Das Cambridge Buch der Musik

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

This is a set of five Compact Discs accompanying a book that was published in 1994 (first edition) by Zweitausendeins, Frankfurt a. M.: "Das Cambridge Buch der Musik", Stanley Sadie/Alison Latham (editors).

Link to a database entry for the first CD: http://snipurl.com/ikuc

Annotation last modified on 2012-06-12 13:47 UTC.

Tracklist

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#TitleArtistRatingLength
1Orfeo: II. Akt: Ausschnitt (VI. A, S. 169)
harpsichord:
Colin Tilney (harpsichordist)
tenor vocals:
Ian Partridge (tenor) and Nigel Rogers (tenor)
recording of:
L'Orfeo: Atto secondo. Mira, deh mira, Orfeo (Pastore)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto secondo
Claudio Monteverdi7:07
2Dido und Aeneas: III. Akt: When I am laid in earth (Vi. B, S.189)
mezzo-soprano vocals:
Tatiana Troyanos (mezzo-soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (German chamber orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:46
3Hippolyte et Aricie: Schlusszene des IV. Aktes (VI. C, S. 196)
harpsichord:
Thurston Dart (conductor and keyboard player)
choir vocals:
St. Anthony Singers
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
recording of:
Hippolyte et Aricie: Acte IV. "Quelle plainte en ces lieux m'appelle"
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Hippolyte et Aricie: Acte IV
Jean‐Philippe Rameau4:56
4Violinkonzert a-moll, op. 3: No. 6 (VI. D, S. 205)
harpsichord:
Christopher Hogwood (conductor, harpsichordist)
violin:
Catherine Mackintosh (violinist)
orchestra:
Academy of Ancient Music
recording of:
Violin Concerto in A minor, op. 3 no. 6, RV 356
miscellaneous support:
Gian Francesco Malipiero (Italian composer) (task: editor)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. I/176) and Ryom-Verzeichnis (number: RV 356)
part of:
L’estro armonico, op. 3
Antonio Vivaldi3:04
5Brandenburgisches Konzert No. 4 G-dur, BWV 1049 (VI. E, S. 216)
recorder:
Rachel Beckett (flute and recorder player) and Philip Pickett (musician)
violin:
Simon Standage (English violinist and conductor)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
dedicated to:
Christian Ludwig (Margrave of Brandenburg)
part of:
Bach-Werke-Verzeichnis (number: BWV 1049)
part of:
Six concerts avec plusieurs instruments (Brandenburg Concertos, Brandenburg concertos)
Johann Sebastian Bach15:33
6Wohltemperiertes Klavier: Teil l: Praeludium und Fuge in c-moll (VI. F, S. 219)
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847.2/847
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 847), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 847.2), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 847), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 847) and Bach Compendium (number: BC L 81)
part of:
The Well-Tempered Clavier, Book I
Johann Sebastian Bach3:35
7Acis and Galatea: Love in her eyes sits playing (VI. G, S. 239)
vocals:
Anthony Rolfe Johnson (tenor)
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Acis and Galatea, HWV 49: Act I, no. 7. Aria "Love in her eyes sits playing" (Acis)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
Georg Friedrich Händel6:59
8Messias: Halleluja Chor (VI. H, S. 244)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
instruments and orchestra:
Academy of Ancient Music (in 1979)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
soprano vocals:
Judith Nelson (soprano)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:52
9Symphonie no. 104 D-Dur (VII. A, S.268)
orchestra:
Concertgebouw Kamerorkest (Concertgebouw Chamber Orchestra)
conductor:
Sir Colin Davis (English conductor)
partial recording of:
Symphony no. 104 in D major, Hob. I:104 “London”
composer:
Joseph Haydn (composer) (in 1795)
premiered at:
His Majesty’s Theatre (Haymarket, London) in London (Greater London), England, United Kingdom (on 1795-05-04)
Joseph Haydn8:33
10Streichquartett C-Dur, op. 76: No. 3 (VII. B, S. 271)
string quartet:
Quartetto Italiano (Italian Quartet, 1945—1980)
partial recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
composer:
Joseph Haydn (composer) (from 1796 until 1797)
part of:
Hoboken-Verzeichnis (number: Hob. III:77)
part of:
String Quartets, op. 76
Joseph Haydn13:36
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