Ballads

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Can’t Help Falling in Love
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1961-03-23)
Celesta [celeste]:
Dudley Brooks (am 1961-03-23)
Gitarre:
Hank Garland (am 1961-03-23), Scotty Moore (American guitarist and recording engineer) (am 1961-03-23) und Tiny Timbrell (am 1961-03-23)
Klavier:
Dudley Brooks (am 1961-03-23) und Floyd Cramer (am 1961-03-23)
Mundharmonika:
George Fields (am 1961-03-23)
Saxophon:
Boots Randolph (am 1961-03-23)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1961-03-23), D.J. Fontana (am 1961-03-23) und Bernie Mattinson (am 1961-03-23)
Steel-Gitarre:
Alvino Rey (am 1961-03-23)
Ukulele:
Bernie Lewis (am 1961-03-23) und Fred Tavares (am 1961-03-23)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1961-03-23)
vocals:
The Jordanaires (southern gospel group) (am 1961-03-23) und The Surfers (a.k.a. The Hawaiian Surfers) (am 1961-03-23)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1961-03-23)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1961), BMG Music (in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 137)
recording of:
Can’t Help Falling in Love (am 1961-03-23)
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) und The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (beendet), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Plaisir d’amour (Romance du chevrier)
4.13:00
2In the Ghetto
Techniker(in):
Al Pachucki
Produzent(in):
Felton Jams und Chips Moman
Bass:
Tommy Cogbill (am 1969-01-21) und Mike Leech (Nashville session musician and arranger) (am 1969-01-21)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-21) und Reggie Young (guitarist and songwriter) (am 1969-01-21)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1969-01-21)
Mundharmonika:
Ed Kollis (am 1969-01-21)
Orgel:
Bobby Emmons (am 1969-01-21)
Posaune:
Jack Hale (trombone) (am 1969-01-21), Ed Logan (am 1969-01-21) und Gerald Richardson (am 1969-01-21)
Saxophon:
J.P. Luper (saxophonist) (am 1969-01-21) und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) (am 1969-01-21)
Schlagzeug:
Gene Chrisman (am 1969-01-21)
Steel-Gitarre:
John Hughey (am 1969-01-21)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1969-01-21), Dick Steff (am 1969-01-21) und R.F. Taylor (am 1969-01-21)
Waldhorn:
Tony Cason (am 1969-01-21) und Joe D'Gerolamo (am 1969-01-21)
vocals:
Joe Babcock (am 1969-01-21), Donna Thatcher (am 1969-01-21), Dolores Edgin (am 1969-01-21), Ginger Holladay (American singer-songwriter) (am 1969-01-21), Mary Holladay (am 1969-01-21), Millie Kirkham (am 1969-01-21), Mary (Jeannie) Green (am 1969-01-21), June Page (am 1969-01-21), Susan Pilkington (am 1969-01-21), Sandy Posey (am 1969-01-21) und Hurshel Wiginton (am 1969-01-21)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1969), BMG Music (in 1969) und RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969)
aufgenommen bei:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Vereinigte Staaten (am 1969-01-21)
Teil von:
SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 10)
recording of:
In the Ghetto (am 1969-01-21)
Texter und Komponist(in):
Mac Davis (US country singer, songwriter & actor)
publisher:
ABG Elvis Songs, B-n-B Music Inc., Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music Inc., R&H Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sony/ATV Songs LLC
4.352:46
3Moody Blue
Techniker(in):
Brian Christian
leitende(r) Produzent(in):
Elvis Presley (“The King of Rock and Roll”)
Bass:
Dennis Linde (am 1976-02-04) und Jerry Scheff (am 1976-02-04)
Conga und Pauke:
Farrell Morris (am 1976-02-04)
Gitarre:
James Burton (guitarist) (am 1976-02-04), Charlie Hodge (am 1976-02-04), John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (am 1976-02-04) und Chip Young (American session guitarist, bassist, producer in the genre of country) (am 1976-02-04)
Hybrid-Piano:
David Briggs (English organist and composer) (am 1976-02-04) und Bobby Emmons (am 1976-02-04)
Klavier:
David Briggs (English organist and composer) (am 1976-02-04) und Glen D. Hardin (am 1976-02-04)
Moog:
Shane Keister (am 1976-02-04)
Schlagzeug:
Ronnie Tutt (drummer) (am 1976-02-04)
Hintergrundgesang:
Myrna Smith (am 1976-02-04) und J.D. Sumner & The Stamps (am 1976-02-04)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1976-02-04)
vocals:
Myrna Smith (von 1976-02-02 bis 1976-02-07), J.D. Sumner & The Stamps (von 1976-02-02 bis 1976-02-07), Dolores Edgin (am 1976-02-04), Wendellyn Suits (am 1976-02-04), Kathy Westmoreland (am 1976-02-04) und Hurshel Wiginton (am 1976-02-04)
Horn arranger und Saiteninstrumente arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1976), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1976), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1976) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Graceland in Memphis, Tennessee, Vereinigte Staaten (am 1976-02-04)
recording of:
Moody Blue (von 1976-02-02 bis 1976-02-07)
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sweet Glory Music, Inc.
cover recording of:
Moody Blue
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sweet Glory Music, Inc.
2.72:53
4Suspicion
Bass:
Bob Moore (U.S. bassist and bandleader) (von 1962-03-18 bis 1962-03-19)
Gitarre:
Harold Bradley (von 1962-03-18 bis 1962-03-19), Grady Martin (country/rockabilly guitarist) (von 1962-03-18 bis 1962-03-19) und Scotty Moore (American guitarist and recording engineer) (von 1962-03-18 bis 1962-03-19)
Klavier und Orgel:
Floyd Cramer (von 1962-03-18 bis 1962-03-19)
Saxophon:
Boots Randolph (von 1962-03-18 bis 1962-03-19)
Schlagzeug:
D.J. Fontana (von 1962-03-18 bis 1962-03-19) und Buddy Harman (Session drummer and songwriter) (von 1962-03-18 bis 1962-03-19)
Vibraphon [vibes]:
Grady Martin (country/rockabilly guitarist) (von 1962-03-18 bis 1962-03-19) und Boots Randolph (von 1962-03-18 bis 1962-03-19)
vocals:
The Jordanaires (southern gospel group) (von 1962-03-18 bis 1962-03-19) und Millie Kirkham (von 1962-03-18 bis 1962-03-19)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1961) und RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1962)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (von 1962-03-18 bis 1962-03-19)
recording of:
Suspicion (von 1962-03-18 bis 1962-03-19)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
cover recording of:
Suspicion
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
2.52:40
5Are You Lonesome Tonight
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-04-03)
Gitarre:
Hank Garland (am 1960-04-03), Scotty Moore (American guitarist and recording engineer) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
Klavier:
Floyd Cramer (am 1960-04-03)
Saxophon:
Boots Randolph (am 1960-04-03)
Schlagzeug:
D.J. Fontana (am 1960-04-03) und Buddy Harman (Session drummer and songwriter) (am 1960-04-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (am 1960-04-03)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-04-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), BMG Music (in 1960, in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 9)
cover recording of:
Are You Lonesome Tonight? (am 1960-04-03)
Texter:
Roy Turk
Komponist(in):
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music und Redwood Music Ltd. (Carlin)
3.13:12
6The Girl of My Best Friend
recording engineer:
Bill Porter (engineer) (am 1960-04-04)
Produzent(in):
Chet Atkins und Steve Sholes
vocals:
The Jordanaires (southern gospel group) (am 1960-04-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1960) und RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
The Girl of My Best Friend (am 1960-04-04)
Verfasser(in):
Sam Bobrick und Ross Butler
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music und R&H Music
3.82:26
7Don’t
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-09-05 bis 1957-09-07)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-09-05 bis 1957-09-07) und Elvis Presley (“The King of Rock and Roll”) (von 1957-09-05 bis 1957-09-07)
Klavier:
Dudley Brooks (von 1957-09-05 bis 1957-09-07)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
Schlagzeug:
D.J. Fontana (, von 1957-09-05 bis 1957-09-07)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (von 1957-09-05 bis 1957-09-07) und Millie Kirkham (von 1957-09-05 bis 1957-09-07)
zusätzlich Hintergrundgesang und zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1957, in 1958), BMG Entertainment (in 1958), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1958) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-09-05 bis 1957-09-07)
cover recording of:
Don’t (von 1957-09-05 bis 1957-09-07)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
3.22:51
8Wooden Heart
Bass:
Ray Siegel (am 1960-04-28)
Gitarre:
Neal Matthews (am 1960-04-28), Scotty Moore (American guitarist and recording engineer) (am 1960-04-28) und Tiny Timbrell (am 1960-04-28)
Klavier:
Dudley Brooks (am 1960-04-28)
Schlagzeug:
D.J. Fontana (am 1960-04-28)
Tamburin:
Jimmie Haskell (am 1960-04-28)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-04-28)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960), BMG Music (in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
cover recording of:
Wooden Heart (am 1960-04-28)
Texter:
Ben Weisman und Fred Wise
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter) und Kay Twomey
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music und Spirit Two Music Inc.
übersetzte Version von:
Muß i denn zum Städtele hinaus
recording of:
Wooden Heart
Texter:
Ben Weisman und Fred Wise
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter) und Kay Twomey
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music und Spirit Two Music Inc.
übersetzte Version von:
Muß i denn zum Städtele hinaus
22:06
9It’s Now or Never
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-04-03)
Gitarre:
Hank Garland (am 1960-04-03), Scotty Moore (American guitarist and recording engineer) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
Klavier:
Floyd Cramer (am 1960-04-03)
Saxophon:
Boots Randolph (am 1960-04-03)
Schlagzeug:
D.J. Fontana (am 1960-04-03) und Buddy Harman (Session drummer and songwriter) (am 1960-04-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-04-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), BMG Music (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
cover recording of:
It’s Now or Never (am 1960-04-03)
Texter:
Wally Gold und Aaron Schroeder (1950s~1960s US songwriter)
Komponist(in):
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music und Williamson Music Company
Version von:
’O sole mio
3.753:18
10The Wonder of You
phonographisches Urheberrecht (℗) von:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1970)
cover recording of:
The Wonder of You
Texter und Komponist(in):
Baker Knight
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music Ltd., Universal Duchess Music Corp. und Universal/MCA Music Ltd. (not for release label use!)
2:43
11There Goes My Everything
phonographisches Urheberrecht (℗) von:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1971)
cover recording of:
There Goes My Everything (1965 song) (in 1971)
Texter und Komponist(in):
Dallas Frazier (American songwriter and musician)
publisher:
Acuff-Rose Music Limited (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music Inc., Acuff-Rose Publications, Inc. (BMI) (am 1965-11-24), Blue Crest Music, Inc. (am 1965-11-24) und Husky Music (am 1965-11-24)
Version von:
En gång är ingen gång
3:05
12Crying in the Chapel
Produzent(in):
Steve Sholes
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-10-30)
Gitarre:
Hank Garland (am 1960-10-30) und Scotty Moore (American guitarist and recording engineer) (am 1960-10-30)
Instrumente:
Elvis Presley (“The King of Rock and Roll”) (am 1960-10-30)
Klavier:
Floyd Cramer (am 1960-10-30)
Kontrabass:
Bob Moore (U.S. bassist and bandleader)
Saxophon:
Boots Randolph (am 1960-10-30)
Schlagzeug:
D.J. Fontana (am 1960-10-30) und Buddy Harman (Session drummer and songwriter) (am 1960-10-30)
Hintergrundgesang:
The Jordanaires (southern gospel group)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-10-31)
vocals:
Charlie Hodge (am 1960-10-30), The Jordanaires (southern gospel group) (am 1960-10-30) und Millie Kirkham (am 1960-10-30)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-10-31)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1965), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1965) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-10-30)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 26)
cover recording of:
Crying in the Chapel (von 1960-10-30 bis 1960-10-31)
Texter und Komponist(in):
Artie Glenn (in 1953)
publisher:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. (publisher) und Mijac Music
2.82:28
13My Boy
phonographisches Urheberrecht (℗) von:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1974)
cover recording of:
My Boy
Texter:
Phil Coulter und Bill Martin (Scottish songwriter & producer)
Komponist(in):
Jean-Pierre Bourtayre und Claude François
publisher:
Art Music France, Colgems Music Corp., Colgems-EMI Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und Mews Music Ltd.
3:27
14It’s Only Love
phonographisches Urheberrecht (℗) von:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1971)
cover recording of:
It’s Only Love
Verfasser(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”) und Steve Tyrell (American producer and vocalist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:46
15Don’t Cry Daddy
phonographisches Urheberrecht (℗) von:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969)
recording of:
Don’t Cry Daddy
Texter und Komponist(in):
Mac Davis (US country singer, songwriter & actor)
publisher:
B-n-B Music Inc., Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Songs LLC und Unichappell Music
2:49
16Hawaiian Wedding Song
phonographisches Urheberrecht (℗) von:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1978)
cover recording of:
Hawaiian Wedding Song
Komponist(in):
Charles E. King (known as the composer of “Ke kali nei au”)
Übersetzer:
Al Hoffman (in 1958) und Dick Manning (American songwriter) (in 1958)
publisher:
Al Hoffman Songs Inc., Charles E. King Music Co., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal‐MCA Music Publishing (US) und シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
übersetzte Version von:
Ke Kali Nei Au
2:52
17Suspicious Minds
Techniker(in):
Al Pachucki
Produzent(in):
Felton Jarvis und Chips Moman
Bass:
Tommy Cogbill (am 1969-01-23) und Mike Leech (Nashville session musician and arranger) (am 1969-01-23)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-23) und Reggie Young (guitarist and songwriter) (am 1969-01-23)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1969-01-23)
Orgel:
Bobby Emmons (am 1969-01-23)
Schlagzeug:
Gene Chrisman (am 1969-01-23)
Steel-Gitarre:
John Hughey (am 1969-01-23)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations und Kathy Westmoreland
arranger:
Mike Leech (Nashville session musician and arranger) und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Vereinigte Staaten (am 1969-01-23) und United Recording Studios (Las Vegas) in Las Vegas, Nevada, Vereinigte Staaten (am 1969-08-07)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 363)
cover recording of:
Suspicious Minds (von 1969-01-23 bis 1969-08-07)
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
4.14:23
18My Way
phonographisches Urheberrecht (℗) von:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1977)
aufgenommen bei:
Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, Vereinigte Staaten (am 1973-01-14)
live cover recording of:
My Way (Frank Sinatra song) (am 1973-01-14)
Texter:
Paul Anka (Canadian singer, songwriter and actor)
Komponist(in):
Claude François und Jacques Revaux
vorher zugeschrieben zu:
Gilles Thibaut
Übersetzer:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
übersetzte Version von:
Comme d’habitude
3:48

Nennungen

Veröffentlichung

illustration:Barry Thorpe
design:Quick On The Draw Ltd. (design company)
vertrieben von und lizensiert von:RCA/Ariola Ltd.
Discogs:https://www.discogs.com/release/825603 [Info]