Jazz Moods 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Let’s Face the Music and Dance
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Nat King Cole2:26
2Recipe for Love
Harry Connick, Jr.2:34
3Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:54
4Fly Me to the Moon
vocals:
Peggy Lee (jazz vocalist) (on 1960-02-18)
cover recording of:
Fly Me to the Moon (on 1960-02-18)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Peggy Lee3:00
5Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music and Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, volume I)
Ella Fitzgerald with Louis Armstrong accompanied by Sy Oliver and His Orchestra3:05
6Lover Man (Oh Where Can You Be)
producer:
Milt Gabler
alto saxophone:
Jack Cressey (on 1944-10-04) and Hymie Shertzer (on 1944-10-04)
double bass [bass]:
Haig Stephens (on 1944-10-04)
drums (drum set):
Johnny Blowers (on 1944-10-04)
guitar:
Carl Kress (on 1944-10-04)
piano:
Dave Bowman (jazz pianist) (on 1944-10-04)
tenor saxophone:
Larry Binyon (on 1944-10-04) and Paul Ricci (American big-band jazz saxophonist and clarinetist, 1914–2001) (on 1944-10-04)
trumpet:
Russ Case (US trumpeter & bandleader)
lead vocals:
Billie Holiday (on 1944-10-04)
orchestra:
Toots Camarata and His Orchestra (on 1944-10-04)
conductor:
Tutti Camarata
arranger:
Tutti Camarata (on 1944-10-04)
recording of:
Lover Man (on 1944-10-04)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Billie Holiday43:17
7Ain’t Misbehavin’
producer:
George Treadwell
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (on 1950-05-18)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Sarah Vaughan3:01
8What a Difference a Day Makes
recorded in:
New York, New York, United States (on 1964-02-10)
producer:
Robert Mersey
lead vocals:
Aretha Franklin (on 1964-02-10)
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964, in 1992)
cover recording of:
What a Diff’rence a Day Made (on 1964-02-10)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Aretha Franklin33:32
9Unsquare Dance
alto saxophone:
Paul Desmond (on 1961-06-08)
double bass [bass]:
Eugene Wright (bass) (on 1961-06-08)
drums (drum set):
Joe Morello (on 1961-06-08)
piano:
Dave Brubeck (on 1961-06-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1961)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1961-06-08)
recording of:
Unsquare Dance (on 1961-06-08)
composer:
Dave Brubeck
publisher:
Derry Music Company and Valentine Music Verlag
Dave Brubeck52:02
10So What
recording of:
So What
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, volume I)
Miles Davis7:54
11Summertime
Jason Rebello5:19
12Back to Love (Opax radio version)
recording of:
Back to Love
composer:
J.Kincaid
The Brand New Heavies4:05
13Galliano
Prince of Peace4:01
14Life Goes Around
Courtney Pine feat. Juliet Roberts3:47
15Eleven Long Years
programming, producer and mixer:
Mel Simpson (Member of Us3) and Geoff Wilkinson
engineer:
Mel Simpson (Member of Us3)
keyboard [keyboards]:
Mel Simpson (Member of Us3)
sampler [samples] and turntable [scratches]:
Geoff Wilkinson
trumpet:
Gerard Presencer
other vocals [rap]:
Tukka Yoot
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at and mixed at:
Flame Studios in London (Greater London), England, United Kingdom
samples:
Blind Man, Blind Man by Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Song for My Father by The Horace Silver Quintet
Us33:46
16Come With Me (album edit)
Ronny Jordan3:47
17Rahsaanasong
Groove Collective4:03
18Expansions
recording of:
Expansions
composer:
Lonnie Liston Smith
publisher:
10 Music Ltd., Cosmic Echoes Publishing Co., Famous Chappell, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Virgin Music (Publishers) Ltd.
Lonnie Liston Smith3:44
19Midnight at the Oasis
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
acoustic guitar:
David Nichtern
bass guitar:
Freebo
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Amos Garrett
piano:
Mark T. Jordan
spoken vocals:
Greg Prestopino
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Midnight at the Oasis
lyricist and composer:
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:48
20There’s Nothing Like This
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1991)
recording of:
There’s Nothing Like This
lyricist and composer:
Omar Hammer
publisher:
Congo Music and PolyGram Music Publishing
Omar3.53:59
21Theme From “Taxi Driver”
Bernard Herrmann3:36

Credits

Release group

part of:Jazz Moods (Telstar UK) (number: 2) (order: 2)