The Complete Collection: The Island Years

~ Release by Bob Marley & The Wailers (see all versions of this release, 3 available)

Tracklist

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1Digital Media: Catch a Fire
#TitleRatingLength
1Concrete Jungle
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Robert “Robbie” Shakespeare (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar:
Bob Marley (Jamaican reggae artist) (in 1972-10), Wayne Perkins (in 1972-10) and Peter Tosh (in 1972-10)
keyboard:
John “Rabbit” Bundrick (in 1972-10)
organ:
Tyrone Downie (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10) and Bunny Wailer (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Concrete Jungle (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
3.754:14
2Slave Driver
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Peter Tosh (in 1972-10)
keyboard:
Earl “Wya” Lindo (in 1972-10) and Winston Wright (Jamaican piano and keyboard player) (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10)
piano:
Earl “Wya” Lindo (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Slave Driver (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
32:54
3400 Years
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar and lead vocals:
Peter Tosh (in 1972-10)
keyboard:
Earl “Wya” Lindo (in 1972-10) and Peter Tosh (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10) and Bunny Wailer (in 1972-10)
tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Bunny Wailer (in 1972-10)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Four Hundred Years (in 1972-10)
writer:
Lee “Scratch” Perry (aka The Upsetter) and Peter Tosh
publisher:
Jamrec Music and Rondor Music (London) Ltd.
2.52:46
4Stop That Train
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar and lead vocals:
Peter Tosh (in 1972-10)
keyboard:
John “Rabbit” Bundrick (in 1972-10), Earl “Wya” Lindo (in 1972-10) and Peter Tosh (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10) and Bunny Wailer (in 1972-10)
tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Bunny Wailer (in 1972-10)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Stop That Train (in 1972-10)
lyricist, writer and composer:
Peter Tosh
publisher:
Axum Zion Music Limited, B & C Music Publishing Ltd., Blue Mountain Music Ltd, Iron Zion Music Limited, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
33:56
5Baby We’ve Got a Date (Rock It Baby)
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Bunny Wailer (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Peter Tosh (in 1972-10)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10) and Bunny Wailer (in 1972-10)
piano:
Earl “Wya” Lindo (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Marcia Griffiths (reggae singer from Jamaica) (in 1972-10), Rita Marley (in 1972-10), Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Baby We’ve Got a Date (Rock It Baby) (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
33:59
6Stir It Up
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Robert “Robbie” Shakespeare (in 1972-10)
drums (drum set):
Sparrow Martin (in 1972-10)
guitar:
Cat Coore (in 1972-10), Roger Lewis (founder and member of Inner Circle) (in 1972-10) and Wayne Perkins (in 1972-10)
organ:
Tyrone Downie (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10)
piano:
Earl “Wya” Lindo (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Stir It Up (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Cayman Music, Odnil Music, PolyGram, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972) and Odnil Music Ltd. (in 1972)
4.255:34
7Kinky Reggae
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Peter Tosh (in 1972-10)
keyboard:
Earl “Wya” Lindo (in 1972-10) and Winston Wright (Jamaican piano and keyboard player) (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10)
piano:
Earl “Wya” Lindo (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Kinky Reggae (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
3.153:39
8No More Trouble
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Peter Tosh (in 1972-10)
keyboard:
Earl “Wya” Lindo (in 1972-10) and Winston Wright (Jamaican piano and keyboard player) (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10)
piano:
Earl “Wya” Lindo (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
No More Trouble (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
3.354:00
9Midnight Ravers
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Peter Tosh (in 1972-10)
keyboard:
John “Rabbit” Bundrick (in 1972-10) and Bernard “Touter” Harvey (Jamaican keyboard player and engineer) (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10) and Bunny Wailer (in 1972-10)
piano:
Earl “Wya” Lindo (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Midnight Ravers (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
35:13
10High Tide or Low Tide (Jamaican version)
vocals:
Bob Marley (Jamaican reggae artist)
recording of:
High Tide or Low Tide (in 1969-12)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
4.54:45
11All Day All Night (Jamaican version)
vocals:
Bob Marley (Jamaican reggae artist)
recording of:
All Day All Night
lyricist and composer:
Bob Marley (Jamaican reggae artist)
43:28
2Digital Media: Burnin’
#TitleRatingLength
1Get Up, Stand Up
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
bass:
Aston “Family Man” Barrett (in 1973-04)
drums (drum set):
Carlton “Carly” Barrett (in 1973-04)
guitar and lead vocals:
Bob Marley (Jamaican reggae artist) (in 1973-04) and Peter Tosh (in 1973-04)
keyboard:
Earl “Wya” Lindo (in 1973-04)
percussion:
Alvin “Seeco” Patterson (in 1973-04) and Bunny Wailer (in 1973-04)
tenor vocals [harmony vocals]:
Peter Tosh (in 1973-04) and Bunny Wailer (in 1973-04)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973, from 1973 until 1983)
recorded at:
Harry J’s Recording Studio in Kingston (Kingston Parish), Jamaica (in 1973-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 260) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 296)
recording of:
Get Up, Stand Up (in 1973-04)
writer:
Bob Marley (Jamaican reggae artist) and Peter Tosh
publisher:
Because Éditions, Campbell Connelly France, Cayman Music, Odnil Music, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) and Stuck On Music (in 1974)
3.853:21
2Hallelujah Time
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
recording of:
Hallelujah Time
composer:
Neville Livingston
33:34
3I Shot the Sheriff
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 443)
recording of:
I Shot the Sheriff
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3.754:42
4Burnin’ and Lootin’
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
recording of:
Burnin’ and Lootin’
lyricist and composer:
Bob Marley (Jamaican reggae artist)
3.354:19
5Put It On
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
bass:
Aston “Family Man” Barrett (in 1973-04)
drums (drum set):
Carlton “Carly” Barrett (in 1973-04)
guitar:
Bob Marley (Jamaican reggae artist) (in 1973-04) and Peter Tosh (in 1973-04)
keyboard:
Earl “Wya” Lindo (in 1973-04)
percussion:
Alvin “Seeco” Patterson (in 1973-04) and Bunny Wailer (in 1973-04)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1973-04)
tenor vocals [harmony vocals]:
Peter Tosh (in 1973-04) and Bunny Wailer (in 1973-04)
recorded at:
Harry J’s Recording Studio in Kingston (Kingston Parish), Jamaica (in 1973-04)
recording of:
Put It On (in 1973-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
writer:
Mr C.S. Dodd and R.Marley
publisher:
Bronjo Music
34:03
6Small Axe
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
recorded at:
Harry J’s Recording Studio in Kingston (Kingston Parish), Jamaica (in 1973-04)
recording of:
Small Axe (in 1973-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road
3.74:03
7Pass It On
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
recording of:
Pass It On
composer:
Bob Marley (Jamaican reggae artist)
33:36
8Duppy Conqueror
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
bass:
Aston “Family Man” Barrett (in 1973-04)
drums (drum set):
Carlton “Carly” Barrett (in 1973-04)
guitar:
Bob Marley (Jamaican reggae artist) (in 1973-04) and Peter Tosh (in 1973-04)
keyboard:
Earl “Wya” Lindo (in 1973-04)
percussion:
Alvin “Seeco” Patterson (in 1973-04) and Bunny Wailer (in 1973-04)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1973-04)
tenor vocals [harmony vocals]:
Peter Tosh (in 1973-04) and Bunny Wailer (in 1973-04)
publisher:
Trojan Records
recorded at:
Harry J’s Recording Studio in Kingston (Kingston Parish), Jamaica (in 1973-04)
recording of:
Duppy Conqueror (in 1973-04)
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music, Cayman Music Inc and Rondor Music (London) Ltd.
3.353:49
9One Foundation
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
recording of:
One Foundation
composer:
Peter Tosh
2.53:45
10Rastaman Chant
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
recording of:
Rasta Man Chant (in 1973-04)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
33:49
11Reincarnated Souls
recording engineer:
Sylvan Morris
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
recording of:
Reincarnated Souls
composer:
Neville Livingston
3:46
12No Sympathy (version)
recording engineer:
Sylvan Morris
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
bass:
Aston “Family Man” Barrett (in 1973-04)
drums (drum set):
Carlton “Carly” Barrett (in 1973-04)
guitar and lead vocals:
Peter Tosh (in 1973-04)
keyboard:
Earl “Wya” Lindo (in 1973-04) and Peter Tosh (in 1973-04)
percussion:
Alvin “Seeco” Patterson (in 1973-04) and Bunny Wailer (in 1973-04)
tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1973-04) and Bunny Wailer (in 1973-04)
recorded at:
Harry J’s Recording Studio in Kingston (Kingston Parish), Jamaica (in 1973-04)
recording of:
No Sympathy (in 1973-04)
lyricist and composer:
Peter Tosh
publisher:
Jamrec Music and Rondor Music (London) Ltd.
13:12
13The Oppressed Song (version)
recording engineer:
Sylvan Morris
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
recording of:
The Oppressed Song
composer:
Neville Livingston
13:15
3Digital Media: Natty Dread
#TitleRatingLength
1Lively Up Yourself
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Lively Up Yourself (in 1974)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Odnil Music Ltd. (from 1974 to present), Blue Mountain Music (in 1974) and Fifty Six Hope Road Music Limited (in 1974)
45:09
2No Woman, No Cry
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 37) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 140)
recording of:
No Woman, No Cry
lyricist and composer:
Vincent Ford
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Musikverlag (Global Musik GmbH & Co. KG), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) and Global (publisher) (in 1976)
3.53:46
3Them Belly Full (but We Hungry)
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974)
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Them Belly Full (but We Hungry)
writer:
Carlton “Carly” Barrett and Lecon Cogil
publisher:
Bob Marley Music BVI, Rondor Music (London) Ltd., Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
1.53:13
4Rebel Music (3 O’Clock Road Block)
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974)
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Rebel Music (3 O’Clock Roadblock) (in 1974)
writer:
Aston “Family Man” Barrett and Hugh Peart
publisher:
Bob Marley Music BVI, Rondor Music (London) Ltd., Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
26:46
5So Jah Seh
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
So Jah Seh
writer:
Willy Francisco and Rita Marley
publisher:
Bob Marley Music BVI, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
2.84:28
6Natty Dread
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Natty Dread
writer:
Allen Cole (Jamaican songwriter) and Rita Marley
publisher:
Bob Marley Music BVI, Cayman Music ltd., Kobalt Music Publishing Ltd. (UK), Marley Marl Music Inc, Odnil Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
33:36
7Bend Down Low
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Bend Down Low (in 1974)
composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Blue Mountain Music (in 1968), Fifty Six Hope Road Music Limited (in 1968) and Odnil Music Ltd. (in 1968)
23:22
8Talkin’ Blues
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Talkin’ Blues
composer:
Carlton “Carly” Barrett and Lecon Cogil
publisher:
Because Éditions, Bob Marley Music BVI, Stichting Bob Marley, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music (in 1974)
24:07
9Revolution
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Revolution
composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Blue Mountain Music (in 1975), Fifty Six Hope Road Music Limited (in 1975) and Odnil Music Ltd. (in 1975)
1.654:24
10Am‐A‐Do
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
recording of:
Am‐A‐Do (in 1974)
composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
23:19
4Digital Media: Live!
#TitleRatingLength
1Trenchtown Rock (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (on 1975-07-18)
producer:
Chris Blackwell (Island Records), Bob Marley & The Wailers and Steve Smith (US recording engineer, mainly rock & game scores)
mixer:
Phill Brown (UK engineer) and Dave Harper (on 1975-07-18)
bass:
Aston “Family Man” Barrett (on 1975-07-18)
guitar:
Al Anderson (Bob Marley & The Wailers guitarist) (on 1975-07-18) and Bob Marley (Jamaican reggae artist) (on 1975-07-18)
keyboard:
Tyrone Downie (on 1975-07-18)
membranophone:
Carlton “Carly” Barrett (on 1975-07-18)
percussion:
Alvin “Seeco” Patterson (on 1975-07-18)
background vocals:
I Threes (on 1975-07-18)
lead vocals:
Bob Marley (Jamaican reggae artist) (on 1975-07-18)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (on 1975-07-18)
live recording of:
Trenchtown Rock (on 1975-07-18)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
2.54:22
2Burnin’ and Lootin’ (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (on 1975-07-18)
producer:
Chris Blackwell (Island Records), Bob Marley & The Wailers and Steve Smith (US recording engineer, mainly rock & game scores)
mixer:
Phill Brown (UK engineer) and Dave Harper (on 1975-07-18)
bass:
Aston “Family Man” Barrett (on 1975-07-18)
guitar:
Al Anderson (Bob Marley & The Wailers guitarist) (on 1975-07-18) and Bob Marley (Jamaican reggae artist) (on 1975-07-18)
keyboard:
Tyrone Downie (on 1975-07-18)
membranophone:
Carlton “Carly” Barrett (on 1975-07-18)
percussion:
Alvin “Seeco” Patterson (on 1975-07-18)
background vocals:
I Threes (on 1975-07-18)
lead vocals:
Bob Marley (Jamaican reggae artist) (on 1975-07-18)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (on 1975-07-18)
live recording of:
Burnin’ and Lootin’ (on 1975-07-18)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
25:10
3Them Belly Full (but We Hungry) (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (on 1975-07-18)
producer:
Chris Blackwell (Island Records), Bob Marley & The Wailers and Steve Smith (US recording engineer, mainly rock & game scores)
mixer:
Phill Brown (UK engineer) and Dave Harper (on 1975-07-18)
bass:
Aston “Family Man” Barrett (on 1975-07-18)
drums (drum set):
Carlton “Carly” Barrett (on 1975-07-18)
guitar:
Al Anderson (Bob Marley & The Wailers guitarist) (on 1975-07-18) and Bob Marley (Jamaican reggae artist) (on 1975-07-18)
keyboard:
Tyrone Downie (on 1975-07-18)
percussion:
Alvin “Seeco” Patterson (on 1975-07-18)
background vocals:
I Threes (on 1975-07-18)
lead vocals:
Bob Marley (Jamaican reggae artist) (on 1975-07-18)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (on 1975-07-18)
live recording of:
Them Belly Full (but We Hungry) (on 1975-07-18)
writer:
Carlton “Carly” Barrett and Lecon Cogil
publisher:
Bob Marley Music BVI, Rondor Music (London) Ltd., Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
live recording of:
Them Belly Full (but We Hungry) (in 1975-07)
writer:
Carlton “Carly” Barrett and Lecon Cogil
publisher:
Bob Marley Music BVI, Rondor Music (London) Ltd., Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
4:35
4Lively Up Yourself (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (on 1975-07-18)
producer:
Chris Blackwell (Island Records), Bob Marley & The Wailers and Steve Smith (US recording engineer, mainly rock & game scores)
mixer:
Phill Brown (UK engineer) and Dave Harper (on 1975-07-18)
bass:
Aston “Family Man” Barrett (on 1975-07-18)
guitar:
Al Anderson (Bob Marley & The Wailers guitarist) (on 1975-07-18) and Bob Marley (Jamaican reggae artist) (on 1975-07-18)
keyboard:
Tyrone Downie (on 1975-07-18)
membranophone:
Carlton “Carly” Barrett (on 1975-07-18)
percussion:
Alvin “Seeco” Patterson (on 1975-07-18)
background vocals:
I Threes (on 1975-07-18)
lead vocals:
Bob Marley (Jamaican reggae artist) (on 1975-07-18)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (on 1975-07-18)
live recording of:
Lively Up Yourself (on 1975-07-18)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Odnil Music Ltd. (from 1974 to present), Blue Mountain Music (in 1974) and Fifty Six Hope Road Music Limited (in 1974)
4:32
5No Woman, No Cry (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (on 1975-07-18)
producer:
Chris Blackwell (Island Records), Bob Marley & The Wailers and Steve Smith (US recording engineer, mainly rock & game scores)
mixer:
Phill Brown (UK engineer) and Dave Harper (on 1975-07-18)
bass:
Aston “Family Man” Barrett (on 1975-07-18)
drums (drum set):
Carlton “Carly” Barrett (on 1975-07-18)
guitar:
Al Anderson (Bob Marley & The Wailers guitarist) (on 1975-07-18) and Bob Marley (Jamaican reggae artist) (on 1975-07-18)
keyboard:
Tyrone Downie (on 1975-07-18)
percussion:
Alvin “Seeco” Patterson (on 1975-07-18)
background vocals:
I Threes (on 1975-07-18)
lead vocals:
Bob Marley (Jamaican reggae artist) (on 1975-07-18)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974) and Island Records, Inc. (US, Island holding) (in 1975)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (on 1975-07-18)
live recording of:
No Woman, No Cry (on 1975-07-18)
lyricist and composer:
Vincent Ford
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Musikverlag (Global Musik GmbH & Co. KG), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) and Global (publisher) (in 1976)
3.957:05
6I Shot the Sheriff (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (on 1975-07-18)
producer:
Chris Blackwell (Island Records), Bob Marley & The Wailers and Steve Smith (US recording engineer, mainly rock & game scores)
mixer:
Phill Brown (UK engineer) and Dave Harper (on 1975-07-18)
bass:
Aston “Family Man” Barrett (on 1975-07-18)
drums (drum set):
Carlton “Carly” Barrett (on 1975-07-18)
guitar:
Al Anderson (Bob Marley & The Wailers guitarist) (on 1975-07-18) and Bob Marley (Jamaican reggae artist) (on 1975-07-18)
keyboard:
Tyrone Downie (on 1975-07-18)
percussion:
Alvin “Seeco” Patterson (on 1975-07-18)
background vocals:
I Threes (on 1975-07-18)
lead vocals:
Bob Marley (Jamaican reggae artist) (on 1975-07-18)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (on 1975-07-18)
live recording of:
I Shot the Sheriff (on 1975-07-18)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
25:17
7Get Up, Stand Up (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (on 1975-07-18)
producer:
Chris Blackwell (Island Records), Bob Marley & The Wailers, Steve Smith (US recording engineer, mainly rock & game scores) and Steve Smith (70s producer & engineer, mainly Island Records)
mixer:
Phill Brown (UK engineer) and Dave Harper (on 1975-07-18)
bass:
Aston “Family Man” Barrett (on 1975-07-18)
guitar:
Al Anderson (Bob Marley & The Wailers guitarist) (on 1975-07-18) and Bob Marley (Jamaican reggae artist) (on 1975-07-18)
keyboard:
Tyrone Downie (on 1975-07-18)
membranophone:
Carlton “Carly” Barrett (on 1975-07-18)
percussion:
Alvin “Seeco” Patterson (on 1975-07-18)
background vocals:
I Threes (on 1975-07-18)
lead vocals:
Bob Marley (Jamaican reggae artist) (on 1975-07-18)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1975)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (on 1975-07-18)
live recording of:
Get Up, Stand Up (on 1975-07-18)
writer:
Bob Marley (Jamaican reggae artist) and Peter Tosh
publisher:
Because Éditions, Campbell Connelly France, Cayman Music, Odnil Music, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) and Stuck On Music (in 1974)
6:31
8Kinky Reggae (live)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (on 1975-07-18)
producer:
Chris Blackwell (Island Records), Bob Marley & The Wailers and Steve Smith (US recording engineer, mainly rock & game scores)
mixer:
Phill Brown (UK engineer) and Dave Harper (on 1975-07-18)
bass:
Aston “Family Man” Barrett (on 1975-07-18)
guitar:
Al Anderson (Bob Marley & The Wailers guitarist) (on 1975-07-18) and Bob Marley (Jamaican reggae artist) (on 1975-07-18)
keyboard:
Tyrone Downie (on 1975-07-18)
membranophone:
Carlton “Carly” Barrett (on 1975-07-18)
percussion:
Alvin “Seeco” Patterson (on 1975-07-18)
background vocals:
I Threes (on 1975-07-18)
lead vocals:
Bob Marley (Jamaican reggae artist) (on 1975-07-18)
vocals:
Bob Marley (Jamaican reggae artist) (on 1975-07-18)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (on 1975-07-18)
live recording of:
Kinky Reggae (on 1975-07-18)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
recording of:
Kinky Reggae
lyricist and composer:
Bob Marley (Jamaican reggae artist)
7:36
5Digital Media: Rastaman Vibration
#TitleRatingLength
1Positive Vibration
engineer:
Jack Nuber, Alex Sadkin, Syl Morris and Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett and Chris Blackwell (Island Records)
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Positive Vibration
lyricist and composer:
Vincent Ford
publisher:
Bob Marley Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Primary Wave/Blue Mountain, Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.353:33
2Roots, Rock, Reggae
engineer:
Jack Nuber, Alex Sadkin, Syl Morris and Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett and Chris Blackwell (Island Records)
bass guitar:
Aston “Family Man” Barrett
guitar:
Bob Marley (Jamaican reggae artist) and Earl “Chinna” Smith
keyboard:
Tyrone Downie
membranophone:
Carlton “Carly” Barrett
percussion:
Alvin “Seeco” Patterson
background vocals:
I Threes
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Roots, Rock, Reggae
lyricist and composer:
Vincent Ford
publisher:
Bob Marley Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
3.73:38
3Johnny Was
engineer:
Jack Nuber, Alex Sadkin, Syl Morris and Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett and Chris Blackwell (Island Records)
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Johnny Was
lyricist and composer:
Rita Marley
publisher:
Bob Marley Music, Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
3.753:47
4Cry to Me
engineer:
Jack Nuber, Alex Sadkin, Syl Morris and Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett and Chris Blackwell (Island Records)
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Cry to Me
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972), Odnil Music Ltd. (in 1972) and Cayman Music (in 1976)
2.52:35
5Want More
engineer:
Jack Nuber, Alex Sadkin, Syl Morris and Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett and Chris Blackwell (Island Records)
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Want More
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
2.654:16
6Crazy Baldhead
engineer:
Jack Nuber, Alex Sadkin, Syl Morris and Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett and Chris Blackwell (Island Records)
guitar:
Al Anderson (Bob Marley & The Wailers guitarist)
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1976) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Crazy Baldhead
writer:
Vincent Ford and Rita Marley
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
2.653:11
7Who the Cap Fit
engineer:
Jack Nuber, Alex Sadkin, Syl Morris and Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett and Chris Blackwell (Island Records)
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Who the Cap Fit (in 1975-08)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
34:42
8Night Shift
engineer:
Jack Nuber, Alex Sadkin, Syl Morris and Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett and Chris Blackwell (Island Records)
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Night Shift
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Blue Mountain Music (in 1976), Cayman Music (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
2.53:10
9War
engineer:
Jack Nuber, Alex Sadkin, Syl Morris and Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett and Chris Blackwell (Island Records)
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1976) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
War
writer:
Carlton “Carly” Barrett and Allan Cole (Jamaican songwriter)
publisher:
Bob Marley Music, Kobalt Music Publishing Ltd. (UK), Odnil Music, Rondor Music (London) Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
3.353:36
10Rat Race
engineer:
Jack Nuber, Alex Sadkin, Syl Morris and Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett and Chris Blackwell (Island Records)
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1976) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Rat Race
lyricist and composer:
Rita Marley
publisher:
Bob Marley Music, Kobalt Music Publishing Ltd. (UK), Odnil Music, Rondor Music (London) Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
3.52:53
11Jah Live
engineer:
Jack Nuber, Alex Sadkin, Syl Morris and Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett and Chris Blackwell (Island Records)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Jah Live (in 1975-08)
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music (in 1978), Fifty Six Hope Road Music Limited (in 1978), Odnil Music Ltd. (in 1978) and Universal–Songs of PolyGram International, Inc. (in 1978)
recording of:
Jah Live (in 1981)
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music (in 1978), Fifty Six Hope Road Music Limited (in 1978), Odnil Music Ltd. (in 1978) and Universal–Songs of PolyGram International, Inc. (in 1978)
24:13
6Digital Media: Exodus
#TitleRatingLength
1Natural Mystic
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Natural Mystic (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
43:27
2So Much Things to Say
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
So Much Things to Say (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
3:07
3Guiltiness
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Guiltiness (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
3:19
4The Heathen
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
The Heathen (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
2:32
5Exodus
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Exodus (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Cayman Music Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
3.87:40
6Jamming
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 177)
recording of:
Jamming (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
43:31
7Waiting in Vain
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1977), Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Waiting in Vain (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
3.34:15
8Turn Your Lights Down Low
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Turn Your Lights Down Low (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
23:39
9Three Little Birds
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1977), Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 246) and BILLIONS CLUB
recording of:
Three Little Birds (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
43:00
10One Love / People Get Ready
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1977), Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
One Love / People Get Ready (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist) and Curtis Mayfield
publisher:
Blackwell Fuller Music Publishing LLC, Bob Marley Music, Cayman Music, Cayman Music Inc, EMI April Music Inc., Leosong Copyright Service Ltd., Mijac Music, Rondor Music (London) Ltd., Shakat Music Publishing, TRO Essex Music Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Blue Mountain Music (in 1968), Fifty Six Hope Road Music Limited (in 1968), Odnil Music Ltd. (in 1968), EMI Tunes PLC (publisher) (from 1991 to present) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (from 1991 to present)
is based on:
People Get Ready
4.22:55
11Jamming (long version)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
recording of:
Jamming (in 1977-11)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
5:55
12Punky Reggae Party (long version)
engineer:
Dick Cuthell and Godwin Logie
mixer:
Jack Nuber (in 1977-08)
bass:
Richie Daley (in 1977-07), Val Douglas (JM bassist) (in 1977-08) and Boris Gardiner (in 1977-08)
drums (drum set):
Angus "Drummie Zeb" Gaye (in 1977-07), Micky Boo (JM reggae percussionist) (in 1977-08) and Sly Dunbar (in 1977-08)
guitar:
Cat Coore (in 1977-07) and Bob Marley (Jamaican reggae artist) (in 1977-07)
keyboard:
Ibo Cooper (Jamaican reggae musician and musical educator) (in 1977-07) and Tyrone Downie (in 1977-08)
saxophone:
Glen DaCosta (in 1977-08)
trombone:
Vin Gordon (in 1977-08)
trumpet:
David Madden (Jamaican trumpeter) (in 1977-08)
background vocals:
Aura Lewis (South African reggae singer, with Lee Perry & Full Experience) (in 1977-07), Candy McKenzie (in 1977-07), Watty Burnett (in 1977-08), Danny Clarke (in 1977-08), Ansel Cridland (reggae artist, lead singer “The Meditations”) (in 1977-08) and Winston Watson (American drummer) (in 1977-08)
vocals:
Bob Marley (Jamaican reggae artist) (in 1977-07)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1977-07), Criteria Studios in Miami, Florida, United States (in 1977-08) and Joe Gibbs Studio in Kingston (Kingston Parish), Jamaica (in 1977-08)
mixed at:
Criteria Studios in Miami, Florida, United States (in 1977-08)
recording of:
Punky Reggae Party (from 1977-07 until 1977-08)
composer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
36:53
7Digital Media: Kaya
#TitleRatingLength
1Easy Skanking
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1978)
recording of:
Easy Skanking
composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
32:56
2Kaya
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
Kaya (Bob Marley song) (in 1977)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Cayman Music Inc, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
version of:
Kaya (Lee “Scratch” Perry song)
23:16
3Is This Love
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
acoustic guitar [1972 Guild F-112 12-string], electric guitar [1973 Gibson Les Paul Special] and lead vocals:
Bob Marley (Jamaican reggae artist)
bass guitar [1972 Fender Jazz Bass]:
Aston “Family Man” Barrett
drums (drum set) [1967 Ludwig Hollywood Maple]:
Carlton “Carly” Barrett
electric guitar [1970s Fender Stratocaster Natural]:
Junior Marvin
Hammond organ [B-3], mellotron [1970s ARP PE-IV Solina String-Ensemble] and piano [Hamburg Steinway Piano]:
Tyrone Downie
percussion:
Alvin “Seeco” Patterson
tenor saxophone:
Glen DaCosta
trombone:
Vin Gordon
trumpet:
David Madden (Jamaican trumpeter)
background vocals:
Marcia Griffiths (reggae singer from Jamaica), Rita Marley and Judy Mowatt
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1978) and Island Records, Inc. (US, Island holding) (in 1978)
recorded at and mixed at:
Island Studios (aka the Fallout Shelter, located in Hammersmith, London) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Is This Love
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Blue Mountain Music (in 1977, in 1978), Fifty Six Hope Road Music Limited (in 1977, in 1978), Odnil Music Ltd. (in 1977, in 1978) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1978)
43:52
4Sun Is Shining
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
Sun Is Shining (new lyrics Kaya version) (in 1977)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Cayman Music Inc, Tanabe Music Publishing (Tanabe Music Publishing Co., Ltd.), Blue Mountain Music (in 1975), Fifty Six Hope Road Music Limited (in 1975) and Odnil Music Ltd. (in 1975)
version of:
Sun Is Shining (original version)
3.354:58
5Satisfy My Soul
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1978)
recording of:
Satisfy My Soul (from 1977-01 until 1977-02)
composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Cayman Music, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972) and Odnil Music Ltd. (in 1972)
version of:
Don’t Rock the Boat
3.54:30
6She’s Gone
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
She’s Gone
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972) and Odnil Music Ltd. (in 1972)
22:25
7Misty Morning
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
Misty Morning
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
43:34
8Crisis
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
Crisis
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
33:54
9Running Away
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
Running Away
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
24:15
10Time Will Tell
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
Time Will Tell
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1978), Fifty Six Hope Road Music Limited (in 1978) and Odnil Music Ltd. (in 1978)
13:25
11Smile Jamaica (single version)
mixer:
Robert Ash (sound engineer)
recording of:
Smile Jamaica (in 1976-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Cayman Music ltd., Odnil Music, Primary Wave/Blue Mountain, 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
1.55:03
8Digital Media: Babylon by Bus (live)
#TitleRatingLength
1Positive Vibration (live)
producer:
Bob Marley & The Wailers
mixer:
Jack Nuber
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, United States
live recording of:
Positive Vibration
lyricist and composer:
Vincent Ford
publisher:
Bob Marley Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Primary Wave/Blue Mountain, Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
45:48
2Punky Reggae Party (live)
producer:
Bob Marley & The Wailers
mixer:
Jack Nuber
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1978-06-26)
mixed at:
Criteria Studios in Miami, Florida, United States
live recording of:
Punky Reggae Party (on 1978-06-26)
composer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
55:52
3Exodus (live)
producer:
Bob Marley & The Wailers
mixer:
Jack Nuber
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, United States
live recording of:
Exodus
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Cayman Music Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
3.957:42
4Stir It Up (live)
producer:
Bob Marley & The Wailers
mixer:
Jack Nuber
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, United States
live recording of:
Stir It Up
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Cayman Music, Odnil Music, PolyGram, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972) and Odnil Music Ltd. (in 1972)
3.655:17
5Rat Race (live)
producer:
Bob Marley & The Wailers
mixer:
Jack Nuber
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, United States
live recording of:
Rat Race
lyricist and composer:
Rita Marley
publisher:
Bob Marley Music, Kobalt Music Publishing Ltd. (UK), Odnil Music, Rondor Music (London) Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
53:41
6Concrete Jungle (live)
producer:
Bob Marley & The Wailers
mixer:
Jack Nuber
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, United States
live recording of:
Concrete Jungle
lyricist and composer:
Bob Marley (Jamaican reggae artist)
4.455:37
7Kinky Reggae (live)
producer:
Bob Marley & The Wailers
mixer:
Jack Nuber
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, United States
live recording of:
Kinky Reggae
lyricist and composer:
Bob Marley (Jamaican reggae artist)
34:46
8Lively Up Yourself (live)
producer:
Bob Marley & The Wailers
mixer:
Jack Nuber
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, United States
live recording of:
Lively Up Yourself
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Odnil Music Ltd. (from 1974 to present), Blue Mountain Music (in 1974) and Fifty Six Hope Road Music Limited (in 1974)
3.96:19
9Rebel Music (3 O’Clock Road Block) (live)
producer:
Bob Marley & The Wailers
mixer:
Jack Nuber
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1978-06-26)
mixed at:
Criteria Studios in Miami, Florida, United States
live recording of:
Rebel Music (3 O’Clock Roadblock) (on 1978-06-26)
writer:
Aston “Family Man” Barrett and Hugh Peart
publisher:
Bob Marley Music BVI, Rondor Music (London) Ltd., Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
55:20
10War / No More Trouble (live)
executive producer:
Chris Blackwell (Island Records) and Jack Nuber
producer:
Bob Marley & The Wailers
mixer:
Jack Nuber
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1978) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, United States
live medley including a recording of:
No More Trouble
lyricist and composer:
Bob Marley (Jamaican reggae artist)
live medley including a recording of:
War
writer:
Carlton “Carly” Barrett and Allan Cole (Jamaican songwriter)
publisher:
Bob Marley Music, Kobalt Music Publishing Ltd. (UK), Odnil Music, Rondor Music (London) Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
2.85:28
11Is This Love (live)
producer:
Bob Marley & The Wailers
mixer:
Jack Nuber
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, United States
live recording of:
Is This Love
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Blue Mountain Music (in 1977, in 1978), Fifty Six Hope Road Music Limited (in 1977, in 1978), Odnil Music Ltd. (in 1977, in 1978) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1978)
47:27
12The Heathen (live)
producer:
Bob Marley & The Wailers
mixer:
Jack Nuber
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, United States
live recording of:
The Heathen
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
54:30
13Jamming (live)
producer:
Bob Marley & The Wailers
mixer:
Jack Nuber
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1978)
mixed at:
Criteria Studios in Miami, Florida, United States
live recording of:
Jamming
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
45:55
9Digital Media: Survival
#TitleRatingLength
1So Much Trouble in the World
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1979)
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
So Much Trouble in the World
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979), Odnil Music Ltd. (in 1979), Blue Mountain Music Ltd. (from 1991 to present) and Bob Marley Music (from 1991 to present)
44:00
2Zimbabwe
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Zimbabwe (Bob Marley)
composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
33:51
3Top Rankin’
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Top Rankin’
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
33:09
4Babylon System
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Babylon System
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
34:22
5Survival
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Survival
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
33:55
6Africa Unite
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1979)
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Africa Unite (in 1979)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
32:55
7One Drop
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1979)
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
One Drop (in 1979)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
33:52
8Ride Natty Ride
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1979)
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Ride Natty Ride
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
2.653:51
9Ambush in the Night
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Ambush in the Night (in 1979)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
33:15
10Wake Up and Live
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Wake Up and Live (in 1979)
writer:
Anthony Davis and Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
3.354:59
11Ride Natty Ride (12″ mix)
recording of:
Ride Natty Ride
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
2.56:24
10Digital Media: Uprising
11Digital Media: Confrontation

Credits

Release group

includes:Babylon by Bus
Burnin’ by The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Catch a Fire by The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Confrontation
Exodus
Kaya
Live! (Live at the Lyceum) by Bob Marley and The Wailers
Natty Dread
Rastaman Vibration
Survival
Uprising
Discogs:https://www.discogs.com/master/905669 [info]
Allmusic:https://www.allmusic.com/album/mw0002862613 [info]