The Rock Party

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

This box set exclusively released by Compact Disc Club Label of HIT Music & Communication S.A. (P) & (C) 1996 BMG Greece S.A., Sony Music Entertainment (Greece) A.E. Virgin Greece, would like to thank the following record companies: Arista, BMG Ariola, Columbia, Delabel, Epic, Geffen, Legacy, MCA, RCA, Siren, Virgin Records, Virgin Records America

HIT Music & Communication S.A. 13A Kapodistriou Str., 15237 Filothei, Greece, Tel.: 01-68.11.111, Fax: 01-68.14.406

Not Available At Any Store

Issued in a long hard box with 4 CDs in jewel cases with clear tray. Includes 16 page booklet with text.

Annotation last modified on 2013-11-26 12:12 UTC.

Tracklist

1▶CD
2▶CD
3▶CD
4▼CD
#TitleArtistRatingLength
1Rock On
recording engineer:
Gary Martin (sound engineer)
producer:
Jeff Wayne (musician)
vocals:
David Essex
conductor:
Jeff Wayne (musician)
arranger:
Jeff Wayne (musician)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973)
recording of:
Rock On
lyricist and composer:
David Essex
publisher:
BMG Gold Songs, Fujipacific Music, Inc., Jeff Wayne Music Ltd., Joseph Webster Ltd, Mushroom Music (Mushroom label’s publishing company), Rock On Music, Stage Three Music (Catalogues) Ltd., Stage Three Music Ltd. and Stage Three Songs
David Essex4.353:26
2Vicious
co-producer:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
producer:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
lead vocals:
Lou Reed (in 1972-08)
bass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Music (in 1972) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Vicious (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
BMG Music Publishing Ltd., Champs Élysées Nouv Société, Chappell S.A., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music Ltd., Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Lou Reed3.452:57
3White Lie
phonographic copyright (℗) by:
BMG Music (in 1994)
recording of:
White Lie
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
EMI (EMI Records, or EMI Music only if there is no other imprint), Somerset Songs Publishing Inc. and Stray Notes Music
Foreigner34:17
4We Will Rock You
cover recording of:
We Will Rock You
lyricist and composer:
Brian May (Queen guitarist)
publisher:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. and Sony/ATV
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Warrant2:58
5Back to the Cave
assistant engineer:
Charlie Brocco, Jimmy Hoyson, Brett Swain and Toby Wright (producer & engineer)
engineer and mixer:
George Tutko (engineer, producer)
producer:
Mike Chapman (Australian producer and songwriter)
additional guest drums (drum set) and additional guest percussion:
Craig Krampf (in 1987)
bass guitar:
Donnie Nossov (in 1987)
drums (drum set):
Myron Grombacher (in 1987)
guitar:
Lita Ford (in 1987)
keyboard:
David Ezrin (in 1987)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (in 1987) and Llory McDonald (in 1987)
vocals and performer:
Lita Ford (in 1987)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1987)
mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Back to the Cave (in 1987)
writer:
Mike Chapman (Australian producer and songwriter), David Ezrin and Lita Ford
publisher:
EMI April Music Inc., Lisabella Music and Mike Chapman Publishing Enterprises
Lita Ford34:03
6All the Way From Memphis
producer:
Mott the Hoople
guest saxophone:
Andy Mackay (of Roxy Music)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recording of:
All the Way From Memphis
lyricist and composer:
Ian Hunter (Mott the Hoople)
publisher:
Island Music Limited (Island Music Ltd.)
Mott the Hoople54:58
7Late November
Pavlov’s Dog3:14
8Don’t Talk to Strangers
phonographic copyright (℗) by:
BMG Music (in 1982)
recording of:
Don't Talk to Strangers
lyricist and composer:
Rick Springfield
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Robie Porter Music, Super Ron Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Rick Springfield2:59
9Who Can It Be Now
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Colin Hay and Ron Strykert
saxophone:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Men at Work4.43:23
10We Built This City
phonographic copyright (℗) by:
BMG Entertainment (in 1985) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1985)
recording of:
We Built This City
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship44:37
11I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 54) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:09
12What Does It Take
Santana3:27
13Hazy Shade of Winter
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1987), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1987), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1987)
music videos:
Hazy Shade of Winter by The Bangles
part of:
New York Post: 100 Greatest Covers (2007) (number: 3)
cover recording of:
A Hazy Shade of Winter
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music and Universal/MCA Music Ltd. (not for release label use!)
The Bangles4.62:47
14Last Train to London
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass guitar:
Kelly Groucutt (from 1979-03 until 1979-04)
clarinet and electric piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (from 1979-03 until 1979-04)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (from 1979-03 until 1979-04)
electric guitar and lead vocals:
Jeff Lynne (from 1979-03 until 1979-04)
piano and synthesizer:
Jeff Lynne (from 1979-03 until 1979-04) and Richard Tandy (keyboardist for Electric Light Orchestra) (from 1979-03 until 1979-04)
choir vocals:
Kelly Groucutt (from 1979-03 until 1979-04) and Jeff Lynne (from 1979-03 until 1979-04)
conductor:
Louis Clark (from 1979-03 until 1979-04)
strings arranger and choir vocals arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979), Jet Records (in 1979), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1979-03 until 1979-04)
recording of:
Last Train to London (from 1979-03 until 1979-04)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.44:31
15You’re a Friend of Mine
producer and instruments technician:
Narada Michael Walden
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 100)
recording of:
You’re a Friend of Mine
writer:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
arranger:
Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Clarence Clemons and Jackson Browne4:20
16Why’d You Lie
Colin James5:27
17In a Lifetime
recording of:
In a Lifetime
lyricist and composer:
Ciarán Ó Braonáin and Pól Ó Braonáin
publisher:
BMG Music Publishing Ltd. and Clannad Music Ltd.
Clannad & Bono3:10

Credits

Release group

part of:Compact Disc Club (number: 6) (order: 6)