Take 40 Platinum

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1Spinning Around
Produzent(in):
Mike Spencer (UK producer)
zusätzliche(r) Produzent(in):
7th District Inc.
Sologesang:
Kylie Minogue
remixer:
7th District Inc.
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2000)
Musikvideos:
Spinning Around von Kylie Minogue
recording of:
Spinning Around
Verfasser(in):
Paula Abdul (American singer), Osborne Bingham, Kara DioGuardi und Ira Schickman
publisher:
Dinkly B BMD Music, EMI Music Publishing (do not use as a release label!), Funktional What Music und K’Stuff Publishing
Kylie Minogue33:28
2Beautiful Day
sonstige Unterstützung:
Cheryl Engels (Aufgabe: audio post production manager and technical guru), Rab McAllister (Aufgabe: studio tech) und Sam O’Sullivan (Aufgabe: studio manager)
Programmierung:
Brian Eno
assistierende(r) Techniker(in):
Chris Heaney (engineer)
Techniker(in):
Richard Rainey
zusätzliche(r) Techniker(in):
Stephen Harris (mixer/producer) und Tim Palmer (British producer/mixer)
Produzent(in):
Brian Eno und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
zusätzliche(r) Produzent(in):
Steve Lillywhite
Mix:
Steve Lillywhite
Bassgitarre:
Adam Clayton
Gitarre:
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
Keyboard [keyboards]:
The Edge (U2 guitarist David Evans) und Brian Eno
Klavier:
The Edge (U2 guitarist David Evans)
Perkussion und Schlagzeug:
Larry Mullen
Synthesizer:
Brian Eno
Hintergrundgesang:
The Edge (U2 guitarist David Evans) und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
vocals:
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
Gitarre-Techniker:
Fraser McAlister
Schlagzeug-Techniker:
Sam O’Sullivan
phonographisches Urheberrecht (℗) von:
Universal Music International BV (not for release label use, for ℗ & © rights holder use only) (in 2000)
aufgenommen bei:
HQ (U2’s recording studio in Dublin, Ireland.) in Dublin, County Dublin, Leinster, Irland, Totally Wired in Dublin, County Dublin, Leinster, Irland, Westland Studios in Dublin, County Dublin, Leinster, Irland und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
Musikvideos:
Beautiful Day (Èze version) von U2 (Irish rock band), Beautiful Day (Chardles de Gaulle Aiport version) von U2 (Irish rock band) und Beautiful Day (Eze version) von U2 (Irish rock band)
Teil von:
My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees (2001)
recording of:
Beautiful Day
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd., Mother Music, PolyGram International Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020), Universal Music Publishing BV (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International BV (Global Licensing & Royalty Review division, Universal Music Publishing Group) und Universal Music Publishing International Ltd.
Revision von:
Always
U23.754:06
3Fastlove
Techniker(in):
Paul Gomersall und Ren Swan
Produzent(in):
Jon Douglas und George Michael
Keyboard:
Dave Clews, Jon Douglas und George Michael
Saxophon:
Andrew Kevin Hamilton (British saxophonist, composer and producer)
arranger:
George Michael
Samples:
Forget Me Nots von Patrice Rushen
recording of:
Fastlove
Texter und Komponist(in):
George Michael
George Michael45:26
4Fill Me In
phonographisches Urheberrecht (℗) von:
Wildstar Records Ltd. (in 2000)
recording of:
Fill Me In
Verfasser(in):
Craig David und Mark Hill (Mark Hill)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd.
Craig David53:53
5Praise You
Techniker(in) und Mix:
Simon Thornton (Big beat mixing engineer)
Produzent(in):
Fatboy Slim
phonographisches Urheberrecht (℗) von:
Skint Records (in 1998)
Samples:
Take Yo’ Praise von Camille Yarbrough
Musikvideos:
Praise You von Fatboy Slim
recording of:
Praise You
Verfasser(in):
Norman Cook und Camille Yarbrough
publisher:
Maat Music Inc., Polygram Music und PolyGram Music Publishing Ltd.
basiert auf:
Take Yo' Praise
Fatboy Slim4.153:49
6Torn
Produzent(in):
Phil Thornalley
Mix:
Nigel Godrich (English record producer)
Sologesang:
Natalie Imbruglia
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (vom 1997 bis heute) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 32), Cachitos Nochevieja 2022 (Nummer: 60) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 333)
cover recording of:
Torn
Texter:
Anne Preven
Komponist(in):
Scott Cutler, Anne Preven und Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:06
7Passenger
Powderfinger4:11
8Runaway
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1995) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1995)
Bearbeitung von:
Runaway (album version) von The Corrs
recording of:
Runaway
Verfasser(in):
Andrea Corr, Caroline Corr, Jim Corr und Sharon Corr
publisher:
PolyGram Music Publishing
The Corrs3:46
9Love Don’t Cost a Thing
recording engineer:
Dan Hetzel und “Young” Dave Scheuer
Keyboard-Programmierung:
Miklos Malek
Programmierung:
Richie Jones
zusätzliche Programmierung:
Greg Lawson (US songwriter)
assistierende(r) Techniker(in):
Ronald L. Martinez und David Swope
assistierende(r) Produzent(in):
Richie Jones, Cory Rooney und Marc Russell
Produzent(in):
Ric Wake
zusätzliche(r) Produzent(in):
Peter Wade Keusch
assistierende(r) Mix:
Jim Annunziato
Mix:
Dan Hetzel und Richie Jones
Schlagzeug und Perkussion:
Richie Jones
Sologesang:
Jennifer Lopez (American singer and actress aka J.Lo)
arranger:
Richie Jones und Ric Wake
zusätzlich arranger:
Greg Lawson (US songwriter)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2000) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2026)
recording of:
Love Don’t Cost a Thing
Texter:
Georgette Franklin, Amille Harris, Greg Lawson (US songwriter), Jeremy Monroe und Damon Sharpe
Komponist(in):
Amille D. Harris, Georgette Franklin, Greg Lawson (US songwriter), Jeremy Monroe und Damon Sharpe
publisher:
EMI April Music Inc., G Q Romeo Music, J‐Rated Music, Neue Welt Musikverlag GmbH & Co. KG (– 2017), Songs of Reach Music, Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09), Swette Ya’ Music, VMG Notation Copyrights, VMG Notation Worldwide und WC Music Corp. (vom 2019 bis heute)
Jennifer Lopez4.153:44
10Monsters
Something for Kate3:39
11Don’t Call Me Baby
Techniker(in) und Mix:
Mark Rachelle
Produzent(in):
Madison Avenue (Australian electronic music duo)
Sologesang:
Cheyne Coates
phonographisches Urheberrecht (℗) von:
Vicious Grooves (in 1999)
engineered at:
Backbeach Recording Co. in Rye, Shire of Mornington Peninsula, Victoria, Australien
Samples:
Ma quale idea von Pino D’Angiò (Italo disco artist)
Bearbeitung von:
Don’t Call Me Baby (original 12” mix) von Madison Avenue (Australian electronic music duo)
recording of:
Don’t Call Me Baby
Verfasser(in):
Andrew Van Dorsselaer, Giuseppe Chierchia, Cheyne Coates, Jerry Cohen, Gene McFadden, Duane Morrison und John Whitehead
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crisler, Universal Music (plain logo: “Universal Music”) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
basiert auf:
Ma quale idea
Madison Avenue2.83:49
12Teenage Dirtbag
recording of:
Teenage Dirtbag
Texter und Komponist(in):
Brendan B. Brown (Wheatus singer/guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (in 2000) und Montauk Mantis Productions (in 2000)
Wheatus4:04
13Fantasy
Programmierung:
Dave Hall (producer a.k.a. Jam)
Ko-Techniker(in):
Kurt Lundvall und Andy Smith (Engineer at the famous "The Hit Factory", New York.)
Audio-Engineering und Mix:
Jay Healy
Produzent(in):
Mariah Carey und Dave Hall (producer a.k.a. Jam)
Instrumente:
Dave Hall (producer a.k.a. Jam)
Hintergrundgesang:
Mariah Carey und Kelly Price
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
DMH Studios in New York, New York, Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Samples:
Genius of Love (extended mix) von Tom Tom Club
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 15) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 419)
recording of:
Fantasy
Texter:
Mariah Carey, Chris Frantz und Tina Weymouth
Komponist(in):
Adrian Belew, Mariah Carey, Chris Frantz, Dave Hall (producer a.k.a. Jam), Steven Stanley (audio engineer, record producer and keyboardist from Jamaica) und Tina Weymouth
publisher:
Metered Music, Inc., Ness Nitty and Capone Inc., Rye Songs, Sony Songs Inc., Sony/ATV Songs LLC, Stonejam Publishing Corp. und WB Music Corp. (1929–2019)
basiert auf:
Genius of Love
Mariah Carey3.354:06
14Yellow
Techniker(in):
Ken Nelson (UK record producer)
zusätzliche(r) Techniker(in):
Simon “Barny” Barnicott, Jon Coles, Paul Read (UK engineer) und Andrea Wright
Produzent(in):
Coldplay und Ken Nelson (UK record producer)
Mix:
Michael Brauer (engineer)
Akustikgitarre, Keyboard, Klavier und Sologesang:
Chris Martin (lead singer of Coldplay)
Bassgitarre:
Guy Berryman
E-Gitarre:
Jonny Buckland
Perkussion und Schlagzeug:
Will Champion
Hintergrundgesang:
Jonny Buckland und Will Champion
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (in 2000)
Musikvideos:
Yellow von Coldplay
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 52) und BILLIONS CLUB
recording of:
Yellow
Verfasser(in):
Guy Berryman, Jonny Buckland, Will Champion und Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd. und Universal Music Publishing MGB Limited
Coldplay3.34:30
15All Star
A&R-Management:
Tom Whalley
assistierende(r) Techniker(in):
Trevor Adkinson (engineer for Smash Mouth)
Techniker(in), Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
zusätzliches Editing:
Jacquire King
Bassgitarre:
Paul De Lisle
elektronische Instrumente:
Mark Camp (Smash Mouth collaborator) und Chris Racine
Gitarre:
Greg Camp
Keyboard:
Michael Klooster
Schlagzeug:
Kevin Coleman
zusätzlich Keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Hintergrundgesang:
Greg Camp und Paul De Lisle
Sologesang:
Steve Harwell
Musikvideos:
All Star von Smash Mouth (US rock band from San Jose, CA)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 339)
recording of:
All Star
Texter und Komponist(in):
Greg Camp
publisher:
Songs by Greg Camp, Spirit One Music, Squish Moth Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Smash Mouth4.63:22
16Whisper Your Name (Pee Wee’s 7" remix)
Human Nature3:26
17Every Morning
Programmierung und Produzent(in):
David Kahne
Techniker(in):
Steve Gallagher (engineer), David Kahne und John Travis (producer, audio engineer, mixer and songwriter)
Mix:
David Kahne und John Travis (producer, audio engineer, mixer and songwriter)
recording of:
Every Morning
Verfasser(in):
David Kahne und Sugar Ray (US alternative rock band)
zusätzliche(r) Verfasser(in):
Richard Bean (US singer and timbal percussionist), Pablo Tellez und Abel Zarate
Sugar Ray43:42
18Follow Me
recording of:
Follow Me
Verfasser(in):
Michael Bradford und Matthew Shafer
publisher:
Chunky Style Music, EMI Music Publishing (do not use as a release label!), Gaje Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner–Tamerlane (publisher; do NOT use as release label)
Uncle Kracker53:40
19Last Thing on My Mind
assistierende(r) Techniker(in):
Bradlee Spreadborough und Al Unsworth
Techniker(in):
Chris McDonnell (engineer)
Produzent(in):
Mark Topham, Karl Twigg und Pete Waterman
Mix:
Paul Waterman
Keyboard [keyboards]:
Mark Topham und Karl Twigg
Schlagzeug [drums]:
Chris McDonnell (engineer)
Hintergrundgesang:
Lee Latchford-Evans, Lisa Scott‐Lee und Faye Tozer
Sologesang:
Claire Richards und Ian “H” Watkins (pop star, member of Steps)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1998)
aufgenommen bei und mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Vereinigtes Königreich und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Last Thing on My Mind von Steps (British Euro-Pop group)
cover recording of:
Last Thing on My Mind
Verfasser(in):
Sara Dallin, Mike Stock (of Stock Aitken Waterman), Pete Waterman und Keren Woodward
publisher:
All Boys Music Ltd., BMG Music Publishing Ltd., In a Bunch Music (publisher), Mike Stock Publishing Ltd. und Warner Chappel Music Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
recording of:
Last Thing on My Mind
Verfasser(in):
Sara Dallin, Mike Stock (of Stock Aitken Waterman), Pete Waterman und Keren Woodward
publisher:
All Boys Music Ltd., BMG Music Publishing Ltd., In a Bunch Music (publisher), Mike Stock Publishing Ltd. und Warner Chappel Music Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Steps3.153:06
20Blow Up the Pokies
phonographisches Urheberrecht (℗) von:
Black Yak / Phantom (in 1999)
recording of:
Blow Up the Pokies
Verfasser(in):
Tim Freedman (Lead singer for The Whitlams) und Greta Gertler
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Whitlams3.53:24
2CD
Nr.TitelKünstlerBewertungLänge
1Rock DJ
drum machine-Programmierung:
Andy Duncan (UK drummer and producer)
assistierende(r) Techniker(in):
David Naughton (UK engineer/producer) (Aufgabe: assistant mix engineer)
zusätzliche(r) Techniker(in):
Σάββας Ιωσηφίδης, Steve Price (UK recording engineer/producer/orchestrator/arranger) (Aufgabe: orchestral engineer) und Richard Woodcraft
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
Mix:
Steve Power
Bassgitarre:
Winston Blissett
Blechblasinstrumente:
Dave Bishop (saxophonist), Neil Sidwell und Steve Sidwell (English composer & wind instrumentalist)
E-Gitarre:
Neil Taylor (guitarist)
Keyboard [all keyboards]:
Guy Chambers (English songwriter and record producer)
Vocoder:
Steve Power
Hintergrundgesang:
Andy Caine, Derek Green, Katie Kissoon, Sylvia Mason‐James (British singer), Tessa Niles und Paul "Tubbs" Williams (UK bass player, producer, vocalist)
Sologesang:
Robbie Williams
Orchester:
The London Session Orchestra
conductor:
Gavyn Wright (UK violinist, conductor)
arranger:
Guy Chambers (English songwriter and record producer)
Orchestrator(in):
Nick Ingman
Samples:
It’s Ecstasy When You Lay Down Next to Me von Barry White
recording of:
Rock DJ
Verfasser(in):
Kelvin Andrews, Guy Chambers (English songwriter and record producer), Ekundayo Paris, Nelson Pigford und Robbie Williams
publisher:
Bella Figura Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), Farrell Music Limited, Hit & Run Music (Publishing) Ltd, Kobalt Music Publishing Ltd. (UK), Me-Benish Music LLC, Phoenix Music International Limited, Seven Songs, Virgin Music Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Robbie Williams3.454:19
2Drive
recording of:
Drive (Incubus)
Verfasser(in):
Brandon Boyd (American singer, leader of Incubus), Mike Einziger, Alex Katunich, Chris Kilmore und José Pasillas
publisher:
EMI April Music Inc. (vom 1999 bis heute) und Hunglikeyora Music (vom 1999 bis heute)
Incubus3:55
3I Need Somebody
Bardot33:30
4You Were Meant for Me
Bearbeitung von:
You Were Meant for Me von Jewel (singer-songwriter Jewel Kilcher)
Musikvideos:
You Were Meant for Me (music video) von Jewel (singer-songwriter Jewel Kilcher)
recording of:
You Were Meant for Me
Verfasser(in):
Jewel (singer-songwriter Jewel Kilcher) und Steve Poltz
Jewel33:49
5Independent Women, Part 1
recording engineer:
Manelich Sotolongo
zusätzlich recording engineer:
Troy Gonzalez und Ramon Morales (US-based recording engineer)
Produzent(in):
Beyoncé Knowles, Poke and Tone und Cory Rooney
Mix:
Rich Travali (Engineer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment, Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2000, in 2001)
produced for:
Cory Rooney Entertainment, Inc., Music World Productions, Inc. und Trackmasters Entertainment Inc.
recording of:
Independent Women, Part I
Verfasser(in):
Samuel Barnes (US rapper & hip‐hop producer, aka Tone), Beyoncé Knowles, Jean‐Claude Olivier (hip hop producer Jean Olivier, of Poke and Tone) und Cory Rooney
Destiny’s Child3.453:42
6Imitation of Life
recording engineer und Mix:
Jamie Candiloro und Pat McCarthy
recording of:
Imitation of Life
Verfasser(in):
Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Temporary Music
R.E.M.4.23:58
7Gettin’ Jiggy Wit It
recording of:
Gettin’ Jiggy Wit It
Verfasser(in):
Samuel Barnes (US rapper & hip‐hop producer, aka Tone), Bernard Edwards & Nile Rodgers, Bernard Edwards (American bassist and record producer), David Porter (US soul musician, producer & songwriter), Joey Robinson, Jr. (US Electro funk/hip hop producer, songwriter & engineer), Nile Rodgers und Will Smith (US actor aka The Fresh Prince)
publisher:
Irving Music, Inc., Jelly’s Jams, LLC, Sony/ATV Tunes LLC (ASCAP), Treball Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Will Smith53:50
8Have You Ever
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
vocals:
Brandy (US R&B singer)
produced for:
Chartmaker, Inc.
recording of:
Have You Ever?
Texter und Verfasser(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Realsongs
Brandy34:32
9Tomorrow
recording engineer und Mix:
Kevin Shirley (producer & mixer)
Produzent(in):
Kevin ‘Caveman’ Shirley (producer & mixer)
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994) und Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1995)
aufgenommen bei:
Festival Studio in Pyrmont (Pyrmont, New South Wales), New South Wales, Australien
mixed at:
Eclipse Studio in Sydney, New South Wales, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 17)
recording of:
Tomorrow
Texter und Komponist(in):
Ben Gillies und Daniel Johns
publisher:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Control (not for release label use! this is only for copyrights and publishing relationships) (in 1995), Sony/ATV Music Publishing Australia Pty Ltd. (von 1997-10-14 bis 2020-12-15) und Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (vom 2020-12-15 bis heute)
Silverchair4.14:27
10Life Is a Rollercoaster
recording of:
Life Is a Rollercoaster
Komponist(in):
Gregg Alexander und Rick Nowels
Ronan Keating3:56
11Semi-Charmed Life
Programmierung:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind) und Eric Valentine (Eric Dodd, producer and instrumentalist)
assistierende(r) Techniker(in):
Jaquire King und Kevin Scott (engineer)
Techniker(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Koproduzent(in):
Eric Valentine (Eric Dodd, producer and instrumentalist)
Produzent(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
zusätzliche(r) Produzent(in):
Kevin Cadogan und Arion Salazar
Bassgitarre:
Arion Salazar
Besen und Sologesang:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Gitarre:
Kevin Cadogan und Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Schlagzeug:
Brad Hargreaves
Hintergrundgesang:
Kevin Cadogan
arranger:
Kevin Cadogan und Arion Salazar
zusätzlich arranger:
Ren Klyce
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 138) und Indie 88: Top 500 Indie Rock Songs (Nummer: 347)
recording of:
Semi‐Charmed Life
Texter und Komponist(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
publisher:
3EB Publishing
Third Eye Blind44:30
12I’m Outta Love
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2000)
Bearbeitung von:
I’m Outta Love (album version) von Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
I’m Outta Love (in 2000)
Texter:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello und Sam Watters
Komponist(in):
Louis Biancaniello und Sam Watters
publisher:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
recording of:
I’m Outta Love
Texter:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello und Sam Watters
Komponist(in):
Louis Biancaniello und Sam Watters
publisher:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3:50
13Shine
Vanessa Amorosi3:55
14Get Set
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1999)
recording of:
Get Set
Verfasser(in):
Taxiride (Australian rock band)
publisher:
Mushroom Music (Mushroom label’s publishing company)
Taxiride3:14
15Burn
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
assistierende(r) Mix:
Mike Dy
Mix:
Chris Lord‐Alge
mixed at:
Image Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Burn (Tina Arena song) (in 1997)
Verfasser(in):
Tina Arena (in 1997), Pam Reswick (American songwriter) (in 1997) und Steve Werfel (in 1997)
publisher:
Mushroom Music (Mushroom label’s publishing company), Positive Dream und Standard Music Publishing Ltd.
Tina Arena4:25
16Wonderwall
recording engineer:
Owen Morris
Produzent(in):
Noel Gallagher und Owen Morris
Akustikgitarre [rhythm guitar]:
Paul Arthurs ("Bonehead", Oasis)
Bassgitarre, E-Bow, E-Gitarre [lead guitar], Klavier, mellotron und Hintergrundgesang:
Noel Gallagher
Perkussion und Schlagzeug:
Alan White (Oasis drummer)
Tamburin und Sologesang:
Liam Gallagher (English musician, lead singer of Oasis)
phonographisches Urheberrecht (℗) von:
Big Brother Recordings, Ltd. (not for release label use! use “BIg Brother” instead) (in 1995)
aufgenommen bei:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich
Musikvideos:
Wonderwall von Oasis (Noel & Liam Gallagher)
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1995), Indie 88: Top 500 Indie Rock Songs (Nummer: 12), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 27), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2013 (Twenty Years)), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 48) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 95)
recording of:
Wonderwall
Texter und Komponist(in):
Noel Gallagher
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Creation Songs Ltd, Dead Leg Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV, Sony/ATV Music Publishing und Sony/ATV Music Publishing Ltd.
Oasis4.24:17
17Livin’ la Vida Loca
recording engineer und Mix:
Charles Dye
zusätzlich recording engineer:
Craig Lozowick und Nathan Malki
Programmierung:
Randy Cantor
assistierende(r) Techniker(in):
Craig Lozowick, Nathan Malki und Germán Ortiz
Koproduzent(in):
Robi Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
Produzent(in):
Desmond Child
zusätzliche(r) Produzent(in):
Iris Aponte und Brian Coleman (Manager/production coordinator)
Akustikgitarre und Hintergrundgesang:
Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
Flügelhorn und Trompete:
Tony Concepción
Gitarre:
Rusty Anderson
Keyboard:
Randy Cantor
Perkussion:
Rafael Solano
vocals:
Ricky Martin (Puerto Rican singer, actor, author & king of Latin pop)
arranger:
Randy Cantor
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999)
aufgenommen bei und mixed at:
The Gentlemen’s Club in Miami Beach, Florida, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 180)
recording of:
Livin’ la Vida Loca (English version) (von 1998-10 bis 1999-03)
Verfasser(in):
Desmond Child und Robi Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
publisher:
PolyGram Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), A Phantom Vox Publishing (vom 1999 bis heute), Desmophobia (vom 1999 bis heute), PolyGram Music Publishing (vom 1999 bis heute) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1999 bis heute)
Ricky Martin4.54:04
18Gravity
recording of:
Gravity
Verfasser(in):
The Superjesus
The Superjesus34:02
19Got the Feelin’
recording of:
Got the Feelin’
Verfasser(in):
Richard Breen, Jason Paul Brown (Five), Sean Conlon, Julian Gallagher (songwriter, producer) und Richard Stannard
Five3:29
20Wannabe
Assistent recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
Programmierung und Produzent(in):
Richard Stannard und Matt Rowe
Mix:
Mark “Spike” Stent (producer, engineer)
Keyboard:
Richard Stannard und Matt Rowe
Herausgeber:
SSO
Musikvideos:
Wannabe (video) von Spice Girls
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 36)
recording of:
Wannabe
Verfasser(in):
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe und Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. und Windswept Pacific Music Ltd.
Spice Girls3.852:52