Motown’s Biggest Pop Hits: All #1 on Billboard’s Charts

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:18
2I’ll Be There
produttore:
Nickolas Ashford, Hal Davis e Valerie Simpson
arrangiatore:
Bob West (US session bassist, producer & songwriter)
registrazione di:
I’ll Be There (nel 1970-06)
autore:
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy e Willie Hutch
editore:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. e Stone Diamond Music Corporation
parte di:
MJ: The Musical
The Jackson 54.353:58
3Upside Down
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
voce:
Diana Ross
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
remixer:
Russ Terrana
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1980) e Motown Records (not for label use; use “Motown” instead) (nel 1980)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 89)
registrazione di:
Upside Down
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony/ATV Songs LLC e Tommy Jymi Inc.
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:07
4Baby Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-08-13)
batteria :
Richard "Pistol" Allen (il 1964-08-13)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-08-13)
chitarra :
Eddie Willis (il 1964-08-13)
pianoforte :
Earl Van Dyke (il 1964-08-13)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-08-13)
sassofono tenore :
Henry Cosby (il 1964-08-13)
strumenti:
The Funk Brothers (il 1964-08-13)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-08-13)
voce di accompagnamento:
Florence Ballard (il 1964-08-13) e Mary Wilson (il 1964-08-13)
voce principale:
Diana Ross (il 1964-08-13)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-08-13)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 324) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 499)
registrazione di:
Baby Love (il 1964-08-13)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music Division
The Supremes4.352:38
5Ain’t No Mountain High Enough
produttore:
Nickolas Ashford, Henry Cosby e Valerie Simpson
arrangiatore:
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 6)
registrazione cover di:
Ain’t No Mountain High Enough
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
sub-editore:
EMI Songs Australia Pty. Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross4.153:30
6War
esecutore:
Edwin Starr
registrazione cover di:
War (il 1970-05-15)
autore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
Edwin Starr4.253:25
7Fingertips (Part II)
produttore:
Berry Gordy
armonica (a bocca) , bonghi e voce principale:
Stevie Wonder (il 1962-06-01)
basso :
James Jamerson (il 1962-06-01) e Larry Moses (bass player) (il 1962-06-01)
batteria :
Marvin Gaye (il 1962-06-01)
arrangiatore:
Clarence Paul
registrata presso:
Regal Theater in Chicago, Illinois, Stati Uniti (il 1962-06-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 13)
registrazione dal vivo parziale di:
Fingertips (il 1962-06-01)
autore:
Henry Cosby e Clarence Paul
editore:
Jobete Music Co., Inc. e Stone Agate Music
Stevie Wonder53:13
8Let’s Get It On
produttore:
Marvin Gaye e Ed Townsend
percussione :
Emil Richards
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (nel 1973) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1973)
remix di:
Let’s Get It On (album version) di Marvin Gaye
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 46)
registrazione di:
Let’s Get It On
autore:
Marvin Gaye e Ed Townsend
editore:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e Stone Diamond Music Corporation
Marvin Gaye3.54:02
9Three Times a Lady
produttore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
voce principale:
Lionel Richie
arrangiatore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1978), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1978, nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 10)
registrazione di:
Three Times a Lady
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Commodores3.653:38
10Love Child
produttore:
The Clan (Motown composers/producers group)
voce di accompagnamento:
The Andantes
arrangiatore:
Paul Riser
registrazione di:
Love Child (Diana Ross & the Supremes song)
autore:
Deke Richards (American songwriter and record producer), Pam Sawyer (British‐born American lyricist and songwriter), R. Dean Taylor (Canadian singer, songwriter and record producer) e Frank Wilson (Motown singer/songwriter)
editore:
Jobete Music Co., Inc. e Stone Agate Music Division
Diana Ross & The Supremes3.52:58
11I Can’t Get Next to You
produttore:
Norman Whitfield
strumenti:
The Funk Brothers (dal 1969-06-23 al 1969-07-03)
voce:
Melvin Franklin (dal 1969-06-23 al 1969-07-03) e Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1969-06-23 al 1969-07-03)
voce principale:
Dennis Edwards (US soul & R’n’B singer) (dal 1969-06-23 al 1969-07-03), Eddie Kendricks (dal 1969-06-23 al 1969-07-03) e Paul Williams (member of The Temptations) (dal 1969-06-23 al 1969-07-03)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1969-06-23 al 1969-07-03)
registrazione di:
I Can’t Get Next to You (dal 1969-06-23 al 1969-07-03)
autore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd. e Stone Agate Music
The Temptations2.52:54
12I Can’t Help Myself (Sugar Pie, Honey Bunch)
tecnico di registrazione:
Russ Terrana
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
archi :
Detroit Symphony Orchestra (nel 1965)
basso [1962 Fender Precision Bass] :
James Jamerson
batteria :
Richard "Pistol" Allen (nel 1965)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (nel 1965)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (nel 1965)
chitarra [Gibson L-5] :
Robert White (US funk/soul guitarist) (nel 1965)
pianoforte :
Earl Van Dyke (nel 1965)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (nel 1965)
strumenti:
The Funk Brothers (nel 1965)
tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (nel 1965)
vibrafono :
Jack Brokensha (nel 1965)
voce di accompagnamento:
The Andantes (nel 1965), Marlene Barrow (nel 1965), Renaldo Benson (nel 1965), Louvain Demps (nel 1965), Abdul “Duke” Fakir (nel 1965), Jackie Hicks (nel 1965) e Lawrence Payton (nel 1965)
voce principale:
Levi Stubbs (nel 1965)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 148), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 415) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 483)
registrazione di:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (nel 1965)
paroliere:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music Division
Four Tops3.62:43
13The Tears of a Clown
chitarra :
Marvin Tarplin (il 1966-09-26)
strumenti:
The Funk Brothers (il 1966-09-26)
voce di accompagnamento:
Warren “Pete” Moore (il 1966-09-26), Claudette Robinson (il 1966-09-26), Bobby Rogers (il 1966-09-26) e Ronald White (soul singer, founding member of The Miracles) (il 1966-09-26)
voce principale:
Smokey Robinson (il 1966-09-26)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1970)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1966-09-26)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 190) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 313)
registrazione di:
The Tears of a Clown (il 1966-09-26)
paroliere:
Smokey Robinson
compositore:
Henry Cosby, Smokey Robinson e Stevie Wonder
editore:
Black Bull Music, Inc., Jobete Music Ltd e Jobette Music (UK) Ltd.
Smokey Robinson & The Miracles3.93:01
14Keep On Truckin’ (Part 1)
produttore:
Leonard Caston (son of Leonard Caston) e Frank Wilson (Motown singer/songwriter)
arrangiatore:
James Carmichael e Jerry Long (Motown songwriter Jerry Long, Sr.)
registrazione di:
Keep On Truckin’
autore:
Lenny Caston (son of Leonard Caston), Anita Porée e Frank Wilson (Motown singer/songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Diamond Music Corporation
Eddie Kendricks3:36
15Where Did Our Love Go
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-04-08)
batteria :
Richard "Pistol" Allen (il 1964-04-08)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-04-08)
chitarra :
Robert White (US funk/soul guitarist) (il 1964-04-08) e Eddie Willis (il 1964-04-08)
pianoforte :
Earl Van Dyke (il 1964-04-08)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-04-08)
strumenti:
The Funk Brothers (il 1964-04-08)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-04-08)
voce di accompagnamento:
Florence Ballard (il 1964-04-08) e Mary Wilson (il 1964-04-08)
voce principale:
Diana Ross (il 1964-04-08)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-04-08)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 29) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 472)
registrazione di:
Where Did Our Love Go (il 1964-04-08)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
The Supremes52:34
16ABC
produttore:
The Corporation (Motown songwriters)
basso elettrico :
Wilton Felder (nel 1970-01) e Bob West (US session bassist, producer & songwriter) (nel 1970-01)
batteria :
Gene Pello (nel 1970-01)
chitarra :
Don Peake (nel 1970-01), Louis Shelton (nel 1970-01) e David T. Walker (nel 1970-01)
tastiera :
Freddie Perren (nel 1970-01)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Marlon Jackson (nel 1970-01) e Tito Jackson (nel 1970-01)
voce di accompagnamento e voce principale:
Michael Jackson (“King of Pop”) (nel 1970-01)
voce principale:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1970-01) e Tito Jackson (nel 1970-01)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1970)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (nel 1970-01)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 174)
registrazione di:
ABC (nel 1970-01)
autore:
Berry Gordy, Fonce Mizell, Freddie Perren e Deke Richards (American songwriter and record producer)
compositore:
Erik Huber (audio engineer, producer, composer)
editore:
Jobete Music Co., Inc.
sub-editore:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
parte di:
MJ: The Musical
The Jackson 54.12:59
17Come See About Me
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (il 1964-07-13)
voce di accompagnamento:
Florence Ballard (il 1964-07-13) e Mary Wilson (il 1964-07-13)
voce principale:
Diana Ross (il 1964-07-13)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-07-13)
registrazione di:
Come See About Me (il 1964-07-13)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music Division
The Supremes52:45
18Just My Imagination (Running Away With Me)
produttore:
Norman Whitfield
voce:
The Temptations (Motown soul vocal group) (dal 1970-11-24 al 1970-12-03)
voce principale:
Eddie Kendricks (dal 1970-01-24 al 1970-12-03)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1971), Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1971), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1971) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1971)
registrata presso:
Golden World in Detroit, Michigan, Stati Uniti (dal 1970-11-24 al 1970-12-03)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 233) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 389)
registrazione di:
Just My Imagination (Running Away With Me) (dal 1970-11-24 al 1970-12-03)
paroliere:
Barrett Strong
compositore:
Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Stone Agate Music
The Temptations4.353:48

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