Die lustige Witwe (Highlights)

~ Release by Franz Lehár (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Die lustige Witwe: Akt I. Einleitung - Verehrteste Damen und Herren (Cascada, Zeta & cast)
baritone vocals [Zeta]:
Karl Dönch (light bass-baritone)
soprano vocals [Valencienne]:
Emmy Loose (soprano)
tenor vocals [Camille]:
Waldemar Kmentt (tenor)
tenor vocals [Cascada]:
Peter Klein (tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 1 Introduktion „Verehrteste Damen und Herren” / Dialog „Danke, danke, meine Herrschaften” (Cascada, Chor, Zeta, Valencienne, Sylviane, Olga, Praskowia, Camille, St. Brioche, Zeta, Kromow)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
2:49
2Die lustige Witwe: Akt I. So kommen Sie!... Ich bin eine anständ'ge Frau (Valencienne, Camille)
soprano vocals [Valencienne]:
Emmy Loose (soprano)
tenor vocals [Camille]:
Waldemar Kmentt (tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 2 Duett „So kommen Sie! ’s ist niemand hier!” / Nr. 2b „Ich bin eine anständige Frau” (Valencienne, Camille)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
4:22
3Die lustige Witwe: Akt I. Entrée-Lied der Hanna und Ensemble: Bitte, meine Herr'n! (Hanna, Cascada, St. Brioche & chorus)
baritone vocals [St. Brioche]:
Kurt Equiluz (tenor)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
soprano vocals [Hanna]:
Hilde Güden (soprano)
tenor vocals [Cascada]:
Peter Klein (tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 3 Entréelied “Bitte, meine Herr'n! Welche Galantrie'n” … “Gar oft hab ich gehört” … “Hab’ in Paris mich noch nicht ganz so akklimatisiert” (Hanna, Cascada, St. Brioche, Herrenchor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
3:10
4Die lustige Witwe: Akt I. Auftrittslied: O Vaterland, du machst bei Tag... Da geh' ich zu Maxim (Danilo)
tenor vocals [Danilo]:
Per Grundén (tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
recording of:
Die lustige Witwe: Akt I. Dialog: „Also bitte, Njegus, ich bin hier” / Nr. 4 Auftrittslied „O Vaterland, du machst bei Tag” ... „Da geh' ich zu Maxim” (Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
2:17
5Die lustige Witwe: Akt I. Ja was? Ein trautes Zimmerlein (Valencienne, Camille)
soprano vocals [Valencienne]:
Emmy Loose (soprano)
tenor vocals [Camille]:
Waldemar Kmentt (tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 5 Duett „Ja, was? – Ein trautes Zimmerlein“ / "Das ist der Zauber der stillen Häuslichkeit" (Valencienne, Camille)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
2:40
6Die lustige Witwe: Akt I. Finale: Damenwahl! Hört man rufen rings im Saal! (Hanna, Valencienne, Danilo, Camille, St. Brioche, Cascada & chorus)
baritone vocals [St. Brioche]:
Kurt Equiluz (tenor)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
soprano vocals [Hanna]:
Hilde Güden (soprano)
soprano vocals [Valencienne]:
Emmy Loose (soprano)
tenor vocals [Camille]:
Waldemar Kmentt (tenor)
tenor vocals [Cascada]:
Peter Klein (tenor)
tenor vocals [Danilo]:
Per Grundén (tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 6 Finale I „Damenwahl! Hört man rufen rings im Saal!” (Chor, Hanna, Danilo, Sylviane, Cascada, St. Brioche, Valencienne)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
8:44
7Die lustige Witwe: Akt II. Einleitung, Tanz und Vilja-Lied (Hanna & chorus)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
soprano vocals [Hanna]:
Hilde Güden (soprano)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
8:32
8Die lustige Witwe: Akt II. Heia, Mädel... Dummer, dummer Reitersmann (Hanna, Danilo)
soprano vocals [Hanna]:
Hilde Güden (soprano)
tenor vocals [Danilo]:
Per Grundén (tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
phonographic copyright (℗) by:
Decca (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1958)
recording of:
Die lustige Witwe: Akt II. N°8. Duett “Heia, Mädel, aufgeschaut” … “Dummer, dummer Reitersmann” (Hanna, Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
3:12
9Die lustige Witwe: Akt II. Wie die Weiber man behandelt? (Danilo, Zeta, Cascada, St. Brioche, Kromow, Bogdanowitsch, Pritschitsch)
baritone vocals [Kromow]:
Hans Duhan (Austrian baritone)
baritone vocals [St. Brioche]:
Kurt Equiluz (tenor)
baritone vocals [Zeta]:
Karl Dönch (light bass-baritone)
bass vocals [Bogdanowitsch]:
Marian Rus (Slovenian operatic bass)
bass vocals [Pritschitsch]:
Ljubomir Pantscheff (operatic bass)
tenor vocals [Cascada]:
Peter Klein (tenor)
tenor vocals [Danilo]:
Per Grundén (tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
recording of:
Die lustige Witwe: Akt II. N°9. Marsch-Septett: „Wie die Weiber man behandelt” … „Ja, das Studium der Weiber ist schwer” (Danilo, Zeta, Cascada, St. Brioche, Kromow, Bogdanowitsch, Pritschitsch) (Weibermarsch)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
2:47
10Die lustige Witwe: Akt II. Spielszene und Walzer-duett (Hanna, Danilo)
soprano vocals [Hanna]:
Hilde Güden (soprano)
tenor vocals [Danilo]:
Per Grundén (tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
recording of:
Die lustige Witwe: Akt II. N°10. Spielszene und Tanzduett „Er führt sie zu Maxim” (Hanna, Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
4:09
11Die lustige Witwe: Akt II. Mein Freund, Vernunft! ... Wie eine Rosenknospe (Valencienne, Camille)
soprano vocals [Valencienne]:
Emmy Loose (soprano)
tenor vocals [Camille]:
Waldemar Kmentt (tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
recording of:
Die lustige Witwe: Akt II. N°11. Duett und Romanze: "Mein Freund, Vernunft ... Wie eine Rosenknospe" (Camille, Valencienne)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
5:56
12Die lustige Witwe: Akt II. Finale: Ha! Ha! Wir fragen (Hanna & cast)
baritone vocals [Zeta]:
Karl Dönch (light bass-baritone)
soprano vocals [Hanna]:
Hilde Güden (soprano)
soprano vocals [Valencienne]:
Emmy Loose (soprano)
tenor vocals [Camille]:
Waldemar Kmentt (tenor)
tenor vocals [Danilo]:
Per Grundén (tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
recording of:
Die lustige Witwe: Akt II. N°12. Finale II: “Ha! Ha! Wir fragen” … “Wie eine Rosenknospe” … “Den Herrschaften hab' ich was zu erzählen” (Danilo, Zeta, Hanna, Valencienne, Camille, Njegus)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
11:40
13Die lustige Witwe: Akt III. Entr'acte - Vilja-Lied
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
recording of:
Die lustige Witwe: Akt II. N°12a. Entr'act. Vilja-Lied
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
2:36
14Die lustige Witwe: Akt III. Zwischenspiel: Tanz-Szene
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
recording of:
Die lustige Witwe: Akt III. Nr. 13 Tanz-Szene
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
1:03
15Die lustige Witwe: Akt III. Ja, wir sind es, die Grisetten (Valencienne & cast)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
soprano vocals [Valencienne]:
Emmy Loose (soprano)
tenor vocals [Camille]:
Waldemar Kmentt (tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
phonographic copyright (℗) by:
Decca (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1958)
recording of:
Die lustige Witwe: Akt III. Dialog „Also! Wo sind die versprochenen Grisetten?” (Valencienne, Ensemble, Chor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
2:47
16Die lustige Witwe: Akt III. Lippen schweigen (Hanna, Danilo)
soprano vocals [Hanna]:
Hilde Güden (soprano)
tenor vocals [Danilo]:
Per Grundén (tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
phonographic copyright (℗) by:
Decca (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1958)
recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
2:20
17Die lustige Witwe: Akt III. Ja, das Studium der Weiber ist schwer (Hanna & cast)
bass vocals [Zeta]:
Karl Dönch (light bass-baritone)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
soprano vocals [Hanna]:
Hilde Güden (soprano)
soprano vocals [Valencienne]:
Emmy Loose (soprano)
tenor vocals [Camille]:
Waldemar Kmentt (tenor)
tenor vocals [Danilo]:
Per Grundén (tenor)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
phonographic copyright (℗) by:
Decca (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1958)
recording of:
Die lustige Witwe: Akt III. Nr. 16 Schlussgesang: "Ja, das Studium der Weiber ist schwer" (Hanna, Zeta, Danilo, alle)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
1:22