Music for Relaxation, Volume 2 - The Romantic Bach

~ Pubblicazione di Johann Sebastian Bach (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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1Air (orchestral Suite No.3)
produttore:
Michael Bremner (producer/engineer)
clavicembalo :
Thurston Dart (conductor and keyboard player) (nel 1970-12)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1970-12)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1970-12)
tecnico di bilanciamento:
Stanley Goodall (engineer) (nel 1970-12)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1971)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (nel 1970-12)
registrazione di:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (nel 1970-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1730)
parte di:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
5:18
2Beloved Jesus, We Are Here (Arr. Cohen)
pianoforte :
Alicia de Larrocha (pianist)
registrazione di:
Liebster Jesu, wir sind hier, BWV 731 (for piano, Cohen)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiatore pianoforte :
Harriet Cohen (pianist)
arrangiamento di:
Liebster Jesu, wir sind hier, BWV 731
3:40
3Sinfonia (Christmas Oratorio)
registrata a:
Ludwigsburg, Baden-Württemberg, Germania (nel 1966-09)
orchestra:
Stuttgart Chamber Orchestra (nel 1966-09)
direttore d'orchestra:
Christopher Hogwood (conductor, harpsichordist) e Karl Münchinger (German conductor) (nel 1966-09)
registrata presso:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germania e Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germania (nel 1966-09)
registrazione di:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (nel 1966-09)
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania (il 1734-12-26)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1734 al 1735)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
6:46
4Siciliano (Oboe Concerto in F Major, Ed. Hogwood)
oboe :
Neil Black (oboist)
orchestra:
Academy of St Martin in the Fields
direttore d'orchestra:
Sir Neville Marriner (conductor)
arrangiatore:
Christopher Hogwood (conductor, harpsichordist)
registrazione di:
Oboe Concerto in F major, BWV 1053R: II. Siciliano
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Oboe Concerto in F major, BWV 1053R
5:15
5Prelude in E Flat Minor (Arr. Stokowski)
tecnico:
Arthur Lilley (engineer)
produttore:
Raymond Few (Ray Few, producer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (dal 1972-09-07 al 1972-09-08)
direttore d'orchestra:
Leopold Stokowski (conductor) (dal 1972-09-07 al 1972-09-08)
arrangiatore:
Leopold Stokowski (conductor)
registrata presso:
Rudolfinum (House of Artists) in Praha (Prague), Cechia (dal 1972-09-07 al 1972-09-08)
registrazione dal vivo di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude (orch. Stokowski) (dal 1972-09-07 al 1972-09-08)
orchestratore:
Leopold Stokowski (conductor)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1722)
orchestrazione di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude
registrazione di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude (catch-all for arrangements)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude
5:21
6Jesu, Joy of Man's Desiring (Arr. Hess)
pianoforte :
Julius Katchen (pianist) (nel 1961-06)
registrata presso:
Decca Studios in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1961-06)
registrazione di:
Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess) (nel 1961-06)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiatore pianoforte :
Dame Myra Hess (pianist)
arrangiamento di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:46
7Sarabande (orchestral Suite No.2)
tecnico:
Stanley Goodall (engineer)
produttore:
Michael Bremner (producer/engineer)
clavicembalo :
Thurston Dart (conductor and keyboard player) (nel 1970-12)
flauto :
William Bennett (flautist) (nel 1970-12)
strumenti:
William Bennett (flautist) (nel 1970-12)
orchestra:
Academy of St Martin in the Fields (nel 1970-12)
direttore d'orchestra:
Sir Neville Marriner (conductor) (nel 1970-12)
tecnico di bilanciamento:
Stanley Goodall (engineer) (nel 1970-12)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1971)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (nel 1970-12)
registrazione di:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) (nel 1970-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
3:10
8Menuet and Badinerie (orchestral Suite No.2)
tecnico:
Stanley Goodall (engineer)
produttore:
Michael Bremner (producer/engineer)
clavicembalo :
Thurston Dart (conductor and keyboard player) (nel 1970-12)
flauto :
William Bennett (flautist) (nel 1970-12)
strumenti:
William Bennett (flautist)
orchestra:
Academy of St Martin in the Fields (nel 1970-12)
direttore d'orchestra:
Sir Neville Marriner (conductor) (nel 1970-12)
arrangiatore:
Myra Hess (pianist)
tecnico di bilanciamento:
Stanley Goodall (engineer) (nel 1970-12)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1971)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (nel 1970-12)
raccolta di:
Suite no. 2 in B minor, BWV 1067: VI. Minuet (1970 recording) di William Bennett (flautist), Thurston Dart (conductor and keyboard player), Academy of St Martin in the Fields, Sir Neville Marriner (conductor) e Orchestral Suite no. 2 in B minor, BWV 1067: VII: Badinerie (1970 recording) di William Bennett (flautist), Thurston Dart (conductor and keyboard player), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
registrazione di:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (nel 1970-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
registrazione di:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (nel 1970-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
2:47
9Allegro (Brandenburg Concerto No.4)
registrata a:
Ludwigsburg, Baden-Württemberg, Germania (dal 1972-07 al 1972-09)
flauto :
Aurèle Nicolet (flutist) (dal 1972-07 al 1972-09) e Peter Reidemeister (Liner Notes author) (dal 1972-07 al 1972-09)
violino :
Stoika Milanova (violinist) (dal 1972-07 al 1972-09)
orchestra:
Stuttgart Chamber Orchestra (dal 1972-07 al 1972-09)
direttore d'orchestra:
Karl Münchinger (German conductor) (dal 1972-07 al 1972-09)
registrazione di:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (dal 1972-07 al 1972-09)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
7:41
10Sleepers Awake ("Wachet Auf", Arr. Bantock)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (nel 1958-05)
direttore d'orchestra:
Raymond Agoult (Hungarian, London-based conductor and composer) (nel 1958-05)
registrata presso:
Walthamstow Assembly Hall in London (Greater London), England, Regno Unito (nel 1958-05)
registrazione di:
Wachet auf, ruft uns die Stimme, BWV 645 (Bantock orchestration) (nel 1958-05)
orchestratore:
Sir Granville Bantock (British composer)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestrazione di:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
registrazione di:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Bach-Werke-Verzeichnis (numero: BWV 645)
si basa su:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
parte di:
Sechs Choräle von verschiedener Art
registrazione di:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
5:39
11Sanctify Us by Thy Goodness (Arr. Cohen)
produttore:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
pianoforte :
Alicia de Larrocha (pianist) (nel 1977-06)
tecnico di bilanciamento:
Colin Moorfoot (engineer)
registrata presso:
Kingsway Hall in London (Greater London), England, Regno Unito (nel 1977-06)
registrazione di:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte" (for piano, Cohen) (nel 1977-06)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiatore:
Harriet Cohen (pianist)
arrangiamento di:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte"
3:21
12Adagio (Concerto for Oboe and Violin)
clavicembalo :
Christopher Hogwood (conductor, harpsichordist) (nel 1974-08) e Nicholas Kraemer (harpsichordist and conductor) (nel 1974-08)
oboe :
Tess Miller (oboist) (nel 1974-08)
violino :
Carmel Kaine (violinist) (nel 1974-08)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1974-08)
direttore d'orchestra:
Sir Neville Marriner (conductor) (nel 1974-08)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1975)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (dal 1973 al 1974, nel 1974-08)
registrazione di:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (nel 1974-08)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
si basa su:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
parte di:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
5:21
13Andante (Keyboard Concerto in G Minor)
tecnico:
Stanley Goodall (engineer)
produttore:
Michael Haas (classical music producer)
pianoforte :
András Schiff (pianist) (dal 1989-01-24 al 1989-01-26)
orchestra:
Chamber Orchestra of Europe (dal 1989-01-24 al 1989-01-26)
direttore d'orchestra:
András Schiff (pianist) (dal 1989-01-24 al 1989-01-26)
esecutore:
András Schiff (pianist)
diritti fonografici (℗) detenuti da:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 1990)
registrata presso:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (dal 1989-01-24 al 1989-01-26)
registrazione di:
Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058: II. Andante (dal 1989-01-24 al 1989-01-26)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058
5:47
14Largo Ma Non Tanto (Concerto for Two Violins)
violino :
Granville Jones (violinist) e Carl Pini (violinist)
orchestra:
Philomusica of London
direttore d'orchestra:
Thurston Dart (conductor and keyboard player)
registrazione di:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (dal 1730 al 1731)
parte di:
Concerto for 2 Violins in D minor, BWV 1043
5:34
15Prelude in C Major
pianoforte :
András Schiff (pianist) (nel 1984-09)
registrata presso:
Walthamstow Assembly Hall in London (Greater London), England, Regno Unito (nel 1984-09)
registrazione di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (nel 1984-09)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1722)
parte di:
Notebook for Anna Magdalena Bach (1725) (numero: 29)
parte di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revisione di:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
1:59
16Sheep May Safely Graze (Arr. Munchinger)
produttore:
James Mallinson (producer)
orchestra:
Stuttgart Chamber Orchestra (nel 1977-10)
direttore d'orchestra:
Karl Münchinger (German conductor) (nel 1977-10)
arrangiatore:
Karl Münchinger (German conductor)
registrata presso:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germania (nel 1977-10)
registrazione di:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (nel 1977-10)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
4:36

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Pubblicazione

ASIN:UK: B00000421L [info]