Meisterwerke der Klassik

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

10 Jewel Cases in, I guess, a cardboard slipcase. The box itself does not have a barcode.

Individiual cat#s / barcodes:

CD 1: 442 8367 / 028944283679
CD 2: 442 8368 / 028944283686
CD 3: 442 8369 / 028944283693
CD 4: 442 8370 / 028944283709
CD 5: 442 8371 / 028944283716
CD 6: 442 8372 / 028944283723
CD 7: 442 8373 / 028944283730
CD 8: 442 8374 / 028944283747
CD 9: 442 8375 / 028944283754
CD 10: 442 8376 / 028944283761

Annotation last modified on 2025-01-02 16:46 UTC.

Tracklist

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1▼CD: Meisterwerke des Barock
#TitleArtistRatingLength
1Feuerwerksmusik - Ouvertüre
harpsichord:
Wolfgang Meyer (organist, harpsichordist) (in 1963-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1963-03)
conductor:
Rafael Kubelík (conductor) (in 1963-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1963-03)
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture (in 1963-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel7:55
2Brandenburgisches Konzert No. 2 F-dur BWV 1047: 1. (Allegro)
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:51
3Brandenburgisches Konzert No. 2 F-dur BWV 1047: 2. Andante
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:23
4Brandenburgisches Konzert No. 2 F-dur, BWV 1047: 3. Allegro assai
orchestra:
Chamber Orchestra of Europe
conductor:
Douglas Boyd (oboist and conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:48
5Kanon & Gigue D-dur
executive producer:
Dr. Andreas Holschneider
producer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1983-04)
instruments and orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1983-04)
violin:
Hajo Bäß (viola player) (in 1983-04) and Reinhard Goebel (violinist and conductor) (in 1983-04)
conductor:
Reinhard Goebel (violinist and conductor) (in 1983-04)
balance engineer:
Jörg Iwaschuta
recorded at:
Zentralsaal in Bamberg, Bayern (Bavaria), Germany (in 1983-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337 (in 1983-04)
composer:
Johann Pachelbel (composer)
part of:
Thematic Catalogue of the Musical Works of Johann Pachelbel (Pachelbel catalogue by Jean M. Perreault) (number: P. 37), Johann Pachelbel: Organist, Teacher, Composer, A Critical Reexamination of His Life, Works, and Historical Significance (Pachelbel catalogue by Kathryn Janes Welter) (number: PC. 358) and Archive of Johann Pachelbel’s Works (Pachelbel catalogue by Hideo Tsukamoto) (number: T. 337)
Johann Pachelbel4:46
6Tafelmusik Konzert F-dur: 1. Allegro
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
solo violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1988-04)
solo violin [violin II]:
Manfredo Kraemer (in 1988-04)
solo violin [violin III]:
Florian Deuter (violinist and conductor) (in 1988-04)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1988-04)
conductor:
Reinhard Goebel (violinist and conductor) (in 1988-04)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1988-04)
recording of:
Concerto for 3 Violins, Strings and Continuo in F major, TWV 53:F1: I. Allegro (in 1988-04)
composer:
Georg Philipp Telemann (composer)
part of:
Concerto for 3 Violins, Strings and Continuo in F major, TWV 53:F1
Georg Philipp Telemann5:15
7Wassermusik: Air
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel3:06
8Wassermusik: Alla Hornpipe
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
Georg Friedrich Händel4:18
9Orchester-Suite No. 3 D-dur BWV 1068: Air
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1960-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1960-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1960-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1960-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:47
10Orchestersuite No. 2 D-dur BWV 1067: Badinerie
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (in 1960-06)
orchestra:
Munich Bach Orchestra (in 1960-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1960-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1960-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1960-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie (orch. Mahler) (in 1960-06)
orchestrator:
Gustav Mahler (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
part of:
Suite from Orchestral Works of Bach (orch. Mahler)
Johann Sebastian Bach1:32
11Salomon: Ankunft der Königin von Saba
orchestra:
The English Concert
performer:
Trevor Pinnock (conductor / harpsichord)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
Georg Friedrich Händel3:11
12Orpheus und Eurydike: Reigen seliger Geister
executive producer:
Alison Ames
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1992-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1992-03)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (in 1992-03)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck6:10
13Trompetenkonzert D-dur: 1. Allegro
producer:
Rudolf Werner (producer at Deutsche Grammophon)
organ:
Hedwig Bilgram (harpsichordist and organist)
trumpet:
Maurice André (French trumpeter) (in 1976-09)
orchestra:
English Chamber Orchestra (in 1976-09)
conductor:
Charles Mackerras (Australian conductor) (in 1976-09)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1976-09)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-09)
recording of:
Trumpet Concerto in D major "Estienne Roger 188": I. Allegro (in 1976-09)
composer:
Giuseppe Torelli (violinist and composer)
part of:
Trumpet Concerto in D major "Estienne Roger 188"
Giuseppe Torelli2:37
14Adagio g-moll
engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
organ:
Edward Brewer (harpsichordist) (in 1989-04)
violin:
Eriko Sato (violinist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (from 1989-04 to present) and State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Adagio for Strings and Organ in G minor (in 1989-04)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Albinoni7:22
15Die 4 Jahreszeiten E-dur op.8 No.1 'Der Frühling': 1. Allegro
violin:
Gidon Kremer (violinist)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:06
16Die 4 Jahreszeiten E-dur op.8 No.1 'Der Frühling': 2. Largo
violin:
Gidon Kremer (violinist)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:15
17Die 4 Jahreszeiten E-dur op.8 No.1 'Der Frühling': 3. Allegro (Danza pastorale)
violin:
Gidon Kremer (violinist)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:47
2▼CD: Meisterwerke der Wiener Klassik
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1Trompetenkonzert Es-dur Hob.VIIe:1. Allegro
trumpet:
Maurice André (French trumpeter)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra)
conductor:
Hans Stadlmair (conductor)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1 (Trumpet Concerto in E-flat major)
composer:
Joseph Haydn (composer) (in 1796)
part of:
Hoboken-Verzeichnis (number: Hob. VIIe:1)
Joseph Haydn6:29
2Symphonie G-dur Hob.I:94 'Mit dem Paukenschlag': 2. Andante
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Eugen Jochum (conductor)
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn6:51
3Streichquartett C-dur Hob.III:77 'Kaiser Quartett': 3. Poco adagio - cantabile
string quartet:
Amadeus Quartet
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile
composer:
Joseph Haydn (composer)
version of:
Gott erhalte Franz, den Kaiser
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn7:55
4Streichquintett E-dur op.11 No.5: 2. Menuetto
orchestra:
Orpheus Chamber Orchestra (US orchestra)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:25
5Klavierkonzert No.21 C-dur KV 467 'Elvira Madigan': 2. Andante
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Friedrich Gulda (Austrian pianist and composer) (in 1974-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-09)
conductor:
Claudio Abbado (conductor) (in 1974-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-09)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1974-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:51
6Serenade No.13 G-dur KV 525 'Eine kleine Nachtmusik': 3. Menuetto. Allegretto
producer:
Walter Legge (British classical producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-08-19 until 1965-08-21)
conductor:
Herbert von Karajan (conductor) (from 1965-08-19 until 1965-08-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-08-19 until 1965-08-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1965-08-19 until 1965-08-21)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (from 1965-08-19 until 1965-08-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:22
7Serenade No.13 G-dur KV 525 'Eine kleine Nachtmusik': 4. Rondo. Allegro
producer:
Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-08-19 until 1965-08-21)
conductor:
Herbert von Karajan (conductor) (from 1965-08-19 until 1965-08-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-08-19 until 1965-08-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1965-08-19 until 1965-08-21)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (from 1965-08-19 until 1965-08-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:12
8Klarinettenkonzert A-dur KV 622: 2. Adagio
recording engineer:
Gernot Westhäuser (Engineer) (in 1972-09)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
clarinet:
Alfred Prinz (clarinetist) (in 1972-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1972-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1972-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart8:13
9Klarinettenkonzert A-dur KV 551 'Jupiter-Symphonie': 3. Menuetto. Allegretto
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart5:18
10Fidelio: Ouvertüre
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Dieter-Gerhardt Worm
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:
Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:
Günter Hermanns (producer/engineer) and Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1969-03)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (in 1969-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:20
11Violinromanze No.1 G-dur op.40
violin:
Shlomo Mintz (violinist, violist and conductor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Romance for Violin and Orchestra no. 1 in G major, op. 40
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1802)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 40)
Ludwig van Beethoven7:49
12Symphonie No.5 c-moll op.67: 4. Finale. Allegro
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-03-09 until 1962-03-12)
conductor:
Herbert von Karajan (conductor) (from 1962-03-09 until 1962-03-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-03-09 until 1962-03-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-03-09 until 1962-03-12)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (from 1962-03-09 until 1962-03-12)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:58
3▼CD: Meisterwerke der Romantik I
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1Il Barbiere di Siviglia - Ouvertüre
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Sinfonia (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:28
2Rosamunde D 797 - Ballettmusik Nr. 2
orchestra:
Orpheus Chamber Orchestra (US orchestra)
recording of:
Rosamunde, D. 797: IX. Ballettmusik Nr. 2 G-Dur. Andantino
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Franz Schubert6:29
3Violinkonzert Nr. 2 H-Moll, op. 7 "La Campanella": 3. Rondo
violin:
Salvatore Accardo (violinist and conductor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
Violin Concerto no. 2 in B minor, op. 7, MS 48: III. Rondo a la clochette, “La campanella”
composer:
Niccolò Paganini (Italian composer and violinist) (in 1826)
part of:
Violin Concerto no. 2 in B minor, op. 7, MS 48 (“La campanella”)
Niccolò Paganini9:00
4Gitarrenkonzert Nr. 1 A-Dur, op. 30: 2. Andantino. Siciliano
guitar and solo classical guitar:
Narciso Yepes (classical guitarist)
orchestra:
English Chamber Orchestra
conductor:
Garcia Navarro (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recording of:
Guitar Concerto in A major, op. 30: II. Andantino siciliano
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer) (until 1808)
part of:
First Grand Concerto for Guitar, op. 30
Mauro Giuliani6:26
5Symphony Fantastique, op. 14: 2. Un Bal. Valse
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1973-02)
conductor:
Seiji Ozawa (conductor and composer) (in 1973-02)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1973-02)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1973-02)
recording of:
Symphonie fantastique, op. 14: II. Un bal (in 1973-02)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:24
6Ein Sommernachtstraum, op. 61: 1. Scherzo
producer:
Cord Garben (pianist and conductor)
orchestra:
Chicago Symphony Orchestra (in 1984-07)
conductor:
James Levine (US conductor and pianist) (in 1984-07)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1984-07)
recording of:
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace (in 1984-07)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:30
7Violinkonzert E-Moll, op. 64: 2. Andante
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
violin:
Nathan Milstein (violinist) (from 1973-03-12 until 1973-03-13)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (from 1973-03-12 until 1973-03-13)
conductor:
Claudio Abbado (conductor) (from 1973-03-12 until 1973-03-13)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1973-03-12 until 1973-03-13)
recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante) (from 1973-03-12 until 1973-03-13)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn7:54
8Aufforderung zum Tanz, op.65
orchestra:
Russian National Orchestra
conductor:
Mikhail Pletnev (pianist & conductor)
recording of:
Aufforderung zum Tanz, op. 65 (Invitation to the Dance, op. 65, orchestration not indicated)
composer:
Carl Maria von Weber (composer)
orchestration of:
Aufforderung zum Tanze, op. 65 (Invitation to the Dance, op. 65, for piano)
Carl Maria von Weber11:18
9Symphonie Nr. 8 H-Moll D 759 "Unvollendete": 2. Andante con moto
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1983-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1983-06)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1983-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-06)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto (in 1983-06)
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert12:35
10Symphonie Nr. 4 A-Dur, op. 90 "Italienische": 4. Saltarello. Presto
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1983-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1983-06)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1983-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-06)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto (in 1983-06)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:07
4▼CD: Meisterwerke der Romantik II
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1Ungarischer Tanz No.1 g-moll
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Claudio Abbado (conductor)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 1 in G minor (Allegro molto) (catch-all for unknown and one-off orchestrations)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
Johannes Brahms2:58
2Symphonie No.1 B-dur op. 38 'Frühlings-Symphonie': 4. Allegro animato e grazioso
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: IV. Allegro animato e grazioso
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann8:49
3Ungarische Rhapsodie No.2 d.moll
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Hungarian Rhapsody for Orchestra no. 2 in C minor, S. 359/2 (orch. Liszt/Doppler)
orchestrator:
Franz Doppler and Franz Liszt (Hungarian composer, pianist and conductor)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 12 in C‐sharp minor, S. 244 no. 12
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
Franz Liszt11:27
4Faust (Margarethe): Faust-Walzer
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra)
conductor:
Neeme Järvi (Estonian conductor)
recording of:
Concert Waltz (from Faust) (for orchestra)
composer:
Charles Gounod (French composer)
arrangement of:
Faust : Acte II. No. 9 Valse et chœur « Ainsi que la brise légère … » (Chœur, Méphistophélès, Faust, Siébel) (Valse de Faust, Waltz; Faust-Walzer)
Charles‐François Gounod5:48
5Klavierkonzert No.1 e-moll op.11: 2. Romance. Larghetto
piano:
Martha Argerich (Argentine pianist)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin9:59
6Hoffmans Erzählungen: Barcarole
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra)
conductor:
Neeme Järvi (Estonian conductor)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:41
7Symphonie No.3 F-dur op.90: 3. Poco allegretto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-09-28 until 1964-09-30)
conductor:
Herbert von Karajan (conductor) (from 1964-09-28 until 1964-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-09-28 until 1964-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-09-28 until 1964-09-30)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto (from 1964-09-28 until 1964-09-30)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms5:59
8Die Meistersinger von Nürnberg: Ouvertüre
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Eugen Jochum (conductor)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Vorspiel (in 1976)
composer:
Richard Wagner (composer) (from 1863 until 1867)
part of:
Die Meistersinger von Nürnberg, WWV 96
Richard Wagner9:13
9La Gioconda: Tanz der Stunden
orchestra:
Gothenburg Symphony Orchestra (from 1989-06 until 1989-09)
conductor:
Neeme Järvi (Estonian conductor) (from 1989-06 until 1989-09)
recording of:
La Gioconda: Atto III, scena 2. Danza delle ore (from 1989-06 until 1989-09)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli10:43
10Radetzky-Marsch, op. 228
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-12-28 until 1966-12-29)
conductor:
Herbert von Karajan (conductor) (from 1966-12-28 until 1966-12-29)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1966-12-28 until 1966-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-12-28 until 1966-12-29)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228) (from 1966-12-28 until 1966-12-29)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss I2:48
5▼CD: Meisterwerke der Romantik III
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1Mein Vaterland: Die Moldau
orchestra:
Boston Symphony Orchestra
conductor:
Rafael Kubelík (conductor)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:03
2Slawischer Tanz No.1 C-dur op.46: Presto
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) (on 1959-09-04)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák3:34
3"Der Nußknacker", op. 71: Blumenwalzer
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Peter Tschaikowsky7:00
4Peer Gynt op.23: Morgenstimmung
orchestra:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (Estonian conductor) (in 1987-06)
performer:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) (in 1987-06) and Neeme Järvi (Estonian conductor) (in 1987-06)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1987-06)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (in 1987-06)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:17
5Violinkonzert No.1 g-Moll Op.26: 2. Adagio
violin:
Shlomo Mintz (violinist, violist and conductor)
orchestra:
Chicago Symphony Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch9:39
6Bilder einer Ausstellung: Promenade - Gnomus
orchestra:
Chicago Symphony Orchestra
conductor:
Carlo Maria Giulini (conductor)
recording of:
Pictures at an Exhibition: No. 1 “Gnomus” (catch-all for arrangements)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (in 1874)
arrangement of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version)
part of:
Pictures at an Exhibition (catch-all for arrangements)
Modest Mussorgsky4:32
7Symphonie No.9 e-moll op.95 'Aus der Neuen Welt': 2. Largo (Anfang)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Lorin Maazel (conductor)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák4:52
8Kaiserwalzer op.437
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1972-09)
recording of:
Kaiser‐Walzer, op. 437 (Emperor Waltz, op. 437) (in 1972-09)
premiered in:
Berlin, Germany (on 1889-10-21)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1889)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 437)
Johann Strauss II11:06
9Die Macht des Schicksals: Ouvertüre
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
La forza del destino: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi7:49
10Klavierkonzert No.1 b-moll op. 23: 3. Allegro con fuoco
piano:
Yevgeny Kissin (Evgeny Kissin, Russian classical pianist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version, rarely performed)
Peter Tschaikowsky7:41
6▼CD: Meisterwerke der Moderne
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1Also sprach Zarathustra, Op. 30: Einleitung
editor:
Christopher Alder (editor/engineer/producer)
solo violin:
Rainer Küchl (Austrian violinist) (in 1983-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1983-02)
conductor:
Lorin Maazel (conductor) (in 1983, in 1983-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1983-02)
live recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 1983-02)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss2:03
2Jupiter
orchestra:
Chicago Symphony Orchestra (in 1989-06)
conductor:
James Levine (US conductor and pianist) (in 1989-06)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1989-06)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (in 1989-06)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:39
3Sicilienne
recording engineer:
Stephan Flock
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1995-04)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1995-04)
recording of:
Pelléas et Mélisande, op. 80: III. Sicilienne (in 1995-04)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
Gabriel Fauré3:40
4Symphonie No.5 cis moll (4. Adagietto)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1985-01)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler10:30
5Concierto de Aranjuez 1. Allegro con spirito
guitar:
Narciso Yepes (classical guitarist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Luis Antonio García Navarro (conductor)
recording of:
Concierto de Aranjuez: I. Allegro con spirito
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo6:12
6Rhapsody in Blue
producer:
Christopher Alder (editor/engineer/producer)
piano:
James Levine (US conductor and pianist) (in 1990-07)
orchestra:
Chicago Symphony Orchestra (in 1990-07)
conductor:
James Levine (US conductor and pianist) (in 1990-07)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1990-07)
recording of:
Rhapsody in Blue (original 1924 jazz band version, less often performed) (in 1990-07)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1924)
composer:
George Gershwin (composer) (in 1924)
was commissioned by:
Paul Whiteman (in 1924)
publisher:
Harms, Inc. (in 1924)
premiered at:
Aeolian Hall in New York, New York, United States (on 1924-02-12)
version of:
Rhapsody in Blue (original 1924 two-piano manuscript version)
George Gershwin16:07
7Gayaneh (Säbeltanz)
producer:
Thomas Mowrey
orchestra:
Boston Pops Orchestra (in 1971-06)
conductor:
Arthur Fiedler (conductor) (in 1971-06)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1971-06)
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance (in 1971-06)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
E. Khachaturyan2:23
8Candide, Ouvertüre
recording of:
Candide: Overture
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein4:32
9Pomp and Circumstance - Marsch No.1 D-dur
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1991-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1991-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1991-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1991-02)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (in 1991-02)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar6:33
10Boléro
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1974-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-04)
balance engineer:
Joachim Niss and Gernot Westhäuser (Engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1974-04)
recording of:
Boléro (in 1974-04)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel15:00
7▼CD: Meisterwerke der Oper
#TitleArtistRatingLength
1La traviata: “Libiamo ne lieti calici“ (Brindisi)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06-26)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06-26)
bass vocals:
Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06-26)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
mezzo-soprano vocals [Flora]:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06-26)
other vocals:
Bayerischer Staatsopernchor (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
tenor vocals [Gastone]:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06-26)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:02
2Rigoletto: “La donna è mobile”
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:48
3Roméo et Juliette : « Je veux vivre dans le rêve »
soprano vocals [Juliette]:
Montserrat Caballé (soprano) (in 1971)
conductor:
Reynald Giovaninetti (in 1971)
performer:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1971)
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette) (in 1971)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
Charles‐François Gounod3:50
4Pagliacci: “Recitar!” … “Vesti la giubba”
producer:
Hans Weber (producer/engineer)
tenor vocals [Canio (Pagliaccio)]:
Carlo Bergonzi (tenor) (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo4:08
5L’elisir d’amore: “Una furtiva lagrima”
tenor vocals [Nemorino]:
Gösta Winbergh (tenor) (in 1987)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1987)
conductor:
Gabriele Ferro (conductor) (in 1987)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (in 1987)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:30
6Le nozze di Figaro: “Voi che sapete che cosa è amor”
mezzo-soprano vocals [Cherubino]:
Magdalena Kožená (Czech mezzo-soprano) (in 2001-09)
orchestra:
Prague Philharmonia (in 2001-09)
conductor:
Michel Swierczewski (in 2001-09)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (in 2001-09)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 2001-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:50
7Le nozze di Figaro: “Non più andrai”
producer:
Karl-August Naegler (balance engineer)
instruments and orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
bass vocals and bass-baritone vocals [Figaro]:
Bryn Terfel (bass‐baritone opera singer) (from 1993-06 until 1993-07)
conductor:
John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07: bass-baritone vocals)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
edit of:
Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro) (w/ applause) by Bryn Terfel (bass‐baritone opera singer), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:37
8Orfeo ed Euridice: “Che faro senza Euridice”
mezzo-soprano vocals [Orfeo]:
Anne Sofie von Otter (mezzo-soprano) (in 1997)
orchestra:
The English Concert (in 1997)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1997)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) (in 1997)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck3:58
9Il barbiere di Siviglia: “Largo al factotum”
baritone vocals [Figaro]:
Hermann Prey (baritone) (in 1971-09)
vocals:
Hermann Prey (baritone) (in 1972)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09, in 1972)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:40
10Carmen : « La fleur que tu m’avais jetée »
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo-soprano) (in 1977-09)
tenor vocals [Don José]:
Plácido Domingo (tenor) (in 1977-09, in 1978)
orchestra:
London Symphony Orchestra (in 1977-09, in 1978)
conductor:
Claudio Abbado (conductor) (in 1977-09, in 1978)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1977-09)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1978)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:20
11Don Giovanni: “Là ci darem la mano”
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto] and soprano vocals [Zerlina]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08, in 1978)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:47
12Die Zauberflöte: „Dies Bildnis ist bezaubernd schön”
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
performer:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:41
13Tosca: “Vissi d’arte, vissi d’amore”
producer:
Wolfgang D. Stengel
baritone vocals:
Samuel Ramey (bass-baritone)
bass-baritone vocals:
Samuel Ramey (bass-baritone) (in 1992)
soprano vocals:
Mirella Freni (soprano) (in 1992)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05, in 1992)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05, in 1992)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05, in 1992)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1992)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:40
14Tannhäuser: „Wie Todesahnung” … „O du mein holder Abendstern”
producer:
Christopher Alder (editor/engineer/producer) and Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2001-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2001-09)
conductor:
Christian Thielemann (German conductor) (in 2001-09)
balance engineer:
Ulrich Vette (engineer) (in 2001-09)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2001-09)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene II. „Wie Todesahnung, Dämm'rung deckt die Lande … O du mein holder Abendstern” (in 2001-09)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
Richard Wagner5:32
15Nabucco: “Va pensiero sull’ali dorate“
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Wolfgang Stengel (in 1982-05)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1982-05, in 1983)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05, in 1983)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:58
16Aida: “Gloria all’Egitto“
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
bass vocals [Ramfis, capo dei sacerdoti]:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:36
17Aida: Triumphmarsch
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1982)
conductor:
Claudio Abbado (conductor) (in 1982)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi1:43
18Il trovatore: “Di quella pira”
choir vocals:
Roger Wagner Chorale (US / Los Angeles choir)
tenor vocals [Manrico]:
Plácido Domingo (tenor) (in 1981)
orchestra:
Los Angeles Philharmonic Orchestra (in 1981)
conductor:
Carlo Maria Giulini (conductor) (in 1981)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1981)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:21
19Cavalleria rusticana: “Mamma, quel vino e generoso”
tenor vocals [Turiddu]:
Plácido Domingo (tenor) (in 1990)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1990)
conductor:
Giuseppe Sinopoli (conductor) (in 1990)
recording of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre) (in 1990)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni5:50
8▶CD: Meisterwerke der geistlichen Musik
9▶CD: Meisterwerke für Solisten
10▶CD: Meisterwerke zur Ruhe