In the Court of the Crimson King (40th anniversary series)

~ Release by King Crimson (see all versions of this release, 72 available)

Tracklist

| |
1CD: 2009 Stereo Mix (plus bonus tracks)
#TitleRatingLength
121st Century Schizoid Man
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
57:24
2I Talk to the Wind
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
Robert Fripp, King Crimson and Steven Wilson (founder of Porcupine Tree)
mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3.856:00
3Epitaph
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
58:53
4Moonchild
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Moonchild (suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
39:02
5The Court of the Crimson King
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
59:31
6Moonchild (full version)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Moonchild (suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
12:16
7I Talk to the Wind (duo version)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
guitar:
Robert Fripp
woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
instrumental recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
34:56
8I Talk to the Wind (alternate mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
46:37
9Epitaph (backing track)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
instrumental recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
39:06
10Wind Session
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Wind Session
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
14:31
2CD: Original Master Edition 2004 (plus bonus tracks)
#TitleRatingLength
121st Century Schizoid Man
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 86)
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
4.37:24
2I Talk to the Wind
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
Robert Fripp, King Crimson and Steven Wilson (founder of Porcupine Tree)
mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3.856:04
3Epitaph
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard [keyboards], mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
3.958:49
4Moonchild
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
vocals:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
Moonchild (suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
Moonchild (section)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
Moonchild (suite)
3.612:13
5The Court of the Crimson King
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
The Court of the Crimson King (section)
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
The Court of the Crimson King (suite)
4.659:26
621st Century Schizoid Man (instrumental)
instrumental recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
6:47
7I Talk to the Wind (BBC session)
live recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
24:40
821st Century Schizoid Man (BBC session)
live recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
7:11
9The Court of the Crimson King, Part 1 (mono single version)
partial recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3:22
10The Court of the Crimson King, Part 2 (mono single version)
recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4:31
3CD: The Alternate Album
#TitleRatingLength
121st Century Schizoid Man (instrumental)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
instrumental recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
7:08
2I Talk to the Wind (studio run through)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4:21
3Epitaph (alternate version)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
9:27
4Moonchild (take 1)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Moonchild (section)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
Moonchild (suite)
2:21
5The Court of the Crimson King (take 3)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
7:15
621st Century Schizoid Man
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 86)
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
4.37:21
7I Talk to the Wind
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
Robert Fripp, King Crimson and Steven Wilson (founder of Porcupine Tree)
mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3.856:03
8Epitaph
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard [keyboards], mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
3.958:56
9Moonchild
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
vocals:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
Moonchild (suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
Moonchild (section)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
Moonchild (suite)
3.612:12
10The Court of the Crimson King
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
The Court of the Crimson King (section)
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
The Court of the Crimson King (suite)
4.659:22
4CD: Live 1969
#TitleRatingLength
121st Century Schizoid Man
producer:
Robert Fripp and David Singleton
mixer:
Peter Sinfield
editor:
Alex R. Mundy (Mister Stormy)
bass guitar and lead vocals:
Greg Lake (on 1969-07-05)
drums (drum set) and percussion:
Michael Giles (on 1969-07-05)
flute, mellotron, reeds and saxophone:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-07-05)
guitar:
Robert Fripp (on 1969-07-05)
vocals:
Michael Giles (on 1969-07-05) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-07-05)
recorded at:
Hyde Park Festival 1969 (1969-07-05)
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live recording of:
21st Century Schizoid Man (full suite, including Mirrors) (on 1969-07-05)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
6:36
2The Court of the Crimson King
producer:
Robert Fripp and David Singleton
mixer:
Peter Sinfield
editor:
Alex R. Mundy (Mister Stormy)
bass guitar and lead vocals:
Greg Lake (on 1969-07-05)
drums (drum set) and percussion:
Michael Giles (on 1969-07-05)
flute, mellotron, reeds and saxophone:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-07-05)
guitar:
Robert Fripp (on 1969-07-05)
vocals:
Michael Giles (on 1969-07-05) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-07-05)
recorded at:
Hyde Park Festival 1969 (1969-07-05)
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live recording of:
The Court of the Crimson King (suite) (on 1969-07-05)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
live recording of:
The Court of the Crimson King (section) (on 1969-07-05)
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
The Court of the Crimson King (suite)
6:31
3Get Thy Bearings
producer:
Robert Fripp and David Singleton
mixer:
Peter Sinfield
editor:
Alex R. Mundy (Mister Stormy)
bass guitar and lead vocals:
Greg Lake (on 1969-07-05)
drums (drum set) and percussion:
Michael Giles (on 1969-07-05)
flute, mellotron, reeds and saxophone:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-07-05)
guitar:
Robert Fripp (on 1969-07-05)
vocals:
Michael Giles (on 1969-07-05) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-07-05)
recorded at:
Hyde Park Festival 1969 (1969-07-05)
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live cover recording of:
Get Thy Bearings (on 1969-07-05)
lyricist and composer:
Donovan Philips Leitch (Scottish singer, songwriter and guitarist)
9:41
4Epitaph
producer:
Robert Fripp and David Singleton
mixer:
Peter Sinfield
editor:
Alex R. Mundy (Mister Stormy)
bass guitar and lead vocals:
Greg Lake (on 1969-07-05)
drums (drum set) and percussion:
Michael Giles (on 1969-07-05)
flute, mellotron, reeds and saxophone:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-07-05)
guitar:
Robert Fripp (on 1969-07-05)
vocals:
Michael Giles (on 1969-07-05) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-07-05)
recorded at:
Hyde Park Festival 1969 (1969-07-05)
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live recording of:
Epitaph (on 1969-07-05)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
4:29
5Mantra
producer:
Robert Fripp and David Singleton
mixer:
Peter Sinfield
editor:
Alex R. Mundy (Mister Stormy)
bass guitar and lead vocals:
Greg Lake (on 1969-07-05)
drums (drum set) and percussion:
Michael Giles (on 1969-07-05)
flute, mellotron, reeds and saxophone:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-07-05)
guitar:
Robert Fripp (on 1969-07-05)
vocals:
Michael Giles (on 1969-07-05) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-07-05)
recorded at:
Hyde Park Festival 1969 (1969-07-05)
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live recording of:
Mantra (on 1969-07-05)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3:05
6Travel Weary Capricorn
producer:
Robert Fripp and David Singleton
mixer:
Peter Sinfield
editor:
Alex R. Mundy (Mister Stormy)
bass guitar and lead vocals:
Greg Lake (on 1969-07-05)
drums (drum set) and percussion:
Michael Giles (on 1969-07-05)
flute, mellotron, reeds and saxophone:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-07-05)
guitar:
Robert Fripp (on 1969-07-05)
vocals:
Michael Giles (on 1969-07-05) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-07-05)
recorded at:
Hyde Park Festival 1969 (1969-07-05)
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live recording of:
Travel Weary Capricorn (on 1969-07-05)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
5:38
7Mars
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live cover recording of:
The Planets, op. 32: I. Mars, the Bringer of War (on 1969-07-05)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
3:30
8The Court of the Crimson King
recorded at:
Fillmore East in East Village, New York, New York, United States (in 1969-11)
live recording of:
The Court of the Crimson King (suite) (in 1969-11)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
7:52
9A Man a City
mixer:
Peter Sinfield
bass guitar and lead vocals:
Greg Lake (on 1969-11-22)
drums (drum set) and percussion:
Michael Giles (on 1969-11-22)
flute, mellotron and saxophone:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-11-22)
guitar:
Robert Fripp (on 1969-11-22)
vocals:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-11-22) and Peter Sinfield (on 1969-11-22)
recorded at:
Fillmore East in East Village, New York, New York, United States (in 1969-11, on 1969-11-22)
live recording of:
A Man, a City (on 1969-11-22)
dedicated to:
New York, New York, United States
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
live recording of:
A Man, a City (in 1969-11)
dedicated to:
New York, New York, United States
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
12:19
10Epitaph
mixer:
Peter Sinfield
bass guitar and lead vocals:
Greg Lake (on 1969-11-22)
drums (drum set) and percussion:
Michael Giles (on 1969-11-22)
flute, mellotron and saxophone:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-11-22)
guitar:
Robert Fripp (on 1969-11-22)
vocals:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-11-22) and Peter Sinfield (on 1969-11-22)
recorded at:
Fillmore East in East Village, New York, New York, United States (in 1969-11, on 1969-11-22)
live recording of:
Epitaph (on 1969-11-22)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
8:32
1121st Century Schizoid Man
mixer:
Peter Sinfield
bass guitar and lead vocals:
Greg Lake (on 1969-11-22)
drums (drum set) and percussion:
Michael Giles (on 1969-11-22)
flute, mellotron and saxophone:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-11-22)
guitar:
Robert Fripp (on 1969-11-22)
vocals:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) (on 1969-11-22) and Peter Sinfield (on 1969-11-22)
recorded at:
Fillmore East in East Village, New York, New York, United States (in 1969-11, from 1969-11-21 until 1969-11-22, on 1969-11-22)
live recording of:
21st Century Schizoid Man (full suite, including Mirrors) (from 1969-11-21 until 1969-11-22)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
live recording of:
21st Century Schizoid Man (full suite, including Mirrors) (on 1969-11-22)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
live recording of:
21st Century Schizoid Man (full suite, including Mirrors) (in 1969-11)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
7:57
5CD: The Original Atlantic Records Issued Vinyl US Radio Promos
#TitleRatingLength
121st Century Schizoid Man (mono)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 86)
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
4.37:22
2I Talk to the Wind (mono)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
Robert Fripp, King Crimson and Steven Wilson (founder of Porcupine Tree)
mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3.856:04
3Epitaph (mono)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard [keyboards], mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
3.958:52
4Moonchild (mono)
recording of:
Moonchild (suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
Moonchild (section)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
Moonchild (suite)
12:13
5The Court of the Crimson King (mono)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
The Court of the Crimson King (section)
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
The Court of the Crimson King (suite)
4.659:27
6The Court of the Crimson King (edited mono single mix)
recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
2:20
6DVD: 2009 5.1 Surround Mix, 2009 Stereo Mix, Original Master Edition 2004, Additional Audio Content, The Alternate Album, Video Content
#TitleRatingLength
121st Century Schizoid Man (5.1 mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
7:24
2I Talk to the Wind (5.1 mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
6:00
3Epitaph (5.1 mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
8:52
4Moonchild (5.1 mix)
recording of:
Moonchild (section)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
Moonchild (suite)
9:02
5The Court of the Crimson King (5.1 mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
9:20
621st Century Schizoid Man (2009 stereo mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
57:24
7I Talk to the Wind (2009 stereo mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
Robert Fripp, King Crimson and Steven Wilson (founder of Porcupine Tree)
mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3.856:00
8Epitaph (2009 stereo mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
58:52
9Moonchild (2009 stereo mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Moonchild (suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
39:02
10The Court of the Crimson King (2009 stereo mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
59:20
1121st Century Schizoid Man (original master edition 2004)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 86)
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
4.37:23
12I Talk to the Wind (original master edition 2004)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
Robert Fripp, King Crimson and Steven Wilson (founder of Porcupine Tree)
mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3.856:03
13Epitaph (original master edition 2004)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard [keyboards], mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
3.958:48
14Moonchild (original master edition 2004)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
vocals:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
Moonchild (suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
Moonchild (section)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
Moonchild (suite)
3.612:12
15The Court of the Crimson King (original master edition 2004)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
The Court of the Crimson King (section)
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
The Court of the Crimson King (suite)
4.659:25
16Moonchild (full version)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Moonchild (suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
12:13
17I Talk to the Wind (duo version)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
guitar:
Robert Fripp
woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
instrumental recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
34:54
18I Talk to the Wind (alternate mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
46:34
19Epitaph (backing track)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
instrumental recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
39:02
20Wind Session
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Wind Session
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
14:28
2121st Century Schizoid Man (instrumental)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
instrumental recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
7:07
22I Talk to the Wind (studio run Through)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4:20
23Epitaph (alternate version)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
9:27
24Moonchild (take 1)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Moonchild (section)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
Moonchild (suite)
2:20
25The Court of the Crimson King (take 3)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
7:14
2621st Century Schizoid Man (edit)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
reeds:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recorded at:
Hyde Park Festival 1969 (1969-07-05)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live recording of:
21st Century Schizoid Man (section) (on 1969-07-05)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
21st Century Schizoid Man (full suite, including Mirrors)
?:??

Credits

Release

art direction and illustration:Barry Godber
photography:Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
liner notes:Declan Colgan
Robert Fripp
Sid Smith (freelance music writer and sleeve notes author)
assistant engineer:Tony Page (engineer at Wessex Sound Studios)
engineer:Robin Thompson (UK engineer)
producer:King Crimson
assistant mastering:Joe Gilder
mastering:Simon Heyworth (UK record engineer and producer)
Neil Wilkes
remastering:Simon Heyworth (UK record engineer and producer) (in 2004-09)
bass guitar and lead vocals:Greg Lake
drums (drum set) and percussion:Michael Giles
guitar:Robert Fripp
keyboard, mellotron, reeds, vibraphone and woodwind:Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
vocals:Michael Giles
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
copyrighted (©) by and phonographic copyright (℗) by:Robert Fripp (in 2009)
design:Claire Bidwell
Hugh O'Donnell
distributed by:Inner Knot
Panegyric
copyrighted (©) by:BBC Worldwide (in 2009)
recorded at:Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
mastered at:Opus Productions in London (Greater London), England, United Kingdom
Super Audio Mastering in Devon, England, United Kingdom
remaster of:In the Court of the Crimson King
Discogs:https://www.discogs.com/release/2053798 [info]
ASIN:US: B002M3GPOI [info]