Bach: Magnificat / Vivaldi: Gloria / Handel: Water Music / Mozart: Toy Symphony & Laudate Dominum / Boccherini: Minuet / Rimsky-Korsakov: Flight of the Bumblebee

~ Release by Sir Neville Marriner (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Magnificat in D major, BWV 243: IX. Aria. "Esurientes implevit bonis"
vocals:
Jean Rigby (mezzo-soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:45
2Gloria in D major, RV 589: I. Gloria in excelsis Deo
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:24
3Brandenburg Concerto no. 2 in F Major, BWV 1047: I. —
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
oboe:
Celia Nicklin (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Philip Pickett (musician) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
trumpet:
Mark Bennett (trumpeter) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Kenneth Sillito (violinist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach5:24
4La damnation de Faust, op. 24, H 111: Danse des sylphes
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1986-10 until 1986-11)
conductor:
Sir Neville Marriner (conductor) (from 1986-10 until 1986-11)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-10 until 1986-11)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 7. Ballet des sylphes (Orchestre) (from 1986-10 until 1986-11)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz2:42
5Peer Gynt, op. 23: Act 4: No. 18, Solveig's Song
producer:
John Fraser (UK producer)
soprano vocals:
Lucia Popp (soprano) (from 1982-07-28 until 1982-07-30)
orchestra:
Academy of St Martin in the Fields (from 1982-07-28 until 1982-07-30)
conductor:
Sir Neville Marriner (conductor) (, from 1982-07-28 until 1982-07-30)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-07-28 until 1982-07-30)
recording of:
Peer Gynt, op. 23: 4. akt: Solveigs sang (from 1982-07-28 until 1982-07-30)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg5:50
6Water Music, Suite no. 1 in F major, HWV 348: III. Allegro
orchestra:
Academy of St Martin in the Fields (from 1988-06-27 until 1988-07-01)
conductor:
Sir Neville Marriner (conductor) (from 1988-06-27 until 1988-07-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1988-06-27 until 1988-07-01)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IIIa. [Allegro] (no tempo marking) (from 1988-06-27 until 1988-07-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
George Frideric Handel2:33
7Trumpet Concerto in C minor, TWV 51:c1: II. Allegro (transcr. of oboe concerto)
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20)
recording of:
Concerto for Oboe and Violin in C minor, TWV 52:c1: II. Allegro (from 1982-12-17 until 1982-12-20)
composer:
Georg Philipp Telemann (composer)
part of:
Concerto for Oboe and Violin in C minor, TWV 52:c1
recording of:
Oboe Concerto in C minor, TWV 51:c1: II. Allegro
composer:
Georg Philipp Telemann (composer)
part of:
Oboe Concerto in C minor, TWV 51:c1
Maurice André2:24
8Mass in D minor, Hob. XXII:11 "Nelson Mass": Kyrie
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (from 1985-04-20 until 1985-04-21)
choir vocals:
Rundfunkchor Leipzig (from 1985-04-20 until 1985-04-21)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (from 1985-04-20 until 1985-04-21)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1985-04-20 until 1985-04-21)
conductor:
Sir Neville Marriner (conductor) (from 1985-04-20 until 1985-04-21)
chorus master:
Jörge‐Peter Weigle (chorus master) (from 1985-04-20 until 1985-04-21)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1985-04-20 until 1985-04-21)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": I. Kyrie (soprano solo) (from 1985-04-20 until 1985-04-21)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn4:26
9Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro (cadenza by Buchbinder)
producer:
Gerd Berg (producer)
piano:
Rudolf Buchbinder (Austrian classical pianist) (from 1990-06-13 until 1990-06-14)
orchestra:
Academy of St Martin in the Fields (from 1990-06-13 until 1990-06-14)
conductor:
Sir Neville Marriner (conductor) (from 1990-06-13 until 1990-06-14)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1990-06-13 until 1990-06-14)
recording of:
Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro (from 1990-06-13 until 1990-06-14)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785-12)
part of:
Concerto for Piano no. 22 in E-flat major, K. 482
Wolfgang Amadeus Mozart10:49
10St. Paul's Suite, op. 29 no. 2: IV. Finale. The Dargason
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-07-21 until 1971-07-22)
conductor:
Sir Neville Marriner (conductor) (from 1971-07-21 until 1971-07-22)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-07-21 until 1971-07-22)
recording of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2: IV. Finale (The Dargason). Allegro (from 1971-07-21 until 1971-07-22)
composer:
Gustav Holst (composer) (in 1912)
part of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2
Gustav Holst3:26
11Toy Symphony: I. Allegro (also attributed to Haydn or Angerer)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Berchtesgadener Musik "Toy Symphony": I. Allegro
composer:
Edmund Angerer
previously attributed to:
Joseph Haydn (composer) and Leopold Mozart (composer)
part of:
Berchtesgadener Musik "Toy Symphony"
Leopold Mozart3:13
12Rosamunde, op. 26, D. 797: Entr'acte III
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (, on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Rosamunde, D. 797: V. Entr'acte Nr. 3 B-Dur. Andantino (on 1976-01-29)
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
recording of:
Rosamunde, D. 797: V. Entr'acte Nr. 3 B-Dur. Andantino (on 1976-10-26)
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Franz Schubert6:53
13Thaïs: Act 2: Méditation
producer:
Gerd Berg (producer) and Dietmar Wolf (Classical Music Producer)
solo violin:
Hans Kalafusz (violinist) (from 1987-03-09 until 1987-03-12)
violin:
Hans Kalafusz (violinist)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1987-03-09 until 1987-03-12)
conductor:
Sir Neville Marriner (conductor) (from 1987-03-09 until 1987-03-12)
balance engineer:
Franck Richter (engineer)
recorded at:
Studio Villa Berg in Stuttgart, Baden-Württemberg, Germany (from 1987-03-09 until 1987-03-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1987-03-09 until 1987-03-12)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet5:05
14Dichter und Bauer: Overture
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Dichter und Bauer: Ouvertüre (Poet and Peasant: Overture)
composer:
Franz von Suppé (Franz von Suppè, composer)
part of:
Dichter und Bauer (Poet and Peasant)
Franz von Suppé5:25
15Piano Concerto in A minor, op. 16: II. Adagio
producer:
John Fraser (UK producer)
piano:
Cécile Ousset (French pianist) (in 1984-07)
orchestra:
London Symphony Orchestra (in 1984-07)
conductor:
Sir Neville Marriner (conductor) (in 1984-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1984-07)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio (in 1984-07)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:28
16Alcina, HWV 34: Act 1: Aria. "Tornami a vagheggiar" (Morgana)
producer:
John Fraser (UK producer)
soprano vocals:
Kathleen Battle (soprano) (in 1987-09, from 1988-06 until 1988-07)
orchestra:
Academy of St Martin in the Fields (in 1987-09, from 1988-06 until 1988-07)
conductor:
Sir Neville Marriner (conductor) (in 1987-09, from 1988-06 until 1988-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-09, from 1988-06 until 1988-07)
recording of:
Alcina, HWV 34: Atto I, Scena XIV. Aria “Tornami a vagheggiar” (Morgana) (in 1987-09)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Alcina, HWV 34: Atto I
recording of:
Alcina, HWV 34: Atto I, Scena XIV. Aria “Tornami a vagheggiar” (Morgana) (from 1988-06 until 1988-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Alcina, HWV 34: Atto I
George Frideric Handel4:34
17Symphony in C major, WD 33: II. Adagio
producer:
David Groves (classical music producer at EMI)
editor:
Giles Holland (classical engineer, editor) and Bob Whitney (engineer)
oboe:
Celia Nicklin (oboist) (from 1992-09-20 until 1992-09-23)
orchestra:
Academy of St Martin in the Fields (from 1992-09-20 until 1992-09-23)
conductor:
Sir Neville Marriner (conductor) (, from 1992-09-20 until 1992-09-23)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recorded at:
No. 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1992-09-20 until 1992-09-23)
recording of:
Symphonie no. 1 en ut majeur : II. Andante (Adagio) (Symphony No. 1 in C major: II. Adagio) (from 1992-09-20 until 1992-09-23)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet9:04
18El sombrero de tres picos: Pt. 2: Danza de los vecinos
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
El sombrero de tres picos, suite no. 2: I. Danza de los vecinos (seguidillas) (The Three Cornered Hat, Suite No. 2: I. The Neighbors' Dance (Seguidillas))
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos, suite no. 2 (The Three-Cornered Hat, Suite No. 2)
Manuel de Falla3:33
19Gli uccelli, P. 154: II. La colomba
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Gli uccelli, P. 154: II. La Colomba (The Birds: II. The dove, The dove)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Gli uccelli, P. 154 (The Birds, P.154, The Birds)
Ottorino Respighi4:27
20String Quintet in E major, op. 11 no. 5, G. 275: III. Minuetto - Trio (arr. Woodhouse for string orchestra)
engineer:
Stuart Eltham (engineer)
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1986)
conductor:
Sir Neville Marriner (conductor) (in 1986)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orch. Woodhouse) (in 1986)
orchestrator:
Charles Woodhouse (violinist, arranger, composer)
composer:
Luigi Boccherini (Italian composer) (in 1771)
orchestration of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:58
21Vesperae solennes de confessore, K. 339: V. Laudate Dominum
producer:
David Groves (classical music producer at EMI)
organ:
Justin Sillman (from 1987-04-24 until 1987-04-28)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1987-04-24 until 1987-04-28)
soprano vocals:
Barbara Hendricks (soprano) (from 1987-04-24 until 1987-04-28)
orchestra:
Academy of St Martin in the Fields (from 1987-04-24 until 1987-04-28)
conductor:
Sir Neville Marriner (conductor) (from 1987-04-24 until 1987-04-28)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1987-04-24 until 1987-04-28)
balance engineer:
Stuart Eltham (engineer) (from 1987-04-24 until 1987-04-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04-24 until 1987-04-28)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 1987-04-24 until 1987-04-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart5:24
22Chacony in G minor, Z. 730
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-07-21 until 1971-07-22)
conductor:
Sir Neville Marriner (conductor) (from 1971-07-21 until 1971-07-22)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-07-21 until 1971-07-22)
recording of:
Chacony in G minor for 2 violins, viola and continuo, Z. 730 (from 1971-07-21 until 1971-07-22)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 730)
Henry Purcell5:49
23Weihnachtsoratorium, BWV 248: Pt. 2: No. 10, Sinfonia
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1973-10-01 until 1973-10-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:51
24Carmen Suite no. 1: I. Prélude (orch. Guiraud)
producer:
Gerd Berg (producer) and Dietmar Wolf (Classical Music Producer)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1987-03-09 until 1987-03-12)
conductor:
Sir Neville Marriner (conductor) (from 1987-03-09 until 1987-03-12)
balance engineer:
Franck Richter (engineer) and Dietmar Wolf (Classical Music Producer)
recorded at:
Studio Villa Berg in Stuttgart, Baden-Württemberg, Germany (from 1987-03-09 until 1987-03-12)
recording of:
Carmen : Prélude (from 1987-03-09 until 1987-03-12)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet1:22
25Guillaume Tell: Overture
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1987-11)
conductor:
Sir Neville Marriner (conductor) (in 1987-11)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-11)
recording of:
Guillaume Tell : Ouverture (William Tell: Overture) (in 1987-11)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini11:22
26The Tale of Tsar Saltan: Act 3: The Flight of the Bumblebee
producer:
Gerd Berg (producer) and Dietmar Wolf (Classical Music Producer)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1987-03-09 until 1987-03-12)
conductor:
Sir Neville Marriner (conductor) (from 1987-03-09 until 1987-03-12)
balance engineer:
Franck Richter (engineer)
recorded at:
Studio Villa Berg in Stuttgart, Baden-Württemberg, Germany (from 1987-03-09 until 1987-03-12)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) (from 1987-03-09 until 1987-03-12)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Nikolai Rimsky-Korsakov3:17
27Piano Concerto no. 5 in F minor, BWV 1056: II. Largo
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:28
28Giuditta: "Meine Lippen, sie küssen so heiss" (Giuditta, Chor)
producer:
John Fraser (UK producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1986-12-17 until 1986-12-19)
soprano vocals [Giuditta]:
Lucia Popp (soprano) (from 1986-12-17 until 1986-12-19)
orchestra:
Academy of St Martin in the Fields (from 1986-12-17 until 1986-12-19)
conductor:
Sir Neville Marriner (conductor) (from 1986-12-17 until 1986-12-19)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1986-12-17 until 1986-12-19)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-12-17 until 1986-12-19)
recording of:
Giuditta: Akt IV. „Meine Lippen, sie küssen so heiss” (Giuditta) (from 1986-12-17 until 1986-12-19)
lyricist:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
librettist:
Paul Knepler (librettist and composer)
part of:
Giuditta: Akt IV
Franz Lehár5:29
29Pavane, op. 50 (instrumental version)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
composer:
Gabriel Fauré (French composer)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:19
30Pulcinella: II. Serenata. “Mentre l’erbetta” - Scherzino
tenor vocals:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Pulcinella: Scherzino
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1920)
part of:
Pulcinella (ballet)
recording of:
Pulcinella: Serenata "Mentre l'erbetta"
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1920)
part of:
Pulcinella (ballet)
Igor Stravinsky9:47