Dean Martin His Greatest Hits and Finest Performances: The Capitol Years

~ Release by Dean Martin (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1That’s Amore
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, volume I)
4.353:09
2I’ll Always Love You
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1951)
orchestra:
Dick Stabile and His Orchestra (in 1951)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
cover recording of:
I’ll Always Love You (in 1951)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
2:35
3You Belong to Me
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
You Belong to Me
writer:
Pee Wee King, Chilton Price and Redd Stewart
publisher:
Hill & Range Inc. (publisher) and Ridgeway Music Co, Inc.
33:04
4Standing on the Corner
producer:
Lee Gillette and Voyle Gilmore
vocals:
Dean Martin (American singer/actor) (in 1956)
orchestra:
Dick Stabile and His Orchestra (in 1956)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
cover recording of:
Standing on the Corner (The Most Happy Fella) (in 1956)
lyricist and composer:
Frank Loesser
part of:
The Most Happy Fella (full musical)
2:50
5Return to Me (Ritorna a Me)
producer:
Lee Gillette
conductor:
Gus Levene
cover recording of:
Return to Me
writer:
Daniel DiMinno (American composer, lyricist, author) and Carmen Lombardo
publisher:
Southern Music Publ. Co. Ltd. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
arrangement of:
Return to Me (Regresa a mí)
52:26
6Sway
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
orchestra:
Dick Stabile and His Orchestra (in 1952)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Sway (on 1954-04-22)
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
42:44
7If
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1950)
orchestra:
Paul Weston and His Orchestra (in 1950)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1950)
cover recording of:
If (Song, popular in the 1950s) (in 1950)
lyricist:
Stanley J. Damerell and Robert Hargreaves (songwriter)
writer:
H. Tilsley
composer:
Tolchard Evans
2:49
8Powder Your Face With Sunshine
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1948)
orchestra:
Paul Weston and His Orchestra (in 1948)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1948)
cover recording of:
Powder Your Face With Sunshine (in 1948)
writer:
Carmen Lombardo and Stanley Rochinski
52:34
9Love Me, Love Me
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Love Me, Love Me (on 1953-05-04)
writer:
Bill Walker (Australian‐born US composer and conductor)
2:36
10Memories Are Made of This
producer:
Lee Gillette
background vocals:
The Easy Riders (in 1955)
vocals:
Dean Martin (American singer/actor) (in 1955)
orchestra:
Dick Stabile and His Orchestra (in 1955)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (on 1955-10-28)
writer:
Richard Dehr (in 1955), Terry Gilkyson (in 1955) and Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
52:18
11There’s No Tomorrow (O Sole Mio)
cover recording of:
There’s No Tomorrow
composer:
Leon Carr, Leo Corday and Al Hoffman
is based on:
’O sole mio
2:49
12Oh Marie
recording of:
Oh Marie
lyricist and composer:
Eduardo Di Capua
arranger:
Louis Prima
2:24
13You’re Breaking My Heart
2:47
14On an Evening in Rome
recording of:
On an Evening in Roma
writer:
Umberto Bertini, Nan Frederics and Alessandro Taccani (composer)
2:31
15Mambo Italiano
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1954-11-26)
orchestra:
Dick Stabile and His Orchestra (on 1954-11-26)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Mambo Italiano (original english version) (on 1954-11-26)
lyricist and composer:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
2:21
16I Have But One Heart
cover recording of:
I Have But One Heart
lyricist:
Marty Symes (lyricist)
composer:
Johnny Farrow
publisher:
Barton Music Corp.
is based on:
’O marenariello
3:03
17Non dimenticar
recording of:
Non dimenticar (English/Italian lyrics)
lyricist:
Shelley Dobbins (American songwriter) and Michele Galdieri
composer:
P. G. Redi (Italian composer)
publisher:
Redi-Ponti-DeLaurentis and TRO-Hollis, Inc.
version of:
Non dimenticar (English lyrics)
translated version of:
T’ho voluto bene (Non dimenticar)
3:07
18Volare
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1958-07-14)
orchestra:
Dick Stabile and His Orchestra (on 1958-07-14)
conductor:
Gus Levene (on 1958-07-14)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (on 1958-07-14)
lyricist:
Franco Migliacci and Domenico Modugno
composer:
Domenico Modugno
translator:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Robbins Music Corp.
translated version of:
Nel blu dipinto di blu (Volare)
43:01
19Come Back to Sorrento
vocals:
Dean Martin (American singer/actor) (in 1951)
orchestra:
Paul Weston and His Orchestra (in 1951)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
recording of:
Come Back to Sorrento
lyricist:
Giambattista De Curtis
composer:
Ernesto De Curtis (composer) (in 1902)
translator:
Claude Aveling
translated version of:
Torna a Surriento
3:14
20Arrivederci Roma
recording of:
Arrivederci Roma (English version)
lyricist:
Pietro Garinei and Sandro Giovannini
composer:
Renato Rascel (Italian singer)
translator:
Carl Sigman
translated version of:
Arrivederci Roma (italian original)
2:40
2▼CD
#TitleRatingLength
1Basin Street Blues
cover recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
2:23
2Open Up the Doghouse
alto saxophone:
Skeets Herfurt (on 1954-09-07) and Harry Klee (on 1954-09-07)
baritone saxophone:
Chuck Gentry (on 1954-09-07)
bass:
Charlie Harris (jazz bassist) (on 1954-09-07)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-09-07)
guitar:
John Collins (US jazz guitarist) (on 1954-09-07)
piano:
Lew Brown (on 1954-09-07)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-09-07)
trombone:
Ed Kusby (on 1954-09-07), Murray McEachern (on 1954-09-07) and Si Zentner (on 1954-09-07)
trumpet:
Johnny Best (jazz trumpeter) (on 1954-09-07), Conrad Gozzo (on 1954-09-07) and Manny Klein (on 1954-09-07)
vocals:
Nat King Cole (on 1954-09-07) and Dean Martin (American singer/actor) (on 1954-09-07)
orchestra:
Billy May & His Orchestra (on 1954-09-07)
conductor:
Billy May (on 1954-09-07)
arranger:
Billy May
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-09-07)
recording of:
Open Up the Doghouse (on 1954-09-07)
writer:
Roy Alfred (Tin Pan Alley lyricist and composer) and Marvin Fisher
2:29
3Georgia on My Mind
cover recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
3:03
4Baby, It’s Cold Outside
producer:
Lee Gillette
lead vocals:
Dean Martin (American singer/actor) (on 1959-08-06)
conductor:
Gus Levene (on 1959-08-06)
arranger:
Frank Loesser
phonographic copyright (℗) by:
Capitol (UK) Ltd. (in 1959) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1959)
part of:
Billboard Hot 100: 2026-01-03 (number: 35) and Billboard Hot 100: 2025-12-27 (number: 45)
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser) (on 1959-08-06)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1949 winner)
3.352:22
5Long, Long Ago
alto saxophone:
Skeets Herfurt (on 1954-09-07) and Harry Klee (on 1954-09-07)
baritone saxophone:
Chuck Gentry (on 1954-09-07)
bass:
Charlie Harris (jazz bassist) (on 1954-09-07)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-09-07)
guitar:
John Collins (US jazz guitarist) (on 1954-09-07)
piano:
Lew Brown (on 1954-09-07)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-09-07)
trombone:
Ed Kusby (on 1954-09-07), Murray McEachern (on 1954-09-07) and Si Zentner (on 1954-09-07)
trumpet:
Johnny Best (jazz trumpeter) (on 1954-09-07), Conrad Gozzo (on 1954-09-07) and Manny Klein (on 1954-09-07)
vocals:
Nat King Cole (in 1954, on 1954-09-07) and Dean Martin (American singer/actor) (in 1954, on 1961-09-07)
orchestra:
Billy May and His Orchestra (in 1954) and Billy May & His Orchestra (on 1954-09-07)
conductor:
Billy May (on 1954-09-07)
arranger:
Billy May
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-09-07)
recording of:
Long, Long Ago (Dean Martin & Nat King Cole version) (on 1954-09-07)
writer:
Roy Alfred (Tin Pan Alley lyricist and composer) and Marvin Fisher
version of:
Long, Long Ago (Original version for voice and piano)
2:19
6Just in Time
cover recording of:
Just in Time (Bells Are Ringing)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
4:02
7Don’t Rock the Boat, Dear
2:36
8You Was
recording of:
You Was
lyricist:
Paul Francis Webster
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
2:48
9I’m in Love With You
2:57
10How D’ya Like Your Eggs in the Morning?
recording of:
How D’Ya Like Your Eggs in the Morning?
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
2:49
11Money Burns a Hole in My Pocket
recording of:
Money Burns a Hole in My Pocket
lyricist:
Bob Hilliard
composer:
Jule Styne
3:02
12My Rifle, My Pony and Me
recording of:
My Rifle, My Pony and Me
lyricist:
Dimitri Tiomkin
composer:
Dimitri Tiomkin and Paul Francis Webster
2:45
13Never Before
recording of:
Never Before (Sailor Beware)
lyricist:
Mack David (American lyricist and songwriter)
composer:
Jerry Livingston (songwriter)
3:14
14Innamorata
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1956)
orchestra:
Dick Stabile and His Orchestra (in 1956)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
recording of:
Innamorata (in 1956)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
2:26
15You’re the Right One
3:10
16Just for Fun
recording of:
Just For Fun (My Friend Irma)
writer:
Ray Evans (American songwriter) and Jay Livingston
2:48
17The Money Song
recording of:
The Money Song
composer:
Harold Rome
3:09
18Ev’ry Streets a Boulevard in Old New York
2:24
19That Certain Party
cover recording of:
That Certain Party
lyricist:
Gus Kahn
composer:
Walter Donaldson
3:04
20Pardners
2:43
3▼CD
#TitleRatingLength
1My One and Only Love
recording of:
My One and Only Love
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京 (Musical Lights Tokyo)
version of:
Music from Beyond the Moon (My One and Only Love)
2:31
2Cuddle Up a Little Closer
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-10-13)
cover recording of:
Cuddle Up a Little Closer (on 1958-10-13)
lyricist:
Otto Harbach
composer:
Karl Hoschna
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:12
3True Love
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
cover recording of:
True Love (High Society) (in 1960)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
part of:
The 29th Academy Award for Best Original Song (number: 2)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
2:33
4I Wish You Love
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
I Wish You Love
lyricist:
Charles Trenet
writer and translator:
Albert Beach
composer:
Léo Chauliac and Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), On Backstreet Music Inc. and Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
translated version of:
Que reste-t-il de nos amours ?
2:26
5Dream a Little Dream of Me
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-10-13)
cover recording of:
Dream a Little Dream of Me (on 1958-10-13)
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music and Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, volume I)
3:16
6Amor
recording of:
Amor (More and More Amor)
lyricist:
Ricardo López Méndez (Mexican poet, lyricist and radio host)
composer:
Gabriel Ruiz (Mexican composer)
part of:
Broadway Rhythm (film)
3:12
7I’ve Grown Accustomed to Her
cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
2:44
8I’ve Got My Love to Keep Me Warm
recording of:
I’ve Got My Love to Keep Me Warm (in 1959)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:46
9Mean to Me
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
Mean to Me (on 1960-05-10)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
2:11
10Young and Foolish
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Young and Foolish
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music (UK)
2:47
11How Do You Speak to an Angel
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
How Do You Speak to an Angel?
lyricist:
Bob Hilliard
composer:
Jule Styne
3:08
12If I Could Sing Like Bing
2:12
13It’s Easy to Remember
cover recording of:
It’s Easy to Remember (and So Hard to Forget)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:19
14You’re Nobody Till Somebody Loves You
producer:
Lee Gillette
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
You’re Nobody Till Somebody Loves You (on 1960-05-10)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, volume I)
4.352:15
15A Hundred Years From Today
recording of:
A Hundred Years From Today
lyricist:
Ned Washington and Joe Young (US lyricist)
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Warock Corp.
2:43
16I Can’t Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (American librettist and lyricist)
writer:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
2:43
17Is It True What They Say About Dixie
cover recording of:
Is It True What They Say About Dixie?
writer:
Irving Caesar, Sammy Lerner and Gerald Marks
2:29
18Carolina in the Morning
cover recording of:
Carolina in the Morning
lyricist:
Gus Kahn (in 1922)
composer:
Walter Donaldson (in 1922)
2:17
19Louise
cover recording of:
Louise (from "Innocents of Paris")
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Richard A. Whiting (composer)
2:21
20When You’re Smiling (the Whole World Smiles With You)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
When You’re Smiling (the Whole World Smiles With You)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
53:01