Super Rock Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1We Will Rock You (2001 digital remaster)
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
assistierende(r) Produzent(in) und Koproduzent(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Queen (UK rock group)
E-Gitarre und Gitarre:
Brian May (Queen guitarist) (von 1977-08 bis 1977-09)
foot stomps [footstomps] und Händeklatschen:
John Deacon (von 1977-08 bis 1977-09), Brian May (Queen guitarist) (von 1977-08 bis 1977-09), Freddie Mercury (von 1977-08 bis 1977-09) und Roger Taylor (Queen drummer) (von 1977-08 bis 1977-09)
Hintergrundgesang:
Brian May (Queen guitarist) (von 1977-08 bis 1977-09), Freddie Mercury (von 1977-08 bis 1977-09) und Roger Taylor (Queen drummer) (von 1977-08 bis 1977-09)
Sologesang:
Freddie Mercury (von 1977-08 bis 1977-09)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2001, in 2011)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (von 1977-08 bis 1977-09)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 338)
recording of:
We Will Rock You (von 1977-08 bis 1977-09)
Texter und Komponist(in):
Brian May (Queen guitarist)
publisher:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. und Sony/ATV
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.82:03
2I Was Made for Lovin’ You
phonographisches Urheberrecht (℗) von:
Phonogram International (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
Bearbeitung von:
I Was Made for Lovin’ You von KISS (US rock band)
recording of:
I Was Made for Lovin’ You
Verfasser(in):
Desmond Child, Vini Poncia und Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) und Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS44:24
3Poison
recording engineer:
Sir Arthur Payson (von 1988 bis 1989)
Synthesizer-Programmierung:
Steve Deutsch
assistierende(r) Techniker(in):
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber und Mark Tanzer
Produzent(in):
Desmond Child
Mix:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) und Steve Thompson (producer)
Bassgitarre:
Hugh McDonald (bassist) (von 1988 bis 1989)
Gitarre:
John McCurry (von 1988 bis 1989)
Keyboard:
Alan St. John (von 1988 bis 1989)
Schlagzeug:
Bobby Chouinard (von 1988 bis 1989)
zusätzlich andere Instrumente [special effects]:
Gregg Mangiafico (von 1988 bis 1989)
zusätzlich Keyboard:
Paul Chiten (songwriter and producer) (von 1988 bis 1989) und Gregg Mangiafico (von 1988 bis 1989)
Hintergrundgesang:
Alan St. John (von 1988 bis 1989), Michael Anthony (US bassist, formerly of Van Halen) (von 1988 bis 1989), Desmond Child (von 1988 bis 1989), Diana Grasselli (von 1988 bis 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (von 1988 bis 1989), Louie Merlino (von 1988 bis 1989), Hugh McDonald (bassist) (von 1988 bis 1989), Jamie Sever (von 1988 bis 1989), Bernie Shanahan (von 1988 bis 1989), Stiv Bator (von 1988 bis 1989), Tom Teeley (von 1988 bis 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (von 1988 bis 1989), Myriam Valle (von 1988 bis 1989) und Maria Vidal (American singer-songwriter) (von 1988 bis 1989)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present) (von 1988 bis 1989)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (von 1988 bis 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Vereinigte Staaten (von 1988 bis 1989), Grog Kill Studio in Woodstock, New York, Vereinigte Staaten (von 1988 bis 1989), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1988 bis 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1988 bis 1989), Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten (von 1988 bis 1989), Sigma Sound Studios (New York) in New York, New York, Vereinigte Staaten (von 1988 bis 1989), The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989) und The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989)
recording of:
Poison (von 1988 bis 1989)
Verfasser(in):
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975‐present) und John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, vom 1989 bis heute), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, vom 1989 bis ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Ezra Music Corp. (vom 1989 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:27
4In the Army Now
recording engineer:
Tim "Ted" Summerhayes
assistierende(r) Techniker(in):
Kevin Whyte
Techniker(in):
Simon Sullivan und Tim "Ted" Summerhaynes
Produzent(in):
Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1986) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1986)
produced for:
Handle Artists
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
In the Army Now
Verfasser(in):
Ferdi Bolland und Rob Bolland
publisher:
Beadle Music Ltd., Bolland Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dayglow Music NV, Dayglow Muziekuitgeverij N.V., Island Music Ltd., Nada Music (Dutch publisher), Nada Music International, Nada Music International CV und The International Music Network
Status Quo3.54:35
5Smoke on the Water
recorded in:
Montreux, Vaud (Kanton Waadt), Schweiz (in 1971-12)
assistierende(r) Techniker(in):
Jeremy Gee
Techniker(in):
Martin Birch
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (in 1971-12)
E-Gitarre:
Ritchie Blackmore (in 1971-12)
Hammond-Orgel:
Jon Lord (in 1971-12)
Schlagzeug:
Ian Paice (in 1971-12)
Sologesang:
Ian Gillan (in 1971-12)
aufgenommen bei:
Rolling Stones Mobile Studio in Vereinigtes Königreich (in 1971-12)
recording of:
Smoke on the Water (in 1971-12)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple3.953:40
6Black Betty
Produzent(in):
Jerry Kasenetz und Jeff Katz (music producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (vom 1977 bis heute) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
cover recording of:
Black Betty
Texter und Komponist(in):
[traditional] (special purpose artist) und Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (vom 1977 bis heute) und TRO (publisher) (vom 1977 bis heute)
Ram Jam4.52:29
7Eye of the Tiger
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonnano und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 28) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 63)
recording of:
Eye of the Tiger
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
Survivor4.43:59
8Beds Are Burning
A&R-Management:
S. Ralbovsky
assistierende(r) Techniker(in):
Kathy Naunton (editor)
Techniker(in):
Guy Gray
Produzent(in):
Warne Livesey und Midnight Oil (Australian rock band)
Bass:
Peter Gifford
Cello:
John Ockwell (Cello Artist)
Gitarre:
Jim Moginie und Martin Rotsey
Keyboard:
Warne Livesey und Jim Moginie
Posaune:
Glad Reed
Schlagzeug [drums]:
Rob Hirst
Waldhorn:
Jeremy Smith (Horns)
phonographisches Urheberrecht (℗) von:
Midnight Oil (Australian rock band) (in 1987)
phonographisches Urheberrecht (℗) von:
Midnight Oil Ents Pty Ltd (in 1987) und Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1987)
aufgenommen bei:
Alberts Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 18) und VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 95)
recording of:
Beds Are Burning
Verfasser(in):
Peter Garrett, Rob Hirst und Jim Moginie
publisher:
Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sprint Music Pty. Ltd.
Midnight Oil4.54:16
9Don’t Bring Me Down
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bassgitarre:
Kelly Groucutt (von 1979-03 bis 1979-04)
E-Gitarre und Sologesang:
Jeff Lynne (von 1979-03 bis 1979-04)
Hybrid-Piano und Klarinette:
Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
Klavier und Synthesizer:
Jeff Lynne (von 1979-03 bis 1979-04) und Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (von 1979-03 bis 1979-04)
Chorgesang:
Kelly Groucutt (von 1979-03 bis 1979-04) und Jeff Lynne (von 1979-03 bis 1979-04)
conductor:
Louis Clark (von 1979-03 bis 1979-04)
Saiteninstrumente arranger und Chorgesang arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979), Jet Inc. (in 1979), Jet Records (in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2005)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1979-03 bis 1979-04)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 215)
recording of:
Don’t Bring Me Down (von 1979-03 bis 1979-04)
Texter und Komponist(in):
Jeff Lynne
publisher:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.54:05
10Let’s Dance (2002 digital remaster)
recording of:
Let’s Dance
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd und Watanabe Music Publishing CM division
David Bowie4:02
11Rebell Yell
Techniker(in):
Michael Frondelli
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass, Gitarre und Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
Keyboard:
Judi Dozier (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Rebel Yell von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 79)
recording of:
Rebel Yell (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) und WC Music Corp.
Billy Idol4.54:48
12Dance With Somebody
phonographisches Urheberrecht (℗) von:
Musica de la Santa (in 2009)
recording of:
Dance With Somebody
Texter und Komponist(in):
Björn Dixgård und Gustaf Norén
Mando Diao1.84:01
13Wild Thing
Produzent(in):
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
E-Gitarre:
Chris Britton (The Troggs) (in 1966)
Okarina und Sologesang:
Reg Presley (in 1966)
Schlagzeug:
Ronnie Bond (The Troggs) (in 1966)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 257)
cover recording of:
Wild Thing (in 1966)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH und April Music (in 1981)
The Troggs4.42:33
14Jailhouse Rock
E-Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-04-30)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-04-30)
Schlagzeug:
D.J. Fontana (am 1957-04-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1957-04-30)
zusätzlich vocals:
The Jordanaires (southern gospel group) (am 1957-04-30)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957) und BMG Music (in 1957)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 67) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 216)
recording of:
Jailhouse Rock (am 1957-04-30)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC und Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley3.42:31
15Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner3.752:45
16Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:25
17Radar Love
Produzent(in):
Golden Earring
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) und Red Bullet Productions B.V. (in 1973)
recording of:
Radar Love
Texter:
Barry Hay
Komponist(in):
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) und Sony/ATV Music Publishing
Golden Earring4.255:04
18How You Remind Me
Produzent(in):
Chad Kroeger, Mike Kroeger, Rick Parashar, Ryan Peake und Ryan "Nik" Vikedal
Mix:
Randy Staub
Bass:
Mike Kroeger
Gitarre [guitars]:
Chad Kroeger und Ryan Peake
Schlagzeug [drums]:
Ryan "Nik" Vikedal
Sologesang:
Chad Kroeger
vocals:
Ryan Peake
phonographisches Urheberrecht (℗) von:
The All Blacks B.V. (company, for copyrights purposes) (in 2001)
Musikvideos:
How You Remind Me von Nickelback
Teil von:
Billboard Year-End Hot 100 singles of 2002 (Nummer: 1) und BILLIONS CLUB
recording of:
How You Remind Me
Texter:
Chad Kroeger
Komponist(in):
Chad Kroeger, Mike Kroeger, Ryan Peake und Ryan Vikedal
publisher:
Arm Your Dillo Publishing Inc., M. Kroeger Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zero‐G Music Inc.
Nickelback3.83:39
19In the Shadows
recording engineer und Produzent(in):
Mikael Nord Andersson (Swedish guitarist, songwriter and producer) und Martin Hansen (Swedish record producer)
Mix:
Martin Hansen (Swedish record producer) und Leif Allanson (Swedish sound engineer/producer)
E-Bass:
Eero Heinonen (bassist)
Gitarre:
Pauli Rantasalmi
Schlagzeug:
Aki Hakala
Sologesang:
Lauri Ylönen (frontman of The Rasmus)
phonographisches Urheberrecht (℗) von:
Playground Music Scandinavia AB (in 2003)
aufgenommen bei und mixed at:
Nord Studios in Stockholms län (Stockholm county), Schweden
produced at:
Nord Studios in Stockholms län (Stockholm county), Schweden
recording of:
In the Shadows
Texter:
Lauri Ylönen (frontman of The Rasmus)
Komponist(in):
Aki Hakala, Eero Heinonen (bassist), Lauri Ylönen (frontman of The Rasmus) und Pauli Rantasalmi
publisher:
Boneless Skeletor Oy, Grotto Entertainment Oy und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Rasmus3.154:09
20Join Me in Death
Techniker(in), Produzent(in) und Mix:
John Fryer (British producer and engineer)
arranger:
HIM (Finnish rock band)
recording of:
Join Me in Death
Texter und Komponist(in):
Ville Valo
publisher:
Heartagram
HIM3.53:35
21Bring Me to Life
Programmierung:
Ben Moody (American guitarist and producer)
zusätzliche Programmierung:
Zac Baird, David Hodges (American record producer & songwriter) und Chris Johnson (programming/production for Ivy Lane Music)
assistierende(r) Techniker(in):
Sergio Chavez, Jason Cupp, Ai Fujisaki, Dean Nelson und Sam Storey
Techniker(in):
Jeremy Parker (engineer)
zusätzliche(r) Techniker(in):
Ben Moody (American guitarist and producer)
Produzent(in):
Dave Fortman
Mix:
Jay Baumgardner
Bassgitarre:
Francesco DiCosmo
Gitarre und Perkussion:
Ben Moody (American guitarist and producer)
Keyboard und Klavier:
David Hodges (American record producer & songwriter)
Schlagzeug:
Josh Freese (American drummer)
Gast vocals:
Paul McCoy
Sologesang:
Amy Lee (singer and keyboardist of Evanescence)
phonographisches Urheberrecht (℗) von:
The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (in 2003)
Musikvideos:
Bring Me to Life von Evanescence
Teil von:
VH1’s Big Song of 2003 (Nummer: 22), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 43) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 83)
recording of:
Bring Me to Life
Verfasser(in):
David Hodges (American record producer & songwriter), Amy Lee (singer and keyboardist of Evanescence) und Ben Moody (American guitarist and producer)
publisher:
Forthefallen Publishing, Reservoir One America, ROBA Music Verlag GmbH und Zombies Ate My Publishing
Evanescence4.453:49
2CD
Nr.TitelKünstlerBewertungLänge
1The Number of the Beast (1996 digital remaster)
Techniker(in) und Produzent(in):
Martin Birch
E-Bass:
Steve Harris (Iron Maiden bassist) (von 1982-01 bis 1982-02)
E-Gitarre:
Dave Murray (Iron Maiden guitarist) (von 1982-01 bis 1982-02) und Adrian Smith (UK guitarist/songwriter, Iron Maiden) (von 1982-01 bis 1982-02)
Schlagzeug:
Clive Burr (von 1982-01 bis 1982-02)
Sologesang:
Bruce Dickinson (Iron Maiden vocalist) (von 1982-01 bis 1982-02)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) und Iron Maiden LLP (copyrights holder) (in 1982, in 2015)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich (von 1982-01 bis 1982-02)
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
recording of:
The Number of the Beast (von 1982-01 bis 1982-02)
Texter und Komponist(in):
Steve Harris (Iron Maiden bassist)
publisher:
Imagem London Ltd., Rakibitlou Music Ltda. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Iron Maiden4.64:52
2Rock You Like a Hurricane (1995 digital remaster)
Techniker(in):
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) und Gerd Rautenbach
Produzent(in):
Dieter Dierks
Mix:
Mike Beiriger, Dieter Dierks und Scorpions (German rock band)
Akustikgitarre und E-Gitarre:
Rudolf Schenker (in 1984)
Bassgitarre:
Francis Buchholz (in 1984)
E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs (in 1984) und Rudolf Schenker (in 1984)
Perkussion und Schlagzeug:
Herman Rarebell (drummer, Germany) (in 1984)
Slide-Gitarre:
Matthias Jabs (in 1984)
Hintergrundgesang:
Francis Buchholz (in 1984), Matthias Jabs (in 1984), Klaus Meine (in 1984), Herman Rarebell (drummer, Germany) (in 1984) und Rudolf Schenker (in 1984)
Sologesang:
Klaus Meine (in 1984)
arranger:
Dieter Dierks
phonographisches Urheberrecht (℗) von:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 1984, in 2015, in 2018), Breeze Music (in 1984), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1984) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1984)
aufgenommen bei:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Deutschland (von 1983 bis 1984)
Teil von:
Alan Cross: Hurricane Songs (Nummer: 5), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 18) und Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 36)
recording of:
Rock You Like a Hurricane (in 1984)
Texter:
Klaus Meine und Herman Rarebell (drummer, Germany)
Komponist(in):
Rudolf Schenker
publisher:
Arabella Music Edition München, Arabella Musikverlag GmbH (ARABELLA MUSIC EDITION MUENCHEN) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Scorpions44:13
3Here I Go Again ’87
Produzent(in):
Kevin Elson, Keith Olsen (US producer and engineer) und Mike Stone (producer and engineer, 1960s–80s)
Mix:
Keith Olsen (US producer and engineer)
E-Bass:
Neil Murray (British bass guitar player)
E-Gitarre und Hintergrundgesang:
John Sykes
Gast-Keyboard und Keyboard:
Don Airey und Bill Cuomo
Perkussion und Schlagzeug:
Aynsley Dunbar
Solo-E-Gitarre:
Adrian Vandenberg
Sologesang:
David Coverdale
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1987) und Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Here I Go Again ’87 von Whitesnake
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 17)
recording of:
Here I Go Again
Verfasser(in):
David Coverdale und Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (beendet), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Whitesnake4.054:28
4Lady in Black
recording engineer:
Peter Gallen (von 1969 bis 1970-11)
assistierende(r) Techniker(in):
Les Cunningham (studio engineer) und Ashley Howe
Produzent(in):
Gerry Bron
Mix:
Peter Gallen
Bassgitarre:
Paul Newton (UK bassist for Uriah Heep) (von 1970-10 bis 1970-11)
E-Bass:
Paul Newton (UK bassist for Uriah Heep) (von 1969 bis 1970)
E-Gitarre:
Mick Box (von 1970-10 bis 1970-11)
Gitarre:
Mick Box (von 1969 bis 1970)
Orgel:
Ken Hensley (von 1969 bis 1970, von 1970-10 bis 1970-11)
Schlagzeug:
Keith Baker (drummer) (von 1969 bis 1970, von 1970-10 bis 1970-11)
Hintergrundgesang:
Mick Box (von 1970-10 bis 1970-11), Ken Hensley (von 1970-10 bis 1970-11) und Paul Newton (UK bassist for Uriah Heep) (von 1970-10 bis 1970-11)
Sologesang:
David Byron (von 1970-10 bis 1970-11)
vocals:
David Byron (von 1969 bis 1970)
phonographisches Urheberrecht (℗) von:
Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) und Castle Communications PLC (not for label use, copyright holder) (in 1996)
aufgenommen bei:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich (von 1969 bis 1970, von 1970-10 bis 1970-11)
recording of:
Lady in Black (von 1969 bis 1970-11)
Texter und Komponist(in):
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG, S. Bron Music Co. Ltd. und Sidney Bron Music (also spelled “Sydney”)
Uriah Heep4.354:41
5Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Techniker(in) und Produzent(in):
Al Kooper
E-Bass:
Leon Wilkeson (in 1973-07)
E-Gitarre:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) und Gary Rossington (in 1973-07)
Keyboard:
Billy Powell (in 1973-07)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (in 1973-07)
Hintergrundgesang:
Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
Sologesang:
Ronnie Van Zant (in 1973-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 398)
recording of:
Sweet Home Alabama (in 1973-07)
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:37
6Gimme All Your Lovin’
Techniker(in):
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
E-Bass:
Dusty Hill
E-Gitarre und Sologesang:
Billy Gibbons
Perkussion und Schlagzeug:
Frank Beard (ZZ Top drummer)
vocals:
Dusty Hill
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Gimme All Your Lovin’
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three und Songs of Mosaic
ZZ Top4.053:52
7Children of the Revolution
recording of:
Children of the Revolution
Texter und Komponist(in):
Marc Bolan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Wizard (Bahamas) Ltd. und Wizard Publishing Ltd. (publisher, Marc Bolan)
T. Rex4.52:27
8Ace of Spades
Produzent(in):
Vic Maile (von 1980-08-04 bis 1980-09-15)
E-Bass und Sologesang:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (von 1980-08-04 bis 1980-09-15)
E-Gitarre:
'Fast' Eddie Clarke (Motörhead guitarist) (von 1980-08-04 bis 1980-09-15)
Schlagzeug:
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (von 1980-08-04 bis 1980-09-15)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1980), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1980) und Universal Music (plain logo: “Universal Music”) (in 1980)
aufgenommen bei:
Jackson’s Studios in Rickmansworth, Hertfordshire, England, Vereinigtes Königreich (von 1980-08-04 bis 1980-09-15)
Musikvideos:
Ace of Spades von Motörhead
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 3), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 10), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 33), TV Cream: Real 100 Best Singles Ever (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 442)
recording of:
Ace of Spades (von 1980-08-04 bis 1980-09-15)
Verfasser(in):
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) und Phil Taylor (former Motörhead drummer)
publisher:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.252:46
9Hard Rock Hallelujah
Bearbeitung von:
Hard Rock Hallelujah (album version) von Lordi
Teil von:
Finland in the Eurovision Song Contest (Finnland beim Eurovision Song Contest) (Nummer: 2006) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 2006)
recording of:
Hard Rock Hallelujah
Texter und Komponist(in):
Mr. Lordi
Lordi33:01
10Rock the Night
recording engineer und Mix:
Wally Buck und Kevin Elson
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
John Levén
Gitarre:
John Norum
Keyboard:
Mic Michaeli
Schlagzeug [drums]:
Ian Haugland
Hintergrundgesang:
Ian Haugland, Mic Michaeli und John Norum
Sologesang:
Joey Tempest (Swedish singer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1986) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986)
produced for:
Elson Music Vision, Inc.
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden
recording of:
Rock the Night
Texter und Komponist(in):
Joey Tempest (Swedish singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Europe4.54:04
11Hold the Line
Produzent(in):
Toto (US rock group)
Bass:
David Hungate
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich und Steve Porcaro
Perkussion und Schlagzeug:
Jeff Procaro
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recording of:
Hold the Line
Texter und Komponist(in):
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. und Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto3.73:32
12Holding Out for a Hero
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
recording of:
Holding Out for a Hero
Texter:
Dean Pitchford
Komponist(in):
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody und Sony/ATV Music Publishing LLC (1995–2020)
basiert auf:
Stark Raving Love
Bonnie Tyler4.154:22
13Blockbuster
recording of:
Block Buster!
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd., RAK Publ. Ltd. und Universal Music Publishing MGB Ltd.
The Sweet3:05
14Walk This Way
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records) und Russell Simmons
Gast-Gitarre:
Joe Perry (guitarist for Aerosmith)
Gast vocals:
Steven Tyler
phonographisches Urheberrecht (℗) von:
Profile Records, Inc. (distributor / holding / manufacturer) (in 1986) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986)
recording of:
Walk This Way
Verfasser(in):
Joe Perry (guitarist for Aerosmith) und Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited und Vindaloo Productions, Inc.
Run‐D.M.C. feat. Aerosmith3.653:32
15Lords of the Boards
sonstige Unterstützung:
Tom Jackson (Canadian actor & singer) (Aufgabe: vocal coach) und Michael Wolpers (Aufgabe: 24 hour Drum-Tuning)
Programmierung:
Geo Schaller
Techniker(in):
Wolfgang Stach
zusätzliche(r) Techniker(in):
Anyway Wölfle
Produzent(in):
Guano Apes
Mix:
Ronald Prent (Dutch Sound engineer and producer)
Bass:
Stefan
Cello:
Smoke (Cellist)
Gitarre:
Henning
Keyboard [keys]:
Geo Schaller
Perkussion:
Michael Wolpers
Schlagzeug [drums]:
Dennis
turntable [scratches]:
Afam
Sologesang [voices]:
Sandra
phonographisches Urheberrecht (℗) von:
GUN (Great Unlimited Noises) (in 1997)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
engineered at:
Horus Studio in Hannover, Niedersachsen, Deutschland
produced at:
Horus Studio in Hannover, Niedersachsen, Deutschland
recording of:
Lords of the Boards
Texter:
Trevor Lewis und Sandra Nasić
Komponist(in):
Sandra Nasić, Dennis Poschwatta, Henning Rümenapp und Stefan Ude
publisher:
Edition Artist Station und EMI Songs Musikverlag GmbH
Guano Apes43:38
16Bat Out of Hell
Bassgitarre:
Kasim Sulton
Gitarre und Gitarre [Motorcycle guitar]:
Todd Rundgren
Keyboard:
Roy Bittan, Todd Rundgren und Jim Steinman
Klavier:
Roy Bittan
Perkussion:
Jim Steinman
Schlagzeug:
Max Weinberg
Synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
Hintergrundgesang:
Todd Rundgren und Kasim Sulton
Sologesang:
Meat Loaf
zusätzlich Hintergrundgesang:
Rory Dodd und Ellen Foley
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Bearbeitung von:
Bat Out of Hell von Meat Loaf
recording of:
Bat out of Hell
Texter und Komponist(in):
Jim Steinman
publisher:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music und Peg Music Co.
Meat Loaf4.654:44
17You Ain’t Seen Nothing Yet
phonographisches Urheberrecht (℗) von:
Curb Records (in 1986)
live recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:44
18Locomotive Breath
Techniker(in):
John Burns (engineer/producer for Genesis)
leitende(r) Produzent(in):
Terry Ellis (UK producer & band manager)
Produzent(in):
Ian Anderson (of Jethro Tull) und Terry Ellis (UK producer & band manager)
Akustikgitarre und flute und Sologesang:
Ian Anderson (of Jethro Tull) (am 1971-02-12)
Bassgitarre und Altblockflöte:
Jeffrey Hammond Hammond (am 1971-02-12)
E-Gitarre und soprano recorder:
Martin Barre (am 1971-02-12)
Hammond-Orgel, Klavier, Pianoakkordeon und Synthesizer und mellotron, Orgel und Klavier:
John Evan (am 1971-02-12)
Schlagzeug und Perkussion:
Clive Bunker (am 1971-02-12)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (am 1971-02-12)
remixer:
Robin Black (engineer)
Orchestrator(in):
Dee Palmer (aka David Palmer, of Jethro Tull)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1971)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (am 1971-02-12)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Locomotive Breath (am 1971-02-12)
Texter und Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull4.34:19
19Cats in the Cradle
Techniker(in) und Mix:
Mark Dodson (UK producer) und Randy Long
Produzent(in):
Mark Dodson (UK producer)
Bassgitarre:
Cordell Crockett (in 1992)
Gitarre:
Klaus Eichstadt (in 1992) und Dave Fortman (in 1992)
Schlagzeug:
Mark Davis (US drummer for Ugly Kid Joe) (in 1992)
Hintergrundgesang:
Jennifer Barry (in 1992)
Sologesang:
Whitfield Crane (in 1992)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1992)
cover recording of:
Cat’s in the Cradle (in 1992)
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ugly Kid Joe3.84:03
20Zombie
assistierende(r) Techniker(in) und assistierende(r) Produzent(in):
Julie Gardiner (engineer)
Techniker(in) und Produzent(in):
Stephen Street (famous producer, songwriter)
Akustikgitarre und E-Gitarre:
Noel Hogan und Dolores O’Riordan
Bassgitarre:
Mike Hogan (bassist for The Cranberries)
Keyboard und Sologesang:
Dolores O’Riordan
Perkussion und Schlagzeug:
Fergal Lawler
Hintergrundgesang:
Noel Hogan
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label), Island Records, Inc. (US, Island holding) (in 1994), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2002)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich (von 1993-11 bis 1994-08) und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1993-11 bis 1994-08)
mixed at:
The Manor in Oxfordshire, England, Vereinigtes Königreich und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1994) und Indie 88: Top 500 Indie Rock Songs (Nummer: 234)
recording of:
Zombie
Texter und Komponist(in):
Dolores O’Riordan
publisher:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) und Universal–Songs of PolyGram International, Inc.
The Cranberries4.355:05

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ASIN:DE: B0025T4YSS [Info]