Movie Gold

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD: CD 1
Nr.TitelKünstlerBewertungLänge
1Momenti di gloria: Titles
Techniker(in):
Raphael Preston, Raine Shine und John Walker (technical)
Produzent(in):
Vangelis (Greek composer of electronic, new age and classical)
Interpret(in):
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1981), Spheric B.V. (in 1981), Warner Bros., Inc. (not for release label use!) (in 1981) und PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1982)
aufgenommen bei:
Nemo Studios (Vangelis’ Studio) in London (Greater London), England, Vereinigtes Königreich
recording of:
Chariots of Fire (title theme of the 1981 film)
Komponist(in):
Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music Publishing (do not use as a release label!) und WB Music Corp. (1929–2019)
Vangelis3.63:32
2Gladiator: Now We Are Free
Orchester:
Musica Paradiso
phonographisches Urheberrecht (℗) von:
Cherry Lane und Universal/MCA Music Ltd. (not for release label use!)
recording of:
Now We Are Free (Gladiator)
Texter:
Lisa Gerrard
Komponist(in):
Klaus Badelt (German score composer), Lisa Gerrard und Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs und Universal‐MCA Music Publishing (US)
Teil von:
Gladiator
Hans Zimmer, Lisa Gerrard4:16
3Good Morning, Vietnam: What A Wonderful Word
recording of:
What a Wonderful World
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong2:19
4La Pantera Rosa: The Pink Panther Theme
recording engineer:
Jim Malloy
Produzent(in):
Joe Reisman
Tenorsaxophon:
Plas Johnson (am 1963-09-16)
Orchester:
The Henry Mancini Orchestra (am 1963-09-16)
conductor:
Henry Mancini (US composer, conductor & arranger) (am 1963-09-16)
arranger:
Henry Mancini (US composer, conductor & arranger)
aufgenommen bei:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-09-16)
recording of:
The Pink Panther Theme (am 1963-09-16)
Orchestrator(in) und Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
Classic 100: Piano (2025) (Nummer: 61)
Henry Mancini4.12:39
5Il postino: In bicicletta
recording of:
In bicicletta (The Postman)
Komponist(in):
Luis Bacalov
Teil von:
Il Postino (The Postman)
Luis Bacalov2:29
6Un Dollaro D'Onore: De Guello
Nelson Riddle3:00
7Arancia Meccanica: Sinfonia n. 9 (Beethoven)
Bearbeitung von:
IX. Sinfonie d-moll, op. 125: 2. Satz: Molto vivace von Berliner Philharmoniker, Ferenc Fricsay (conductor)
teilweise recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (Symphonie Nr. 9 d-Moll, op. 125 "Ode an die Freude": II. Molto vivace) (von 1957-12-28 bis 1958-01-02)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1822 bis 1824)
Teil von:
Symphony no. 9 in D minor, op. 125 “Choral”
Ferenc Fricsay3:54
8C'era una volta il west: Titoli
E-Gitarre:
Bruno Battisti D'Amario
Chorgesang:
I cantori moderni di Alessandroni
Sologesang und Soprangesang:
Edda Dell’Orso
conductor:
Ennio Morricone (Italian classical and score composer)
arranger:
Ennio Morricone (Italian classical and score composer)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1969)
recording of:
C’era una volta il West (Spiel mir das Lied vom Tod, main theme)
Orchestrator(in) und Komponist(in):
Ennio Morricone (Italian classical and score composer)
Teil von:
C’era una volta il West (Spiel mir das Lied vom Tod)
Ennio Morricone4.653:46
9Eyes Wide Shut: Valzer n. 2 (Shostakovich)
Techniker(in):
John Dunkerley (engineer) (von 1992-04-26 bis 1992-05-03)
Produzent(in):
Andrew Cornall (engineer / producer)
Orchester:
Royal Concertgebouw Orchestra (Concertgebouworkest Amsterdam) (von 1992-04-26 bis 1992-05-03)
conductor:
Riccardo Chailly (conductor) (von 1992-04-26 bis 1992-05-03)
phonographisches Urheberrecht (℗) von:
Decca Music Group Ltd. (not for release label use, for ℗ & © rights holder use only) (in 1992) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1993)
aufgenommen bei:
Grotezaal, Concertgebouw in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (von 1992-04-26 bis 1992-05-03)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite) (von 1992-04-26 bis 1992-05-03)
Komponist(in):
Дмитрий Дмитриевич Шостакович (Dmitri Dmitrijewitsch Schostakowitsch, composer)
Teil von:
Suite for Variety Orchestra
Riccardo Chailly3:44
10Ghost: Unchained Melody
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:40
11Bagdad Cafè: Calling You
Produzent(in):
Levi Seacer, Jr.
Mundharmonika:
Bruce Kurnow
vocals:
Jevetta Steele
arranger:
Levi Seacer, Jr.
recording of:
Calling You (in 1988)
Texter und Komponist(in):
Bob Telson (composer, songwriter and pianist)
publisher:
Boodle Music (in 1987)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 61st Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1988 nominee)
Jevetta Steele35:24
12Profondo rosso: Profondo rosso
arranger:
Goblin (Italian progressive rock band)
phonographisches Urheberrecht (℗) von:
Cinevox Record (soundtracks)
recording of:
Profondo rosso
Komponist(in):
Walter Martino, Massimo Morante, Fabio Pignatelli und Claudio Simonetti
Goblin3:46
13La stangata: The Entertainer (Joplin)
recording of:
The Entertainer (catch-all for arrangements)
Komponist(in):
Scott Joplin (composer and pianist)
Arrangement von:
The Entertainer
Marvin Hamlisch3:07
14Barry Lyndon: Concerto per due clavicembali (Bach)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-07) und Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-07)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1972-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-07)
aufgenommen bei:
Bavaria Musikstudios in München, Bayern, Deutschland (in 1972-07)
recording of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio (in 1972-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto in C minor for Two Harpsichords, BWV 1060
Karl Richter5:19
15Papillon: Theme From Papillon
Produzent(in):
Jerry Goldsmith (American score composer)
conductor:
Jerry Goldsmith (American score composer)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Theme From Papillon
Komponist(in):
Jerry Goldsmith (American score composer)
Teil von:
Papillon
Jerry Goldsmith2:19
16Braveheart: Wallace Courts Murron
recording of:
Wallace Courts Murron (Braveheart)
Komponist(in):
James Horner (American score composer)
Teil von:
Braveheart
James Horner4:25
2▼CD
Nr.TitelKünstlerBewertungLänge
12001 Odissea nello spazio: Così parlò Zarathustra (Strauss)
recording engineer:
James Brown (Decca engineer, 1960s) (in 1959-03) und Gordon Parry (engineer) (in 1959-03)
Produzent(in):
John Culshaw und Ray Minshull (record producer)
Orchester:
Wiener Philharmoniker (in 1959-03)
conductor:
Herbert von Karajan (conductor) (in 1959-03)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1959)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1959-03, von 1959-03-09 bis 1959-03-10)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Also sprach Zarathustra, op. 30: Einleitung, Sonnenaufgang) (in 1959-03)
Komponist(in):
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
Teil von:
Also sprach Zarathustra, op. 30 (TrV 176)
Herbert von Karajan1:44
2Gli intoccabili: Death Theme
conductor:
Ennio Morricone (Italian classical and score composer)
Orchestrator(in):
Ennio Morricone (Italian classical and score composer)
aufgenommen bei und mixed at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Vereinigte Staaten
recording of:
Death Theme (The Untouchables)
Komponist(in):
Ennio Morricone (Italian classical and score composer)
Ennio Morricone2:45
3Blade Runner: End titles
Interpret(in):
Vangelis (Greek composer of electronic, new age and classical)
aufgenommen bei:
Nemo Studios (Vangelis’ Studio) in London (Greater London), England, Vereinigtes Königreich
recording of:
End Titles (Blade Runner)
Komponist(in):
Vangelis (Greek composer of electronic, new age and classical)
Teil von:
Blade Runner
Vangelis2.654:52
4Platoon: Adagio per archi (Barber)
Charlie Sheen, Georges Delerue6:54
5Frantic: I've Seen That Face Before (Libertango)
Grace Jones4:34
6Amadeus: Requiem K626 Lacrimosa (Mozart)
Sir Neville Marriner3:49
7Cotton Club: East St. Louis Tooddle-O
Duke Ellington3:23
8Anonimo Veneziano: Concerto per oboe (Marcello)
Giorgio Gaslini4:51
9Basic Instinct: Main Title
Jerry Goldsmith2:17
10Il ponte sul fiume Kwai: Colonel Bogey March
recording of:
Colonel Bogey March (also known as Dink March or Underberg) (am 1957-11-11)
Komponist(in):
Kenneth J. Alford (in 1914)
recording of:
The Bridge on the River Kwai: V. Finale: The River Kwai March (am 1957-11-11)
Komponist(in):
Malcolm Arnold (composer) (in 1957)
Teil von:
The Bridge on the River Kwai
recording of:
The Bridge on the River Kwai: II. Colonel Bogey
Komponist(in):
Malcolm Arnold (composer)
zusätzliche(r) Komponist(in):
Kenneth J. Alford
Teil von:
The Bridge on the River Kwai
Mitch Miller & His Orchestra2:25
11Orfeo Negro: Manhã de carnaval
Luiz Bonfá3:00
12Orgoglio e pregiudizio: Dawn (Martinelli)
Jean‐Yves Thibaudet2:37
13Scandalo al sole: A Summer Place
Interpret(in):
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
cover recording of:
Theme from “A Summer Place” (original instrumental version)
Komponist(in):
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
recording of:
Theme from “A Summer Place” (original instrumental version)
Komponist(in):
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
The Percy Faith Orchestra3.652:24
14Zorba il greco: Tema di Zorba
Μίκης Θεοδωράκης3:53
15Il paziente inglese: The English Patient (Jared)
Orchester:
Academy of St Martin in the Fields
conductor:
Harry Rabinowitz
Harry Rabinowitz3:39
16Giù la Testa: Titoli
recording of:
Giù la testa: Titoli
Komponist(in):
Ennio Morricone (Italian classical and score composer)
Ennio Morricone4:17
3▼CD
Nr.TitelKünstlerBewertungLänge
1Excalibur: Carmina Burana (Orff)
Herbert Kegel2:37
2Il buono, il brutto, il cattivo: Titoli di testa
Chorgesang:
I cantori moderni di Alessandroni
sonstiger Gesang:
Alessandro Alessandroni (Italian musician and score composer)
conductor:
Ennio Morricone (Italian classical and score composer)
recording of:
Il buono, il brutto, il cattivo (The Good, the Bad and the Ugly (Main Title))
Orchestrator(in) und Komponist(in):
Ennio Morricone (Italian classical and score composer)
Teil von:
Il buono, il brutto, il cattivo (Zwei glorreiche Halunken, 1966 film score)
Ennio Morricone2:41
3Underground: Kalasnjikov
Produzent(in):
Goran Bregović
arranger:
Goran Bregović
phonographisches Urheberrecht (℗) von:
Kamarad Productions (in 1995)
Goran Bregović3:22
4Shrek: I'm a Believer
Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
cover recording of:
I’m a Believer
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
Smash Mouth4.253:15
5Apocalipse Now: La cavalcata delle Walkirie (Wagner)
Sir Georg Solti2:44
6French kiss: I love Paris
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-07) und Bud Shank (am 1956-02-07)
baritone saxophone:
Chuck Gentry (am 1956-02-07)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-07)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-07) und Edgar Lustgarten (am 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Gitarre:
Barney Kessel (am 1956-02-07)
Harfe:
Corky Hale (am 1956-02-07)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-02-07)
Posaune:
Milt Bernhart (am 1956-02-07), Joe Howard (american trombone player) (am 1956-02-07) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-07) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Trompete:
Pete Candoli (am 1956-02-07), Harry “Sweets” Edison (am 1956-02-07), Maynard Ferguson (am 1956-02-07) und Conrad Gozzo (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1956, am 1956-02-07)
conductor:
Buddy Bregman (in 1956, am 1956-02-07)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
recording of:
I Love Paris (Can-Can [Pistache, Company]) (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Ella Fitzgerald15:01
7Amarcord: Amarcord
Nino Rota2:06
8American Gigolo: The seduction
Produzent(in):
Giorgio Moroder
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1980)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Allen Zentz Recording (Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Seduction (Love Theme)
Komponist(in):
Giorgio Moroder
publisher:
Giorgio Moroder Publishing (work publisher)
sub-publisher:
Strictly Songs France
Giorgio Moroder3:20
9La mia africa: Concerto per clarinetto K.622 (Mozart)
Klarinette:
Jack Brymer (clarinettist) (in 1971-09)
Orchester:
Academy of St Martin in the Fields (in 1971-09)
conductor:
Sir Neville Marriner (conductor) (in 1971-09)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1971-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Konzert für Klarinette und Orchester A-Dur, KV 622: II. Adagio) (in 1971-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1791-09-28 bis 1791-10-07)
Teil von:
Concerto for Clarinet in A major, K. 622 (Konzert für Klarinette und Orchester A-Dur, KV 622)
Jack Brymer, Sir Neville Marriner7:27
10L'uomo che sapeva troppo: Whatever Will Be, Will Be
vocals:
Doris Day (am 1956-02-24)
Orchester:
Frank De Vol and His Orchestra (am 1956-02-24)
conductor:
Frank De Vol (am 1956-02-24)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (vom 1956 bis heute)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (am 1956-02-24)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1956 winner)
Doris Day2:07
11Colazione da Tiffany: Moon river
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording engineer:
Al Schmitt
Produzent(in):
Dick Peirce
Chorgesang:
The Henry Mancini Chorus
Orchester:
The Henry Mancini Orchestra
conductor:
Henry Mancini (US composer, conductor & arranger)
arranger:
Henry Mancini (US composer, conductor & arranger)
recording of:
Moon River (am 1960-12-08)
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Henry Mancini2:44
12Ascensore per il patibolo: Générique
Klavier:
René Urtreger (von 1957-12-04 bis 1957-12-05)
Kontrabass:
Pierre Michelot (von 1957-12-04 bis 1957-12-05)
Schlagzeug:
Kenny Clarke (von 1957-12-04 bis 1957-12-05)
Tenorsaxophon:
Barney Wilen (von 1957-12-04 bis 1957-12-05)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (von 1957-12-04 bis 1957-12-05)
aufgenommen bei:
Le Poste Parisien in Paris, Île-de-France, Frankreich (von 1957-12-04 bis 1957-12-05)
recording of:
Générique (Ascenseur pour l’échafaud) (von 1957-12-04 bis 1957-12-05)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Edition Continentale
Miles Davis42:51
13Io ballo da sola: My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.93:38
14Seven: Suite n. 3 (Bach)
Karl Münchinger3:41
15Lezioni di piano: The Heart Asks Pleasure First (Nyman)
Klavier:
Jean‐Yves Thibaudet (pianist)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
The Heart Asks Pleasure First (The Piano)
Komponist(in):
Michael Nyman (composer)
publisher:
Chester Music Ltd., G. Schirmer Inc., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) und Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
Teil von:
The Piano (1993 film score)
Jean‐Yves Thibaudet2:17
16Nuovo cinema paradiso: Tema d'amore
Ennio Morricone, Dulce Pontes2:46

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