Gold '99

~ Release by Beastie Boys (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Intergalactic
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
vocals:
Biz Markie
contains samples by:
Les Baxter and The Jazz Crusaders (US jazz group)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Dessau Studios in New York, New York, United States, G-Son Studios in Atwater Village, Los Angeles, California, United States, RPM Studios in New York, New York, United States, Soho Music Studios in New York, New York, United States, Ted Diamond’s House of Hits in New York, New York, United States, The Dungeon in New York, New York, United States and The Tree House in Brooklyn, New York, New York, United States
mixed at:
RPM Studios in New York, New York, United States
samples:
Love Is Blue (L'amour est bleu) by The Jazz Crusaders (US jazz group), Planetary Citizen by Mahavishnu Orchestra, Prelude in C# minor by Les Baxter and The New Style by Beastie Boys
music videos:
Intergalactic by Beastie Boys
part of:
Indie 88: Top 500 Indie Rock Songs (number: 161)
recording of:
Intergalactic
writer:
Adam Keefe Horovitz, Adam Nathaniel Yauch, Mario Caldato Jr. and Michael Diamond (member of Beastie Boys)
publisher:
Skyview Music (ended), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Brooklyn Dust Music (in 1998) and PolyGram International Music Publishing, Inc. (in 1998)
quotes music from:
Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor (The Bells of Moscow)
3.53:53
2Body Movin'
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
contains samples by:
Ed Durlacher
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Dessau Studios in New York, New York, United States, RPM Studios in New York, New York, United States and Soho Music Studios in New York, New York, United States
mixed at:
RPM Studios in New York, New York, United States
samples:
Modern Dynamic Physical Fitness Activities by Ed Durlacher, Oye como va by Tito Puente and The Jam (single edit) by Graham Central Station
recording of:
Body Movin’
writer:
Adam Keefe Horovitz, Adam Nathaniel Yauch, Mario Caldato Jr., Michael Diamond (member of Beastie Boys) and Tito Puente
publisher:
Full Keel Music (ended), PolyGram International Music Publishing, Inc. (ended), Brooklyn Dust Music, EMI Full Keel Music and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
is based on:
Oye como va
3.553:06
3Fight for Your Right
engineer:
Steve Ett
co-producer:
Beastie Boys
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
electric guitar:
Kerry King (co‐founder of Slayer)
phonographic copyright (℗) by:
Def Jam Recordings (US) (in 1986)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 49) and Indie 88: Top 500 Indie Rock Songs (number: 269)
recording of:
Fight for Your Right (to Party)
lyricist:
Adam Horovitz, Rick Rubin (US record producer, former co‐president of Columbia Records) and Adam Yauch
composer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
publisher:
Brooklyn Dust Music and Def Jam Music
3.853:29
4Sure Shot
assistant engineer:
Settly (New Orleans-based instrumentalist and record producer)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys
bass [Fender Jazz, Zelinger] and double bass [acoustic uprights]:
MC Adam Yauch
drums (drum set) [trap kit]:
Mike D (member of Beastie Boys)
guitar:
Adrock
keyboard:
Money Mark
percussion:
Eric Bobo
additional performer:
Mario Caldato Jr.
samples:
Howlin' For Judy by Jeremy Steig
music videos:
Sure Shot (music video) by Beastie Boys
samples from:
The Funny Sides of Moms Mabley by Moms Mabley
part of:
Indie 88: Top 500 Indie Rock Songs (number: 331)
recording of:
Sure Shot
additional writer:
Jeremy Steig
writer:
Ad‐Rock, Mario Caldato Jr., Mike D (member of Beastie Boys), DJ Hurricane and Adam Yauch
3.453:22
5Hold It Now, Hit It
engineer:
Steve Ett
co-producer:
Beastie Boys
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
phonographic copyright (℗) by:
Def Jam Recordings (US) (in 1986)
recording of:
Hold It Now Hit It
lyricist:
Michael Diamond (member of Beastie Boys) and Rick Rubin (US record producer, former co‐president of Columbia Records)
composer:
Adam Horovitz and Adam Yauch
33:28
6Remote Control
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
percussion:
Eric Bobo
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
mixed at:
RPM Studios in New York, New York, United States
samples:
The Basement by Pete Rock & CL Smooth (Pete Rock & C.L. Smooth) featuring Heavy D. (US rapper), Robo-O, Grap & Dida (US rapper)
recording of:
Remote Control
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
PolyGram International Music Publishing, Inc. (ended), Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
2.53:01
7Pass the Mic
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
samples:
Big Take Over by Bad Brains (US hardcore punk band)
music videos:
Pass the Mic by Beastie Boys
recording of:
Pass the Mic
writer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
3.354:19
8Sabotage
assistant engineer:
Settly (New Orleans-based instrumentalist and record producer)
engineer:
Mario Caldato Jr.
bass [Fender Jazz, Zelinger] and double bass [acoustic uprights]:
MC Adam Yauch
drums (drum set) [trap kit]:
Mike D (member of Beastie Boys)
guitar:
Adrock
keyboard:
Money Mark
percussion:
Eric Bobo
music videos:
Sabotage (music video) by Beastie Boys
part of:
Indie 88: Top 500 Indie Rock Songs (number: 66), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 245) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 475)
recording of:
Sabotage
writer:
Adam Horovitz, Adam Nathaniel Yauch and Michael Louis Diamon (member of Beastie Boys)
publisher:
Brooklyn Dust Music, Polygram Int. Publ. GmbH, Inc., Universal Music Publishing GmbH (Universal Music Publishing Group Germany) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
4.43:00
9Jimmy James
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
samples:
I’m Chief Kamanawanalea (We’re the Royal Macadamia Nuts) by The Turtles (late 60s US rock band)
recording of:
Jimmy James
writer:
Adam Horovitz, Mario Caldato Jr., Ed Chalpin (PPX Producer, famous for contract w/ J. Hendrix), Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
3.23:17
10No Sleep Till Brooklin
engineer:
Steve Ett
co-producer:
Beastie Boys
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
guest electric guitar:
Kerry King (co‐founder of Slayer)
phonographic copyright (℗) by:
Def Jam Recordings (US) (in 1986)
recording of:
No Sleep Till Brooklyn
lyricist:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
composer:
Adam Horovitz and Rick Rubin (US record producer, former co‐president of Columbia Records)
3.754:09
11Brass Monkey
engineer:
Steve Ett
co-producer:
Beastie Boys
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
phonographic copyright (℗) by:
Def Jam Recordings (US) (in 1986)
samples:
Bring It Here by Wild Sugar
recording of:
Brass Monkey
lyricist:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
composer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
3.82:39
12Proffessor Booty
recording of:
Professor Booty
writer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
4:15
13Fingel Lickin' Good3:42
14The New Style
engineer:
Steve Ett
co-producer:
Beastie Boys
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
phonographic copyright (℗) by:
Def Jam Recordings (US) (in 1986)
samples:
Drop the Bomb by Trouble Funk and Peter Piper by Run‐D.M.C.
recording of:
It’s the New Style
lyricist:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Rick Rubin (US record producer, former co‐president of Columbia Records) and Adam Yauch
composer:
Adam Horovitz and Rick Rubin (US record producer, former co‐president of Columbia Records)
34:38
15Girls
recording of:
Girls
lyricist:
Adam Horovitz and Rick Rubin (US record producer, former co‐president of Columbia Records)
composer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
2:16
16Super Disco Breakin'
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
vocals:
Ad‐Rock, Mike D (member of Beastie Boys) and MCA
contains samples by:
Run‐D.M.C.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
mixed at:
RPM Studios in New York, New York, United States
samples:
Is Manhattan in the House? (live, 1982-12-31: NYE Party) by Busy Bee (old-school hip hop MC David Parker) and Sucker M.C.’s (Krush‐Groove 1) by Run‐D.M.C.
recording of:
Super Disco Breakin’
additional writer:
Darryl McDaniels (rapper Darryl McDaniels), Joseph Simmons (US rapper Rev. Run of Run-D.M.C) and Lawrence Smith (US hip hop producer)
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music, PolyGram International Music Publishing, Inc. and Protoons Inc.
3.152:09
17Time to Get Ill
engineer:
Steve Ett
co-producer:
Beastie Boys
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
phonographic copyright (℗) by:
Def Jam Recordings (US) (in 1986)
recording of:
Time to Get Ill
lyricist:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
composer:
Adam Horovitz and Rick Rubin (US record producer, former co‐president of Columbia Records)
3.353:39
18Gratitude
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
percussion:
James Bradley, Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
music videos:
Gratitude by Beastie Boys
recording of:
Gratitude
writer:
Adam Horovitz, Tom Cushman, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
3.052:48
19Root Down
assistant engineer:
Settly (New Orleans-based instrumentalist and record producer)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass [Fender Jazz, Zelinger] and double bass [acoustic uprights]:
MC Adam Yauch
drums (drum set) [trap kit]:
Mike D (member of Beastie Boys)
guitar:
Adrock
keyboard:
Money Mark
percussion:
Eric Bobo
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
samples:
Root Down (and Get It) by Jimmy Smith (US jazz organist)
music videos:
Root Down by Beastie Boys
recording of:
Root Down
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
3.453:34
20Lighten Up
recording of:
Lighten Up
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
2:44
21So Watcha Want
recording of:
So What’cha Want
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
3:39
22Just a Test2.952:13