Eight Classic Albums

~ Release by Dave Brubeck (see all versions of this release, 2 available)

Tracklist

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1▼CD: Jazz at Oberlin (1953) / Brubeck Time (1955)
#TitleRatingLength
1These Foolish Things
alto saxophone:
Paul Desmond (on 1953-03-02)
double bass:
Ron Crotty (on 1953-03-02)
drums (drum set):
Lloyd Davis (on 1953-03-02)
piano:
Dave Brubeck (on 1953-03-02)
recorded at:
Finney Chapel in Oberlin, Ohio, United States (on 1953-03-02)
live instrumental recording of:
These Foolish Things (Remind Me of You) (on 1953-03-02)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
6:33
2Perdido
alto saxophone:
Paul Desmond (on 1953-03-02)
double bass:
Ron Crotty (on 1953-03-02)
drums (drum set):
Lloyd Davis (on 1953-03-02)
piano:
Dave Brubeck (on 1953-03-02)
recorded at:
Finney Chapel in Oberlin, Ohio, United States (on 1953-03-02)
live recording of:
Perdido (original instrumental version) (on 1953-03-02)
composer:
Juan Tizol
7:52
3Stardust
alto saxophone:
Paul Desmond (on 1953-03-02)
double bass:
Ron Crotty (on 1953-03-02)
drums (drum set):
Lloyd Davis (on 1953-03-02)
piano:
Dave Brubeck (on 1953-03-02)
recorded at:
Finney Chapel in Oberlin, Ohio, United States (on 1953-03-02)
live instrumental recording of:
Stardust (the jazz standard) (on 1953-03-02)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
6:30
4The Way You Look Tonight
alto saxophone:
Paul Desmond (on 1953-03-02)
double bass:
Ron Crotty (on 1953-03-02)
drums (drum set):
Lloyd Davis (on 1953-03-02)
piano:
Dave Brubeck (on 1953-03-02)
recorded at:
Finney Chapel in Oberlin, Ohio, United States (on 1953-03-02)
live instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1953-03-02)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
7:52
5How High the Moon
alto saxophone:
Paul Desmond (on 1953-03-02)
double bass:
Ron Crotty (on 1953-03-02)
drums (drum set):
Lloyd Davis (on 1953-03-02)
piano:
Dave Brubeck (on 1953-03-02)
recorded at:
Finney Chapel in Oberlin, Ohio, United States (on 1953-03-02)
live instrumental recording of:
How High the Moon (on 1953-03-02)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
9:11
6Audrey
producer:
George Avakian (US 1940–90s record producer)
alto saxophone:
Paul Desmond (on 1954-10-12)
double bass [bass]:
Bob Bates (on 1954-10-12)
drums (drum set):
Joe Dodge (on 1954-10-12)
piano:
Dave Brubeck (on 1954-10-12)
recorded at:
Basin Street East in New York, New York, United States (on 1954-10-12)
recording of:
Audrey (on 1954-10-12)
composer:
Dave Brubeck and Paul Desmond
3:35
7Jeepers Creepers
producer:
George Avakian (US 1940–90s record producer)
alto saxophone:
Paul Desmond (on 1954-10-12)
double bass:
Bob Bates (on 1954-10-12)
drums (drum set):
Joe Dodge (on 1954-10-12)
piano:
Dave Brubeck (on 1954-10-12)
recorded at:
Basin Street East in New York, New York, United States (on 1954-10-12)
cover recording of:
Jeepers Creepers
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting (composer)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
4:58
8Pennies From Heaven
recorded in:
New York, New York, United States (on 1954-10-14)
producer:
George Avakian (US 1940–90s record producer)
alto saxophone:
Paul Desmond (on 1954-10-14)
double bass:
Bob Bates (on 1954-10-14)
drums (drum set):
Joe Dodge (on 1954-10-14)
piano:
Dave Brubeck (on 1954-10-14)
recording of:
Pennies From Heaven (on 1954-10-14)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
6:29
9Why Do I Love You?
recorded in:
New York, New York, United States (on 1954-10-14)
producer:
George Avakian (US 1940–90s record producer)
alto saxophone:
Paul Desmond (on 1954-10-14)
double bass:
Bob Bates (on 1954-10-14)
drums (drum set):
Joe Dodge (on 1954-10-14)
piano:
Dave Brubeck (on 1954-10-14)
instrumental recording of:
Why Do I Love You? (Show Boat) (on 1954-10-14)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
5:42
10Stompin’ for Mili
recorded in:
New York, New York, United States (on 1954-10-13)
producer:
George Avakian (US 1940–90s record producer)
alto saxophone:
Paul Desmond (on 1954-10-13)
double bass:
Bob Bates (on 1954-10-13)
drums (drum set):
Joe Dodge (on 1954-10-13)
piano:
Dave Brubeck (on 1954-10-13)
recording of:
Stompin’ for Mili
composer:
Dave Brubeck and Paul Desmond
5:27
11Keepin’ Out of Mischief Now
recorded in:
Los Angeles, California, United States (on 1954-11-10)
producer:
George Avakian (US 1940–90s record producer)
alto saxophone:
Paul Desmond (on 1954-11-10)
double bass:
Bob Bates (on 1954-11-10)
drums (drum set):
Joe Dodge (on 1954-11-10)
piano:
Dave Brubeck (on 1954-11-10)
recording of:
Keepin’ Out of Mischief Now
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
5:07
12A Fine Romance
producer:
George Avakian (US 1940–90s record producer)
alto saxophone:
Paul Desmond (on 1954-10-12)
double bass:
Bob Bates (on 1954-10-12)
drums (drum set):
Joe Dodge (on 1954-10-12)
piano:
Dave Brubeck (on 1954-10-12)
recorded at:
Basin Street East in New York, New York, United States (on 1954-10-12)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
3:50
13Brother, Can You Spare a Dime?
recorded in:
New York, New York, United States (on 1954-10-14)
producer:
George Avakian (US 1940–90s record producer)
alto saxophone:
Paul Desmond (on 1954-10-14)
double bass:
Bob Bates (on 1954-10-14)
drums (drum set):
Joe Dodge (on 1954-10-14)
piano:
Dave Brubeck (on 1954-10-14)
recording of:
Brother Can You Spare a Dime
lyricist:
Yip Harburg
composer:
Jay Gorney
5:18
2▼CD: Brubeck Plays Brubeck (1956) / Jazz Impressions of the USA (1956)
#TitleRatingLength
1Swing Bells
producer:
George Avakian (US 1940–90s record producer)
piano:
Dave Brubeck
recording of:
Swing Bells (on 1956-04-18)
composer:
Dave Brubeck
3:40
2Walkin' Line
producer:
George Avakian (US 1940–90s record producer)
piano:
Dave Brubeck
recording of:
Walkin’ Line (on 1956-04-18)
composer:
Dave Brubeck
2:47
3In Your Own Sweet Way
producer:
George Avakian (US 1940–90s record producer)
piano:
Dave Brubeck
recording of:
In Your Own Sweet Way (original instrumental composition) (on 1956-04-18)
composer:
Dave Brubeck (in 1952)
publisher:
Derry Music
5:01
4Two-Part Contention
producer:
George Avakian (US 1940–90s record producer)
piano:
Dave Brubeck
recording of:
Two-Part Contention (on 1956-04-19)
composer:
Dave Brubeck
5:39
5Weep No More
producer:
George Avakian (US 1940–90s record producer)
piano:
Dave Brubeck
recording of:
Weep No More (on 1956-04-18)
lyricist:
Iola Brubeck
composer:
Dave Brubeck
3:59
6The Duke
producer:
George Avakian (US 1940–90s record producer)
piano:
Dave Brubeck
recording of:
The Duke (on 1956-04-19)
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
2:55
7When I Was Young
producer:
George Avakian (US 1940–90s record producer)
piano:
Dave Brubeck
recording of:
When I Was Young (on 1956-04-18)
lyricist:
Iola Brubeck
composer:
Dave Brubeck
publisher:
Derry Music Company
3:19
8One Moment Worth Years
producer:
George Avakian (US 1940–90s record producer)
piano:
Dave Brubeck
recording of:
One Moment Worth Years (on 1956-04-18)
lyricist:
Iola Brubeck
composer:
Dave Brubeck
4:56
9The Waltz
producer:
George Avakian (US 1940–90s record producer)
piano:
Dave Brubeck
recording of:
The Waltz (on 1956-04-18)
composer:
Dave Brubeck
3:50
10Ode to a Cowboy
recorded in:
New York, New York, United States (on 1956-11-26)
alto saxophone:
Paul Desmond (on 1956-11-26)
double bass:
Norm Bates (jazz double-bass player) (on 1956-11-26)
drums (drum set):
Joe Morello (on 1956-11-26)
piano:
Dave Brubeck (on 1956-11-26)
recording of:
Ode to a Cowboy (on 1956-11-26)
composer:
Dave Brubeck
5:03
11Summer Song
recorded in:
New York, New York, United States (on 1956-11-16)
alto saxophone:
Paul Desmond (on 1956-11-16)
double bass:
Norm Bates (jazz double-bass player) (on 1956-11-16)
drums (drum set):
Joe Morello (on 1956-11-16)
piano:
Dave Brubeck (on 1956-11-16)
recording of:
Summer Song (on 1956-11-16)
lyricist:
Iola Brubeck
composer:
Dave Brubeck
6:07
12Yonder for Two
recorded in:
New York, New York, United States (on 1956-11-16)
alto saxophone:
Paul Desmond (on 1956-11-16)
double bass:
Norm Bates (jazz double-bass player) (on 1956-11-16)
drums (drum set):
Joe Morello (on 1956-11-16)
piano:
Dave Brubeck (on 1956-11-16)
recording of:
Yonder for Two (on 1956-11-16)
composer:
Dave Brubeck
5:02
13History of a Boy Scout
recorded in:
New York, New York, United States (on 1956-11-16)
alto saxophone:
Paul Desmond (on 1956-11-16)
double bass:
Norm Bates (jazz double-bass player) (on 1956-11-16)
drums (drum set):
Joe Morello (on 1956-11-16)
piano:
Dave Brubeck (on 1956-11-16)
recording of:
History of a Boy Scout (on 1956-11-16)
composer:
Dave Brubeck
4:36
14Plain Song
recorded in:
New York, New York, United States (on 1956-11-26)
alto saxophone:
Paul Desmond (on 1956-11-26)
double bass:
Norm Bates (jazz double-bass player) (on 1956-11-26)
drums (drum set):
Joe Morello (on 1956-11-26)
piano:
Dave Brubeck (on 1956-11-26)
recording of:
Plain Song (on 1956-11-26)
composer:
Dave Brubeck
4:05
15Curtain Time
recorded in:
New York, New York, United States (on 1956-11-16)
alto saxophone:
Paul Desmond (on 1956-11-16)
double bass:
Norm Bates (jazz double-bass player) (on 1956-11-16)
drums (drum set):
Joe Morello (on 1956-11-16)
piano:
Dave Brubeck (on 1956-11-16)
recording of:
Curtain Time (on 1956-11-16)
composer:
Dave Brubeck
4:48
16Sounds of the Loop
recorded in:
New York, New York, United States (on 1956-11-26)
alto saxophone:
Paul Desmond (on 1956-11-26)
double bass:
Norm Bates (jazz double-bass player) (on 1956-11-26)
drums (drum set):
Joe Morello (on 1956-11-26)
piano:
Dave Brubeck (on 1956-11-26)
recording of:
Sounds of the Loop (on 1956-11-26)
composer:
Dave Brubeck
7:30
17Home at Last
recorded in:
Oakland, California, United States (on 1957-02-04)
alto saxophone:
Paul Desmond (on 1957-02-04)
double bass:
Norm Bates (jazz double-bass player) (on 1957-02-04)
drums (drum set):
Joe Morello (on 1957-02-04)
piano:
Dave Brubeck (on 1957-02-04)
recording of:
Home at Last (on 1957-02-04)
composer:
Dave Brubeck
3:54
3▼CD: Plays and Plays and Plays (1957) / Dave Digs Disney (1957)
#TitleRatingLength
1Sweet Cleo Brown
recorded in:
Oakland, California, United States (on 1957-02-08)
piano:
Dave Brubeck (on 1957-02-08)
recording of:
Sweet Cleo Brown (on 1957-02-08)
composer:
Dave Brubeck
3:56
2I'm Old Fashioned
recorded in:
Oakland, California, United States (on 1957-02-08)
piano:
Dave Brubeck (on 1957-02-08)
instrumental recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (on 1957-02-08)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:00
3Love Is Here to Stay
recorded in:
Oakland, California, United States (on 1957-02-08)
piano:
Dave Brubeck (on 1957-02-08)
instrumental recording of:
Love Is Here to Stay (on 1957-02-08)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
2:51
4Indian Summer
recorded in:
Oakland, California, United States (on 1957-02-08)
piano:
Dave Brubeck (on 1957-02-08)
instrumental recording of:
Indian Summer (on 1957-02-08)
lyricist:
Al Dubin (in 1939)
composer:
Victor Herbert (American composer) (in 1919)
publisher:
Harms, Inc.
3:51
5In Search of a Theme
recorded in:
Oakland, California, United States (on 1957-02-08)
piano:
Dave Brubeck (on 1957-02-08)
recording of:
In Search of a Theme (on 1957-02-08)
composer:
Dave Brubeck
2:29
6You'd Be So Nice to Come Home To
recorded in:
Oakland, California, United States (on 1957-02-08)
piano:
Dave Brubeck (on 1957-02-08)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1957-02-08)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:29
7I See Your Face Before Me
recorded in:
Oakland, California, United States (on 1957-02-08)
piano:
Dave Brubeck (on 1957-02-08)
instrumental recording of:
I See Your Face Before Me (on 1957-02-08)
lyricist and composer:
Howard Dietz (librettist) and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. and Chappell & Co.
4:58
8They Say It's Wonderful
recorded in:
Oakland, California, United States (on 1957-02-08)
piano:
Dave Brubeck (on 1957-02-08)
instrumental recording of:
They Say It’s Wonderful (from “Annie Get Your Gun”) (on 1957-02-08)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Co. and Irving Berlin Music Corp.
part of:
Annie Get Your Gun
2:43
9Imagination
recorded in:
Oakland, California, United States (on 1957-02-08)
piano:
Dave Brubeck (on 1957-02-08)
instrumental recording of:
Imagination (on 1957-02-08)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
6:12
10Alice in Wonderland
recorded in:
New York, New York, United States (on 1957-06-29)
producer:
George Avakian (US 1940–90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (on 1957-06-29)
bass:
Norm Bates (jazz double-bass player) (on 1957-06-29)
drums (drum set):
Joe Morello (on 1957-06-29)
piano:
Dave Brubeck (on 1957-06-29)
recording of:
Alice in Wonderland (main theme of Alice in Wonderland, 1951 film) (on 1957-06-29)
lyricist:
Bob Hilliard
composer:
Sammy Fain
part of:
Alice in Wonderland (1951 Disney animated film)
9:30
11Give a Little Whistle
recorded in:
New York, New York, United States (on 1957-06-29)
producer:
George Avakian (US 1940–90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (on 1957-06-29)
bass:
Norm Bates (jazz double-bass player) (on 1957-06-29)
drums (drum set):
Joe Morello (on 1957-06-29)
piano:
Dave Brubeck (on 1957-06-29)
recording of:
Give a Little Whistle (Pinocchio, 1940 film) (on 1957-06-29)
lyricist:
Ned Washington
composer:
Leigh Harline
part of:
Pinocchio (1940 Disney film soundtrack)
7:37
12Heigh-Ho!
recorded in:
Los Angeles, California, United States (on 1957-10-24)
producer:
George Avakian (US 1940–90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (on 1957-10-24)
bass:
Norm Bates (jazz double-bass player) (on 1957-10-24)
drums (drum set):
Joe Morello (on 1957-10-24)
piano:
Dave Brubeck (on 1957-10-24)
instrumental recording of:
Heigh‐Ho (The Dwarfs’ Marching Song) (on 1957-10-24)
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher)
part of:
On est toutes Blanche-Neige
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
3:57
13When You Wish Upon a Star
recorded in:
Los Angeles, California, United States (on 1957-10-24)
producer:
George Avakian (US 1940–90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (on 1957-10-24)
bass:
Norm Bates (jazz double-bass player) (on 1957-10-24)
drums (drum set):
Joe Morello (on 1957-10-24)
piano:
Dave Brubeck (on 1957-10-24)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1957)
instrumental recording of:
When You Wish Upon a Star (Pinocchio, 1940 film) (on 1957-10-24)
lyricist:
Ned Washington
composer:
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Chappell Music Ltd.
part of:
The 13th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1940 winner)
medley of:
Little Wooden Head (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
part of:
Celebrate the Future Hand in Hand
part of:
Pinocchio (1940 Disney film soundtrack)
4:54
14Some Day My Prince Will Come
recorded in:
New York, New York, United States (on 1957-06-30)
producer:
George Avakian (US 1940–90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (on 1957-06-30)
bass:
Norm Bates (jazz double-bass player) (on 1957-06-30)
drums (drum set):
Joe Morello (on 1957-06-30)
piano:
Dave Brubeck (on 1957-06-30)
instrumental cover recording of:
Someday My Prince Will Come (on 1957-06-30)
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
8:21
15One Song
recorded in:
Los Angeles, California, United States (on 1957-10-24)
producer:
George Avakian (US 1940–90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (on 1957-10-24)
bass:
Norm Bates (jazz double-bass player) (on 1957-10-24)
drums (drum set):
Joe Morello (on 1957-10-24)
piano:
Dave Brubeck (on 1957-10-24)
instrumental recording of:
One Song (on 1957-10-24)
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne, Inc.
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
5:01
4▼CD: Time Out (1959) / Jazz Impressions of Eurasia (1958)
#TitleRatingLength
1Blue Rondo à la Turk
recorded in:
New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording of:
Blue Rondo à la Turk (from 1959-08-18 until 1959-08-19)
composer:
Dave Brubeck
publisher:
Derry Music Company and Valentine Music Verlag
sub-publisher:
Budde Music France and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
36:48
2Strange Meadow Lark
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Strange Meadow Lark (on 1959-07-01)
composer:
Dave Brubeck and Iola Brubeck
publisher:
Derry Music Company
37:26
3Take Five
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, volume I)
4.355:27
4Three to Get Ready
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Three to Get Ready (on 1959-06-25)
composer:
Dave Brubeck
publisher:
Derry Music Co.
35:26
5Kathy's Waltz
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1959), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Kathy’s Waltz (on 1959-06-25)
composer:
Dave Brubeck
34:52
6Everybody's Jumpin'
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1959), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Everybody’s Jumpin’ (on 1959-06-25)
composer:
Dave Brubeck
34:25
7Pick Up Sticks
recorded in:
New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1959), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording of:
Pick Up Sticks (from 1959-08-18 until 1959-08-19)
composer:
Dave Brubeck
34:20
8Nomad
recorded in:
New York, New York, United States (on 1958-07-25)
engineer:
Mark Wilder (US recording/mastering engineer)
producer:
Cal Lampley
alto saxophone:
Paul Desmond (on 1958-07-25)
double bass:
Joe Benjamin (US jazz bassist) (on 1958-07-25)
drums (drum set):
Joe Morello (on 1958-07-25)
piano:
Dave Brubeck (on 1958-07-25)
instrumental recording of:
Nomad (original instrumental Brubeck song) (on 1958-07-25)
composer:
Dave Brubeck
7:22
9Brandenburg Gate
recorded in:
Warsaw, Mazowieckie (Masovian Voivodeship), Poland (on 1958-08-23)
engineer:
Mark Wilder (US recording/mastering engineer)
producer:
Cal Lampley
alto saxophone:
Paul Desmond (on 1958-08-23)
double bass:
Joe Benjamin (US jazz bassist) (on 1958-08-23)
drums (drum set):
Joe Morello (on 1958-08-23)
piano:
Dave Brubeck (on 1958-08-23)
instrumental recording of:
Brandenburg Gate (on 1958-08-23)
composer:
Dave Brubeck
recording of:
Brandenburg Gate
composer:
Dave Brubeck
6:55
10The Golden Horn
recorded in:
Warsaw, Mazowieckie (Masovian Voivodeship), Poland (on 1958-08-23)
engineer:
Mark Wilder (US recording/mastering engineer)
producer:
Cal Lampley
alto saxophone:
Paul Desmond (on 1958-08-23)
double bass:
Joe Benjamin (US jazz bassist) (on 1958-08-23)
drums (drum set):
Joe Morello (on 1958-08-23)
piano:
Dave Brubeck (on 1958-08-23)
instrumental recording of:
The Golden Horn (on 1958-08-23)
composer:
Dave Brubeck
5:03
11Thank You
recorded in:
Warsaw, Mazowieckie (Masovian Voivodeship), Poland (on 1958-08-23)
engineer:
Mark Wilder (US recording/mastering engineer)
producer:
Cal Lampley
alto saxophone:
Paul Desmond (on 1958-08-23)
double bass:
Joe Benjamin (US jazz bassist) (on 1958-08-23)
drums (drum set):
Joe Morello (on 1958-08-23)
piano:
Dave Brubeck (on 1958-08-23)
instrumental recording of:
Thank You (on 1958-08-23)
composer:
Dave Brubeck
3:35
12Marble Arch
recorded in:
New York, New York, United States (on 1958-07-25)
engineer:
Mark Wilder (US recording/mastering engineer)
producer:
Cal Lampley
alto saxophone:
Paul Desmond (on 1958-07-25)
double bass:
Joe Benjamin (US jazz bassist) (on 1958-07-25)
drums (drum set):
Joe Morello (on 1958-07-25)
piano:
Dave Brubeck (on 1958-07-25)
instrumental recording of:
Marble Arch (on 1958-07-25)
composer:
Dave Brubeck
7:00
13Calcutta Blues
recorded in:
Warsaw, Mazowieckie (Masovian Voivodeship), Poland (on 1958-08-23)
engineer:
Mark Wilder (US recording/mastering engineer)
producer:
Cal Lampley
alto saxophone:
Paul Desmond (on 1958-08-23)
double bass:
Joe Benjamin (US jazz bassist) (on 1958-08-23)
drums (drum set):
Joe Morello (on 1958-08-23)
piano:
Dave Brubeck (on 1958-08-23)
instrumental recording of:
Calcutta Blues (on 1958-08-23)
composer:
Dave Brubeck
8:33