Annotation

CD 74 appears to have been badly processed -- the left channel looks as if it had been normalized to point of severe clipping, while the right channel looks 'normal'. The audio fingerprint attached is that of the right channel only, and as all CD's are in mono (or at least supposed to be in mono), this probably works.


FIXME: Has this been available only as part of the 500-CD set? (Ignore re-sellers! It's out of print, apparently.)

Annotation last modified on 2014-08-31 08:07 UTC.

Tracklist

1CD: Fletcher Henderson 1931–32
2CD: Fletcher Henderson 1932–33
3CD: Fletcher Henderson 1934–36
4CD: Fletcher Henderson 1936–37
5CD: Fletcher Henderson 1937–38
6CD: Don Redman 1931–32
7CD: Don Redman 1932–33
8CD: Don Redman 1933–37
9CD: Duke Ellington 1933
10CD: Duke Ellington 1934–35
11CD: Duke Ellington 1936–37
12CD: Duke Ellington 1938–39
13CD: Duke Ellington 1940
14CD: Duke Ellington 1940–41
15CD: Duke Ellington 1942–44
16CD: Duke Ellington 1945
17CD: Duke Ellington 1945–46
18CD: Duke Ellington 1941: The Hollywood Transcriptions
19CD: Mills Blue Rhythm Band 1931
20CD: Mills Blue Rhythm Band 1931–32
21CD: Mills Blue Rhythm Band 1932–34
22CD: Mills Blue Rhythm Band 1934–35
23CD: Mills Blue Rhythm Band 1935–36
24CD: Jimmie Lunceford 1934
25CD: Jimmie Lunceford 1934–35
26CD: Jimmie Lunceford 1935–37
27CD: Jimmie Lunceford 1937–39
28CD: Jimmie Lunceford 1939
29CD: Jimmie Lunceford 1939–40
30CD: Earl Hines 1932–33
31CD: Earl Hines 1934
32CD: Earl Hines 1935–38
33CD: Earl Hines 1939–40
34CD: Earl Hines 1940–41
35CD: Earl Hines 1941–42
36CD: Chick Webb 1931–34
37CD: Chick Webb 1935–37
38CD: Chick Webb 1937–38
39CD: Chick Webb 1938–39
40CD: Claude Hopkins 1932–34
41CD: Claude Hopkins 1934–35
42CD: Count Basie 1937
43CD: Count Basie 1938–39
44CD: Count Basie 1939
45CD: Count Basie 1939–40
46CD: Count Basie 1940
47CD: Count Basie 1941
48CD: Count Basie 1941 II
49CD: Count Basie 1942
50CD: Count Basie 1944–45: The V‐Discs
51CD: Count Basie 1947
52CD: Count Basie 1947–49
53CD: Louis Armstrong 1932–33
54CD: Louis Armstrong 1933–34
55CD: Louis Armstrong 1935–36
#TitleArtistRatingLength
1I’m in the Mood for Love
recording of:
I’m in the Mood for Love
lyricist:
Dorothy Fields (American librettist and lyricist)
writer:
James Moody (jazz saxophonist)
composer:
Jimmy McHugh (songwriter)
publisher:
CBS Hastings Catalog inc. and SBK Robbins Catalog, Inc.
version of:
I’m in the Mood for Love
Louis Armstrong & His Orchestra3:08
2I’m in the Mood for Love
recording of:
I’m in the Mood for Love
lyricist:
Dorothy Fields (American librettist and lyricist)
writer:
James Moody (jazz saxophonist)
composer:
Jimmy McHugh (songwriter)
publisher:
CBS Hastings Catalog inc. and SBK Robbins Catalog, Inc.
version of:
I’m in the Mood for Love
Louis Armstrong & His Orchestra3:10
3You Are My Lucky Star
recorded in:
New York, New York, United States (on 1935-10-03)
double bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
guitar:
Lee Blair (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03), Henry “Moon” Jones (swing era reeds) (on 1935-10-03) and Bingie Madison (on 1935-10-03)
tenor saxophone:
Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03), Louis Bacon (on 1935-10-03) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-10-03)
vocals:
Louis Armstrong (on 1935-10-03)
orchestra:
Louis Armstrong & His Orchestra (on 1935-10-03)
recording of:
You Are My Lucky Star (from 1935’s “Broadway Melody of 1936” and 1952’s “Singin’ in the Rain”) (on 1934-10-03)
lyricist:
Arthur Freed (until 1935-08-25)
composer:
Nacio Herb Brown (US songwriter) (until 1935-08-25)
publisher:
Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
Louis Armstrong & His Orchestra3:02
4La Cucaracha
recorded in:
New York, New York, United States (on 1935-10-03)
double bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
guitar:
Lee Blair (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03), Henry “Moon” Jones (swing era reeds) (on 1935-10-03) and Bingie Madison (on 1935-10-03)
tenor saxophone:
Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03), Louis Bacon (on 1935-10-03) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-10-03)
vocals:
Louis Armstrong (on 1935-10-03)
orchestra:
Louis Armstrong & His Orchestra (on 1935-10-03)
recording of:
La cucaracha (on 1934-10-03)
lyricist and composer:
[traditional] (special purpose artist)
Louis Armstrong & His Orchestra2:43
5Got a Bran’ New Suit
recorded in:
New York, New York, United States (on 1935-10-03)
double bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
guitar:
Lee Blair (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03), Henry “Moon” Jones (swing era reeds) (on 1935-10-03) and Bingie Madison (on 1935-10-03)
tenor saxophone:
Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03), Louis Bacon (on 1935-10-03) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-10-03)
vocals:
Louis Armstrong (on 1935-10-03)
orchestra:
Louis Armstrong & His Orchestra (on 1935-10-03)
recording of:
Got a Bran’ New Suit (on 1935-10-03)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
Louis Armstrong & His Orchestra2:54
6I’ve Got My Fingers Crossed
recorded in:
New York, New York, United States (on 1935-11-21)
double bass:
George "Pops" Foster (on 1935-11-21)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-21)
guitar:
Lee Blair (on 1935-11-21)
piano:
Luis Russell (on 1935-11-21)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-21), Henry “Moon” Jones (swing era reeds) (on 1935-11-21) and Bingie Madison (on 1935-11-21)
tenor saxophone:
Greely Walton (on 1935-11-21)
trombone:
Jimmy Archey (on 1935-11-21) and Harry White (jazz trombonist) (on 1935-11-21)
trumpet:
Gus Aiken (on 1935-11-21), Louis Armstrong (on 1935-11-21), Louis Bacon (on 1935-11-21) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-21)
vocals:
Louis Armstrong (on 1935-11-21)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-21)
recording of:
I’ve Got My Fingers Crossed (on 1935-11-21)
lyricist:
Ted Koehler
composer:
Jimmy McHugh (songwriter)
Louis Armstrong & His Orchestra2:30
7Old Man Mose
recorded in:
New York, New York, United States (on 1935-11-21)
bass:
George "Pops" Foster (on 1935-11-21)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-21)
guitar:
Lee Blair (on 1935-11-21)
piano:
Luis Russell (on 1935-11-21)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-21), Henry “Moon” Jones (swing era reeds) (on 1935-11-21) and Bingie Madison (on 1935-11-21)
tenor saxophone:
Greely Walton (on 1935-11-21)
trombone:
Jimmy Archey (on 1935-11-21) and Harry White (jazz trombonist) (on 1935-11-21)
trumpet:
Gus Aiken (on 1935-11-21), Louis Armstrong (on 1935-11-21), Louis Bacon (on 1935-11-21) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-21)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-21)
recording of:
Ol’ Man Mose (on 1935-11-21)
writer:
Louis Armstrong and Zilner Randolph
Louis Armstrong & His Orchestra2:55
8Old Man Mose
recorded in:
New York, New York, United States (on 1935-11-22)
bass:
George "Pops" Foster (on 1935-11-22)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-22)
guitar:
Lee Blair (on 1935-11-22)
piano:
Luis Russell (on 1935-11-22)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-22), Henry “Moon” Jones (swing era reeds) (on 1935-11-22) and Bingie Madison (on 1935-11-22)
tenor saxophone:
Greely Walton (on 1935-11-22)
trombone:
Jimmy Archey (on 1935-11-22) and Harry White (jazz trombonist) (on 1935-11-22)
trumpet:
Gus Aiken (on 1935-11-22), Louis Armstrong (on 1935-11-22), Louis Bacon (on 1935-11-22) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-22)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-22)
recording of:
Ol’ Man Mose (on 1935-11-22)
writer:
Louis Armstrong and Zilner Randolph
Louis Armstrong & His Orchestra42:33
9Old Man Mose
recorded in:
New York, New York, United States (on 1935-11-21)
double bass:
George "Pops" Foster (on 1935-11-21)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-21)
guitar:
Lee Blair (on 1935-11-21)
piano:
Luis Russell (on 1935-11-21)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-21), Henry “Moon” Jones (swing era reeds) (on 1935-11-21) and Bingie Madison (on 1935-11-21)
tenor saxophone:
Greely Walton (on 1935-11-21)
trombone:
Jimmy Archey (on 1935-11-21) and Harry White (jazz trombonist) (on 1935-11-21)
trumpet:
Gus Aiken (on 1935-11-21), Louis Armstrong (on 1935-11-21), Louis Bacon (on 1935-11-21) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-21)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-21)
recording of:
Ol’ Man Mose (on 1935-11-21)
writer:
Louis Armstrong and Zilner Randolph
Louis Armstrong & His Orchestra2:30
10I’m Shooting High
recorded in:
New York, New York, United States (on 1935-11-22)
double bass:
George "Pops" Foster (on 1935-11-22)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-22)
guitar:
Lee Blair (on 1935-11-22)
piano:
Luis Russell (on 1935-11-22)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-22), Henry “Moon” Jones (swing era reeds) (on 1935-11-22) and Bingie Madison (on 1935-11-22)
tenor saxophone:
Greely Walton (on 1935-11-22)
trombone:
Jimmy Archey (on 1935-11-22) and Harry White (jazz trombonist) (on 1935-11-22)
trumpet:
Gus Aiken (on 1935-11-22), Louis Armstrong (on 1935-11-22), Louis Bacon (on 1935-11-22) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-22)
vocals:
Louis Armstrong (on 1935-11-22)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-22)
recording of:
I’m Shooting High (on 1935-11-22)
writer:
Ted Koehler and Jimmy McHugh (songwriter)
Louis Armstrong & His Orchestra42:54
11Falling in Love With You
recorded in:
New York, New York, United States (on 1935-11-22)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-22) and Henry “Moon” Jones (swing era reeds) (on 1935-11-22)
clarinet:
Bingie Madison (on 1935-11-22)
double bass:
George "Pops" Foster (on 1935-11-22)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-22)
guitar:
Lee Blair (on 1935-11-22)
piano:
Luis Russell (on 1935-11-22)
tenor saxophone:
Greely Walton (on 1935-11-22)
trombone:
Jimmy Archey (on 1935-11-22) and Harry White (jazz trombonist) (on 1935-11-22)
trumpet:
Gus Aiken (on 1935-11-22), Louis Armstrong (on 1935-11-22), Louis Bacon (on 1935-11-22) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-22)
vocals:
Louis Armstrong (on 1935-11-22)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-22)
recording of:
(Was I to Blame for) Falling in Love With You (on 1935-11-22)
writer:
Chester Conn, Gus Kahn and Victor Young (American composer, arranger, violinist & conductor)
Louis Armstrong & His Orchestra3:10
12Red Sails in the Sunset
recorded in:
New York, New York, United States (on 1935-12-13)
double bass:
George "Pops" Foster (on 1935-12-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-13)
guitar:
Lee Blair (on 1935-12-13)
piano:
Luis Russell (on 1935-12-13)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-13), Henry “Moon” Jones (swing era reeds) (on 1935-12-13) and Bingie Madison (on 1935-12-13)
tenor saxophone:
Greely Walton (on 1935-12-13)
trombone:
Jimmy Archey (on 1935-12-13) and Harry White (jazz trombonist) (on 1935-12-13)
trumpet:
Gus Aiken (on 1935-12-13), Louis Armstrong (on 1935-12-13), Louis Bacon (on 1935-12-13) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-13)
vocals:
Louis Armstrong (on 1935-12-13)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-13)
recording of:
Red Sails in the Sunset (on 1935-12-13)
lyricist:
James B. Kennedy (Irish songwriter)
composer:
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
Louis Armstrong & His Orchestra3:02
13On Treasure Island
recorded in:
New York, New York, United States (on 1935-12-13)
double bass:
George "Pops" Foster (on 1935-12-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-13)
guitar:
Lee Blair (on 1935-12-13)
piano:
Luis Russell (on 1935-12-13)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-13), Henry “Moon” Jones (swing era reeds) (on 1935-12-13) and Bingie Madison (on 1935-12-13)
tenor saxophone:
Greely Walton (on 1935-12-13)
trombone:
Jimmy Archey (on 1935-12-13) and Harry White (jazz trombonist) (on 1935-12-13)
trumpet:
Gus Aiken (on 1935-12-13), Louis Armstrong (on 1935-12-13), Louis Bacon (on 1935-12-13) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-13)
vocals:
Louis Armstrong (on 1935-12-13)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-13)
recording of:
On Treasure Island (on 1935-12-13)
lyricist:
Edgar Leslie
composer:
Joe Burke (American composer)
Louis Armstrong & His Orchestra3:05
14Thanks a Million
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
Thanks a Million (on 1935-12-19)
lyricist:
Gus Kahn
composer:
Arthur Johnston (American composer and songwriter)
Louis Armstrong & His Orchestra2:38
15Thanks a Million
recorded in:
New York, New York, United States (on 1935-12-19)
bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
Thanks a Million (on 1935-12-19)
lyricist:
Gus Kahn
composer:
Arthur Johnston (American composer and songwriter)
Louis Armstrong & His Orchestra2:35
16Shoe Shine Boy
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
Shoe Shine Boy (on 1934-12-19)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
Louis Armstrong & His Orchestra3:18
17Solitude
recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
Louis Armstrong & His Orchestra3:03
18Solitude
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
(In My) Solitude (on 1935-12-19)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
Louis Armstrong & His Orchestra3:00
19Solitude
recorded in:
New York, New York, United States (on 1935-12-19)
bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
Louis Armstrong & His Orchestra3:09
20I Hope Gabriel Like My Music
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
I Hope Gabriel Likes My Music (on 1935-12-19)
composer:
Dave Franklin (Tin Pan Alley songwriter)
Louis Armstrong & His Orchestra3:19
21The Music Goes ‘Round and Around
recorded in:
New York, New York, United States (on 1936-01-18)
double bass:
George "Pops" Foster (on 1936-01-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-01-18)
guitar:
Lee Blair (on 1936-01-18)
piano:
Luis Russell (on 1936-01-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-01-18), Henry “Moon” Jones (swing era reeds) (on 1936-01-18) and Bingie Madison (on 1936-01-18)
tenor saxophone:
Greely Walton (on 1936-01-18)
trombone:
Jimmy Archey (on 1936-01-18) and Harry White (jazz trombonist) (on 1936-01-18)
trumpet:
Gus Aiken (on 1936-01-18), Louis Armstrong (on 1936-01-18), Louis Bacon (on 1936-01-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-01-18)
vocals:
Louis Armstrong (on 1936-01-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-01-18)
recording of:
The Music Goes Round and Round (by E. Farley, M. Riley, R. Hodgson) (on 1936-01-18)
lyricist:
Red Hodgson (in 1935)
composer:
Edward Farley (US trumpeter, multi-instrumentalist & composer) (in 1935) and Mike Riley (US jazz trombonist & songwriter) (in 1935)
Louis Armstrong & His Orchestra3:14
22Rhythm Saved the World
recorded in:
New York, New York, United States (on 1936-01-18)
double bass:
George "Pops" Foster (on 1936-01-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-01-18)
guitar:
Lee Blair (on 1936-01-18)
piano:
Luis Russell (on 1936-01-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-01-18), Henry “Moon” Jones (swing era reeds) (on 1936-01-18) and Bingie Madison (on 1936-01-18)
tenor saxophone:
Greely Walton (on 1936-01-18)
trombone:
Jimmy Archey (on 1936-01-18) and Harry White (jazz trombonist) (on 1936-01-18)
trumpet:
Gus Aiken (on 1936-01-18), Louis Armstrong (on 1936-01-18), Louis Bacon (on 1936-01-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-01-18)
vocals:
Louis Armstrong (on 1936-01-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-01-18)
recording of:
Rhythm Saved the World (on 1936-01-18)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
Louis Armstrong & His Orchestra32:52
23I Come From A Musical Family
recorded in:
New York, New York, United States (on 1936-04-28)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-04-28) and Henry “Moon” Jones (swing era reeds) (on 1936-04-28)
double bass:
George "Pops" Foster (on 1936-04-28)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-04-28)
guitar:
Lee Blair (on 1936-04-28)
piano:
Luis Russell (on 1936-04-28)
tenor saxophone:
Bingie Madison (on 1936-04-28) and Greely Walton (on 1936-04-28)
trombone:
Jimmy Archey (on 1936-04-28) and Snub Mosley (on 1936-04-28)
trumpet:
Gus Aiken (on 1936-04-28), Louis Armstrong (on 1936-04-28), Louis Bacon (on 1936-04-28) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-04-28)
vocals:
Louis Armstrong (on 1936-04-28)
orchestra:
Louis Armstrong & His Orchestra (on 1936-04-28)
Louis Armstrong & His Orchestra2:58
24Somebody Stole My Break
recorded in:
New York, New York, United States (on 1936-04-28)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-04-28) and Henry “Moon” Jones (swing era reeds) (on 1936-04-28)
double bass:
George "Pops" Foster (on 1936-04-28)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-04-28)
guitar:
Lee Blair (on 1936-04-28)
piano:
Luis Russell (on 1936-04-28)
tenor saxophone:
Bingie Madison (on 1936-04-28) and Greely Walton (on 1936-04-28)
trombone:
Jimmy Archey (on 1936-04-28) and Snub Mosley (on 1936-04-28)
trumpet:
Gus Aiken (on 1936-04-28), Louis Armstrong (on 1936-04-28), Louis Bacon (on 1936-04-28) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-04-28)
vocals:
Louis Armstrong (on 1936-04-28)
orchestra:
Louis Armstrong & His Orchestra (on 1936-04-28)
Louis Armstrong & His Orchestra2:45
56CD: Louis Armstrong 1936–38
57CD: Louis Armstrong 1938–39
58CD: Louis Armstrong 1940–42
59CD: Cab Calloway 1931–41
60CD: Teddy Hill 1935–37
61CD: Lionel Hampton 1951
62CD: Lionel Hampton 1954
63CD: Casa Loma Orchestra 1931–33
64CD: Casa Loma Orchestra 1933–37
65CD: Benny Goodman 1935
66CD: Benny Goodman 1935–36
67CD: Benny Goodman 1936
68CD: Benny Goodman 1936–37
69CD: Benny Goodman 1937
70CD: Benny Goodman 1938
71CD: Benny Goodman 1938 II
72CD: Benny Goodman 1938–39
73CD: Benny Goodman 1939–41
74CD: Benny Goodman 1941
75CD: Benny Goodman 1941–42
76CD: Charlie Barnet 1939–41
77CD: Charlie Barnet 1941–46
78CD: Bob Crosby
79CD: Artie Shaw 1939–40
80CD: Artie Shaw 1940
81CD: Artie Shaw 1940–41
82CD: Artie Shaw 1941–45
83CD: Woody Herman 1937–38
84CD: Woody Herman 1937–43
85CD: Woody Herman 1946
86CD: Woody Herman 1946–54
87CD: Tommy Dorsey 1935–36
88CD: Tommy Dorsey 1937
89CD: Tommy Dorsey 1937–38
90CD: Tommy Dorsey 1939–45
91CD: Tommy Dorsey 1946–50
92CD: Jimmy Dorsey
93CD: Jack Teagarden
94CD: Gene Krupa
95CD: Harry James
96CD: Georgie Auld
97CD: Stan Kenton
98CD: Pete Rugolo
99CD: Shorty Rogers
100CD: Glenn Miller