little Richard (am 1956-02-09)
Schlagzeug:
Earl Palmer (am 1956-02-09)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-02-09)
recording of:
Oh Why? (am 1956-02-09)
Texter und Komponist(in):
William L. Scott
Little Richard42:06
10Rip It Up
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-05-09)
Bassgitarre:
Frank Fields (am 1956-05-09)
Gitarre:
Edgar Blanchard (am 1956-05-09)
Klavier und Sologesang:
Little Richard (am 1956-05-09)
Schlagzeug:
Earl Palmer (am 1956-05-09)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-05-09)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-05-09)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 4)
recording of:
Rip It Up (am 1956-05-09)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
Little Richard4.52:22
11Jenny Jenny
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-10-15)
Bassgitarre:
Frank Fields (am 1956-10-15)
Gitarre:
Roy Montrell (am 1956-10-15)
Klavier und Sologesang:
Little Richard (am 1956-10-15)
Schlagzeug:
Earl Palmer (am 1956-10-15)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-10-15)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-10-15)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 20)
recording of:
Jenny, Jenny (made famous by Little Richard; not the 867‒5309 song) (am 1956-10-15)
Verfasser(in):
Enotris Johnson (bis 1956-10-15) und Richard Wayne Penniman (bis 1956-10-15)
publisher:
Sony/ATV Songs LLC
Little Richard4.52:00
12She's Got It
baritone saxophone:
Jewell Grant (US saxophonist) (am 1956-09-06)
Bassgitarre:
Olsie Robinson (am 1956-09-06)
Gitarre:
Nathaniel Douglas (am 1956-09-06)
Klavier und Sologesang:
Little Richard (am 1956-09-06)
Schlagzeug:
Charles Connor (am 1956-09-06)
Tenorsaxophon:
Clifford Burks (am 1956-09-06), Grady Gaines (R & B sax player / bandleader) (am 1956-09-06) und Wilbert Smith (am 1956-09-06)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-06)
recording of:
She’s Got It (am 1956-09-06)
Verfasser(in):
John Marascalco (in 1956-09) und Richard Wayne Penniman (in 1956-09)
publisher:
Robin Hood Music Co. und Sony/ATV Songs LLC
Little Richard2:25
13I Wonder Why
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 24)
recording of:
I Wonder Why
Verfasser(in):
Melvin Anderson und Ricardo Weeks
publisher:
Schwartz Music
Dion & The Belmonts4.52:24
14Where or When
cover recording of:
Where or When (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Dion & The Belmonts2:43
15You Better Not Do That
cover recording of:
You Better Not Do That
Texter und Komponist(in):
Tommy Collins (American country singer, songwriter and guitarist)
Dion & The Belmonts2:17
16Just You
recording of:
Just You
Texter und Komponist(in):
Todd J. Weinbrenner
Dion & The Belmonts2:34
17I Got the Blues
recording of:
I Got the Blues
Texter und Komponist(in):
Ernie Maresca
Dion & The Belmonts2:49
18Don’t Pity Me
recording of:
Don’t Pity Me
Verfasser(in):
Sid Jacobson und Lou Stallman (Songwriter and producer active since the 1950s)
Dion & The Belmonts2:41
19A Teenager in Love
Interpret(in):
Dion & The Belmonts
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 7)
recording of:
A Teenager in Love (in 1959)
Texter:
Doc Pomus
Komponist(in):
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts3.652:39
20Wonderful Girl
cover recording of:
Wonderful Girl
Texter und Komponist(in):
Jim Freeman (American singer and songwriter)
Dion & The Belmonts2:41
21A Funny Feeling
recording of:
A Funny Feeling
Verfasser(in):
Jack Barker (songwriter) und Alexander Belgin
Dion & The Belmonts2:17
22I’ve Cried Before
recording of:
I’ve Cried Before
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
cover recording of:
I’ve Cried Before
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts2:50
11That’s My Desire
cover recording of:
That’s My Desire
Texter:
Carroll Loveday
Komponist(in):
Helmy Kresa
publisher:
Mills Music, Inc.
Dion & The Belmonts2:37
12No One Knows
recording of:
No One Knows
Verfasser(in):
Ken Hecht und Ernie Maresca
Dion & The Belmonts2:37
3▼CD
Nr.TitelKünstlerBewertungLänge
1Sweet Little Sixteen
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
E-Gitarre und Sologesang:
Chuck Berry (von 1957-12-29 bis 1957-12-30)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1957-12-29 bis 1957-12-30)
Kontrabass:
Willie Dixon (von 1957-12-29 bis 1957-12-30)
Schlagzeug:
Jasper Thomas (von 1957-12-29 bis 1957-12-30)
phonographisches Urheberrecht (℗) von:
Geffen Records Ltd. (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (von 1957-12-29 bis 1957-12-30)
recording of:
Sweet Little Sixteen (von 1957-12-09 bis 1957-12-30)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry43:03
2Blue Feeling
Produzent(in):
Leonard & Phil Chess (legendary US production duo) (am 1956-12-15)
E-Gitarre:
Chuck Berry (am 1956-12-15)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1956-12-15)
Kontrabass:
Willie Dixon (am 1956-12-15)
Schlagzeug:
Fred Below (am 1956-12-15)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1956-12-15)
recording of:
Blue Feeling (am 1956-12-15)
Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry43:04
3Lajuada
Bongos:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-12-15)
E-Gitarre und Sologesang:
Chuck Berry (am 1956-12-15)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1956-12-15)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1956-12-15)
recording of:
La jaunda (am 1956-12-15)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry33:14
4Rocking at the Philharmonic
Produzent(in):
Leonard & Phil Chess (legendary US production duo) (in 1957-12)
E-Gitarre:
Chuck Berry (von 1957-12-29 bis 1957-12-30)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1957-12-29 bis 1957-12-30)
Kontrabass:
Willie Dixon (von 1957-12-29 bis 1957-12-30)
Schlagzeug:
Jasper Thomas (von 1957-12-29 bis 1957-12-30)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (von 1957-12-29 bis 1957-12-30)
recording of:
Rock at the Philharmonic (von 1957-12-29 bis 1957-12-30)
Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry43:23
5Oh Baby Doll
Produzent(in):
Leonard & Phil Chess (legendary US production duo) (in 1957-05)
Bass und Kontrabass:
Willie Dixon (von 1957-05-06 bis 1957-05-15)
E-Gitarre, Gitarre und Sologesang:
Chuck Berry (von 1957-05-06 bis 1957-05-15)
Klavier:
Lafayette Leake (von 1957-05-06 bis 1957-05-15)
Schlagzeug:
Fred Below (von 1957-05-06 bis 1957-05-15)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1957-05-06 bis 1957-05-15)
recording of:
Oh Baby Doll (von 1957-05-06 bis 1957-05-15)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry42:37
6Guitar Boogie
Produzent(in):
Leonard & Phil Chess (legendary US production duo) (in 1957-12)
E-Gitarre und Gitarre:
Chuck Berry (von 1957-12-29 bis 1957-12-30)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1957-12-29 bis 1957-12-30)
Kontrabass:
Willie Dixon (von 1957-12-29 bis 1957-12-30)
Schlagzeug:
Jasper Thomas (von 1957-12-29 bis 1957-12-30)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (von 1957-12-29 bis 1957-12-30)
recording of:
Guitar Boogie (von 1957-12-29 bis 1957-12-30)
Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry52:21
7Reelin' and Rockin'
Produzent(in):
Leonard & Phil Chess (legendary US production duo) (in 1957-12)
E-Gitarre und Sologesang:
Chuck Berry (von 1957-12-29 bis 1957-12-30)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1957-12-29 bis 1957-12-30)
Kontrabass:
Willie Dixon (von 1957-12-29 bis 1957-12-30)
Schlagzeug:
Jasper Thomas (von 1957-12-29 bis 1957-12-30)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (von 1957-12-29 bis 1957-12-30)
recording of:
Reelin’ and Rockin’ (von 1957-12-29 bis 1957-12-30)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry3.53:18
8Ingo
Produzent(in):
Leonard & Phil Chess (legendary US production duo) (am 1958-02-28)
E-Bass:
Bob Bushnell (am 1958-02-28)
E-Gitarre:
Chuck Berry (am 1958-02-28)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-02-28)
Schlagzeug:
Jasper Thomas (am 1958-02-28)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-02-28)
recording of:
Ingo (am 1958-02-28)
Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry42:29
9Rock and Roll Music
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
E-Gitarre und Sologesang:
Chuck Berry (von 1957-05-06 bis 1957-05-15)
Klavier:
Lafayette Leake (von 1957-05-06 bis 1957-05-15)
Kontrabass:
Willie Dixon (von 1957-05-06 bis 1957-05-15)
Schlagzeug:
Fred Below (von 1957-05-06 bis 1957-05-15)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1957-05-06 bis 1957-05-15)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 19), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 128)
recording of:
Rock and Roll Music (von 1957-05-06 bis 1957-05-15)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry4.352:34
10How You've Changed
Produzent(in):
Leonard & Phil Chess (legendary US production duo) (in 1957-05)
E-Gitarre und Sologesang:
Chuck Berry (von 1957-05-06 bis 1957-05-15)
Klavier:
Lafayette Leake (von 1957-05-06 bis 1957-05-15)
Kontrabass:
Willie Dixon (von 1957-05-06 bis 1957-05-15)
Schlagzeug:
Fred Below (von 1957-05-06 bis 1957-05-15)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1957-05-06 bis 1957-05-15)
recording of:
How You’ve Changed (von 1957-05-06 bis 1957-05-15)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry32:49
11Low Feeling
Produzent(in):
Leonard & Phil Chess (legendary US production duo) (am 1956-12-15)
E-Gitarre:
Chuck Berry (am 1956-12-15)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1956-12-15)
Kontrabass:
Willie Dixon (am 1956-12-15)
Schlagzeug:
Fred Below (am 1956-12-15)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1956-12-15)
recording of:
Blue Feeling (am 1956-12-15)
Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
Chuck Berry43:09
12It Don't Take but a Few Minutes
Produzent(in):
Leonard & Phil Chess (legendary US production duo) (am 1958-02-28)
E-Bass:
Bob Bushnell (am 1958-02-28)
E-Gitarre und Sologesang:
Chuck Berry (am 1958-02-28)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-02-28)
Schlagzeug:
Jasper Thomas (am 1958-02-28)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-02-28)
recording of:
It Don’t Take but a Few Minutes (am 1958-02-28)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Peer Music (in 1995)
Chuck Berry32:31
13Almost Grown
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Bass und Kontrabass:
Willie Dixon (am 1959-02-17)
Gitarre:
Chuck Berry (am 1959-02-17) und Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1959-02-17)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1959-02-17)
Schlagzeug:
Jasper Thomas (am 1959-02-17)
Hintergrundgesang:
Chuck Barksdale (am 1959-02-17), Harvey Fuqua (am 1959-02-17), Marvin Gaye (am 1959-02-17), Etta James (am 1959-02-17), The Marquees (am 1959-02-17), The Moonglows (1950s Cleveland R&B group) (am 1959-02-17), James Nolan (Second Tenor, Baritone singer) (am 1959-02-17), Reese Palmer (First Tenor singer) (am 1959-02-17) und Chester Simmons (am 1959-02-17)
Sologesang:
Chuck Berry (am 1959-02-17)
vocals:
Chuck Berry (am 1959-02-17)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (am 1959-02-17)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 6)
recording of:
Almost Grown (am 1959-02-17)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry3.652:22
14Carol
live recording of:
Carol (am 2005-04-09)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Inc. und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:49
15Maybellene
recording of:
Maybellene
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Salee Music Company
Chuck Berry2:23
16Sweet Little Rock & Roller
recording of:
Sweet Little Rock and Roller
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2:23
17Anthony Boy
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-09-26)
Klavier:
Otis Spann (am 1958-09-26)
Kontrabass:
Willie Dixon (am 1958-09-26)
Schlagzeug:
Jasper Thomas (am 1958-09-26)
Hintergrundgesang:
Willie Dixon (am 1958-09-26), Otis Spann (am 1958-09-26) und Jasper Thomas (am 1958-09-26)
vocals:
Chuck Berry (am 1958-09-26), Willie Dixon (am 1958-09-26), Otis Spann (am 1958-09-26) und Jasper Thomas (am 1958-09-26)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (am 1958-09-26)
recording of:
Anthony Boy (am 1958-09-26)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2.651:54
18Johnny B. Goode
recording of:
Johnny B. Goode
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry2:42
19Little Queenie
recording of:
Little Queenie
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2:44
20Jo Jo Gunne
recording of:
Jo Jo Gun
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2:48
21Roll Over Beethoven
recording of:
Roll Over Beethoven
Texter und Komponist(in):
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. und Rock ’n’ Roll Music
Chuck Berry2:25
22Around and Around
recording of:
Around and Around
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Good-Tunes-Music AG, Isalee Music Publishing Company und Rock ’n’ Roll Music
Chuck Berry2:42
23Hey Pedro
recording of:
Hey Pedro (Lazy Pedro)
Texter und Komponist(in):
Chuck Berry
publisher:
ARC Music (world and ethnic music label) und Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry1:57
24Blues for Hawaiians
recording of:
Blues for Hawaiians
Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Isalee Music Publishing Company
Chuck Berry3:23
4▼CD
Nr.TitelKünstlerBewertungLänge
1Oh, Boy!
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
Hintergrundgesang:
Bob Lapham (am 1957-08-18), Bill Pickering (am 1957-08-18) und John Pickering (vocalist and leader of The Picks) (am 1957-08-18)
Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01, am 1957-08-18)
recording of:
Oh, Boy! (von 1957-07-01 bis 1957-08-18)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
The Crickets42:09
2Not Fade Away
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-05-27)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-27)
Gitarre [lead guitar], Gitarre [rhythm guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
Kontrabass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-05-29)
Schlagzeug:
Jerry Allison (am 1957-05-27, am 1957-05-29)
Hintergrundgesang:
Jerry Allison (am 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29) und Niki Sullivan (am 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-27)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-05-27)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 107)
recording of:
Not Fade Away (am 1957-05-27)
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
recording of:
Not Fade Away (am 1957-05-29)
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
The Crickets4.652:23
3You’ve Got Love
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-09-29)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29) und Niki Sullivan (am 1957-09-29)
Schlagzeug:
Jerry Allison (am 1957-09-29)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29)
aufgenommen bei:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (am 1957-09-29)
recording of:
You’ve Got Love (von 1957-09-29 bis 1957-10-14)
Verfasser(in):
Roy Orbison, Norman Petty und Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
The Crickets52:08
4Maybe Baby
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-09-29)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29) und Niki Sullivan (am 1957-09-29)
Schlagzeug:
Jerry Allison (am 1957-09-29)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (am 1957-09-29) und Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 14)
recording of:
Maybe Baby (von 1957-09-29 bis 1957-10-14)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Pub und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
The Crickets3.752:03
5It’s Too Late
Produzent(in):
Norman Petty
Gitarre [lead guitar], Gitarre [rhythm guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
Schlagzeug:
Jerry Allison (von 1957-05 bis 1957-07)
Hintergrundgesang:
The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-05 bis 1957-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
cover recording of:
It’s Too Late (von 1957-05 bis 1957-07)
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. und Unichappell Music, Inc.
The Crickets52:24
6Tell Me How
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07) und Niki Sullivan (von 1957-05 bis 1957-07)
Kontrabass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-05 bis 1957-07)
membranophone:
Jerry Allison (von 1957-05 bis 1957-07)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14), John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14) und The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-10-12 bis 1957-10-14)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
recording of:
Tell Me How (von 1957-05 bis 1957-10-14)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
BMG Platinum Songs US und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Crickets42:01
7That’ll Be the Day
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
Kontrabass:
Larry Welborn (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
recording of:
That’ll Be the Day (am 1957-02-25)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets4.62:17
8I’m Looking for Someone to Love
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter)
recording of:
I’m Lookin’ for Someone to Love
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und Wren Music Co.
The Crickets51:59
9An Empty Cup (and a Broken Date)
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-09-27 bis 1957-09-28)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-09-27 bis 1957-09-28) und Niki Sullivan (von 1957-09-27 bis 1957-09-28)
Kontrabass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-09-27 bis 1957-09-28)
Schlagzeug:
Jerry Allison (von 1957-09-27 bis 1957-09-28)
Hintergrundgesang:
The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-09-27 bis 1957-09-28)
aufgenommen bei:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (von 1957-09-27 bis 1957-09-28)
recording of:
An Empty Cup (and a Broken Date) (von 1957-09-27 bis 1957-09-28)
Verfasser(in):
Roy Orbison und Norman Petty
publisher:
Wren Music Co.
The Crickets42:14
10Send Me Some Lovin’
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07) und Niki Sullivan (von 1957-05 bis 1957-07)
Kontrabass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-05 bis 1957-07)
Schlagzeug:
Jerry Allison (von 1957-05 bis 1957-07)
Hintergrundgesang:
The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-05 bis 1957-07)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
recording of:
Send Me Some Lovin’ (von 1957-05 bis 1957-07)
Texter:
Leo Price
Komponist(in):
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. und Sony/ATV Songs LLC
The Crickets52:36
11Last Night
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-03-01)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-03-01) und Niki Sullivan (am 1957-03-01)
Kontrabass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-03-01)
Schlagzeug:
Jerry Allison (am 1957-03-01)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14), John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14) und The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-10-12 bis 1957-10-14)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-03-01)
recording of:
Last Night (von 1957-03-01 bis 1957-10-14)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) und Norman Petty
publisher:
Wren Music Co.
The Crickets51:55
12Rock Me My Baby
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-09-27 bis 1957-09-28)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-09-27 bis 1957-09-28) und Niki Sullivan (von 1957-09-27 bis 1957-09-28)
Kontrabass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-09-27 bis 1957-09-28)
Schlagzeug:
Jerry Allison (von 1957-09-27 bis 1957-09-28)
Hintergrundgesang:
The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-09-27 bis 1957-09-28)
engineered at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (von 1957-09-27 bis 1957-09-28)
recording of:
Rock Me My Baby (von 1957-09-27 bis 1957-09-28)
Verfasser(in):
Susan Heather und Shorty Long (1950s country/rockabilly artist)
publisher:
Wren Music
The Crickets51:49
13Red Bluejeans and a Ponytail
Gene Vincent & His Blue Caps2:14
14Hold Me, Hug Me, Rock Me
Gene Vincent & His Blue Caps2:14
15Unchained Melody
Gene Vincent & His Blue Caps2:40
16You Told a Fib
Gene Vincent & His Blue Caps2:20
17Cat Man
Gene Vincent & His Blue Caps2:19
18You Better Believe
Gene Vincent & His Blue Caps2:06
19Cruisin'
Gene Vincent & His Blue Caps2:13
20Double Talkin' Baby
Gene Vincent & His Blue Caps2:11
21Blues Stay Away From Me
Gene Vincent & His Blue Caps2:16
22Pink Thunderbird
Gitarre [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (in 1956-10)
Gitarre [rhythm guitar]:
Paul Peek (in 1956-10)
Kontrabass [upright bass]:
Jack Neal (in 1956-10)
Schlagzeug [drums]:
Dickie Harrell (in 1956-10)
vocals:
Gene Vincent (in 1956-10)
aufgenommen bei:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (in 1956-10)
Gene Vincent & His Blue Caps2:33
23I Sure Miss You
Gene Vincent & His Blue Caps2:39
24Pretty, Pretty Baby
Gene Vincent & His Blue Caps2:25