Forrest Gump: The Soundtrack (Columbia House club edition 907097T)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 11 disponibili)

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1▼CD: Disc One
#TitoloArtistaValutazioneDurata
1Hound Dog
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956, nel 1972), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
registrazione cover di:
Hound Dog (il 1956-07-02)
paroliere:
Jerry Leiber (il 1952-08-12)
compositore:
Mike Stoller (il 1952-08-12)
precedentemente attribuito a:
Johnny Otis
editore:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company e Williamson Music, Inc.
Elvis Presley3.652:18
2Rebel Rouser
registrazione di:
Rebel‐’Rouser
compositore:
Duane Eddy e Lee Hazlewood
Duane Eddy3.52:25
3(I Don’t Know Why) But I Do
registrazione di:
But I Do
autore:
Paul Gayton e Robert Guidry
editore:
Arc Music (U.S. rock & blues publisher) e Chappell Music (UK)
Clarence “Frogman” Henry3.252:22
4Walk Right In
registrazione di:
Walk Right In
autore:
Darling e Svanoe
compositore:
Gus Cannon e Hosea Woods
editore:
Southern Music (publisher), Southern Music Publ. Co. (A'Asia) e Southern Music Publishing Co. (publishing company)
The Rooftop Singers42:35
5Land of 1000 Dances
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (dal 1966-05-08 al 1966-05-11)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-05-08 al 1966-05-11) e Chips Moman (dal 1966-05-08 al 1966-05-11)
chitarra basso [bass] :
Tommy Cogbill (dal 1966-05-08 al 1966-05-11)
pianoforte :
Spooner Oldham (dal 1966-05-08 al 1966-05-11)
sassofono baritono :
Floyd Newman (dal 1966-05-08 al 1966-05-11)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-05-08 al 1966-05-11) e Andrew Love (dal 1966-05-08 al 1966-05-11)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1966-05-08 al 1966-05-11)
voce:
Wilson Pickett (dal 1966-05-08 al 1966-05-11)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-05-08 al 1966-05-11)
registrazione cover di:
Land of 1000 Dances (dal 1966-05-08 al 1966-05-11)
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
registrazione di:
Land of 1000 Dances
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
Wilson Pickett42:26
6Blowin’ in the Wind
registrazione cover di:
Blowin’ in the Wind (nel 1967)
paroliere e compositore:
Bob Dylan (nel 1962-04)
editore:
Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1962 al 1990) e Special Rider Music (dal 1990 a oggi)
Joan Baez2.652:39
7Fortunate Son
tecnico di registrazione e tecnico di missaggio:
Russ Gary
produttore:
John Fogerty
batteria :
Doug Clifford
chitarra :
John Fogerty e Tom Fogerty
chitarra basso :
Stu Cook
voce di accompagnamento:
Doug Clifford, Stu Cook e Tom Fogerty
voce principale:
John Fogerty
arrangiatore:
John Fogerty
diritti fonografici (℗) detenuti da:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (nel 1976)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti e Free Trade Hall in Manchester, Greater Manchester, England, Regno Unito (il 1971-09-01)
mixata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 99) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 227)
registrazione di:
Fortunate Son (nel 1969-08)
paroliere e compositore:
John Fogerty
editore:
Cody River Music Company, Jondora Music e Prestige Music ltd.
Creedence Clearwater Revival4.452:21
8I Can’t Help Myself (Sugar Pie Honey Bunch)
tecnico di registrazione:
Russ Terrana
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
archi :
Detroit Symphony Orchestra (nel 1965)
basso [1962 Fender Precision Bass] :
James Jamerson
batteria :
Richard "Pistol" Allen (nel 1965)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (nel 1965)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (nel 1965)
chitarra [Gibson L-5] :
Robert White (US funk/soul guitarist) (nel 1965)
pianoforte :
Earl Van Dyke (nel 1965)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (nel 1965)
strumenti:
The Funk Brothers (nel 1965)
tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (nel 1965)
vibrafono :
Jack Brokensha (nel 1965)
voce di accompagnamento:
The Andantes (nel 1965), Marlene Barrow (nel 1965), Renaldo Benson (nel 1965), Louvain Demps (nel 1965), Abdul “Duke” Fakir (nel 1965), Jackie Hicks (nel 1965) e Lawrence Payton (nel 1965)
voce principale:
Levi Stubbs (nel 1965)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 148), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 415) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 483)
registrazione di:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (nel 1965)
paroliere:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music Division
Four Tops3.62:44
9Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:29
10Rainy Day Women #12 & 35
produttore:
Bob Johnston (US record producer and early rockebilly singer)
registrata presso:
Columbia Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1966-03-09)
registrazione di:
Rainy Day Women #12 & 35 (il 1966-03-10)
paroliere e compositore:
Bob Dylan (dal 1966-02 al 1966-03)
editore:
Dwarf Music (dal 1966 a oggi)
Bob Dylan3.654:38
11Sloop John B
tecnico:
Chuck Britz (il 1965-07-12)
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico :
Carol Kaye (il 1965-07-12)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1965-07-12)
chitarra :
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (il 1965-07-12), Jerry Cole (il 1965-07-12) e Billy Strange (il 1965-07-12)
chitarra a 12 corde [12-string electric guitar] :
Billy Strange (il 1965-12-29)
contrabbasso :
Lyle Ritz (il 1965-07-12)
flauto :
Jim Horn (saxophonist, hornist, flutist and oboist) (il 1965-07-12) e Jay Migliori (il 1965-07-12)
glockenspiel :
Frank Capp (il 1965-07-12)
pianoforte tack :
Al De Lory (il 1965-07-12)
sassofono basso :
Jack Nimitz (American saxophonist and clarinet player) (il 1965-07-12)
temple block :
Steve Douglas (American saxophonist, flautist and clarinetist) (il 1965-07-12)
voce principale:
Mike Love (Beach Boys) (dal 1965-12-22 al 1965-12-29) e Brian Wilson (Beach Boys co‐founder) (dal 1965-12-22 al 1965-12-29)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1965-07-12, il 1965-12-22, il 1965-12-29)
registrazione di:
Sloop John B (dal 1965-07-12 al 1965-12-29)
paroliere e compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. e New Executive Music
versione di:
The John B. Sails
The Beach Boys3.92:58
12California Dreamin’
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:42
13For What It’s Worth
produttore:
Charles Greene (producer) e Brian Stone (producer)
voce:
Stephen Stills
voce di accompagnamento:
Richie Furay e Dewey Martin
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 63)
registrazione di:
For What It’s Worth (il 1966-12-05)
paroliere e compositore:
Stephen Stills
editore:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East e Ten‐East Music (BMI)
Buffalo Springfield4.252:41
14What the World Needs Now Is Love
registrazione di:
What the World Needs Now Is Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (nel 1965), Songs of Fujimusic (nel 1965, nel 1993) e BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1993)
Jackie DeShannon3.63:14
15Break On Through (to the Other Side)
tecnico e tecnico di missaggio:
Bruce Botnick
produttore:
Paul A. Rothchild
basso-tastiera e organo elettrico :
Ray Manzarek (nel 1966-08)
batteria :
John Densmore (nel 1966-08)
chitarra elettrica :
Robby Krieger (American guitarist, member of The Doors) (nel 1966-08)
voce principale:
Jim Morrison (lead vocalist of the Doors) (nel 1966-08)
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1967) e Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1967, nel 2017)
lavorazione tecnica effettuata presso:
Sunset Sound Recorders in Hollywood, Los Angeles, California, Stati Uniti (nel 1966-08)
registrazione di:
Break On Through (nel 1966-08)
autore:
John Densmore, The Doors, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music e Rondor Music (London) Ltd.
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
The Doors4.252:30
16Mrs. Robinson
tecnico di registrazione:
Roy Halee (il 1968-02-02)
assistente produttore:
Bob Johnston (US record producer and early rockebilly singer)
produttore:
Art Garfunkel, Roy Halee e Paul Simon (of Simon & Garfunkel)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1968-02-02)
chitarra :
Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
voce:
Art Garfunkel (il 1968-02-02) e Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1968) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 270)
registrazione di:
Mrs. Robinson (il 1968-02-02)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.253:51
2▼CD: Disc Two
#TitoloArtistaValutazioneDurata
1Volunteers
registrazione di:
Volunteers
autore:
Marty Balin e Paul Kantner
Jefferson Airplane42:08
2Let’s Get Together
registrata a:
New York, New York, Stati Uniti (nel 1966-11)
produttore:
Felix Pappalardi
basso e voce principale:
Jesse Colin Young (nel 1966-11)
batteria :
Joe Bauer (founding member of ''The Youngbloods'') (nel 1966-11)
chitarra e voce di accompagnamento:
Jerry Corbitt (nel 1966-11) e Lowell Levinger (nel 1966-11)
tastiera :
Lowell Levinger (nel 1966-11)
registrazione cover di:
Let’s Get Together (nel 1966-11)
paroliere e compositore:
Chet Powers
editore:
Irving Music (BMI) e Irving Music, Inc.
The Youngbloods3.754:39
3San Francisco (Be Sure to Wear Some Flowers in Your Hair)
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.753:02
4Turn! Turn! Turn! (To Everything There Is a Season)
produttore:
Terry Melcher
arrangiatore:
Pete Seeger
registrazione cover di:
Turn! Turn! Turn! (To Everything There Is a Season) (il 1965-09-10)
paroliere:
[traditional] (special purpose artist)
compositore:
Pete Seeger (nel 1959)
editore:
Melody Trails e TRO Essex Music Ltd.
The Byrds4.653:57
5Aquarius / Let the Sunshine In
tecnico audio, tecnico e produttore:
Bones Howe
assistente produttore:
Ann McClelland
basso :
Joe Osborne (American bass guitar player, session musician and songwriter)
batteria e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
esecutore:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo e Ron Townson
arrangiatore:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) e Bones Howe
arrangiatore voci:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
diritti fonografici (℗) detenuti da:
Arista (American label owned by Sony Music Entertainment) (nel 1969)
video musicali:
Age of Aquarius / Let the Sunshine In di The 5th Dimension (1960’s group)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 435)
medley che comprende una registrazione di:
Aquarius (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI United Partnership Ltd. e United Artist Music Publishing
parte di:
Hair (1967 musical)
registrazione di:
Aquarius / Let the Sunshine In (The Flesh Failures)
autore:
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) e Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arrangiatore:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) e Bones Howe
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. e United Artists Music Co., Inc.
adattamenti:
Era de aquário / Deixa o sol entrar
medley di:
Aquarius (from “Hair”)
medley di:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley che comprende una registrazione di:
Let the Sunshine In
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI Music Publishing Scandinavia AB e United Artists Music Co., Inc.
The 5th Dimension4.154:50
6Everybody’s Talkin’
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967)
prima pubblicazione:
Everybody’s Talkin’ di Nilsson (US singer-songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 51)
registrazione cover di:
Everybody’s Talkin’
paroliere e compositore:
Fred Neil
editore:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music e Third Story Music, Inc.
Harry Nilsson3.92:46
7Joy to the World
edit di:
Joy to the World di Three Dog Night (American rock band)
registrazione di:
Joy to the World
paroliere e compositore:
Hoyt Axton
editore:
Rondor Music
Three Dog Night4.23:19
8Stoned Love
produttore:
Frank Wilson (Motown singer/songwriter)
voce principale:
Jean Terrell
arrangiatore:
David Van dePitte
registrazione di:
Stoned Love
paroliere e compositore:
Ken Thomas (British producer and engineer) e Frank Wilson (Motown singer/songwriter)
autore:
Yennek Samoht e Frank Wilson (Motown singer/songwriter)
editore:
Jobete Music (UK) Ltd.
The Supremes3.753:02
9Raindrops Keep Falling on My Head
voce:
B.J. Thomas
direttore d'orchestra:
Burt Bacharach
diritti fonografici (℗) detenuti da:
Scepter (a/k/a Scepter Records) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 4) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 345)
registrazione di:
Raindrops Keep Fallin’ on My Head
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
The 42nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1969 winner)
B.J. Thomas43:03
10Mr. President (Have Pity on the Working Man)
tecnico e tecnico di missaggio:
Lee Herschberg
tecnico aggiunto:
Donn Landee
produttore:
Russ Titelman e Lenny Waronker
direttore d'orchestra:
Randy Newman (American singer‐songwriter and score composer)
arrangiatore:
Randy Newman (American singer‐songwriter and score composer)
registrata presso e mixata presso:
Warner Bros. Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Mr. President (Have Pity on the Working Man)
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Randy Newman (publisher) (, fino al 1974), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (, nel 1974) e WB Music Corp. (1929–2019) (nel 1974)
Randy Newman3.752:48
11Sweet Home Alabama
supporto a vario titolo:
Ronnie Van Zant
tecnico e produttore:
Al Kooper
basso elettrico :
Leon Wilkeson (nel 1973-07)
batteria :
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (nel 1973-07)
chitarra elettrica :
Allen Collins (nel 1973-07), Ed King (US guitarist, bassist & songwriter) (nel 1973-07) e Gary Rossington (nel 1973-07)
tastiera :
Billy Powell (nel 1973-07)
voce di accompagnamento:
Merry Clayton (nel 1973-07) e Clydie King (nel 1973-07)
voce principale:
Ronnie Van Zant (nel 1973-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974), Universal Music (plain logo: “Universal Music”) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Sounds of the South Productions
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1973-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 398)
registrazione di:
Sweet Home Alabama (nel 1973-07)
supporto a vario titolo:
Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter), Gary Rossington e Ronnie Van Zant
editore:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:45
12It Keeps You Runnin’
produttore:
Ted Templeman
registrazione di:
It Keeps You Runnin’
paroliere e compositore:
Michael McDonald (R&B & soul singer)
editore:
Tauripin Tunes
The Doobie Brothers3.654:22
13I’ve Got to Use My Imagination
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 4) (numero: 9)
registrazione di:
I’ve Got to Use My Imagination
autore:
Gerry Goffin e Barry Goldberg (blues rock keyboardist and producer)
Gladys Knight & the Pips3.83:32
14On the Road Again
registrata a:
Austin, Texas, Stati Uniti (nel 1979)
tecnico e tecnico di missaggio:
Bradley Hartman
produttore:
Willie Nelson
armonica (a bocca) :
Mickey Raphael (nel 1979)
basso :
Bee Spears (nel 1979)
batteria :
Paul English (US drummer for Willie Nelson) (nel 1979) e Rex Ludwick (US drummer) (nel 1979)
chitarra :
Johnny Gimble (nel 1979), Willie Nelson (nel 1979) e Jody Payne (nel 1979)
percussione :
Paul English (US drummer for Willie Nelson) (nel 1979)
pianoforte :
Bobbie Nelson (nel 1979)
voce:
Willie Nelson (nel 1979)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 2003)
lavorazione tecnica effettuata presso:
The Enactron Truck in Los Angeles, California, Stati Uniti (nel 1979)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 471)
registrazione dal vivo di:
On the Road Again (nel 1979)
paroliere e compositore:
Willie Nelson
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Full Nelson Music e EMI Music Publishing Australia Pty. Limited (not for release label use!)
parte di:
The 53rd Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1980 nominee)
Willie Nelson42:33
15Against the Wind
tecnico di registrazione, tecnico, produttore e tecnico di missaggio:
Bill Szymczyk
basso e chitarra basso :
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
batteria e batteria e percussione :
David Teegarden
chitarra , chitarra acustica e voce principale:
Bob Seger
chitarra elettrica e chitarra solista :
Drew Abbott
organo , organo ospite , pianoforte e pianoforte solista :
Paul Harris (American keyboardist/pianist session player)
sassofono :
Alto Reed
voce:
Bob Seger
voce di accompagnamento:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) e Bob Seger
voce di accompagnamento ospite:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
diritti fonografici (℗) detenuti da:
Hideout Records & Distributors, Inc. (nel 1980)
registrata presso e mixata presso:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, Stati Uniti
registrazione di:
Against the Wind
paroliere e compositore:
Bob Seger
editore:
Hideout Records/Distribtrs Inc (Gear Publishing Div) e Gear Publishing Co (nel 1980)
Bob Seger & the Silver Bullet Band3.255:36
16Forrest Gump Suite
tecnico di registrazione:
Dennis Sands (American sound engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean, Bill Smith (US recording engineer) e Bill Talbott
produttore:
Alan Silvestri (US score composer)
produttore esecutivo:
Glen Brunman, Joel Sill e Robert Zemeckis
assistente editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
direttore d'orchestra:
Alan Silvestri (US score composer)
orchestratore:
William Ross (composer, orchestrator, arranger, conductor)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
mixata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Forrest Gump
compositore:
Alan Silvestri (US score composer)
parte di:
Forrest Gump
Alan Silvestri3.258:50