The Great Paris Concert

~ Release by Duke Ellington (see all versions of this release, 3 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Jam With Sam
editor:
İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1963-02-01)
alto saxophone and clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1963-02-01) and Russell Procope (on 1963-02-01)
bass trombone:
Chuck Connors (trombonist) (on 1963-02-01)
clarinet and saxophone:
Harry Carney (on 1963-02-01)
cornet and violin:
Ray Nance (on 1963-02-01)
double bass:
Ernie Shepard (on 1963-02-01)
drums (drum set):
Sam Woodyard (on 1963-02-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1963-02-01)
tenor saxophone:
Paul Gonsalves (on 1963-02-01)
trombone:
Lawrence Brown (jazz trombonist) (on 1963-02-01) and Buster Cooper (on 1963-02-01)
trumpet:
William “Cat” Anderson (on 1963-02-01), Roy Burrowes (on 1963-02-01) and Cootie Williams (on 1963-02-01)
recorded at:
L’Olympia in Paris, Île-de-France, France (on 1963-02-01)
recording of:
Jam With Sam (on 1963-02-01)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:58
2Happy‐Go‐Lucky Local
editor:
İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1963-02-23)
alto saxophone and clarinet:
Russell Procope (on 1963-02-23)
bass trombone:
Chuck Connors (trombonist) (on 1963-02-23)
clarinet and saxophone:
Harry Carney (on 1963-02-23) and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1963-02-23)
cornet and violin:
Ray Nance (on 1963-02-23)
double bass:
Ernie Shepard (on 1963-02-23)
drums (drum set):
Sam Woodyard (on 1963-02-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1963-02-23)
tenor saxophone:
Paul Gonsalves (on 1963-02-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1963-02-23) and Buster Cooper (on 1963-02-23)
trumpet:
William “Cat” Anderson (on 1963-02-23), Roy Burrowes (on 1963-02-23) and Cootie Williams (on 1963-02-23)
recorded at:
L’Olympia in Paris, Île-de-France, France (on 1963-02-23)
recording of:
Happy Go Lucky Local (on 1963-02-23)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1946) and Billy Strayhorn (in 1946)
3:22
3Tone Parallel to Harlem
editor:
İlhan Mimaroğlu (Turkish-American electronic composer)
clarinet and saxophone:
Harry Carney (from 1963-02-01 until 1963-02-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (from 1963-02-01 until 1963-02-23) and Russell Procope (from 1963-02-01 until 1963-02-23)
cornet and violin:
Ray Nance (from 1963-02-01 until 1963-02-23)
double bass:
Ernie Shepard (from 1963-02-01 until 1963-02-23)
drums (drum set):
Sam Woodyard (from 1963-02-01 until 1963-02-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1963-02-01 until 1963-02-23)
saxophone:
Paul Gonsalves (from 1963-02-01 until 1963-02-23) and Johnny Hodges (from 1963-02-01 until 1963-02-23)
trombone:
Lawrence Brown (jazz trombonist) (from 1963-02-01 until 1963-02-23), Chuck Connors (trombonist) (from 1963-02-01 until 1963-02-23) and Buster Cooper (from 1963-02-01 until 1963-02-23)
trumpet:
William “Cat” Anderson (from 1963-02-01 until 1963-02-23), Roy Burrowes (from 1963-02-01 until 1963-02-23) and Cootie Williams (from 1963-02-01 until 1963-02-23)
recorded at:
L’Olympia in Paris, Île-de-France, France (from 1963-02-01 until 1963-02-23)
14:00
4Don’t Get Around Much Anymore
editor:
İlhan Mimaroğlu (Turkish-American electronic composer)
clarinet and saxophone:
Harry Carney (from 1963-02-01 until 1963-02-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (from 1963-02-01 until 1963-02-23) and Russell Procope (from 1963-02-01 until 1963-02-23)
cornet and violin:
Ray Nance (from 1963-02-01 until 1963-02-23)
double bass:
Ernie Shepard (from 1963-02-01 until 1963-02-23)
drums (drum set):
Sam Woodyard (from 1963-02-01 until 1963-02-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1963-02-01 until 1963-02-23)
saxophone:
Paul Gonsalves (from 1963-02-01 until 1963-02-23) and Johnny Hodges (from 1963-02-01 until 1963-02-23)
trombone:
Lawrence Brown (jazz trombonist) (from 1963-02-01 until 1963-02-23), Chuck Connors (trombonist) (from 1963-02-01 until 1963-02-23) and Buster Cooper (from 1963-02-01 until 1963-02-23)
trumpet:
William “Cat” Anderson (from 1963-02-01 until 1963-02-23), Roy Burrowes (from 1963-02-01 until 1963-02-23) and Cootie Williams (from 1963-02-01 until 1963-02-23)
recorded at:
L’Olympia in Paris, Île-de-France, France (from 1963-02-01 until 1963-02-23)
recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
2:44
5Do Nothin’ Till You Hear From Me
editor:
İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1963-02-23)
alto saxophone and clarinet:
Russell Procope (on 1963-02-23)
bass trombone:
Chuck Connors (trombonist) (on 1963-02-23)
clarinet and saxophone:
Harry Carney (on 1963-02-23) and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1963-02-23)
cornet and violin:
Ray Nance (on 1963-02-23)
double bass:
Ernie Shepard (on 1963-02-23)
drums (drum set):
Sam Woodyard (on 1963-02-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1963-02-23)
tenor saxophone:
Paul Gonsalves (on 1963-02-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1963-02-23) and Buster Cooper (on 1963-02-23)
trumpet:
William “Cat” Anderson (on 1963-02-23), Roy Burrowes (on 1963-02-23) and Cootie Williams (on 1963-02-23)
vocals:
Milt Grayson (on 1963-02-23)
recorded at:
L’Olympia in Paris, Île-de-France, France (on 1963-02-23)
live recording of:
Do Nothin’ Till You Hear From Me (on 1963-02-23)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
4:52
6Black and Tan Fantasy
editor:
İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1963-02-23)
alto saxophone and clarinet:
Russell Procope (on 1963-02-23)
bass trombone:
Chuck Connors (trombonist) (on 1963-02-23)
clarinet and saxophone:
Harry Carney (on 1963-02-23) and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1963-02-23)
cornet and violin:
Ray Nance (on 1963-02-23)
double bass:
Ernie Shepard (on 1963-02-23)
drums (drum set):
Sam Woodyard (on 1963-02-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1963-02-23)
tenor saxophone:
Paul Gonsalves (on 1963-02-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1963-02-23) and Buster Cooper (on 1963-02-23)
trumpet:
William “Cat” Anderson (on 1963-02-23), Roy Burrowes (on 1963-02-23) and Cootie Williams (on 1963-02-23)
recorded at:
L’Olympia in Paris, Île-de-France, France (on 1963-02-23)
live recording of:
Black and Tan Fantasy (on 1963-01-23)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
2:43
7Creole Love Call
editor:
İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1963-02-23)
alto saxophone and clarinet:
Russell Procope (on 1963-02-23)
bass trombone:
Chuck Connors (trombonist) (on 1963-02-23)
clarinet and saxophone:
Harry Carney (on 1963-02-23) and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1963-02-23)
cornet and violin:
Ray Nance (on 1963-02-23)
double bass:
Ernie Shepard (on 1963-02-23)
drums (drum set):
Sam Woodyard (on 1963-02-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1963-02-23)
tenor saxophone:
Paul Gonsalves (on 1963-02-23)
trombone:
Lawrence Brown (jazz trombonist) (from 1963-02-01 until 1963-02-23) and Buster Cooper (from 1963-02-01 until 1963-02-23)
trumpet:
William “Cat” Anderson (from 1963-02-01 until 1963-02-23), Roy Burrowes (from 1963-02-01 until 1963-02-23) and Cootie Williams (from 1963-02-01 until 1963-02-23)
recorded at:
L’Olympia in Paris, Île-de-France, France (on 1963-02-23)
live recording of:
Creole Love Call (on 1963-01-23)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
2:07
8The Mooche
editor:
İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1963-02-23)
alto saxophone and clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1963-02-23) and Russell Procope (on 1963-02-23)
bass trombone:
Chuck Connors (trombonist) (on 1963-02-23)
clarinet and saxophone:
Harry Carney (on 1963-02-23)
cornet and violin:
Ray Nance (on 1963-02-23)
double bass:
Ernie Shepard (on 1963-02-23)
drums (drum set):
Sam Woodyard (on 1963-02-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1963-02-23)
tenor saxophone:
Paul Gonsalves (on 1963-02-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1963-02-23) and Buster Cooper (on 1963-02-23)
trumpet:
William “Cat” Anderson (on 1963-02-23), Roy Burrowes (on 1963-02-23) and Cootie Williams (on 1963-02-23)
recorded at:
L’Olympia in Paris, Île-de-France, France (on 1963-02-23)
live recording of:
The Mooche (on 1963-01-23)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
5:38
9Things Ain’t What They Used to Be
editor:
İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1963-02-23)
alto saxophone and clarinet:
Russell Procope (on 1963-02-23)
bass trombone:
Chuck Connors (trombonist) (on 1963-02-23)
clarinet and saxophone:
Harry Carney (on 1963-02-23) and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1963-02-23)
cornet and violin:
Ray Nance (on 1963-02-23)
double bass:
Ernie Shepard (on 1963-02-23)
drums (drum set):
Sam Woodyard (on 1963-02-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1963-02-23)
tenor saxophone:
Paul Gonsalves (on 1963-02-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1963-02-23) and Buster Cooper (on 1963-02-23)
trumpet:
William “Cat” Anderson (on 1963-02-23), Roy Burrowes (on 1963-02-23) and Cootie Williams (on 1963-02-23)
recorded at:
L’Olympia in Paris, Île-de-France, France (on 1963-02-23)
live recording of:
Things Ain’t What They Used to Be (on 1963-02-23)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
3:10
10Pyramid
editor:
İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1963-02-01)
alto saxophone and clarinet:
Russell Procope (on 1963-02-01)
bass trombone:
Chuck Connors (trombonist) (on 1963-02-01)
clarinet and saxophone:
Harry Carney (on 1963-02-01) and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1963-02-01)
cornet and violin:
Ray Nance (on 1963-02-01)
double bass:
Ernie Shepard (on 1963-02-01)
drums (drum set):
Sam Woodyard (on 1963-02-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1963-02-01)
tenor saxophone:
Paul Gonsalves (on 1963-02-01)
trombone:
Lawrence Brown (jazz trombonist) (on 1963-02-01) and Buster Cooper (on 1963-02-01)
trumpet:
William “Cat” Anderson (on 1963-02-01), Roy Burrowes (on 1963-02-01) and Cootie Williams (on 1963-02-01)
recorded at:
L’Olympia in Paris, Île-de-France, France (on 1963-02-01)
3:40
11The Blues (From Black, Brown and Beige)
editor:
İlhan Mimaroğlu (Turkish-American electronic composer)
clarinet and saxophone:
Harry Carney (from 1963-02-01 until 1963-02-23), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (from 1963-02-01 until 1963-02-23) and Russell Procope (from 1963-02-01 until 1963-02-23)
cornet and violin:
Ray Nance (from 1963-02-01 until 1963-02-23)
double bass:
Ernie Shepard (from 1963-02-01 until 1963-02-23)
drums (drum set):
Sam Woodyard (from 1963-02-01 until 1963-02-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1963-02-01 until 1963-02-23)
saxophone:
Paul Gonsalves (from 1963-02-01 until 1963-02-23) and Johnny Hodges (from 1963-02-01 until 1963-02-23)
trombone:
Lawrence Brown (jazz trombonist) (from 1963-02-01 until 1963-02-23), Chuck Connors (trombonist) (from 1963-02-01 until 1963-02-23) and Buster Cooper (from 1963-02-01 until 1963-02-23)
trumpet:
William “Cat” Anderson (from 1963-02-01 until 1963-02-23), Roy Burrowes (from 1963-02-01 until 1963-02-23) and Cootie Williams (from 1963-02-01 until 1963-02-23)
recorded at:
L’Olympia in Paris, Île-de-France, France (from 1963-02-01 until 1963-02-23)
recording of:
The Blues
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:48
12Echoes of Harlem
editor:
İlhan Mimaroğlu (Turkish-American electronic composer)
alto saxophone:
Johnny Hodges (on 1963-02-23)
alto saxophone and clarinet:
Russell Procope (on 1963-02-23)
bass trombone:
Chuck Connors (trombonist) (on 1963-02-23)
clarinet and saxophone:
Harry Carney (on 1963-02-23) and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1963-02-23)
cornet and violin:
Ray Nance (on 1963-02-23)
double bass:
Ernie Shepard (on 1963-02-23)
drums (drum set):
Sam Woodyard (on 1963-02-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1963-02-23)
tenor saxophone:
Paul Gonsalves (on 1963-02-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1963-02-23) and Buster Cooper (on 1963-02-23)
trumpet:
William “Cat” Anderson (on 1963-02-23), Roy Burrowes (on 1963-02-23) and Cootie Williams (on 1963-02-23)
recorded at:
L’Olympia in Paris, Île-de-France, France (on 1963-02-23)
recording of:
Echoes of Harlem (on 1963-02-23)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:37
13Satin Doll
alto saxophone:
Johnny Hodges (on 1965-01-19)
alto saxophone and clarinet:
Russell Procope (on 1965-01-19)
bass trombone:
Chuck Connors (trombonist) (on 1965-01-19)
clarinet and saxophone:
Harry Carney (on 1965-01-19) and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1965-01-19)
double bass:
John Lamb (bass) (on 1965-01-19)
drums (drum set):
Sam Woodyard (on 1965-01-19)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1965-01-19)
tenor saxophone:
Paul Gonsalves (on 1965-01-19)
trombone:
Lawrence Brown (jazz trombonist) (on 1965-01-19) and Buster Cooper (on 1965-01-19)
trumpet:
William “Cat” Anderson (on 1965-01-19), Mercer Ellington (on 1965-01-19), Herbie Jones (on 1965-01-19) and Cootie Williams (on 1965-01-19)
trumpet and violin:
Ray Nance (on 1965-01-19)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1965-01-19)
instrumental recording of:
Satin Doll (on 1965-01-19)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
2:39