25 jaar Top 40 hits, Deel 3: ’73–’76

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1You’re So Vain
recording engineer:
Robin Geoffrey Cable (from 1972-09 until 1972-10)
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
additional background vocals:
Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (The Rolling Stones) (from 1972-09 until 1972-10)
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) and Universal Music Publishing Group
Carly Simon4.554:18
2Go Like Elijah
bass:
Larry Knechtel
guitar:
Dean Parks (American session guitarist)
membranophone:
Jim Gordon (US drummer with Derek and the Dominos)
vocals:
Billy Barnum Chorus
recording of:
Go Like Elijah
lyricist and composer:
Chi Coltrane
publisher:
Global Publishing and Trane Music (label and publisher)
Chi Coltrane3:58
3Superstition
recording engineer:
Joan DeCola and Austin Godsey
Moog programming:
Malcolm Cecil (in 1972) and Robert Margouleff (in 1972)
associate producer:
Malcolm Cecil and Robert Margouleff
producer:
Stevie Wonder
mixer:
Malcolm Cecil and Robert Margouleff
clavinet, drums (drum set) and Moog:
Stevie Wonder (in 1972)
saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.) (in 1972)
trumpet:
Steve Madaio (in 1972)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1972)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 12) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 74)
recording of:
Superstition
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, 大洋音楽 (Taiyō Music), Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
Stevie Wonder4.94:27
4Tie a Yellow Ribbon
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 52)
recording of:
Tie a Yellow Ribbon Round the Ole Oak Tree
writer:
Lawrence Russell Brown (lyricist) and Irwin Levine
publisher:
Irwin Levine Music (BMI-affiliated), Larball Publishing Co., Inc. and peermusic (“Peermusic—the global independent”)
Dawn & Tony Orlando53:21
5We Were All Wounded at Wounded KneeRedbone43:29
6Ginny Come LatelyAlbert West22:53
7Free Electric Band
producer:
Albert Hammond
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recording of:
The Free Electric Band
writer:
Albert Hammond and Mike Hazlewood
publisher:
Imagem Songs Ltd. and Landers‐Roberts Music
Albert Hammond3.53:23
8Radar Love
producer:
Golden Earring
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) and Red Bullet Productions B.V. (in 1973)
recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Sony/ATV Music Publishing
Golden Earring4.255:02
9My Friend the WindDemis Roussos3:50
10Dirty Ol’ Man
vocals:
Sheila Ferguson, Valerie Holiday and Fayette Pinkney
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
edit of:
Dirty Ol’ Man (Ferguson, Holiday, Pinkney) by The Three Degrees
recording of:
Dirty Ol’ Man
lyricist and composer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Mighty Three Music (in 1973)
The Three Degrees3:02
11Dynamite
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
RAK Records Ltd. (in 1973)
recording of:
Dyna-Mite
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Mud52:56
12The Air That I Breathe
engineer:
Mike Jarratt (recording, mixing and lacquer cutting engineer) and Alan Parsons (of The Alan Parsons Project)
producer:
The Hollies and Ron Richards
vocals:
Allan Clarke (of The Hollies) (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (singer and guitarist) (from 1973-11-15 until 1973-11-22)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-11-15 until 1973-11-22)
cover recording of:
The Air That I Breathe (from 1973-11-15 until 1973-11-22)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:07
13Emma
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and RAK Records Ltd. (in 1974)
recording of:
Emma
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.753:51
14Sugar Baby Love
engineer:
John Mackswith (English sound engineer)
producer:
Wayne Bickerton
recording of:
Sugar Baby Love (The Rubettes)
lyricist:
Wayne Bickerton
composer:
Tony Waddington
premiered by:
The Rubettes (in 1974-01)
publisher:
Arlovol Music, Budde Music Inc. (US publisher) and WB Music Corp. (1929–2019)
The Rubettes3:28
15Rock Your Baby
vocals:
George McCrae
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae3.253:14
16I Shot the Sheriff
cover recording of:
I Shot the Sheriff
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Eric Clapton4:19
17Swinging on a Star
cover recording of:
Swinging on a Star
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. and Music Sales Corporation (American copyright holder in both popular and classical music)
part of:
The 17th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1944 winner)
Spooky and Sue2:36
18Long Tall Glasses
producer:
David Courtney (songwriter, singer and producer) and Adam Faith
phonographic copyright (℗) by:
Chrysalis (in 1974)
recording of:
Long Tall Glasses
lyricist:
Leo Sayer
composer:
David Courtney (songwriter, singer and producer)
Leo Sayer3:03
19Love Hurts
additional recording engineer and additional mixer:
John Punter
recording engineer:
Tony Taverner
producer:
Manny Charlton (singer-songwriter and guitarist)
bass guitar:
Pete Agnew (singer-songwriter and bassist)
drums (drum set):
Darrell Sweet (drummer and songwriter)
guitar and synthesizer:
Manny Charlton (singer-songwriter and guitarist)
background vocals:
Pete Agnew (singer-songwriter and bassist) and Darrell Sweet (drummer and songwriter)
lead vocals:
Dan McCafferty (singer, songwriter)
phonographic copyright (℗) by:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974) and USM Copyrights Ltd. (in 1975)
recorded at:
Associated Recording Studios in London (Greater London), England, United Kingdom and Escape Studios in Kent, England, United Kingdom
part of:
New York Post: 100 Greatest Covers (2007) (number: 75)
cover recording of:
Love Hurts
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.43:53
20You’re the First, the Last, My EverythingBarry White4.454:30
2CD

Credits

Release

mastering:Digipro-Brussels (Belgian branch of the design and mastering studio Digipro)
design:Hotline (Dutch graphical design company)
copyrighted (©) by and marketed by:EVA (for use with NL/BE/FR releases only, see annotation)
phonographic copyright (℗) by:EVA (for use with NL/BE/FR releases only, see annotation) (in 1989)
Discogs:https://www.discogs.com/release/734754 [info]

Release group

part of:25 Jaar Top 40 Hits (Edison) (number: 3) (order: 3)
Discogs:https://www.discogs.com/master/61914 [info]