| # | Title | Artist | Rating | Length |
|---|
| 1 | Flash's Theme- executive producer:
- Queen
- producer:
- Mack and Brian May
- bass guitar:
- John Deacon
- drums (drum set), timpani and background vocals:
- Roger Taylor
- electric guitar, piano and synthesizer:
- Brian May
- lead vocals:
- Brian May and Freddie Mercury
- phonographic copyright (℗) by:
- Hollywood Records, Inc. (in 1980), Queen Productions Ltd. (in 1980) and Starling Productions Ltd. (in 1980)
- produced for:
- Queen Productions Ltd.
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom (from 1980-02 until 1980-11), The Music Center in London , England, United Kingdom (from 1980-02 until 1980-11) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom (from 1980-02 until 1980-11)
- recording of:
- Flash
- lyricist and composer:
- Brian May
- publisher:
- EMI Music Publishing Ltd. , Queen Music Ltd. and Wide Music Inc.
- included in:
- We Will Rock You
- included in:
- We Will Rock You
| Queen | 3.4 | 2:52 |
| 2 | My Sharona- recording engineer:
- Pete Coleman
- producer:
- Mike Chapman
- bass guitar:
- Prescott Niles
- drums (drum set):
- Bruce Gary
- guitar:
- Berton Averre and Doug Fieger
- lead vocals:
- Doug Fieger
- vocals:
- Berton Averre
- remixer:
- Dave Jerden
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 1994, in 2013)
- part of:
- Paste: The 50 Greatest One-Hit Wonders of All Time (number: 18), TV Cream: Real 100 Best Singles Ever (number: 24), Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 72) and Billboard: The 500 Best Pop Songs (number: 201)
- recording of:
- My Sharona
- writer:
- Berton Averre and Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia and Wise Brothers Music LLC
| The Knack | 4.15 | 4:57 |
| 3 | No More Lonely Nights | Paul McCartney | | 5:00 |
| 4 | Walking on Sunshine- recorded in:
- England, United Kingdom
- assistant engineer:
- Jon Goldberger
- engineer and mixer:
- Scott Litt
- additional producer:
- Scott Litt
- producer:
- Pat Collier and Katrina and the Waves
- bass guitar:
- Vince de la Cruz
- drums (drum set) and percussion:
- Alex Cooper
- guest brass [Rumour Brass Section]:
- Ray Beavis, Dick Hanson and John "Irish" Earl
- guest organ:
- Nick Glennie‐Smith
- guitar [lead guitar]:
- Kimberley Rew
- guitar [rhythm guitar] and lead vocals:
- Katrina Leskanich
- background vocals:
- Alex Cooper , Vince de la Cruz and Kimberley Rew
- brass arranger:
- Eamon Fitzpatrick
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1985)
- recorded at:
- Alaska Studios in London , England, United Kingdom and Greenhouse Studio in London , England, United Kingdom
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 91) and Billboard: The 500 Best Pop Songs (number: 378)
- recording of:
- Walking on Sunshine
- lyricist:
- Kimberley Rew (in 1983)
- composer:
- Kimberley Rew
- publisher:
- EMI Music Publishing , Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc.
| Katrina and the Waves | 3.95 | 4:01 |
| 5 | Don't Worry, Be Happy | Bobby McFerrin | 4.4 | 4:54 |
| 6 | It Must've Been Love | Roxette | 3.15 | 4:25 |
| 7 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim “Watts” Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- phonographic copyright (℗) by:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- The Power of Love by Huey Lewis and the News
- part of:
- Billboard: The 500 Best Pop Songs (number: 108)
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control , Huey Lewis Music, Hulex Music , Kinda Blue Music, Mushroom Music and WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
- part of:
- Back to the Future: the Musical
- recording of:
- The Power of Love
- writer:
- Peter Gill , Holly Johnson, Brian Nash and Mark O’Toole
- publisher:
- Perfect Songs Ltd. and Rubet Music Publishing, Inc.
| Huey Lewis and the News | 4 | 3:59 |
| 8 | The King of Wishful Thinking | Go West | 3 | 4:05 |
| 9 | American Pie- engineer:
- Tom Flye
- producer:
- Ed Freeman
- electric guitar:
- David Spinozza (from 1971-05 until 1971-06)
- piano:
- Paul Griffin (from 1971-05 until 1971-06)
- vocals:
- Don McLean (from 1971-05 until 1971-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1971, in 2000)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 131)
- recording of:
- American Pie (from 1971-05 until 1971-06)
- lyricist and composer:
- Don McLean
- publisher:
- Benny Bird Co. Inc. , Illegal Songs Inc., Mayday Music, MCA Music , MCA Music Publishing , MCA Publishing Ltd., Songs of Universal, Inc. , Universal , Universal Music Publishing Ltd. , Universal Records , Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Don McLean | 4.15 | 8:37 |
| 10 | Cradle of Love- additional bass programming:
- Arthur Barrow
- assistant engineer:
- Bryant Arnett, Ian Minns and Craig Porteils
- engineer and mixer:
- Tommy Vicari
- producer:
- Keith Forsey
- assistant mixer:
- Craig Porteils
- bass:
- Vito
- drums (drum set):
- Keith Forsey
- guitar:
- Mark Younger-Smith
- keyboard:
- Arthur Barrow
- lead vocals:
- Billy Idol
- arranger:
- Keith Forsey and Billy Idol
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1990) and Chrysalis Records, Inc. (in 1990)
- recorded at:
- Conway Studios in Hollywood, Los Angeles, California, United States and Oasis Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Conway Studios in Hollywood, Los Angeles, California, United States
- music videos:
- Cradle of Love (full‐length version) by Billy Idol
- recording of:
- Cradle of Love
- writer:
- Billy Idol and David Werner
- publisher:
- Boneidol Music, Chrysalis Music , Chrysalis Music Publishing Ltd., David Werner Music, Inc., EMI April Music Inc., EMI Music Publishing Ltd. , EMI Songs Ltd. and TCF Music Publishing, Inc.
| Billy Idol | 3.2 | 4:45 |
| 11 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:35 |
| 12 | Invincible | Pat Benatar | | 4:06 |
| 13 | Never Ending Story | Limahl | 3.35 | 3:31 |
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