The Metal Box

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Paranoid
Techniker(in):
Tom Allom und Brian Humphries
Produzent(in):
Rodger Bain (von 1970-06 bis 1970-07)
E-Bass:
Geezer Butler (von 1970-06-16 bis 1970-06-21)
E-Gitarre:
Tony Iommi (von 1970-06-16 bis 1970-06-21)
Perkussion und Schlagzeug:
Bill Ward (von 1970-06-16 bis 1970-06-21)
Sologesang:
Ozzy Osbourne (in 1970)
phonographisches Urheberrecht (℗) von:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970), NEMS (UK label, 1976–1983) (in 1976) und Icarus Music (Argentinian metal label and distributor) (in 2006)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970) und Regent Sound Studios in London (Greater London), England, Vereinigtes Königreich (von 1970-06-16 bis 1970-06-21)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 13), TV Cream: Real 100 Best Singles Ever (Nummer: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 250) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 338)
recording of:
Paranoid (von 1970-06-16 bis 1970-07-08)
Texter:
Geezer Butler
Komponist(in):
Geezer Butler, Tony Iommi, Ozzy Osbourne und Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. und Westminster Music Ltd. (in 1970)
Black Sabbath4.552:51
2Stakk Attakk
Wrathchild4:35
3Bounty Hunter
recording of:
Bounty Hunter
Verfasser(in):
Danny Joe Brown (vocalist for Southern rock band Molly Hatchet), Dave Hlubek und Banner Thomas
Molly Hatchet53:00
4Balls to the Wall
Techniker(in):
Louis Austin (engineering)
Produzent(in):
Accept (German heavy metal band)
Mix:
Michael Wagener
Bassgitarre:
Peter Baltes (von 1983-07 bis 1983-08)
Gitarre:
Hermann Frank (von 1983-07 bis 1983-08) und Wolf Hoffmann (von 1983-07 bis 1983-08)
Schlagzeug:
Stefan Kaufmann (German drummer for Accept and U.D.O.) (vom 1983-07 bis ????)
vocals:
Udo Dirkschneider (von 1983-07 bis 1983-08)
aufgenommen bei und mixed at:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Deutschland (von 1983-07 bis 1983-08)
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 79)
recording of:
Balls to the Wall (von 1983-07 bis 1983-08)
Texter:
Peter Baltes, Deaffy, Udo Dirkschneider, Wolf Hoffmann und Stefan Kaufmann (German drummer for Accept and U.D.O.)
Komponist(in):
Peter Baltes, Udo Dirkschneider, Wolf Hoffmann und Stefan Kaufmann (German drummer for Accept and U.D.O.)
publisher:
Breeze Music GmbH, SMV Schacht Musikverlage und Summer Breeze Music (vom 1983 bis heute)
Accept4.055:41
5Somebody’s Out There
recording of:
Somebody’s Out There
Verfasser(in):
Rik Emmett, Mike Levine und Gil Moore
Triumph34:01
6Ace of Spades
Produzent(in):
Vic Maile (von 1980-08-04 bis 1980-09-15)
E-Bass und Sologesang:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (von 1980-08-04 bis 1980-09-15)
E-Gitarre:
'Fast' Eddie Clarke (Motörhead guitarist) (von 1980-08-04 bis 1980-09-15)
Schlagzeug:
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (von 1980-08-04 bis 1980-09-15)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1980), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1980) und Universal Music (plain logo: “Universal Music”) (in 1980)
aufgenommen bei:
Jackson’s Studios in Rickmansworth, Hertfordshire, England, Vereinigtes Königreich (von 1980-08-04 bis 1980-09-15)
Musikvideos:
Ace of Spades von Motörhead
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 3), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 10), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 33), TV Cream: Real 100 Best Singles Ever (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 442)
recording of:
Ace of Spades (von 1980-08-04 bis 1980-09-15)
Verfasser(in):
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) und Phil Taylor (former Motörhead drummer)
publisher:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.252:48
7Gimme Your Love
Michael Schenker4:23
8Shot Down in the Night
live recording of:
Shot Down in the Night (am 1979-12-08)
Texter und Komponist(in):
Steve Swindells
Hawkwind7:44
9Sweet Danger
Keyboard-Programmierung:
Sev Lewkowicz (keyboard player)
assistierende(r) Techniker(in):
Jools Cooper (engineer) und Nick Rogers (engineer/mixing)
Techniker(in):
Mark Dearnley, John Gallen (UK music producer, recording & mix engineer.) und Ashley Howe
Produzent(in):
Martin Smith (UK musician, producer and engineer, b. 1945)
Bassgitarre, Keyboard und Hintergrundgesang:
Kevin Riddles
Gitarre und Sologesang:
Kevin Heybourne
Perkussion und Schlagzeug:
Dave Hogg
aufgenommen bei:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Sweet Danger
Texter und Komponist(in):
Kevin Heybourne
publisher:
Hit Songs Ltd.
sub-publisher:
EMI Music Publishing France
Angel Witch33:07
10The Stroke
Assistent recording engineer:
Garry Rindfuss
recording engineer:
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Billy Squier
Gitarre und Sologesang:
Billy Squier
Schlagzeug:
Bobby Chouinard
Hintergrundgesang:
Mark Clarke (Rock, UK) und Alan St. Jon
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 59)
recording of:
The Stroke
Texter und Komponist(in):
Billy Squier
publisher:
Songs of the Knight
Billy Squier3.753:41
11Cat Scratch Fever
Techniker(in):
Tim Geelan und Wayne Tarnowski
Produzent(in):
Cliff Davies (British drummer, songwriter and producer), Lew Futterman und Tom Werman
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Teil von:
A.V. Club: 15 Songs That Make Diseases (Real and Imaginary) Rock (Nummer: 12) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 32)
recording of:
Cat Scratch Fever
Texter und Komponist(in):
Ted Nugent
publisher:
IQ Music Ltd., Magicland Music und Round Hill Works
Ted Nugent3.453:40
12Whatever You Want
assistierende(r) Techniker(in):
Freek Feenstra
Techniker(in):
John Eden (producer) und Barry Hammond
Produzent(in):
Status Quo (UK boogie rock band) und Pip Williams (producer)
Mix:
Simon Sullivan
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1979), Mercury Records Ltd. (London) (for copyrights use only) (in 1979), Mercury Records Ltd. (UK) (in 1979), Phonogram Ltd. (not for release label use!) (in 1979) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1979)
produced for:
Handle Records Ltd.
aufgenommen bei:
Phonogram Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
Musikvideos:
Whatever You Want von Status Quo (UK boogie rock band)
recording of:
Whatever You Want
geschrieben in:
Jersey
Verfasser(in):
Andy Bown und Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton und Shawbury Music Ltd. (publisher)
Status Quo44:03
13Don’t Let Me Be Misunderstood
Produzent(in):
Chris Tsangarides
Bassgitarre:
Jimmy Bain
Gitarre:
Gary Moore (Thin Lizzy, blues guitar)
Keyboard und Orgel:
Don Airey
Schlagzeug:
Tommy Aldridge
Sologesang:
Charlie Huhn
cover recording of:
Don’t Let Me Be Misunderstood (in 1980)
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
Gary Moore43:38
14Dead Ringer for Love
Produzent(in):
Jimmy Iovine und Jim Steinman
Bassgitarre:
Steve Buslowe
Gitarre [guitars]:
Davey Johnstone
Horn:
Alan Rubin, Lou Delgatto, Lou Marani und Tom Malone (US trombonist)
Klavier:
Roy Bittan
Perkussion:
Jimmy Maelen (percussion)
Schlagzeug:
Liberty DeVitto (US drummer)
Schlitztrommel [African logs]:
Neleam Ymmij
Hintergrundgesang:
Allan Nicholls (Canadian musician), Rhonda Coullet, Rory Dodd, Ted Neeley und Eric Troyer
vocals:
Cher und Meat Loaf
Interpret(in):
Cher
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Dead Ringer for Love
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1981), Neverland Music Publishing Company (in 1981) und Peg Music Company (in 1981)
Meat Loaf3.84:25
15Don’t Take Nothing
phonographisches Urheberrecht (℗) von:
Edgy Records (in 1997), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2006) und Universal Music B.V. (not for release label use! NL subsidiary of UMG) (in 2018)
recording of:
Don’t Take Nothing
Verfasser(in):
Jess Cox, Brian Dick, Richard Laws und Robb Weir (Robert Mortimer Weir; Guitarist)
publisher:
Bruce Welch Music Ltd.
Tygers of Pan Tang3:04
16(Don’t Fear) The Reaper
recording engineer:
Andy Abrams (in 1976-03) und Shelly Yakus (in 1976-03)
Techniker(in):
Andy Abrams und Shelly Yakus
Produzent(in):
Murray Krugman, David Lucas (US producer, composer & engineer) und Sandy Pearlman
Mix:
Andy Abrams (von 1975 bis 1976) und Shelly Yakus (von 1975 bis 1976)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1975 bis 1976)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 55) und Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 60)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
Texter und Komponist(in):
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:04
2▼CD
Nr.TitelKünstlerBewertungLänge
1Start Talking Love
recording of:
Start Talking Love
Verfasser(in):
Tony Clarkin
publisher:
Tritec Songs Ltd. (publisher) (in 1988) und Warner/Chappell Music Ltd. (1996–2019) (in 1993)
Magnum44:04
2747 (Strangers in the Night)
recording of:
747 (Strangers in the Night)
Verfasser(in):
Biff Byford, Steve Dawson (UK bassist for Saxon), Pete Gill, Graham Oliver (blues rock, hard rock, UK) und Paul Quinn (Saxon guitarist)
publisher:
Axis Music Ltd. und Carlin Music Corporation
Saxon4:42
3Gypsy
recording of:
Gypsy
Verfasser(in):
Mick Box und David Byron
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und S. Bron Music Co. Ltd.
Uriah Heep6:39
4Is There Anybody There?
recording of:
Is There Anybody There?
Texter:
Klaus Meine und Herman Rarebell (drummer, Germany)
Komponist(in):
Rudolf Schenker
publisher:
Arabella Musikverlag GmbH (ARABELLA MUSIC EDITION MUENCHEN)
Scorpions4:01
5Metal Health
recording of:
Metal Health (Bang Your Head)
Verfasser(in):
Frankie Banali (US drummer), Carlos Cavazo, Tony Cavazo und Kevin DuBrow
publisher:
Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Quiet Riot4:16
6Up Around the Bend
cover recording of:
Up Around the Bend
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music und Prestige Music ltd.
Hanoi Rocks3:10
7Riding With the Angels
Samson4:08
8Take On the World
assistierende(r) Techniker(in):
Andrew Clark (engineering), Kevin Dallimore (engineering), Andy Jackson (UK recording engineer/prog musician) und Damian Korner
Techniker(in) und Produzent(in):
James Guthrie
Koproduzent(in):
Judas Priest
E-Bass:
Ian Hill (UK bassist for Judas Priest) (von 1978-08 bis 1978-09)
E-Gitarre:
Kenneth Downing (von 1978-08 bis 1978-09) und Glenn Tipton (von 1978-08 bis 1978-09)
Schlagzeug:
Les Binks (von 1978-08 bis 1978-09)
Sologesang:
Rob Halford (von 1978-08 bis 1978-09)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1978)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (von 1978-08 bis 1978-09) und Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich (von 1978-08 bis 1978-09)
recording of:
Take On the World (von 1978-08 bis 1978-09)
Verfasser(in):
Rob Halford und Glenn Tipton
publisher:
EMI Music Publishing (do not use as a release label!) und EMI Songs Ltd.
Judas Priest2.853:03
9Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:32
10Broken Down Angel
Produzent(in):
Roger Glover
Herausgeber:
Intersong Music
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1973)
recording of:
Broken Down Angel
Verfasser(in):
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) und Darrell Sweet (drummer and songwriter)
publisher:
Carlin Music Corporation und Mountain Music Ltd.
Nazareth3:40
11Freebird
Techniker(in):
Al Kooper, Bob “Tub” Langford, Rodney Mills und Danny Turbeville
Produzent(in):
Al Kooper
Bassgitarre:
Ed King (US guitarist, bassist & songwriter) (in 1973-04)
Gitarre [lead guitar]:
Allen Collins (in 1973-03)
Gitarre [rhythm guitar]:
Gary Rossington (in 1973-03)
Keyboard:
Billy Powell (in 1973-03)
Orgel:
Al Kooper (in 1973-04)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (in 1973-04)
zusätzlich Orgel:
Roosevelt Gook (in 1973-04)
Sologesang:
Ronnie Van Zant (in 1973-04)
remixer:
Al Kooper
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (in 1973-04)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 19), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 26), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 191) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 407)
recording of:
Free Bird (in 1973-04)
Texter und Komponist(in):
Allen Collins und Ronnie Van Zant
publisher:
EMI Longitude Music, Songs of Universal, Inc. (BMI) und Universal Duchess Music Corp.
Lynyrd Skynyrd4.79:04
12Ships in the Night
recording of:
Ships in the Night
Texter und Komponist(in):
Bill Nelson (English experimental musician)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Beechwood Music Corp., EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated) und Henrees Music co.
Be Bop Deluxe3:38
13Epic
Techniker(in):
Jim “Watts” Vereecke und Matt Wallace (US producer & engineer)
Produzent(in):
Faith No More und Matt Wallace (US producer & engineer)
Mix:
Matt Wallace (US producer & engineer)
Bassgitarre:
Billy Gould
Gitarre:
Jim Martin (ex-Faith No More guitarist)
Keyboard:
Roddy Bottum
Schlagzeug:
Mike Bordin (American drummer)
Sologesang:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
phonographisches Urheberrecht (℗) von:
Slash Records (company, do not use as release label!) (in 1986)
Musikvideos:
Epic von Faith No More
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 54) und Indie 88: Top 500 Indie Rock Songs (Nummer: 483)
recording of:
Epic
Texter:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
Komponist(in):
Mike Bordin (American drummer), Roddy Bottum, Billy Gould und Jim Martin (ex-Faith No More guitarist)
publisher:
Big Thrilling Music (music publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Vomit God Music (Mike Patton’s music publishing company)
Faith No More4.34:55
14Hammer Horror
Warfare1:53
15Blitzkrieg
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2003)
recording of:
Blitzkrieg
Verfasser(in):
Brian Smith (UK metal vocalist for Blitzkrieg), Ian Jones (UK metal guitarist for Blitzkrieg) und Jim Sirotto
publisher:
Men From The North Ltd, Neat Music und Neat Music Publishing
Blitzkrieg3:24
16Black Night
E-Bass:
Roger Glover (in 1970-05)
E-Gitarre:
Ritchie Blackmore (in 1970-05)
Hammond-Orgel:
Jon Lord (in 1970-05)
Schlagzeug:
Ian Paice (in 1970-05)
Sologesang:
Ian Gillan (in 1970-05)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970-05)
recording of:
Black Night (in 1970-05)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (bis 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple4.253:25
3▼CD
Nr.TitelKünstlerBewertungLänge
1Bed of Nails
recording engineer:
Sir Arthur Payson
Synthesizer-Programmierung:
Steve Deutsch
assistierende(r) Techniker(in):
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber und Mark Tanzer
Produzent(in):
Desmond Child
Mix:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) und Steve Thompson (producer)
Bassgitarre:
Hugh McDonald (bassist)
Gitarre:
John McCurry
Keyboard:
Alan St. John
Schlagzeug:
Bobby Chouinard
zusätzlich andere Instrumente [special effects]:
Gregg Mangiafico
zusätzlich Gitarre:
Kane Roberts
zusätzlich Keyboard:
Paul Chiten (songwriter and producer) und Gregg Mangiafico
Hintergrundgesang:
Alan St. John, Michael Anthony (US bassist, formerly of Van Halen), Desmond Child, Diana Grasselli, Jango (backing vocalist on “Trash” by Alice Cooper), Louie Merlino, Hugh McDonald (bassist), Jamie Sever, Bernie Shanahan, Stiv Bator, Tom Teeley, Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz), Myriam Valle und Maria Vidal (American singer-songwriter)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten, Blue Jay Recording Studios in Carlisle, Massachusetts, Vereinigte Staaten, Grog Kill Studio in Woodstock, New York, Vereinigte Staaten, Mediasound Studios in New York, New York, Vereinigte Staaten, Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten, Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten, Sigma Sound Studios (New York) in New York, New York, Vereinigte Staaten, The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Bed of Nails
Verfasser(in):
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975‐present), Kane Roberts und Diane Warren (US songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Ezra Music, Realsongs (, vom 1989 bis heute), SBK April Music Inc. (, vom 1989 bis ????), Sony/ATV Music Publishing Scandinavia, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Desmobile Music Co., Inc. (vom 1989 bis heute) und Ezra Music Corp. (vom 1989 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Alice Cooper3.954:24
2Satellite Kid
The Dogs D’Amour3:55
3Moonlight
Cheap and Nasty4:36
4Am I Evil?
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 26)
recording of:
Am I Evil? (in 1979)
Verfasser(in):
Sean Harris (Diamond Head lead vocalist) und Brian Tatler
publisher:
Happy Face Music Ltd., Universal Music–Z Tunes LLC und Zomba Music
Diamond Head4.257:45
5Rock the Night
recording engineer und Mix:
Wally Buck und Kevin Elson
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
John Levén
Gitarre:
John Norum
Keyboard:
Mic Michaeli
Schlagzeug [drums]:
Ian Haugland
Hintergrundgesang:
Ian Haugland, Mic Michaeli und John Norum
Sologesang:
Joey Tempest (Swedish singer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1986) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986)
produced for:
Elson Music Vision, Inc.
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden
recording of:
Rock the Night
Texter und Komponist(in):
Joey Tempest (Swedish singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Europe4.54:06
6Planet Girl
Zodiac Mindwarp and the Love Reaction4:24
7I Want You to Want Me
Techniker(in):
Antonio Reale
Produzent(in):
Tom Werman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 266)
recording of:
I Want You to Want Me (in 1977)
Texter und Komponist(in):
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
Teil von:
10 Things I Hate About You
Cheap Trick4.153:11
8Between a Rock & A Hard Place
UFO3:46
9Who Do You Love
cover recording of:
Who Do You Love?
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Ltd.
Juicy Lucy3:04
10Please Don’t Touch
Produzent(in):
Vic Maile
Bassgitarre:
Lemmy Kilmister (“Lemmy” from Motörhead) (in 1980-12) und Enid Williams (in 1980-12)
Gitarre [Lead Guitar]:
Eddie Clarke (Motörhead guitarist) (in 1980-12) und Kelly Johnson (in 1980-12)
Gitarre [Rhythm Guitar]:
Kim McAuliffe (in 1980-12)
Schlagzeug:
Denise Dufort (in 1980-12)
Sologesang:
Kelly Johnson (in 1980-12) und Lemmy Kilmister (“Lemmy” from Motörhead) (in 1980-12)
cover recording of:
Please Don’t Touch (in 1980-12)
Komponist(in):
Frederick Heath und Guy Robinson (UK songwriter)
publisher:
EMI Blackwood Music Inc.
Headgirl32:52
11Break the Chain
Raven43:50
12Die Hard
Techniker(in):
Keith Nichol
Produzent(in):
Venom (British metal band)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2002)
recording of:
Die Hard
Verfasser(in):
Anthony Bray, Jeffrey Dunn und Conrad Lant
publisher:
Conexion Music Limited und Notting Hill Music (UK) Ltd.
Venom3:05
13Heavy Metal Love
recording of:
Heavy Metal Love
Verfasser(in):
Helix (Canadian hard rock band)
Helix3:01
14Race With the Devil
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1980), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
cover recording of:
Race With the Devil
Verfasser(in):
Adrian Gurvitz
publisher:
Campbell Connelly & Co. Ltd., Radio Music Britain und Universal/MCA Music Ltd. (not for release label use!)
Girlschool42:52
15Insanity Addicts
Techniker(in):
Steve Harris (Iron Maiden bassist)
Produzent(in):
Slammer (UK thrash metal band)
arranger:
Slammer (UK thrash metal band)
recording of:
Insanity Addicts
Texter und Komponist(in):
Slammer (UK thrash metal band)
publisher:
Island Music (Island Music Ltd.)
Slammer4:24
16D Generation
Loud4:55