Mastermix Classic Cuts 60: Pop / Dance

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Killer (12″ version)
engineer:
Mike “Spike” Drake
vocals:
Seal (English‐born singer and songwriter) (on 1990-01-27)
recording of:
Killer (in 1990)
lyricist:
Seal (English‐born singer and songwriter)
writer:
Seal (English‐born singer and songwriter) and Adam Paul Tinley
publisher:
EMI Virgin Music Publishing Germany GmbH & Co. KG (ended), Virgin Music (Publishers) Ltd. (ended), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing GmbH
Adamski5:34
2Girls on Film (Night version)
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Gloucester Place Music Ltd.
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran5:31
3Relax (New York mix - original 12″ version)
producer:
Trevor Horn
phonographic copyright (℗) by:
Zang Tumb Tuum (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983), ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
remix of:
Relax (aka: Move; Suck it; Original 7" mix) by Frankie Goes to Hollywood
recording of:
Relax
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood47:27
4Southern Freeez (12″ version)
recording of:
Southern Freeez
writer:
Peter Maas, John Rocca and Andy Stennett
Freeez3.55:43
5(We Don’t Need This) Fascist Groove Thang (7″ version)
producer:
B.E.F.
bass, guitar and synthesizer:
John Wilson (guitarist; Heaven 17)
percussion, piano and synthesizer and background vocals:
Martyn Ware
percussion, saxophone and synthesizer:
Ian Craig Marsh
lead vocals:
Glenn Gregory
recording of:
(We Don’t Need This) Fascist Groove Thang
lyricist:
Glenn Gregory
composer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 174.54:19
6I’ve Been Thinking About You (12″ version)
programming:
Willy M (Londonbeat)
keyboard:
Willy M (Londonbeat)
lead vocals:
Helmsey (soul singer)
vocals:
George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat) and Jimmy ‘Chirpy’ Chambers
recording of:
I’ve Been Thinking About You
writer:
Jimmy Chambers, George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), Jimmy Helms (soul singer) and William Henshall (Londonbeat)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Londonbeat5:20
7One Night in Heaven (12″ version)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1993)
recording of:
One Night in Heaven
writer:
Paul Heard and Mike Pickering (of M People and Quando Quango)
M People46:30
8Riding on a Train (album version)
recording of:
Riding on a Train
writer:
John Banfield, Aaron Brown (The Pasadenas), David Milliner, Michael Milliner and Hammish Seelochan
publisher:
CBS Music Publishing and CBS Songs
The Pasadenas5:23
9Let’s Go Crazy (album version)
recording engineer:
David Leonard (US producer and engineer) and Susan Rogers (US sound engineer)
programming and producer:
Prince (“The Artist Formerly Known as…”)
drum machine [Linn LM-1], electronic drum set [Pearl SY-1 Syncussion], electronic drum set [Simmons SDS-V] and percussion:
Bobby Z. (on 1983-08-07)
electric bass guitar:
Brown Mark (on 1983-08-07)
electric guitar:
Wendy Melvoin (on 1983-08-07) and Prince (“The Artist Formerly Known as…”) (on 1983-08-07)
synthesizer:
Lisa Coleman (US pianist/keyboardist & composer) (on 1983-08-07) and Dr. Fink (on 1983-08-07)
background vocals:
Brown Mark (on 1983-08-07), Lisa Coleman (US pianist/keyboardist & composer) (on 1983-08-07), Dr. Fink (on 1983-08-07), Wendy Melvoin (on 1983-08-07) and Prince (“The Artist Formerly Known as…”) (on 1983-08-07)
lead vocals:
Prince (“The Artist Formerly Known as…”) (on 1983-08-07)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and NPG Records, Inc. (in 2017)
recorded at:
The Warehouse in St. Louis Park, Minnesota, United States (on 1983-08-07)
recording of:
Let’s Go Crazy (on 1983-08-07)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
Prince & The Revolution3.94:42
10Disco 2000 (7″ mix)
programming:
Matthew Vaughan (UK producer)
additional engineer:
Pete Lewis (engineer)
assistant engineer:
John Brant (engineer), Julie Gardner (engineer), Pete Lewis (engineer) and Anthony Lycenko (Australian producer and engineer)
engineer:
David "Chipper" Nicholas (Australian recording engineer and producer)
additional producer and additional mixer:
Alan Tarney
producer:
Chris Thomas (UK record producer / remixer)
mixer:
John Hudson (producer, recording and mixing engineer) and Gerry Kitchingham
additional keyboard:
Oliver Tarney
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1995)
recording of:
Disco 2000
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist), Russell Senior and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
Glastonbury Festival 1995, day 2: Pyramid Stage (1995-06-24)
publisher:
Island Music Ltd.
Pulp3.54:51
11Relight My Fire (7″ version)
guest vocals:
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
cover recording of:
Relight My Fire
lyricist and composer:
Dan Hartman
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Take That feat. Lulu4:01
12The Key, The Secret (12″ version)
recording of:
The Key: The Secret
additional lyricist:
A. Cousins and P. Hayes
lyricist:
Rohan Heath
composer:
Davide Rizzatti
publisher:
Expanded Music, Notting Hill Music (UK) Ltd. and Peermusic (UK) Ltd.
Urban Cookie Collective6:03
13Situation (US 12″ mix)
producer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…), Daniel Miller (British music producer and founder of Mute Records) and Eric Radcliffe (UK producer / engineer / musician)
keyboard and synthesizer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
vocals:
Alison Moyet
remixer:
François Kevorkian
phonographic copyright (℗) by:
Sire Records (in 1982)
recording of:
Situation
writer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) and Alison Moyet
Yazoo3.355:44

Credits

Release group

part of:Mastermix Classic Cuts (number: 60) (order: 60)