Madame Butterfly und Turandot (Auszüge)

~ Veröffentlichung von Puccini (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Nr.TitelKünstlerBewertungLänge
A1Madama Butterfly: Atto I. “Dovunque al mondo”
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Baritongesang [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
Tenor-Gesang [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:19
A2Madama Butterfly: Atto I. “Quanto alla discendenza”
Baritongesang [Sharpless]:
Enzo Sordello (baritone) (in 1958-07)
Mezzosoprangesang [Suzuki]:
Fiorenza Cossotto (mezzo-soprano) (in 1958-07)
Soprangesang:
Renata Tebaldi (soprano) (in 1958-07)
Tenor-Gesang [Goro]:
Angelo Mercuriali (tenor) (in 1958-07)
Tenor-Gesang [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Sorride Vostro Onore?” … “Qui verran” … “Quanto alla discendenza” (Suzuki, Goro, Pinkerton, Sharpless) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:44
A3Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino”
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Chorgesang:
Coro dell’Accademia di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Tenor-Gesang [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini8:02
A4Madama Butterfly: Atto II. “Un bel dì, vedremo”
Produzent(in):
Christopher Raeburn (producer) und James Walker (ballet/opera conductor, classical recordings producer for Decca)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
Interpret(in):
Renata Tebaldi (soprano)
Tonmeister(in):
Kenneth Wilkinson (engineer) (in 1958-07)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1958-07)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:54
A5Madama Butterfly: Atto II. “Che tua madre dovrà”
Produzent(in):
Christopher Raeburn (producer) und James Walker (ballet/opera conductor, classical recordings producer for Decca)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
Interpret(in):
Renata Tebaldi (soprano)
Tonmeister(in):
Kenneth Wilkinson (engineer) (in 1958-07)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1958-07)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:49
A6Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Auszug)
Mezzosoprangesang [Suzuki]:
Fiorenza Cossotto (mezzo-soprano)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Tullio Serafin (conductor)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
teilweise recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:31
A7Madama Butterfly: Atto II. Coro a bocca chiusa
Chorgesang:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1958-07)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
chorus master:
Bonaventura Somma (chorus master) (in 1958-07)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1958-07)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:21
A8Madama Butterfly: Atto III. “Con onor muore”
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Tenor-Gesang [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1958-07)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini5:07
B1Turandot: Atto I. “Popolo di Pekino!”
Tenor-Gesang [Mandarin]:
Ezio Giordano (italian baritone)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
phonographisches Urheberrecht (℗) von:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited)
teilweise recording of:
Turandot: Atto I. “Popolo di Pekino!” … “Indietro, cani!” (Un mandarino, La folla, Guardie, Liù)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini1:38
B2Turandot: Atto I: “Perchè tarda la luna”
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
phonographisches Urheberrecht (℗) von:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited)
recording of:
Turandot: Atto I. “Perché tarda la luna” (La folla)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini4:57
B3Turandot: Atto I. “Signore, ascolta!”
Bass-Gesang [Timur]:
Nicola Zaccaria (operatic bass)
Soprangesang [Liú]:
Renata Tebaldi (soprano)
Tenor-Gesang [Calaf]:
Mario Del Monaco (tenor)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
phonographisches Urheberrecht (℗) von:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited)
Kompilation von:
Turandot: Atto I. "Non piangere, Liù" von Borkh (soprano), Tebaldi (soprano), del Monaco (tenor), Orchestra (Orchestra of the National Academy of Santa Cecilia) e Coro dell'Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Alberto Erede (conductor) und Turandot: Atto I. "Signore, ascolta!" von Borkh (soprano), Tebaldi (soprano), del Monaco (tenor), Orchestra (Orchestra of the National Academy of Santa Cecilia) e Coro dell'Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Alberto Erede (conductor)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini4:55
B4Turandot: Atto II, Scena I. “Ho una casa nell’ Honan”
Techniker(in):
James Brown (Decca engineer, 1960s)
Produzent(in):
Peter Andry (producer) und Victor Olof
Baritongesang:
Fernando Corena (operatic bass) (in 1955-07)
Chorgesang:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
Tenor-Gesang:
Mario Carlin (tenor) (in 1955-07) und Renato Ercolani (tenor) (in 1955-07)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1955-07)
recording of:
Turandot: Atto II, scena 1. “Ho una casa nell’Honan” (Ping, Pang, Pong) (in 1955-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini3:13
B5Turandot: Atto II, Scena II. “In questa reggia”
Techniker(in):
James Brown (Decca engineer, 1960s)
Produzent(in):
Peter Andry (producer) und Victor Olof
Chorgesang:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
Soprangesang:
Inge Borkh (soprano) (in 1955-07)
Tenor-Gesang:
Mario Del Monaco (tenor) (in 1955-07)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1955-07)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (in 1955-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini6:22
B6Turandot: Atto III, Scena I. Aria “Nessun dorma”
Tenor-Gesang [Calaf]:
Mario Del Monaco (tenor)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
phonographisches Urheberrecht (℗) von:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:53
B7Turandot: Atto III, Scena I. “Tu, che di gel sei cinta”
Soprangesang [Liú]:
Renata Tebaldi (soprano)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
phonographisches Urheberrecht (℗) von:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:32
B8Turandot: Atto III, Scena I. “So il tuo nome!”
Soprangesang [Turandot]:
Inge Borkh (soprano)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
phonographisches Urheberrecht (℗) von:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited)
teilweise recording of:
Turandot: Atto III, scena 1. “So il tuo nome!” (Turandot, Calaf)
Komponist(in):
Giacomo Puccini (Italian composer)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:04

Nennungen

Veröffentlichungsgruppe

Teil von:Große Komponisten und ihre Musik (Deutsche Grammophon, Philips, Decca) (Nummer: 57) (Reihenfolge: 6)