200 Jahre Jubiläumsedition

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Symphonie Nr. 25 G-Moll, KV 183: 1. Satz: Allegro con brio
assistant recording engineer:
Christian Feldgen (engineer) (in 1983-06)
recording engineer:
Michael Bramman (sound engineer) (in 1983-06)
producer:
Helmut Mühle
orchestra:
Royal Concertgebouw Orchestra (in 1983-06)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-06)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1983)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1983-06)
recording of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio (in 1983-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor"
10:39
2Exsultate, Jubilate, KV 165 (Motette): 4. Satz
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
2:33
3Symphonie Nr. 29 A-Dur, KV 201: 2. Satz: Andante
orchestra:
Amsterdam Baroque Orchestra (in 1987-08)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1987-08)
recording of:
Symphony no. 29 in A major, K. 186a / 201: II. Andante (in 1987-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 in A major, K. 186a / 201
7:24
4Konzert für Klavier und Orchester, Nr. 9 Es-Dur, KV 271: 1- Satz: Allegro
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1984-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984-11)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1984-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1984-11)
recording of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: I. Allegro (in 1984-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1777)
part of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”
10:40
5Konzert für Oboe und Orchester C-Dur, KV 314: 3. Satz: Rondo Allegretto
producer:
Peter Wadland (producer)
oboe:
Michel Piguet (oboe and recorder player) (in 1984-09)
orchestra:
Academy of Ancient Music (in 1984-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1984-09)
balance engineer:
John Dunkerley (engineer) (in 1984-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1984-09)
recording of:
Oboe Concerto in C major, K. 314 / 271k: III. Rondo. Allegretto (in 1984-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Oboe Concerto in C major, K. 314 / 271k
5:49
6Klaviersonate Nr. 1 A-Dur, KV 331: 3. Satz Alla Turca: Allegretto
3:15
7Konzert für Horn und Orchester Nr. 3 Es-Dur, KV 447: 2. Satz: Romanze (Larghetto)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
horn:
Barry Tuckwell (hornist / conductor) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Concerto for Horn no. 3 in E-flat major, K. 447: II. Romance. Larghetto (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1787)
part of:
Concerto for Horn no. 3 in E-flat major, K. 447
4:33
8Die Entführung aus dem Serail, KV 384: Ouvertüre
orchestra:
Bavarian State Opera Orchestra (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
4:26
9Die Entführung aus dem Serail, KV 384: Arie: Nie werde ich deine Huld verkennen
5:33
10Konzert für Klavier und Orchester Nr. 21, C-Dur, KV 467 "Elvira/Madigan": 2. Satz: Andante
7:09
11Symphonie Nr. 35 D-Dur, KV 385 "Haffner": 1. Satz: Allegro con spirito
assistant recording engineer:
Christel Fromm
recording engineer:
Martin Fouqué (in 1980-11) and Michael Bramman (sound engineer) (in 1980-11)
producer:
Helmut Mühle
orchestra:
Royal Concertgebouw Orchestra (in 1980-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1980-11)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1980-11)
recording of:
Symphony no. 35 in D major, K. 385 “Haffner”: I. Allegro con spirito (in 1980-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 in D major, K. 385 “Haffner”
5:52
2▼CD
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1Die Hochzeit des Figaro, KV 492: Ouvertüre
engineer and balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
assistant producer:
Richard Beswick
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1978-04 until 1978-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
4:05
2Die Hochzeit des Figaro, KV 492: Arie: Non più andrai
3:38
3Eine kleine Nachtmusik, KV 525: 1. Satz
orchestra:
Academy of St Martin in the Fields (in 1970-10)
conductor:
Neville Marriner (conductor) (in 1970-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1970-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:53
4Don Giovanni, KV 527: Arie: Il mio tesoro (Folget der Heißgeliebten)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Edward Downes (conductor)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
4:27
5Don Giovanni, KV 527: Ouvertüre
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (from 1967-02 until 1967-03)
orchestra:
Orchestra of The National Theatre Prague (from 1967-02 until 1967-03)
conductor:
Karl Böhm (Austrian conductor) (from 1967-02 until 1967-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Ouvertura (from 1967-02 until 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
6:03
6Don Giovanni, KV 527: Arie: Là ci darem la mano
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
harpsichord:
Walter Taussig (in 1967-03)
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone) (in 1967-03)
soprano vocals [Zerlina]:
Reri Grist (American soprano) (in 1967-03)
orchestra:
Orchestra of The National Theatre Prague (in 1967-03)
conductor:
Karl Böhm (Austrian conductor) (in 1967-03)
recorded at:
Supraphon Studios in Praha (Prague), Czechia (from 1967-02 until 1967-03)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1967-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:38
7Symphonie Nr. 41 C-Dur, KV 551 "Jupiter": 1. Satz: Allegro vivace
8:31
8Konzert für Klavier und Orchester Nr. 27 B-Dur, KV 595: 3. Satz: Allegro
piano:
Géza Anda (Geza Anda, pianist) (in 1969-04)
orchestra:
Camerata Academia des Salzburger Mozarteums (Austrian chamber orchestra) (in 1969-04)
conductor:
Géza Anda (Geza Anda, pianist) (in 1969-04)
balance engineer:
Günter Hermanns (producer/engineer) (in 1969-04)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (in 1969-04)
recording of:
Concerto for Piano no. 27 in B-flat major, K. 595: III. Rondo. Allegro (in 1969-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Concerto for Piano no. 27 in B-flat major, K. 595
8:14
9Die Zauberflöte, KV 620: Arie: Der Vogelfänger bin ich ja
producer:
Helmut Storjohann (German producer)
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1972-08-08 until 1972-08-16)
orchestra:
Orchester der Bayerischen Staatsoper München (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1972-08-08 until 1972-08-16)
conductor:
Wolfgang Sawallisch (conductor) (from 1972-08-08 until 1972-08-16)
balance engineer:
Wolfgang Gülich (engineer) (from 1972-08-08 until 1972-08-16)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1972-08-08 until 1972-08-16)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (from 1972-08-08 until 1972-08-16)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:40
10Die Zauberflöte, KV 620: Arie: Der Hölle Rache kocht in meinem Herzen
producer:
Helmut Storjohann (German producer)
soprano vocals and soprano vocals [Queen of the Night]:
Edda Moser (soprano) (from 1972-08-08 until 1972-08-16)
orchestra:
Orchester der Bayerischen Staatsoper München (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1972-08-08 until 1972-08-16)
conductor:
Wolfgang Sawallisch (conductor) (from 1972-08-08 until 1972-08-16)
balance engineer:
Wolfgang Gülich (engineer) (from 1972-08-08 until 1972-08-16)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1972-08-08 until 1972-08-16)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1972-08-08 until 1972-08-16)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:00
11Konzert für Klarinette und Orchester A-Dur, KV 622: 1. Satz: Allegro
clarinet:
Karl Leister (German clarinetist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Rafael Kubelík (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recording of:
Concerto for Clarinet in A major, K. 622: I. Allegro (Concerto for Clarinet and Orchestra in A major, K. 622: I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
12:29
12Idomeneo, KV 366: Arie: Fuor del mar no un mar in seno
engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer) and Peter Wadland (producer)
tenor vocals [Idomeneo]:
Luciano Pavarotti (tenor) (from 1983-06 until 1983-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1983-06 until 1983-09)
conductor:
Sir John Pritchard (conductor) (from 1983-06 until 1983-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1983-06 until 1983-09)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene III. No. 12 Aria "Fuor del mar" (Idomeneo) (from 1983-06 until 1983-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
5:35
13Requiem D-Moll, KV 626: Dies irae
producer:
James Mallinson (producer)
choir vocals:
Schwedischer Rundfunkchor (Swedish Radio Choir) (from 1987-02-14 until 1987-02-15) and Stockholmer Kammerchor (Stockholm Chamber Choir) (from 1987-02-14 until 1987-02-15)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1987-02-14 until 1987-02-15)
conductor:
Riccardo Muti (conductor) (from 1987-02-14 until 1987-02-15)
chorus master:
Eric Ericson (from 1987-02-14 until 1987-02-15)
balance engineer:
John Kurlander (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1987-02-14 until 1987-02-15)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (from 1987-02-14 until 1987-02-15)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
1:54
14Requiem D-Moll, KV 626: Lacrimosa
producer:
James Mallinson (producer)
choir vocals:
Schwedischer Rundfunkchor (Swedish Radio Choir) (from 1987-02-14 until 1987-02-15) and Stockholmer Kammerchor (Stockholm Chamber Choir) (from 1987-02-14 until 1987-02-15)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1987-02-14 until 1987-02-15) and Stockholm Chamber Orchestra (from 1987-02-14 until 1987-02-15)
conductor:
Riccardo Muti (conductor) (from 1987-02-14 until 1987-02-15)
chorus master:
Eric Ericson (from 1987-02-14 until 1987-02-15)
balance engineer:
John Kurlander (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1987-02-14 until 1987-02-15)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (from 1987-02-14 until 1987-02-15)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions) (from 1987-02-14 until 1987-02-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
3:30