| # | Title | Artist | Rating | Length |
|---|
| 1 | Traces | Classics IV | | 2:45 |
| 2 | Nobody But Me | The Human Beinz | 5 | 2:16 |
| 3 | Up on Cripple Creek | The Band | | 4:28 |
| 4 | Time of the Season | The Zombies | | 3:31 |
| 5 | Evil Ways Santana | Santana | | 3:53 |
| 6 | You've Made Me So Very Happy | Blood, Sweat & Tears | | 3:26 |
| 7 | Aquarius/Let the Sunshine In- sound engineer, engineer and producer:
- Bones Howe
- assistant producer:
- Ann McClelland
- bass:
- Joe Osborne
- drums (drum set) and percussion:
- Hal Blaine
- performer:
- Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo and Ron Townson
- arranger:
- Bill Holman, Bob Alcivar and Bones Howe
- vocals arranger:
- Bob Alcivar
- phonographic copyright (℗) by:
- Arista (in 1969)
- music videos:
- Age of Aquarius / Let the Sunshine In by The 5th Dimension
- part of:
- Billboard: The 500 Best Pop Songs (number: 435)
- medley including a recording of:
- Aquarius
- lyricist:
- James Rado and Gerome Ragni
- composer:
- Galt MacDermot
- publisher:
- EMI United Partnership Ltd. and United Artist Music Publishing
- part of:
- Hair
- recording of:
- Aquarius / Let the Sunshine In (The Flesh Failures)
- writer:
- Gerome Ragni, James Rado and Galt MacDermot
- arranger:
- Bill Holman, Bob Alcivar and Bones Howe
- publisher:
- Copyright Control , EMI Unart Catalog Inc. and United Artists Music Co., Inc.
- adaptations:
- Era de aquário / Deixa o sol entrar
- medley of:
- Aquarius
- medley of:
- The Flesh Failures (Let the Sunshine In)
- medley including a recording of:
- Let the Sunshine In
- lyricist:
- James Rado and Gerome Ragni
- composer:
- Galt MacDermot
- publisher:
- EMI Music Publishing Scandinavia AB and United Artists Music Co., Inc.
| The 5th Dimension | 4.15 | 4:49 |
| 8 | The Letter- producer:
- Dan Penn
- phonographic copyright (℗) by:
- Arista Records (in 1967), Arista Records, Inc. (in 1967), RCA Records (in 1967) and Atoll Music (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (number: 364)
- recording of:
- The Letter (in 1967)
- lyricist and composer:
- Wayne Carson Thompson
- publisher:
- Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control , EMI Music , Lovolar Music, Sony Music Publishing (Japan) Inc. and Warner Chappell Music
| The Box Tops | 4.15 | 1:58 |
| 9 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.15 | 3:28 |
| 10 | Bend Me, Shape Me | The American Breed | | 2:06 |