Boonanza II

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
1CD
Nr.TitelKünstlerBewertungLänge
1Khe Sanh
Techniker(in):
Alan Wright (engineer)
Akustikgitarre:
Peter Walker (Australian producer & engineer)
Bass:
Phil Small
Gitarre:
Ian Moss
Klavier und Orgel:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
Mundharmonika:
Dave Blight
Schlagzeug:
Steve Prestwich
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Cold Chisel Pty Ltd (in 1991, in 2001) und Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1991)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 8)
recording of:
Khe Sanh
Texter und Komponist(in):
Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Rondor Music, Rondor Music (Australia) Pty Ltd und Universal Music Publishing Group, Pty. Ltd
Cold Chisel4:11
2Leaps and Bounds
phonographisches Urheberrecht (℗) von:
Paul Kelly (Australian singer/songwriter) (in 1987)
recording of:
Leaps and Bounds (Paul Kelly song)
Verfasser(in):
Paul Kelly (Australian singer/songwriter) und Chris Langman (video director)
publisher:
Mushroom Music Pty. Ltd. und Sony/ATV Music Publishing Australia Pty Ltd.
Paul Kelly43:23
3Mr Brightside
recording engineer:
Jeff Saltzman (music attorney and record producer)
Produzent(in):
Jeff Saltzman (music attorney and record producer) und The Killers (American rock band)
Mix:
Mark Needham
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2004) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 4), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 33), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 51), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 378)
recording of:
Mr. Brightside
Verfasser(in):
Brandon Flowers und Dave Keuning
publisher:
The Killers Publishing und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.153:43
4What You Need
Techniker(in):
Steve Churchyard
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bassgitarre:
Garry Gary Beers
Schlagzeug:
Jon Farriss
vocals:
Michael Hutchence
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1985)
recording of:
What You Need
Verfasser(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
Tol Muziek
INXS3.653:33
5Like Wow Wipeout
Techniker(in):
John Bee
Produzent(in):
Charles Fisher (Australian producer)
Bassgitarre:
Clyde Bramley
Becken und Schlagzeug:
Mark Kingsmill
Sologesang:
Dave Faulkner (David Faulkner)
phonographisches Urheberrecht (℗) von:
Hoodoo Gurus Pty Ltd (in 1985)
mixed at:
Studio 301 (Studios 301, 301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australien (in 1985-05)
recording of:
Like Wow -- Wipeout
Texter und Komponist(in):
Dave Faulkner (David Faulkner)
publisher:
Best of All Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Publishing
Hoodoo Gurus53:12
6Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:27
7Are You Old Enough
Bass:
Todd Hunter (Todd Stuart Hunter of Dragon)
Gitarre:
Robert Taylor (singer-songwriter and guitarist)
Keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
Schlagzeug:
Kerry Jacobson
vocals:
Marc Hunter
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) und Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1976, in 1978)
recording of:
Are You Old Enough
Texter und Komponist(in):
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
EMI Songs und EMI Songs Australia Pty. Ltd.
Dragon4:04
8Better
phonographisches Urheberrecht (℗) von:
rooArt (in 1991)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 100)
recording of:
Better
Verfasser(in):
Grant Walmsley
publisher:
Polygram Music, Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Screaming Jets4:37
9Eagle Rock
Bass:
Wayne Duncan (Australian musician)
Gitarre:
Ross Hannaford und Ross Wilson (Australian singer-songwriter, guitarist and producer)
Schlagzeug:
Gary Young (Australian drummer)
vocals:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1971), Sparmac (in 1971), Wizard (Australian rock) (in 1971), Wizard Records (in 1971) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1998)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 45)
recording of:
Eagle Rock
Verfasser(in):
Ross Wilson (Australian singer-songwriter, guitarist and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Pty. Ltd.
Daddy Cool4:09
10Let’s Stick Together
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist) und Jon Walls
Techniker(in):
Steve Nye (producer, engineer and pianist) und John Punter
Produzent(in):
Bryan Ferry und Chris Thomas (UK record producer / remixer)
Bass:
John Wetton (von 1973 bis 1976)
Geige / Violine und Synthesizer:
Eddie Jobson (von 1973 bis 1976)
Gitarre:
Chris Spedding (von 1973 bis 1976)
Keyboard und Mundharmonika:
Bryan Ferry (von 1973 bis 1976)
Perkussion:
Morris Pert (von 1973 bis 1976)
Schlagzeug:
Paul Thompson (Roxy Music drummer) (von 1973 bis 1976)
Sopransaxophon:
Mel Collins (von 1973 bis 1976)
Tenorsaxophon:
Chris Mercer (British saxophonist) (von 1973 bis 1976)
Trompete:
Martin Drover (von 1973 bis 1976)
Chorgesang:
Vicki Brown (English pop, rock & contemporary classical singer) (von 1973 bis 1976), Doreen Chanter (von 1973 bis 1976), Helen Chappelle (von 1973 bis 1976), Jackie Sullivan (vocals & songwriter) (von 1973 bis 1976), Martha Walker (Vocalist) (von 1973 bis 1976) und Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (von 1973 bis 1976)
vocals:
Bryan Ferry (von 1973 bis 1976)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1976, in 1999)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich und Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1973 bis 1976)
cover recording of:
Let’s Stick Together (von 1973 bis 1976)
Texter und Komponist(in):
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. und SBK/U Catalog (in 1969)
Bryan Ferry3.352:58
11The Unguarded Moment
Produzent(in):
Bob Clearmountain und Chris Gilbey
Mix:
Bob Clearmountain
Bass und Keyboard:
Steve Kilbey
Gitarre:
Peter Koppes und Marty Willson-Piper
Schlagzeug:
Richard Ploog
vocals:
Steve Kilbey
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!), Sony/ATV Music Publishing (in 1981) und Sony/ATV Northern Productions Pty Limited (in 1981)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 75)
recording of:
The Unguarded Moment
Verfasser(in):
Steve Kilbey und Michelle Parker
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher) und Sony/ATV Music Publishing Ltd.
The Church4:13
12Tucker’s Daughter
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1989)
recording of:
Tucker's Daughter (Ian Moss song)
Verfasser(in):
Ian Moss und Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing, Rondor Music, Rondor Music (Australia) P/L, Sony/ATV Music Publishing und Sony/ATV Music Publishing Australia Pty Ltd.
Ian Moss4:33
13Cold Hard Bitch
assistierende(r) Techniker(in):
Evil Chris
Techniker(in):
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
zusätzliche(r) Techniker(in):
Greg Gordon (producer/engineer)
Produzent(in) und Mix:
Brooklyn’s own Dave Sardy (American score composer)
Editing:
Greg Gordon (producer/engineer)
Bassgitarre:
Mark Wilson (Bass player for Jet)
Gitarre:
Cam Muncey und Nic Cester
Schlagzeug:
Chris Cester
vocals:
Cam Muncey, Chris Cester und Nic Cester
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
aufgenommen bei:
Larrabee East in Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Cold Hard Bitch
Verfasser(in):
Chris Cester, Nic Cester und Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Jet3.54:04
14Fall of Rome
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
recording of:
Fall of Rome
Texter und Komponist(in):
James Reyne
publisher:
Mushroom Music Pty. Ltd. und Mushroom Music Publishing
James Reyne4:59
15Boys in Town
Bass:
Rick Grossman
Gitarre:
Bjarn Ohlin und Mark McEntee
Keyboard:
Bjarn Ohlin
Schlagzeug:
Richard Harvey (Australian drummer)
vocals:
Christina Amphlett
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Warner Music International (trademark of Warner Music International the company) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983)
recording of:
Boys in Town
Verfasser(in):
Chrissy Amphlett, Mark McEntee und Jeremy Paul (bassist, Air Supply, Divinyls)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) und EMI Songs
Divinyls32:51
16He’s Gonna Step on You Again
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1992)
cover recording of:
He’s Gonna Step on You Again
Texter:
Shaun Ryder
Verfasser(in):
Christos Demitriou und John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
The Party Boys4:09
17Centrefold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
18Candy
recording engineer und Mix:
Ed Cherney
Produzent(in):
Don Was
Bassgitarre:
Charley Drayton
E-Gitarre:
Iggy Pop und Waddy Wachtel
Keyboard:
Jamie Muhoberac
Schlagzeug:
Kenny Aronoff
Gast Sologesang:
Kate Pierson
Sologesang:
Iggy Pop
vocals und Interpret(in):
Kate Pierson
Teil von:
Mixtape – Game Soundtrack (Nummer: 17)
recording of:
Candy
Texter und Komponist(in):
James Osterberg, Jr.
recording of:
Candy
Texter und Komponist(in):
James Osterberg, Jr.
Übersetzer:
Wolfgang Niedecken
übersetzte Version von:
Candy
Iggy Pop4.354:15
19White Wedding
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bass:
Phil Feit (in 1982)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1982) und Steve Stevens (US guitarist and songwriter) (in 1982)
Schlagzeug:
Steve Missal (in 1982)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1982)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982)
Bearbeitung von:
White Wedding, Part 1 von Billy Idol (English rock singer‐songwriter)
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 53)
recording of:
White Wedding (in 1982)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol2.653:36
2CD
Nr.TitelKünstlerBewertungLänge
1Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work4.053:37
2Great Southern Land
recording of:
Great Southern Land
Texter und Komponist(in):
Iva Davies
publisher:
EMI Songs Australia und EMI Songs Australia Pty. Ltd.
Icehouse5:14
3Run to Paradise
Bass:
Ian Hulme
Gitarre:
Brad Carr und Mark Gable
Schlagzeug:
Lindsay Tebbutt
vocals:
Mark Gable
phonographisches Urheberrecht (℗) von:
Mushroom Records (in 1987)
recording of:
Run to Paradise
Verfasser(in):
Brad Carr und Mark Gable
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
Choirboys44:08
4Too Many Times
phonographisches Urheberrecht (℗) von:
Regular Records (Aust) (Australian label) (in 1981)
recording of:
Too Many Times
Verfasser(in):
Greedy Smith (Australian musician and songwriter with Mental As Anything)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Kobalt Music Publishing Australia Pty Ltd
Mental as Anything2:38
5Where Do You Go?
recording of:
Where Do You Go?
Hunters & Collectors3:58
6We Can’t Be Beaten
phonographisches Urheberrecht (℗) von:
J. Albert & Son Pty. Ltd. (in 1982)
recording of:
We Can’t Be Beaten
Verfasser(in):
Angry Anderson und Robin Riley (Australian guitarist)
publisher:
Albert Productions, BMG AM Pty Limited und BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
Rose Tattoo3:05
7No Second Prize
recording of:
No Second Prize
Texter und Komponist(in):
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) und EMI Songs
Jimmy Barnes3:57
8Living in the 70s
Techniker(in):
John French (Australian producer/engineer)
Produzent(in):
Ross 'The Boss' Wilson (Australian singer-songwriter, guitarist and producer)
Bassgitarre:
Greg Macainsh
Gitarre:
Bob “Bongo” Starkie und Redmond Symons
Schlagzeug:
Fred Strauks
Sologesang:
Graeme 'Shirley' Strachan
vocals:
Fred Strauks, Greg Macainsh, Bob “Bongo” Starkie und Redmond Symons
phonographisches Urheberrecht (℗) von:
Mushroom Records (in 1990)
aufgenommen bei:
T.C.S. Studios in Richmond, Melbourne, Victoria, Australien (in 1974)
recording of:
Living in the 70's
Texter und Komponist(in):
Greg Macainsh
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
Skyhooks33:42
9After the RainThe Angels23:10
10Older Than You
Eskimo Joe32:30
11Don’t Need Love
recording engineer, Produzent(in) und Mix:
Terry Manning (US recording engineer)
Bass:
Johnny 'Tatt' Dalzell
Gitarre:
Diesel (Australian pop rock aka Mark Lizotte)
Saxophon und Hintergrundgesang:
Bernie Bremond
instruments arranger:
Brent Eccles und Terry Manning (US recording engineer)
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!) (in 1989) und EMI Music Australia Pty. Limited (not for release label use!) (in 1989)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten (von 1988-08 bis 1988-09)
recording of:
Don’t Need Love
Texter und Komponist(in):
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs und Mushroom Music Pty. Ltd.
Johnny Diesel & the Injectors4:12
12Down in the Lucky Country
Richard Clapton3:40
13Kryptonite
recording engineer:
Matt Martone (recording engineer) und Paul Ebersold
Produzent(in):
Paul Ebersold
assistierende(r) Mix:
Mike Butler (engineer)
Mix:
Toby Wright (producer & engineer)
Editing:
Andrew Garver
Bassgitarre:
Todd Harrell
Gitarre:
Chris Henderson (member of 3 Doors Down) und Matt Roberts (guitarist for 3 Doors Down)
Schlagzeug und Sologesang:
Brad Arnold (vocalist for 3 Doors Down)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1999), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 1999), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1999) und Universal Republic Records (2006–2012) (in 2012)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Village Voice – The 50 Worst Songs of the ’00s (Nummer: 42) und BILLIONS CLUB
recording of:
Kryptonite
Texter:
Brad Arnold (vocalist for 3 Doors Down)
Komponist(in):
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell und Matt Roberts (guitarist for 3 Doors Down)
publisher:
Escatawpa Songs, Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
3 Doors Down43:55
14Lightning Crashes
Techniker(in):
Lou Giordano (Boston engineer)
leitende(r) Produzent(in):
Gary Kurfirst
Produzent(in):
Jerry Harrison (Talking Heads & producer) und Live (US alt rock band)
Mix:
Tom Lord‐Alge
Bass:
Patrick Dahlheimer
E-Gitarre [lead]:
Chad Taylor (US guitarist for Live)
E-Gitarre [rhythm]:
Ed Kowalczyk
Schlagzeug:
Chad Gracey
vocals:
Ed Kowalczyk
phonographisches Urheberrecht (℗) von:
Radioactive Records (US rock) (in 1994) und Radioactive Records, J.V. (in 1994)
aufgenommen bei:
Pachyderm Recording Studio in Cannon Falls, Minnesota, Vereinigte Staaten
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, Vereinigte Staaten
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 476)
recording of:
Lightning Crashes
Texter:
Ed Kowalczyk
Komponist(in):
Patrick Dahlheimer, Chad Gracey, Ed Kowalczyk und Chad Taylor (US guitarist for Live)
publisher:
Universal Music Publishing MGB Australia
Lïve45:25
15No Tragedy
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 1983)
recording of:
No Tragedy
Verfasser(in):
Geoff Turner (Australian)
publisher:
Rondor Music (Australia) Pty Ltd
The Radiators4:03
16One Way Ticket
recording of:
One Way Ticket
Verfasser(in):
Daniel Francis Hawkins (member of The Darkness and Stone Gods), Francis Gilles Poullain-Patterson und Justin Hawkins
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Darkness3:25
17Don’t Get Me Wrong
Techniker(in):
Bruce Lampcov
Produzent(in):
Bob Clearmountain und Jimmy Iovine
Mix:
Bob Clearmountain
Bass:
Chucho Merchán
Gitarre:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Robbie McIntosh (English guitarist for The Pretenders)
Klavier und Synthesizer:
Wix (UK / Paul Wickens)
Perkussion und Schlagzeug:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) und Warner Music UK Ltd. (not for release label use!) (in 2007)
recording of:
Don’t Get Me Wrong
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hynde House of Hits Music
Pretenders4.23:47
18Come Said the Boy
recording of:
Come Said the Boy
Verfasser(in):
Eric McCusker
publisher:
Origin Music (publisher) und Origin Music Publishing Pty Ltd
Mondo Rock4:41
19Howzat
phonographisches Urheberrecht (℗) von:
Festival Records (Australian) (in 1976), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1976) und Sherbet Record Productions (in 1976)
recording of:
Howzat
Verfasser(in):
Tony Mitchell (bass, songwriter, Australia) und Garth Porter
publisher:
Heath Levy Music Ltd. (publisher), Rondor Music und Rondor Music (Australia) Pty Ltd
Sherbet23:47