Pure Jazz Moods

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Cantaloupe Island
engineer:
Rudy van Gelder (on 1964-12-16)
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1964-12-16)
drums (drum set):
Grady Tate (on 1964-12-16)
guitar:
Kenny Burrell (on 1964-12-16)
percussion:
Candido Camero (Cuban conga and bongo player) (on 1964-12-16)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-12-16)
tenor saxophone:
Stanley Turrentine (on 1964-12-16)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1964-12-16)
vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-12-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-12-16)
cover recording of:
Cantaloupe Island (on 1964-12-16)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Company
Donald Byrd6:46
2Watermelon Man
recording of:
Watermelon Man
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music and Warner Chappell Music Ltd (1996–2019)
Mongo Santamaría2:27
3Angela (theme from ‘Taxi’)
recording of:
Angela (theme from “Taxi”)
composer:
Bob James (US jazz keyboardist, arranger and producer)
Bob James5:42
4The Lady Is a Tramp
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Bud Shank (on 1956-08-21) and Maurice Stein (American jazz saxophonist) (on 1956-08-21)
baritone saxophone:
Chuck Gentry (on 1956-08-21)
bass:
Joe Mondragon (on 1956-08-21)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-21)
drums (drum set):
Alvin Stoller (on 1956-08-21)
guitar:
Barney Kessel (on 1956-08-21)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-21)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-21) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-21)
trombone:
Milt Bernhart (on 1956-08-21), Joe Howard (american trombone player) (on 1956-08-21) and Lloyd Ulyate (on 1956-08-21)
trumpet:
Pete Candoli (on 1956-08-21), Maynard Ferguson (on 1956-08-21), Conrad Gozzo (on 1956-08-21) and Ray Linn (on 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-21)
conductor:
Buddy Bregman (on 1956-08-21)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-21)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1956-08-21)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Ella Fitzgerald4.653:23
5Song for My Father
recording of:
Song for My Father (English lyrics)
lyricist:
Ellen May Shashoyan
composer:
Horace Silver
version of:
Song for My Father (instrumental)
Horace Silver5:13
6The Prisoner
Art Pepper4:57
7Mountain Dance
assistant recording engineer and assistant mixer:
Ollie Cotton
engineer:
Jeff Ostler
producer:
Dave Grusin (American pianist and score composer) and Larry Rosen
mixer:
Larry Rosen
recorded at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Mountain Dance
composer:
Dave Grusin (American pianist and score composer)
Dave Grusin6:12
8Wes Bound
Lee Ritenour5:52
9A Foggy Day
recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
Barney Kessel3:10
10My Funny Valentine
bass:
Jimmy Bond
celesta:
Russ Freeman (pianist)
double bass:
Carson Smith (on 1954-02-15)
drums (drum set):
Peter Littman, Lawrence Marable and Bob Neel (on 1954-02-15)
piano:
Russ Freeman (pianist) (on 1954-02-15)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-02-15)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2:19
11Summertime
vocals:
Sarah Vaughan (on 1949-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1949-12-21)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:15
12I Hadn’t Anyone Till You
recording of:
I Hadn’t Anyone Till You
lyricist and composer:
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Coleman Hawkins4:36
13Love for Sale
recorded in:
New York, New York, United States (on 1965-02-10)
producer:
Clyde Otis (American songwriter and record producer)
mixer:
Leo Sacks and Mark Wilder (US recording/mastering engineer)
bass:
James Richardson (on 1965-02-10)
drums (drum set):
Hindal Butts (on 1965-02-10)
guitar:
Kenny Burrell (on 1965-02-10)
vocals:
Aretha Franklin (on 1965-02-10)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1965)
live cover recording of:
Love for Sale (on 1965-02-10)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
cover recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Aretha Franklin32:31
14Summer of ’42
cover recording of:
The Summer Knows (Summer of ’42; instrumental version)
composer:
Michel Legrand
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Olive Music LLC and Warner/Chappell North America
George Benson4:37
15Steppin’ Into Tomorrow
assistant engineer:
James Nipar
engineer:
David Hassinger, John Mills (recording/mix engineer) and Val Christian Garay
producer:
Fonce Mizell and Larry Mizell
mixer:
David Hassinger and Val Christian Garay
alto saxophone and clarinet:
Gary Bartz (from 1974-10-11 until 1974-12)
bass:
Chuck Rainey (American bassist) (from 1974-10-11 until 1974-12)
clavinet and trumpet:
Fonce Mizell (from 1974-10-11 until 1974-12)
congas:
Mayuto Correa (from 1974-10-11 until 1974-12)
flugelhorn and trumpet and solo vocals:
Donald Byrd (American jazz trumpeter) (from 1974-10-11 until 1974-12)
guitar:
John Rowin (jazz guitarist) (from 1974-10-11 until 1974-12) and David T. Walker (from 1974-10-11 until 1974-12)
membranophone:
Harvey Mason (jazz drummer) (from 1974-10-11 until 1974-12)
organ and piano:
Jerry Peters (from 1974-10-11 until 1974-12)
percussion:
Roger Sainte (Stuff 'N' Ramjett) (from 1974-10-11 until 1974-12) and Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (from 1974-10-11 until 1974-12)
Rhodes piano [fender]:
Larry Mizell (from 1974-10-11 until 1974-12)
synthesizer:
Fred Perrin (from 1974-10-11 until 1974-12) and Larry Mizell (from 1974-10-11 until 1974-12)
background vocals:
Lorraine Kenner (vocalist) (from 1974-10-11 until 1974-12) and Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (from 1974-10-11 until 1974-12)
conductor:
Larry Mizell (from 1974-10-11 until 1974-12)
arranger:
Larry Mizell
background vocals arranger:
Fred Perrin, Fonce Mizell and Larry Mizell
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1974-10-11 until 1974-12)
recording of:
Stepping Into Tomorrow (from 1974-10-11 until 1974-12)
composer:
Laurence C. Mizell
publisher:
Alruby Music Inc.
Donald Byrd5:10
16Sookie Sookie
instrumental cover recording of:
Sookie Sookie
composer:
Don Covay and Steve Cropper
Grant Green4:23
17Take Five
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, volume I)
Dave Brubeck4.355:23
2CD
#TitleArtistRatingLength
1So What
cover recording of:
So What
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, volume I)
Ronny Jordan5:10
2The Sidewinder
phonographic copyright (℗) by:
Blue Note (in 1963)
recording of:
The Sidewinder
composer:
Lee Morgan (jazz trumpeter / composer)
publisher:
Windswept Pacific Music Ltd.
Lee Morgan5:12
3Midnight Blue
recording of:
Midnight Blue
composer:
Kenny Burrell
Kenny Burrell4:00
4That Ole Devil Called Love
recording of:
That Ole Devil Called Love
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday2:55
5Tupelo Honey
recording engineer:
Jamie Staub
assistant engineer:
Peter Beekerman, Dinji Brown, Bil Emmons, Joe Hogan, Fred Kevorkian and Julio Peralta
producer:
Craig Street
mixer:
Danny Kopelson
editor:
Fred Kevorkian
double bass:
Lonnie Plaxico (from 1993-03 until 1993-07)
guitar:
Brandon Ross (from 1993-03 until 1993-07)
mandocello and violin:
Charles Burnham (violinist) (from 1993-03 until 1993-07)
percussion:
Kevin Johnson (jazz drummer) (from 1993-03 until 1993-07)
snare drum:
Lance Carter (from 1993-03 until 1993-07)
lead vocals:
Cassandra Wilson (from 1993-03 until 1993-07)
arranger:
Brandon Ross
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Greene St. Recording in SoHo, New York, New York, United States (from 1993-03 until 1993-07)
edited at:
Sear Sound in New York, New York, United States
cover recording of:
Tupelo Honey (from 1993-03 until 1993-07)
lyricist and composer:
Van Morrison
publisher:
Caledonia Soul Music, Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America
Cassandra Wilson5:40
6My Foolish Heart
recording of:
My Foolish Heart
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
Bill Evans4:49
7Goin’ Down South
recording of:
Goin' Down South
composer:
Joe Sample
Bobby Hutcherson6:28
8Tequila
recording of:
Tequila
lyricist and composer:
Daniel Flores (Daniel Flores)
publisher:
Longitude Music Co. and Powerforce Music
sub-publisher:
EMI Music Publishing France and Universal Music Publishing France (not for release label use!)
Wes Montgomery3:23
9I Wish I Knew (How It Would Feel to Be Free)
recording of:
I Wish I Knew How It Would Feel to Be Free
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
Billy Taylor Trio3:41
10Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Ella Fitzgerald3:06
11Misty
recording of:
Misty
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Bob Brookmeyer5:17
12The Cat
recording of:
The Cat (original music (no lyrics) by Lalo Schifrin)
composer:
Lalo Schifrin (pianist & composer)
Jimmy Smith3:26
13Shine On Harvest Moon
recording of:
Shine On, Harvest Moon
lyricist:
Jack Norworth (in 1908)
composer:
Nora Bayes (in 1908) and Jack Norworth (in 1908)
Coleman Hawkins & Ben Webster4:51
14Some Other TimeTony Bennett & Bill Evans4:41
15Cool Blues
Lou Donaldson6:54
16The Organ Grinder’s Swing
recording of:
Organ Grinder’s Swing
lyricist:
Irving Mills and Mitchell Parish
composer:
Will Hudson
publisher:
EMI Mills Music Inc. (ASCAP-affiliated)
Jimmy Smith2:15
17Birdland
recording of:
Birdland (instrumental)
composer:
Joe Zawinul (jazz and fusion keyboard player)
publisher:
Mulatto Music, Songs of Universal, Inc. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Weather Report6:01