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~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Smoke on the Water
registrata a:
Montreux, Vaud (Canton Vaud), Svizzera (nel 1971-12)
assistente tecnico:
Jeremy Gee
tecnico:
Martin Birch
produttore:
Deep Purple
basso elettrico :
Roger Glover (nel 1971-12)
batteria :
Ian Paice (nel 1971-12)
chitarra elettrica :
Ritchie Blackmore (nel 1971-12)
organo Hammond :
Jon Lord (nel 1971-12)
voce principale:
Ian Gillan (nel 1971-12)
diritti fonografici (℗) detenuti da:
Deep Purple (Overseas) Ltd. (nel 1973)
registrata presso:
Rolling Stones Mobile Studio in Regno Unito (nel 1971-12)
parte di:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2008 (Baden-Württemberg) (numero: 10), SWR1 Hitparade 2009 (Baden-Württemberg) (numero: 10), SWR1 Hitparade 2012 (Baden-Württemberg) (numero: 10), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 11), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 13), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 34) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Smoke on the Water (nel 1971-12)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music e Henrees Music co.
sub-editore:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Deep Purple4.15:40
2Radar Love
tecnico di registrazione:
Pieter Nieboer
produttore:
Golden Earring
produttore esecutivo:
Fred Haayen
tecnico di missaggio:
Damon Lyon-Shaw
basso elettrico e tastiera :
Rinus Gerritsen (bass player)
batteria e percussione :
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
chitarra acustica e chitarra elettrica :
George Kooymans
chitarra slide :
Eelco Gelling
voce:
Barry Hay e George Kooymans
arrangiatore:
Golden Earring
diritti fonografici (℗) detenuti da:
Dutch Record Company (nel 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (nel 1973), Red Bullet Productions B.V. (nel 1973), Track Records Ltd. (nel 1973) e Geffen Records (nel 1974)
è stato produttore per:
Red Bullet Productions
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
mixata presso:
IBC Studios in London (Greater London), England, Regno Unito
registrazione di:
Radar Love
paroliere:
Barry Hay
compositore:
George Kooymans
editore:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) e Sony/ATV Music Publishing
Golden Earring4.36:23
3Hocus Pocus
tecnico di registrazione:
Jerry Boys (dal 1971-04-13 al 1971-05-14)
esecutore:
Focus (Dutch progressive rock group) (dal 1971-04-13 al 1971-05-14)
registrazione di:
Hocus Pocus (dal 1971-04-13 al 1971-05-14)
compositore:
Jan Akkerman e Thijs van Leer
Focus4.756:41
4Love Like a Man
registrazione di:
Love Like a Man
paroliere e compositore:
Alvin Lee
Ten Years After3.353:06
5Hey You
tecnico:
George Tutko (engineer, producer)
produttore:
Jim Cregan (producer & member of Family) e George Tutko (engineer, producer)
produttore esecutivo:
Ron Nevison
tecnico di missaggio:
Ron Nevison
registrazione di:
Hey You
autore:
Guy Bailey e Spike (UK singer/songwriter, member of Quireboys)
Quireboys3:21
6Out in the Fields
tecnico:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
produttore:
Peter Collins (producer)
assistente tecnico di missaggio:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
batteria [drums] ospite :
Charlie Morgan (British drummer and percussionist)
chitarra [guitars] e voce principale:
Gary Moore (Thin Lizzy, blues guitar)
chitarra basso [bass] ospite e voce ospite:
Philip Lynott
tastiera [keyboards] ospite :
Don Airey e Andy Richards (Strawbs keyboard player/record producer)
diritti fonografici (℗) detenuti da:
10 Records Ltd. (company and copyright holder for 10 Records) (nel 1985) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2002)
prodotta presso:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
Out in the Fields
paroliere e compositore:
Gary Moore (Thin Lizzy, blues guitar)
Gary Moore3.44:18
7Milk and Alcohol
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978)
registrazione di:
Milk and Alcohol (nel 1978-09)
autore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) e Gypie Mayo
editore:
Plangent Visions Music Ltd. e Rock Music Co., Ltd.
Dr. Feelgood4.22:37
8Comin' on Strong
registrazione di:
Comin' On Strong
autore:
Steve Elson (founder of UK rock band Broken English; songwriter, producer)
editore:
Steve Elson Business
Broken English33:50
9I've Done Everything for You
registrazione di:
I've Done Everything for You
autore:
Sammy Hagar
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sammy Hagar3:03
10I Like to Rock
registrazione di:
I Like to Rock
paroliere e compositore:
Myles Goodwyn
April Wine4:08
11Heroes
programmazione degli strumenti aggiuntiva:
Bill Boydstun
chitarra :
Bob Kulick
chitarra acustica, chitarra basso, tastiera e sintetizzatore :
Jon Lyons
chitarra elettrica :
Brian May (Queen guitarist)
membranofono :
Chuck Burgi
pianoforte e sintetizzatore :
John Van Tongeren
voce di accompagnamento:
Amy Goff, Elaine Goff e Gina Ricci
voce principale:
Meat Loaf
registrazione di:
A Time for Heroes (vocal version)
autore:
Rik Emmett, Jon Lyons e M. Scott Sotebeer
si basa su:
A Time for Heroes (instrumental version)
Meat Loaf45:09
12Don't Fear the Reaper
tecnico di registrazione:
Andy Abrams (nel 1976-03) e Shelly Yakus (nel 1976-03)
tecnico:
Andy Abrams e Shelly Yakus
produttore:
Murray Krugman, David Lucas (US producer, composer & engineer) e Sandy Pearlman
tecnico di missaggio:
Andy Abrams (dal 1975 al 1976) e Shelly Yakus (dal 1975 al 1976)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1976-03)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1975 al 1976)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 55) e Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 60)
registrazione di:
(Don’t Fear) The Reaper (nel 1976-03)
paroliere e compositore:
Donald Roeser (singer, lead guitarist and songwriter)
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:06
13All the Young Dudes
assistente tecnico:
Chris Marshall (UK producer, arranger, musician)
tecnico e produttore:
Chris Tsangarides
tecnico di missaggio:
Nigel Green (engineer)
batteria :
Fabio Del Rio (nel 1989)
chitarra :
Janick Gers (nel 1989)
chitarra basso :
Andy Carr (bassist) (nel 1989)
voce principale:
Bruce Dickinson (Iron Maiden vocalist) (nel 1989)
registrata presso e mixata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito (nel 1989)
registrazione cover di:
All the Young Dudes (nel 1989)
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Tintoretto Music
sub-editore:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Bruce Dickinson43:39
14It's a Long Way There
registrata a:
Melbourne, Victoria, Australia (dal 1975-06 al 1975-07)
produttore:
Little River Band e Glenn Wheatley
basso :
Roger McLachlan (dal 1975-06 al 1975-07)
batteria :
Derek Pellicci (dal 1975-06 al 1975-07)
chitarra :
Beeb Birtles (dal 1975-06 al 1975-07) e Rick Formosa (dal 1975-06 al 1975-07)
chitarra acustica :
Graham Goble (dal 1975-06 al 1975-07)
voce:
Beeb Birtles (dal 1975-06 al 1975-07), Graham Goble (dal 1975-06 al 1975-07) e Glenn Shorrock (dal 1975-06 al 1975-07)
arrangiatore archi :
Rick Formosa
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1975, nel 1982) e EMI Music Australia Pty. Limited (not for release label use!) (nel 1976, nel 1999)
è stato produttore per:
Tumbleweed Productions
registrazione di:
It’s a Long Way There (dal 1975-06 al 1975-07)
scritta a:
Australia (nel 1972)
paroliere e compositore:
Graeham Goble (nel 1972)
editore:
Australian Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sunbury Music Ltd., Tumbleweed Music, Tumbleweed Music Pty. Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. e Wheatley Music Pty Ltd.
Little River Band4:13
15Ride Like the Wind
registrazione di:
Ride Like the Wind
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) e Universal Music–MGB Songs
sub-editore:
Shinko Music Entertainment Co., Ltd. e Universal Music Publishing, Synch Division
Saxon4:21
16Easy Livin'
tecnico di registrazione:
Peter Gallen (dal 1972-03 al 1972-04)
assistente tecnico:
Ashley Howe
tecnico:
Peter Gallen
produttore:
Gerry Bron
tecnico di missaggio:
Rafe McKenna
basso elettrico :
Gary Thain (dal 1972-03 al 1972-04)
batteria :
Lee Kerslake (dal 1972-03 al 1972-04)
chitarra :
Mick Box (dal 1972-03 al 1972-04)
organo :
Ken Hensley (dal 1972-03 al 1972-04)
voce:
David Byron (dal 1972-03 al 1972-04)
arrangiatore:
Uriah Heep (British prog/hard rock)
diritti fonografici (℗) detenuti da:
Bronze (nel 1972), Bronze Records Ltd. (nel 1972), Castle Copyrights Ltd. (nel 1972), Legacy Records Ltd. (nel 1972), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1972, nel 2017), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Regno Unito (dal 1972-03 al 1972-04) e Astoria Theatre (London) in Westminster, London (Greater London), England, Regno Unito (il 2003-11-08)
prodotta presso:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Regno Unito
registrazione di:
Easy Livin’ (dal 1972-03 al 1972-04)
paroliere e compositore:
Ken Hensley
editore:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled “Sydney”) e Umble Tunes Ltd.
Uriah Heep4.252:36
17Everytime I Think of You
tecnico di registrazione e produttore:
Ron Nevison
assistente tecnico:
Mike Clink
basso :
Jack Conrad (producer and songwriter)
batteria e percussione :
Tony Brock
chitarra :
Wally Stocker
pianoforte :
Kevin Kelly (piano, organ, accordion player)
voce di accompagnamento:
Diana Lee (credited mostly for backing vocals, does soprano too), Myrna Matthews e Marti McCall (session vocalist)
voce principale:
John Waite
direttore d'orchestra:
Jimmy Haskell
arrangiatore archi e arrangiatore ottoni [horns] :
Jimmy Haskell
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978, nel 1979) e Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979)
registrazione di:
Every Time I Think of You
autore:
Jack Conrad (producer and songwriter) (nel 1978) e Ray Kennedy (singer, songwriter, and record producer based in L.A.) (nel 1978)
editore:
Ensign Music Corporation, Hudson Bay Music, Seven Summits Music e X‐Ray Music
Babys4.354:02
18China in Your Hand
tecnico:
Norman Goodman
produttore:
Tim Burgess (T'Pau drummer) e Ron Rogers (Ronald Phillip Rogers, T'Pau)
diritti fonografici (℗) detenuti da:
Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1987), Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
edit di:
China in Your Hand di T’Pau
registrazione di:
China in Your Hand
autore:
Carol Decker e Ron Rogers (Ronald Phillip Rogers, T'Pau)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. e Virgin Music (Publ.) Ltd. (publisher) (nel 1987)
T’Pau44:02
2▼CD
#TitoloArtistaValutazioneDurata
1We've Gotta Get Out of This Place
produttore:
Mickie Most (English record producer)
voce:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1965) e Columbia Pictures Industries, Inc. (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 233)
registrazione di:
We Gotta Get Out of This Place
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Francis, Day & Hunter (publisher) (nel 1979)
sub-editore:
EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Animals3.83:14
2Gimmie Shelter
registrazione cover di:
Gimme Shelter
scritta a:
Mayfair, Westminster, London (Greater London), England, Regno Unito (nel 1968)
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist) (nel 1968)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Westminster Music Ltd.
Grand Funk Railroad46:16
3Dirty Love
registrazione di:
Dirty Love
paroliere e compositore:
Luke Morley
Thunder4:19
4The Stroke
assistente tecnico di registrazione:
Garry Rindfuss
tecnico di registrazione:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Mack (German rock producer/engineer Reinhold Mack) e Billy Squier
batteria :
Bobby Chouinard
chitarra e voce principale:
Billy Squier
voce di accompagnamento:
Mark Clarke (Rock, UK) e Alan St. Jon
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata in aggiunta presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 59)
registrazione di:
The Stroke
paroliere e compositore:
Billy Squier
editore:
Songs of the Knight
Billy Squier3.753:39
5Unbelievable
produttore e tecnico di missaggio:
Ralph Jezzard
basso elettrico :
Zac Foley (nel 1990)
batteria :
Mark Decloedt (nel 1990)
campionatore [samples] :
Derry Brownson (nel 1990)
chitarra , chitarra elettrica e tastiera :
Ian Dench (nel 1990)
voce:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (nel 1990)
voce di accompagnamento:
Claudia Fontaine (vocals, background vocals) (nel 1990)
voce principale:
James Atkin (nel 1990)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1990)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 421)
registrazione di:
Unbelievable (nel 1990)
autore:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench e Zac Foley
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Canada Ltd.
EMF3.653:31
6Incommunicado
assistente tecnico di registrazione:
Richard Sullivan (engineer)
tecnico di registrazione:
Nick Davis (producer, engineer)
produttore:
Chris Kimsey
assistente tecnico di missaggio:
Avril Macintosh
tecnico di missaggio:
David Jacob
basso elettrico :
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
batteria e percussione :
Ian Mosley
chitarra :
Steve Rothery
tastiera :
Mark Kelly (Marillion keyboardist)
voce di accompagnamento:
Chris Kimsey
voce principale:
Fish (Derek William Dick, ex‐Marillion frontman)
diritti fonografici (℗) detenuti da:
Charisma Music Publishing Ltd
registrata presso:
Westside Studios in London (Greater London), England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
registrazione di:
Incommunicado
editore:
Marillion (British progressive rock band)
paroliere:
Derek William Dick
compositore:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery e Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
editore:
The Charisma Music Publishing Co Ltd
Marillion5:14
7Spanish Stroll
basso :
Rubén Sigüenza
chitarra :
Willy DeVille e Louis X. Erlanger
membranofono :
Thomas R. "Manfred" Allen, Jr.
pianoforte :
Bobby Leonards
voce principale:
Willy DeVille
diritti fonografici (℗) detenuti da:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (nel 2015)
registrazione di:
Spanish Stroll
paroliere e compositore:
Willy DeVille
Mink DeVille53:37
8Voices
registrazione di:
Voices
paroliere e compositore:
Russ Ballard
Russ Ballard45:35
9Couldn't Get It Right
assistente tecnico:
Colin Fairley
tecnico:
Pete Henderson (engineer)
produttore:
Mike Vernon
diritti fonografici (℗) detenuti da:
Chrysalis Copyrights Ltd.
registrazione di:
Couldn’t Get It Right
autore:
Colin Cooper, John Cuffley, Pete Haycock, Derek Holt e Richard Jones (Climax Blues Band)
editore:
AIR Music (London) Ltd., Bleu-Disque-Music Co. Inc. (publisher), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Germany GmbH (2008–today) e Neue Welt Musikverlag
Climax Blues Band3.253:10
10Jack O'Lantern
registrazione di:
Jack O’Lantern
autore:
Alan Shacklock
Babe Ruth3:23
11Mocking Bird
registrazione di:
Mocking Bird
autore:
Les Holroyd, John Lees, Mel Pritchard e Stuart “Woolly” Wolstenholme
Barclay James Harvest6:35
12Centrefold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:39
132-4-6-8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band43:19
14Get It On
tecnico e tecnico di missaggio:
Jason Corsaro (U.S. music engineer, and record producer)
tecnico aggiunto:
Rob Eaton, Steve Rinkoff e Tony Taverner
produttore:
Bernard Edwards (American bassist and record producer)
batteria :
Tony Thompson (drummer, best known for his work in CHIC)
chitarra :
Andy Taylor (of Duran Duran)
chitarra basso :
John Taylor (UK bassist for Duran Duran)
voce principale:
Robert Palmer (English singer‐songwriter)
mixata presso e lavorazione tecnica effettuata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione cover di:
Get It On (Bang a Gong)
paroliere e compositore:
Marc Bolan
editore:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. e Westminster Music Ltd.
Powerstation45:32
15My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.24:01
16Rock Me
registrazione di:
Rock Me
autore:
Michael Lardie, Mark Kendall, Alan Niven e Jack Russell (original singer for Great White)
editore:
BMG Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e WC Music Corp.
sub-editore:
Sony Music Publishing France e Warner Chappell Music France
Great White47:11
17No More Heroes
tecnico:
Alan Winstanley (English record producer)
produttore:
Martin Rushent
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1977-07)
registrazione di:
No More Heroes (nel 1977-07)
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music Ltd.
The Stranglers4.653:28
18Perseverance
registrazione di:
Perseverance
autore:
Terrorvision (British rock band)
Terrorvision2.653:11
3▼CD
#TitoloArtistaValutazioneDurata
1Silver Machine
produttore:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) e Hawkwind
batteria :
Simon King (drummer) (il 1972-02-13)
chitarra :
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13)
chitarra aggiunto e chitarra basso aggiunto:
Guy Pratt (il 1972-02-13)
chitarra basso e voce principale:
Lemmy Kilmister (“Lemmy” from Motörhead) (il 1972-02-13)
flauto e sassofono :
Nik Turner (il 1972-02-13)
sintetizzatore :
Dik Mik Davies (il 1972-02-13) e Del Dettmar (il 1972-02-13)
voce:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (il 1972-02-13) e Nik Turner (il 1972-02-13)
remixer:
The Scourge of the Earth
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972)
registrata presso:
Roundhouse in Camden Town, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1972-02-13)
mixata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
edit di:
Silver Machine (12″ mix) di Hawkwind infected by The Scourge of the Earth
registrazione dal vivo di:
Silver Machine (il 1972-02-13)
paroliere:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
compositore:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
editore:
EMI United Partnership Ltd., United Artists Music e United Partnership Ltd.
registrazione di:
Silver Machine
paroliere:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
compositore:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
editore:
EMI United Partnership Ltd., United Artists Music e United Partnership Ltd.
Hawkwind3.654:39
2Doctor Doctor
registrazione di:
Doctor Doctor
autore:
Phil Mogg e Michael Schenker
editore:
Intersong Music Ltd. e Rudolf Slezak Musikverlag GmbH (publisher)
sub-editore:
Schubert Music Europe GmbH e Warner Chappell Music France
UFO4:06
3Armed & Ready
registrazione di:
Armed and Ready
paroliere e compositore:
Gary John Barden e Michael Schenker
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Michael Schenker Group4:06
4The Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985, nel 1986) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1985 nominee)
parte di:
Back to the Future: the Musical
registrazione di:
The Power of Love
autore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Rubet Music Publishing, Inc.
Huey Lewis & the News43:54
5Let's Work Together
tecnico:
David Weichman
produttore:
Canned Heat e Skip Taylor
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1970) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2005)
registrata presso:
International Sound Studios in Los Angeles, California, Stati Uniti (il 1969-12-03)
lavorazione tecnica effettuata presso:
Annex Studios (aka Music Annex or Annex Digital) in San Mateo, California, Stati Uniti
registrazione cover di:
Let’s Work Together (il 1969-12-03)
paroliere:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
editore:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. e United Artists Musik GmbH
Canned Heat2.653:13
6Living in the Past
registrazione di:
Living in the Past (Jethro Tull)
paroliere e compositore:
Ian Anderson (of Jethro Tull) (il 1969-02-12)
editore:
BMG Monarch, Ian Anderson Music Ltd. e Chrysalis Music Ltd. (music publisher, affiliated with PRS) (nel 1969)
Jethro Tull3:21
7Ace of Spades
produttore:
Vic Maile (dal 1980-08-04 al 1980-09-15)
basso elettrico e voce principale:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (dal 1980-08-04 al 1980-09-15)
batteria :
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (dal 1980-08-04 al 1980-09-15)
chitarra elettrica :
'Fast' Eddie Clarke (Motörhead guitarist) (dal 1980-08-04 al 1980-09-15)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1980), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1980) e Universal Music (plain logo: “Universal Music”) (nel 1980)
registrata presso:
Jackson’s Studios in Rickmansworth, Hertfordshire, England, Regno Unito (dal 1980-08-04 al 1980-09-15)
video musicali:
Ace of Spades di Motörhead
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 3), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 10), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 33), TV Cream: Real 100 Best Singles Ever (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 442)
registrazione di:
Ace of Spades (dal 1980-08-04 al 1980-09-15)
autore:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) e Phil Taylor (former Motörhead drummer)
editore:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.252:46
8Hit and Run
registrazione di:
Hit & Run
autore:
Kelly Johnson e Kim McAuliffe
Girlschool3:08
9Jeopardy
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1983)
registrazione di:
Jeopardy
autore:
Greg Kihn e Steve Wright (bassist for the Greg Kihn Band)
Greg Kihn Band3.353:49
10Ships in the Night
produttore:
John Leckie e Bill Nelson (English experimental musician)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1975-10)
registrazione di:
Ships in the Night (nel 1975-10)
paroliere e compositore:
Bill Nelson (English experimental musician)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Beechwood Music Corp., EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated) e Henrees Music co.
Be Bop Deluxe54:03
11Tomorrow Night
registrazione di:
Tomorrow Night
paroliere e compositore:
Vincent Crane
editore:
Onward Music Ltd. e Westminster Music Ltd.
Atomic Rooster24:50
12Cherry Red
arrangiatore:
Tony McPhee
registrazione di:
Cherry Red
paroliere e compositore:
Tony McPhee
Groundhogs45:46
13Missing You
produttore:
Gary Gersh, David Thoener e John Waite
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1984) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1984)
edit di:
Missing You di John Waite
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite3.653:32
14Be Good to Yourself
registrazione cover di:
Be Good to Yourself
paroliere e compositore:
Andy Fraser (English bassist, member of Free)
Frankie Miller3:00
15Hit Me With Your Best Shot
tecnico:
Chris Minto (engineer) e Keith Olsen (US producer and engineer)
produttore:
Keith Olsen (US producer and engineer)
basso :
Roger Capps
batteria :
Myron Grombacher
chitarra :
Scott St. Clair Sheets
chitarra e tastiera :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
voce di accompagnamento:
Roger Capps e Neil Giraldo (multi-instrumentalist, songwriter, producer)
voce di accompagnamento e voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1980, nel 2002), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980) e Chrysalis Records, Inc. (not for release label use!) (nel 1981)
registrazione di:
Hit Me With Your Best Shot
paroliere e compositore:
Eddie Schwartz
editore:
ATV Music Publishing of Canada Ltd., Round Hill Songs e Sony Music Publishing (Germany) GmbH
Pat Benatar4.152:51
16White Wedding
produttore:
Keith Forsey (drummer, producer and songwriter)
basso :
Phil Feit (nel 1982)
batteria :
Steve Missal (nel 1982)
chitarra :
Billy Idol (English rock singer‐songwriter) (nel 1982) e Steve Stevens (US guitarist and songwriter) (nel 1982)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1982)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982) e Chrysalis Records, Inc. (not for release label use!) (nel 1982)
edit di:
White Wedding, Part 1 di Billy Idol (English rock singer‐songwriter)
video musicali:
White Wedding, Pt. 1 di Billy Idol (English rock singer‐songwriter)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 53)
registrazione di:
White Wedding (nel 1982)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter)
editore:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Rare Blue Music Inc
Billy Idol2.653:32
17Joey
produttore:
Concrete Blonde e Chris Tsangarides
basso :
James Mankey e Johnette Napolitano
batteria :
Paul Thompson (Roxy Music drummer)
chitarra :
James Mankey
voce:
Johnette Napolitano
diritti fonografici (℗) detenuti da:
International Record Syndicate, Inc. (nel 1990)
prodotta presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
registrazione di:
Joey
paroliere e compositore:
Johnette Napolitano
editore:
International Velvet Music
Concrete Blonde4.254:06
18(I Just) Died in Your Arms Tonight
tecnico:
Terry Brown (producer)
produttore:
Terry Brown (producer), Cutting Crew e John Jansen (US recording engineer and producer)
tecnico di missaggio:
Tim Palmer (British producer/mixer)
basso :
Colin Farley
batteria , percussione e tamburello :
Martin Beedle
chitarra acustica , chitarra elettrica e sintetizzatore [E-mu Emulator] :
Kevin MacMichael
pianoforte :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce di accompagnamento:
Peter Birch
voce principale:
Nick Van Eede
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) e Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1986)
registrata presso:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
mixata presso:
Utopia Studios (London) in London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 26)
registrazione di:
(I Just) Died in Your Arms
paroliere e compositore:
Nick Van Eede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. e Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:36

Accreditamenti

Pubblicazione

distribuito da e commercializzata da:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (nel 2001)
licenziata da:Chrysalis Copyrights Ltd.
EMI (EMI Records, or EMI Music only if there is no other imprint)
Fragile Records Ltd.
Red Bullet (Dutch independent label)
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only)
The Product Exchange
The Winward-Landmark Group
Trojan Records
Discogs:https://www.discogs.com/release/32008550 [info]
ASIN:UK: B00005RW2O [info]