The Great EMI Recordings

~ Release by Paul Tortelier (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Don Quixote: Introduction (Mäßiges Zeitmaß
producer:
David Mottley (producer)
cello:
Paul Tortelier (cellist) (from 1973-06-22 until 1973-06-29)
viola:
Max Rostal (violinist/violist) (from 1973-06-22 until 1973-06-29)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1973-06-22 until 1973-06-29)
conductor:
Rudolf Kempe (conductor) (from 1973-06-22 until 1973-06-29)
balance engineer:
Claus Strüben (german sound engineer) (from 1973-06-22 until 1973-06-29)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1974)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1973-06-22 until 1973-06-29)
recording of:
Don Quixote, op. 35: I. Introduction (from 1973-06-22 until 1973-06-29)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss5:51
2Don Quixote: Mäßig (Don Quixote)
producer:
David Mottley (producer)
cello:
Paul Tortelier (cellist) (from 1973-06-22 until 1973-06-29)
viola:
Max Rostal (violinist/violist) (from 1973-06-22 until 1973-06-29)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1973-06-22 until 1973-06-29)
conductor:
Rudolf Kempe (conductor) (from 1973-06-22 until 1973-06-29)
balance engineer:
Claus Strüben (german sound engineer) (from 1973-06-22 until 1973-06-29)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1974)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1973-06-22 until 1973-06-29)
recording of:
Don Quixote, op. 35: Thema: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (Don Quixote, op. 35: 2. Theme: Mäßig. "Don Quixote, the Knight of the Sorrowful Countenance") (from 1973-06-22 until 1973-06-29)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss0:59
3Don Quixote: Maggiore (Sancho Panza) -
producer:
David Mottley (producer)
cello:
Paul Tortelier (cellist) (from 1973-06-22 until 1973-06-29)
viola:
Max Rostal (violinist/violist) (from 1973-06-22 until 1973-06-29)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1973-06-22 until 1973-06-29)
conductor:
Rudolf Kempe (conductor) (from 1973-06-22 until 1973-06-29)
balance engineer:
Claus Strüben (german sound engineer) (from 1973-06-22 until 1973-06-29)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1974)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1973-06-22 until 1973-06-29)
recording of:
Don Quixote, op. 35: Maggiore. Sancho Panza (from 1973-06-22 until 1973-06-29)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:07
4Don Quixote: Variation I: The Adventure With the Windmills
producer:
David Mottley (producer)
cello:
Paul Tortelier (cellist) (from 1973-06-22 until 1973-06-29)
viola:
Max Rostal (violinist/violist) (from 1973-06-22 until 1973-06-29)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1973-06-22 until 1973-06-29)
conductor:
Rudolf Kempe (conductor) (from 1973-06-22 until 1973-06-29)
balance engineer:
Claus Strüben (german sound engineer) (from 1973-06-22 until 1973-06-29)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1974)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1973-06-22 until 1973-06-29)
recording of:
Don Quixote, op. 35: Variation I: Departure. The Adventure of the Windmills (from 1973-06-22 until 1973-06-29)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:26
5Don Quixote: Variation II: The Battle With the Sheep
producer:
David Mottley (producer)
cello:
Paul Tortelier (cellist) (from 1973-06-22 until 1973-06-29)
viola:
Max Rostal (violinist/violist) (from 1973-06-22 until 1973-06-29)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1973-06-22 until 1973-06-29)
conductor:
Rudolf Kempe (conductor) (from 1973-06-22 until 1973-06-29)
balance engineer:
Claus Strüben (german sound engineer) (from 1973-06-22 until 1973-06-29)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1974)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1973-06-22 until 1973-06-29)
recording of:
Don Quixote, op. 35: Variation II: The Battle With the Sheep (from 1973-06-22 until 1973-06-29)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:35
6Don Quixote: Variation III: Discourse Between Knight and Squire
producer:
David Mottley (producer)
cello:
Paul Tortelier (cellist) (from 1973-06-22 until 1973-06-29)
viola:
Max Rostal (violinist/violist) (from 1973-06-22 until 1973-06-29)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1973-06-22 until 1973-06-29)
conductor:
Rudolf Kempe (conductor) (from 1973-06-22 until 1973-06-29)
balance engineer:
Claus Strüben (german sound engineer) (from 1973-06-22 until 1973-06-29)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1974)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1973-06-22 until 1973-06-29)
recording of:
Don Quixote, op. 35: Variation III: Sancho's Wishes, Peculiarities of Speech and Maxims (from 1973-06-22 until 1973-06-29)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss8:11
7Don Quixote: Variation IV: The Adventure with the Pilgrims
producer:
David Mottley (producer)
cello:
Paul Tortelier (cellist) (from 1973-06-22 until 1973-06-29)
viola:
Max Rostal (violinist/violist) (from 1973-06-22 until 1973-06-29)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1973-06-22 until 1973-06-29)
conductor:
Rudolf Kempe (conductor) (from 1973-06-22 until 1973-06-29)
balance engineer:
Claus Strüben (german sound engineer) (from 1973-06-22 until 1973-06-29)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1974)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1973-06-22 until 1973-06-29)
recording of:
Don Quixote, op. 35: Variation IV: The Adventure With the Procession of Penitents (from 1973-06-22 until 1973-06-29)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:45
8Don Quixote: Variation V: The Knight's Vigil
producer:
David Mottley (producer)
cello:
Paul Tortelier (cellist) (from 1973-06-22 until 1973-06-29)
viola:
Max Rostal (violinist/violist) (from 1973-06-22 until 1973-06-29)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1973-06-22 until 1973-06-29)
conductor:
Rudolf Kempe (conductor) (from 1973-06-22 until 1973-06-29)
balance engineer:
Claus Strüben (german sound engineer) (from 1973-06-22 until 1973-06-29)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1974)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1973-06-22 until 1973-06-29)
recording of:
Don Quixote, op. 35: Variation V: Don Quixote's Vigil During the Summer Night (from 1973-06-22 until 1973-06-29)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss3:50
9Don Quixote: Variation VI: The Meeting with Dulcinea
producer:
David Mottley (producer)
cello:
Paul Tortelier (cellist) (from 1973-06-22 until 1973-06-29)
viola:
Max Rostal (violinist/violist) (from 1973-06-22 until 1973-06-29)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1973-06-22 until 1973-06-29)
conductor:
Rudolf Kempe (conductor) (from 1973-06-22 until 1973-06-29)
balance engineer:
Claus Strüben (german sound engineer) (from 1973-06-22 until 1973-06-29)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1974)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1973-06-22 until 1973-06-29)
recording of:
Don Quixote, op. 35: Variation VI: Dulcinea (from 1973-06-22 until 1973-06-29)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:09
10Don Quixote: Variation VII: The Ride Through the Air
producer:
David Mottley (producer)
cello:
Paul Tortelier (cellist) (from 1973-06-22 until 1973-06-29)
viola:
Max Rostal (violinist/violist) (from 1973-06-22 until 1973-06-29)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1973-06-22 until 1973-06-29)
conductor:
Rudolf Kempe (conductor) (from 1973-06-22 until 1973-06-29)
balance engineer:
Claus Strüben (german sound engineer) (from 1973-06-22 until 1973-06-29)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1974)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1973-06-22 until 1973-06-29)
recording of:
Don Quixote, op. 35: Variation VII: Don Quixote's Ride Through the Air (from 1973-06-22 until 1973-06-29)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:03
11Don Quixote: Variation VIII: The Voyage in the Enchanted Boat
producer:
David Mottley (producer)
cello:
Paul Tortelier (cellist) (from 1973-06-22 until 1973-06-29)
viola:
Max Rostal (violinist/violist) (from 1973-06-22 until 1973-06-29)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1973-06-22 until 1973-06-29)
conductor:
Rudolf Kempe (conductor) (from 1973-06-22 until 1973-06-29)
balance engineer:
Claus Strüben (german sound engineer) (from 1973-06-22 until 1973-06-29)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1974)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1973-06-22 until 1973-06-29)
recording of:
Don Quixote, op. 35: Variation VIII: The Trip on the Enchanted Boat (from 1973-06-22 until 1973-06-29)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:00
12Don Quixote: Variation IX: The Combat With the Two Magicians
producer:
David Mottley (producer)
cello:
Paul Tortelier (cellist) (from 1973-06-22 until 1973-06-29)
viola:
Max Rostal (violinist/violist) (from 1973-06-22 until 1973-06-29)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1973-06-22 until 1973-06-29)
conductor:
Rudolf Kempe (conductor) (from 1973-06-22 until 1973-06-29)
balance engineer:
Claus Strüben (german sound engineer) (from 1973-06-22 until 1973-06-29)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1974)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1973-06-22 until 1973-06-29)
recording of:
Don Quixote, op. 35: Variation IX: The Attack on the Mendicant Friars (from 1973-06-22 until 1973-06-29)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:05
13Don Quixote: Variation X: The Defeat of Don Quixote
producer:
David Mottley (producer)
cello:
Paul Tortelier (cellist) (from 1973-06-22 until 1973-06-29)
viola:
Max Rostal (violinist/violist) (from 1973-06-22 until 1973-06-29)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1973-06-22 until 1973-06-29)
conductor:
Rudolf Kempe (conductor) (from 1973-06-22 until 1973-06-29)
balance engineer:
Claus Strüben (german sound engineer) (from 1973-06-22 until 1973-06-29)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1974)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1973-06-22 until 1973-06-29)
recording of:
Don Quixote, op. 35: Variation X: The Duel and Return Home (from 1973-06-22 until 1973-06-29)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:32
14Don Quixote: Finale (Sehr ruhig)
producer:
David Mottley (producer)
cello:
Paul Tortelier (cellist) (from 1973-06-22 until 1973-06-29)
viola:
Max Rostal (violinist/violist) (from 1973-06-22 until 1973-06-29)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1973-06-22 until 1973-06-29)
conductor:
Rudolf Kempe (conductor) (from 1973-06-22 until 1973-06-29)
balance engineer:
Claus Strüben (german sound engineer) (from 1973-06-22 until 1973-06-29)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1974)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1973-06-22 until 1973-06-29)
recording of:
Don Quixote, op. 35: III. Epilogue: Don Quixote's Mind Clears. Death of Don Quixote (Don Quixote, op. 35: Epilogue: Don Quixote's Mind Clears. Death of Don Quixote) (from 1973-06-22 until 1973-06-29)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss5:26
15Cello Concerto no. 1 in E-flat, op. 107: I. Allegretto
recording engineer:
Stuart Eltham (engineer)
producer:
John Mordler (producer)
cello:
Paul Tortelier (cellist) (from 1973-01-07 until 1973-01-08)
orchestra:
Bournemouth Symphony Orchestra (from 1973-01-07 until 1973-01-08)
conductor:
Paavo Berglund (conductor) (from 1973-01-07 until 1973-01-08)
balance engineer:
Stuart Eltham (engineer) (from 1973-01-07 until 1973-01-08)
recorded at:
O₂ Guildhall Southampton in Southampton, England, United Kingdom (from 1973-01-07 until 1973-01-08)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto (from 1973-01-07 until 1973-01-08)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich6:20
16Cello Concerto no. 1 in E-flat, op. 107: II. Moderato
recording engineer:
Stuart Eltham (engineer)
producer:
John Mordler (producer)
cello:
Paul Tortelier (cellist) (from 1973-01-07 until 1973-01-08)
orchestra:
Bournemouth Symphony Orchestra (from 1973-01-07 until 1973-01-08)
conductor:
Paavo Berglund (conductor) (from 1973-01-07 until 1973-01-08)
balance engineer:
Stuart Eltham (engineer) (from 1973-01-07 until 1973-01-08)
recorded at:
O₂ Guildhall Southampton in Southampton, England, United Kingdom (from 1973-01-07 until 1973-01-08)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato (from 1973-01-07 until 1973-01-08)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich12:23
17Cello Concerto no. 1 in E-flat, op. 107: III. Cadenza
recording engineer:
Stuart Eltham (engineer)
producer:
John Mordler (producer)
cello:
Paul Tortelier (cellist) (from 1973-01-07 until 1973-01-08)
orchestra:
Bournemouth Symphony Orchestra (from 1973-01-07 until 1973-01-08)
conductor:
Paavo Berglund (conductor) (from 1973-01-07 until 1973-01-08)
balance engineer:
Stuart Eltham (engineer) (from 1973-01-07 until 1973-01-08)
recorded at:
O₂ Guildhall Southampton in Southampton, England, United Kingdom (from 1973-01-07 until 1973-01-08)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza (from 1973-01-07 until 1973-01-08)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich5:58
18Cello Concerto no. 1 in E-flat, op. 107: IV. Finale: Allegro con moto
recording engineer:
Stuart Eltham (engineer)
producer:
John Mordler (producer)
cello:
Paul Tortelier (cellist) (from 1973-01-07 until 1973-01-08)
orchestra:
Bournemouth Symphony Orchestra (from 1973-01-07 until 1973-01-08)
conductor:
Paavo Berglund (conductor) (from 1973-01-07 until 1973-01-08)
balance engineer:
Stuart Eltham (engineer) (from 1973-01-07 until 1973-01-08)
recorded at:
O₂ Guildhall Southampton in Southampton, England, United Kingdom (from 1973-01-07 until 1973-01-08)
recording of:
Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con moto (from 1973-01-07 until 1973-01-08)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1959)
part of:
Cello Concerto no. 1 in E-flat major, op. 107
Dmitri Shostakovich4:52
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20▶CD: Historical Recordings